I was a teacher and a professor who showed generations of students how to find x, how to prove figure 1 was similar to figure 2, how to make a machine search through millions of bits of data for an answer. An inspiration for a story struck me one day early in retirement as I was daydreaming. I began to write and have never stopped. It turns out that “if-then” is not so different from “what if.” The first is more like destiny, the second like free will. One is science, the other is fiction. “What if” has led me into strange lands.
Schroedinger’s Cheshire Cats is a journey through Thoughtland, where the Summoner is searching and testing the creations of other Gods for the formula of a soul to use for its own creation. Six characters are kidnaped from reality, their souls are placed like cats in a Schroedinger box filled with a maze of poisons. Their paths through the maze are studied closely by the Summoner. Like a symbol for science itself, the Summoner is the “physically” omniscient creator of Thoughtland, but its search for a formula is destined to fail. Humans can conceive of anything and can live with paradox, and like the Cheshire Cat, they can choose to disappear.
I’ll admit that the opening sex scene with the naked woman in the moonlight caught my attention fifty years ago, but I’ve visited the city of Bellona several times since then. It means something different to me each time. Now I notice its poetic and mythological symbolism as part of Delaney’s construction of the city and reconstruction of the main character’s lost memory. Bellona is a post-apocalyptic place, like a confused mind. The poetic drifter starts like a character scribbled in the margin of a writer’s notebook. I’m sure that if you dare enter Bellona with him, your experiences will be memorable.
Nebula Award Finalist: Reality unravels in a Midwestern town in this sci-fi epic by the acclaimed author of Babel-17. Includes a foreword by William Gibson.
A young half–Native American known as the Kid has hitchhiked from Mexico to the midwestern city Bellona—only something is wrong there . . . In Bellona, the shattered city, a nameless cataclysm has left reality unhinged. Into this desperate metropolis steps the Kid, his fist wrapped in razor-sharp knives, to write, to love, to wound.
So begins Dhalgren, Samuel R. Delany’s masterwork, which in 1975 opened a new door for what science fiction could mean.…
Like many of you I have enjoyed the movie and tv versions of some of Dick’s stories such as Blade Runner, The Man in the High Castle, and Total Recall. I have also read his thousand-page plus Exegesis, a rambling and chaotic attempt to make sense of his life. He was a deeply disturbed and troubled genius. This book is one of the best examples of that genius. The writing is clear, the ideas are deep. The religious symbolism and concepts are everywhere as Dick takes the reader from competing drug dealers through layer upon layer of hallucinations or alternate realities to direct interaction with God or a god or a devil or...?
In the overcrowded world and cramped space colonies of the late twenty-first century, tedium can be endured through the use of the drug Can-D, which enables the user to inhabit a shared illusory world.
But when industrialist Palmer Eldritch returns from an interstellar trip, he brings with him a new drug, Chew-Z, which is far more potent than Can-D. But could the permanent state of drugged illusion it induces be part of something much more sinister?
Here is an alternate reality novel before the term even existed. It is a prison break tale, of a strange sort, and as you would expect of London it has lots of action. But it is philosophical as well. “The spirit is the reality that endures.” Scientific also, with explanations that were state of the art at the time. If you are into social justice, read his case against society and the brutality of the prisons of the day.
The Jacket (1915) is a novel by American writer Jack London. A groundbreaking work of science fiction that blends elements of mysticism, The Jacket critiques the harsh reality of the American criminal justice system. The novel was inspired by the experiences of Ed Morrell, a man who spent time at San Quentin State Prison for robbing trains. Horrified by his description of "the jacket," a constricting device used to punish inmates, London wrote the novel to explore the psychological effects of torture. Darrell Standing was a Professor of Agronomics at the University of California, Berkeley when, in a fit of…
What is it? A first contact story. Sort of. They were aliens? Yeah, Russians. What are they like? Don’t know. They’re gone now. Did you find anything good? Lots and lots. What’s that? The God hypothesis. It allows you to have an unparalleled understanding of absolutely everything while knowing absolutely nothing. Can you show me something else? No. You gotta go yourself. Can I really go into the Zone? If you’re old enough. And brave enough. Is it dangerous? People don’t come back. Is it legal? No, but you can sneak in.
Red Schuhart is a stalker, one of those young rebels who are compelled, in spite of extreme danger, to venture illegally into the Zone to collect the mysterious artifacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a “full empty,” something goes wrong. And the news he gets from his girlfriend upon his return makes it inevitable that he’ll keep going back to the Zone, again and again, until he…
I loved this book because it has mathematics to the nth degree! Some of it in the form of inside jokes like “easy to use partial differential equations” that made me laugh out loud. Some of it, such as “equations that had sadness as a constant,” are in a “techno-poetic” style that I strive to achieve in my own writing. But this “meta-science fiction” novel is also filled with musings on writing and creativity. The self-referential recursion of a book within a book within a book makes the paradoxes of time travel even more interesting. The “reality portions” in which the main character pursues his quest to “find his father” are as deep and well done a theme as any I have read in sci-fi.
With only TAMMY - a slightly tearful computer with self-esteem issues - a software boss called Phil - Microsoft Middle Manager 3.0 - and an imaginary dog called Ed for company, fixing time machines is a lonely business and Charles Yu is stuck in a rut.
He's spent the better part of a decade navel-gazing, spying on 39 different versions of himself in alternate universes (and discovered that 35 of them are total jerks).…
Two women, a century apart, seek to rebuild their lives after leaving their homelands. Arriving in tropical Singapore, they find romance, but also find they haven’t left behind the dangers that caused them to flee.
Haunted by the specter of terrorism after 9/11, Aislinn Givens leaves her New York career and joins her husband in Southeast Asia when he takes a job there. She acquires several paintings by a colonial-era British artist that she believes are a warning.
The artist, Elizabeth Pennington, tells her own tumultuous story through diary entries that end when World War I reaches the colony with catastrophic results. In the present, Aislinn and her husband learn that terrorism takes many shapes when they are ensnared by local political upheaval and corruption.
"Aislinn Givens leaves a settled life in Manhattan for an unsettled life in Singapore. That painting radiates mystery and longing. So does Clifford Garstang's vivid and simmering novel, The Last Bird of Paradise." –John Dalton, author of Heaven Lake and The Inverted Forest
Two women, nearly a century apart, seek to rebuild their lives when they reluctantly leave their homelands. Arriving in Singapore, they find romance in a tropical paradise, but also find they haven't left behind the dangers that caused them to flee.
In the aftermath of 9/11 and haunted by the specter of terrorism, Aislinn Givens leaves her…
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