Fans pick 100 books like The Man Who Thought He Was Napoleon

I was always interested in how the emperor Nero was associated from antiquity onwards with the Antichrist: the world-destroying and tyrannical son of Satan who would prevail until the final victory of God. Only Judas matched him as a villain in the Christian imagination. Malik traces the Nero-Antichrist “paradigm” across centuries, exploring the ways in which Christians viewed Nero as an arch-fiend, the beast in the Book of Revelation, and a figure of evil who tested their mettle and faith. While recent scholars have softened the traditional picture of Nero, his afterlife continues to wield its menacing power, based in no small part on these Christian traditions.

Like Nero, King John’s awful reputation has been subject to revision in recent years, though others insist that his “lechery and treachery,” not to mention his cruelty, still places him as England’s worst king. John’s image was rehabilitated in the sixteenth century, however, when the king, in Djordevic’s words, became a “virtual obsession” among writers, dramatists, and contemporary historians.  Shakespeare created a tragic John seeking to defend his crown from rival claimants, foreign invasion, and an intrusive pope, while Protestant writers displayed an even more favorable stance towards John, who had opposed an intrusive papacy. John-as-tyrant was a crowd-pleaser, however, which accounted for the production of plays and poems that continued the traditional portraits of the mad, bad king.   

The extent of an evil leader’s influence can be measured in terms of whether he or she enters popular folklore. In the case of Ivan the Terrible, the Russian “grozny” in “Ivan Grozny” is actually translated as “awe-inspiring,” though the “terrible” tag has ensured that the czar would be remembered for his paranoia, brutality, and alleged insanity.

In folklore it was different: as Perrie’s book demonstrates, Ivan was a sympathetic figure through the twentieth century, in tales that recounted his triumphs in war or his repenting after an act of cruelty. Perrie attributes the favorable views of Ivan to “popular monarchism,” but he was also a figure whose image could be grafted onto existing folkloric archetypes to powerful effect.

The American Civil War would produce a number of legendary figures, but William Tecumseh Sherman has long interested me for the extreme reactions he continues to provoke. Northerners would view him as a heroic if ruthless conqueror, while Southerners attributed the Confederacy’s destruction and humiliation to this uncavalier “Yankee.”

Sherman’s March in Myth and History traces the mythmaking of Sherman by historians, poets, novelists, and filmmakers, but it also goes deeper in its exploration of how myths and memories about Sherman served to bolster present-day interests. The vilification of Sherman helped to boost the Old South aristocracy and the idea of the "Lost Cause," while northerners viewed Sherman’s march as positive evidence of a superior industrialism. Sherman himself attempted to shape his legacy through lectures and a memoir. Even so, his legacy remains deeply divisive even now, with the authors writing that “there is no conciliation in sight for the… show more.

One of the most moving accounts I know of how literary creation takes place. With extraordinary sensitivity, Steegmuller reveals the mind and soul of the perturbed young bourgeois, Gustave Flaubert, and shows him growing, bit by bit, page by page, into the writer who set new terms for the art of the novel for the next hundred years. Art remains a mystery, but Steegmuller brings us uncannily close to the heart of it.

Foucault’s classic 1961 book, History of Madness, was republished in 2006 in its entirety, exposing the serious omissions of the earlier English translation. In its full form, it stands the test of time as a groundbreaking book that exposed the origins of the modern rational self as the product of repeated attempts to understand, exclude, contain, eliminate, and treat ‘madness’. Foucault’s main argument was that since the Renaissance, our understanding of madness shifted from a philosophical phenomenon into an objective medical science. In the Renaissance, madness could still provide wisdom and insight. Yet, during the 17th and early 18th Centuries, numerous institutions of confinement, such as asylums and poor houses, were established to contain both madness and economic redundancy.’

Foucault characterises the modern experience of madness as defined purely by medical science. He claims this perspective is limiting and definitely not a move towards the ‘truth’ of madness. His… show more.

“What does it mean to be called crazy in a crazy world?” asks Will Hall, the host of Madness Radio. Hall is one of the most gifted media hosts whom I have ever been interviewed by, as he is especially talented in drawing out his subjects. Hall is unique in that he is also a therapist who was once diagnosed with schizophrenia. Outside Mental Health is a collection of his interviews with more than 60 scientists, journalists, doctors, activist ex-psychiatric patients, and artists who provide alternative visions to psychiatry’s medical model—a paradigm that has been nonproductive and counterproductive for many people.

Psychiatric medications are prescribed more judiciously than when my sister first took them, but still many people find them intolerable.

Bergner first encountered mental illness when his younger brother Bob was diagnosed with bipolar disorder after dancing on a ferry to the rhythm of the ocean. Sadly, his parents believed that dancing was a symptom to be eliminated with higher doses of lithium.

Bergner finds two others to share their experiences: a roller derby star turned peer counselor, who heard voices since childhood; and a lawyer who feels doomed to failure despite his achievements in important cases. All three discontinue medication, two of them successfully.

Interspersed with their stories is a short history of psychiatry with a focus on the limitations of neuroscience and serious missteps in psychopharmacology.

This is a book in which I have underlines on almost every page. It’s the story of the development of Psychiatry — the whole field — in the United States; in this case, there really is a story. One man, Thomas Kirkbride, the superintendent of the Pennsylvania Hospital for the Insane, largely determined the course of how we first thought about and treated mental illness in America. His vision became the template for the large state institutions erected according to his model.

Steeped in the ideals of the European protocol of “moral treatment,” Kirkbride believed to the end that mental illness could be cured with nature, safe containment, music, art, reading, good food, and a slowed-down, kinder life. 

I read this book first as a teenager and it was my original introduction to Napoleon and the French Revolution. The story of young love, betrayal, and the stirring events in France before, during, and after Napoleon becomes Emperor, the novel is told as a diary, which lends the book immediacy and poignancy.

As a Jewish reader, I particularly enjoyed Selinko’s description of how Désirée’s Jewish neighbors marched off to war, having been given citizenship for the first time in millennia.

I’ve read this book countless times, both as a young reader and as an adult, and it continues to be an all-time favorite. It also shaped my own approach to portraying Napoleon.