Fans pick 95 books like The Jacket (The Star-Rover)

Vonnegut’s book is a unique combination of satire, science fiction, and raw war critique. Billy Pilgrim, the protagonist, lives out the trauma of surviving the Dresden bombing by becoming "unstuck in time," drifting through different moments of his life, from past to future. This strange, nonlinear structure mirrors how we process trauma in fragments and waves, never in a neat, chronological order. The randomness of death, the meaninglessness of war—all these themes come together in a way that’s both absurd and deeply moving. As we witness terror and violence continually unfold across the globe, the echoes of Slaughterhouse-Five feel ever-present.

The phrase “So it goes” serves as a refrain throughout the novel, after every death—reminding us of the inevitability of loss in wartime, no matter the scale. This book hit me hard with its dark humor and cynical commentary on the glorification of war. Vonnegut forces you to laugh in… show more.

While not perhaps a “romance” novel in the established-formula sense, this book is achingly romantic. This epic story truly focuses on the gradual development of the two protagonists’ relationship and how time travel both created and challenged their love. This book ignited my passion for magic-realism romantic novels and remains one of my top books of all time.

I adore the contrast of romantic love between two seemingly destined souls and the brutality of some events caused by Henry’s uncontrolled time travel. There’s also the tricky angle of the age gap (only sometimes, depending on where Henry and Clare are in their lives, but it is occasionally extreme), which the author doesn’t shy away from. And I confess this is probably the book that made me sob the most!

I am a huge fan of dreampunk books and this book helped create the genre. Reading it took me into a dreamworld that lead into another dreamworld and then yet another.

As with all Philip K. Dick books I was left wondering if I ever did return to the reality I believe I live in. I also found the character of Palmer Eldritch himself to be one of my all-time favorites.

Crichton is, without question, my favorite author, and what I love most about his books is the singular word that defines them all: immersive. As one of the later Crichton books I read, I actually saw the movie adaptation of this book first, and I cannot stress enough how much better the book is.

The details involved build both a compelling representation of 14th century France, complete with indecipherable language, and a believable mechanism for that time travel based on quantum mechanics, more than a decade before the boom of multiverse fiction.

I loved this book because it has mathematics to the nth degree! Some of it in the form of inside jokes like “easy to use partial differential equations” that made me laugh out loud. Some of it, such as “equations that had sadness as a constant,” are in a “techno-poetic” style that I strive to achieve in my own writing. But this “meta-science fiction” novel is also filled with musings on writing and creativity. The self-referential recursion of a book within a book within a book makes the paradoxes of time travel even more interesting. The “reality portions” in which the main character pursues his quest to “find his father” are as deep and well done a theme as any I have read in sci-fi.

What is it? A first contact story. Sort of. They were aliens? Yeah, Russians. What are they like? Don’t know. They’re gone now. Did you find anything good? Lots and lots. What’s that? The God hypothesis. It allows you to have an unparalleled understanding of absolutely everything while knowing absolutely nothing. Can you show me something else? No. You gotta go yourself. Can I really go into the Zone? If you’re old enough. And brave enough. Is it dangerous? People don’t come back. Is it legal? No, but you can sneak in.

Samuel R. Delaney’s masterpiece, Dhalgren, is set in a city in the Midwest that has been emptied by an unnamed catastrophe.

A sense of freedom, violence and disaster hang everywhere as the hero – Kidd, Kid, or the kid, a man with no memory and of ambiguous race (he remembers his mother was Native American) – gains entry into the subcultures that remain behind: parties, high-rise poetry readings with older white people, gun fights, gangs, graphic sex.

Time and perspective seem fluxive, inconstant, and looping. 

This is beautiful, destabilized world building. Dhalgren answers no questions yet evokes a time, place, and milieu that shifts as you read.

I first found it when I was working as a librarian in a prison out on the plains. I didn’t last in prison.

Most people will know Bid Time Return from its Christopher Reeve film adaptation, Somewhere in Time. In the novel and movie, the main character is transported back and forth without a physical device, just through self-hypnosis. Some believe there is a touch of science to self-hypnosis. This story has spoken to me since I first saw the film as a young child. The story focuses more on the dynamics of the two characters, who are separated by an era, and less on the adventures of time travel. While this is more of a romance story at heart, I borrowed some atmosphere and tone from the love interest plotline for my own novel. To me, this story is timeless, and I knew my novel would suffer if I did not put a nod to it.

I am most excited to talk about this book since Cidney Swanson became one of my favorite authors. I’ll admit a lot of people don’t know who she is, but she’s a very sweet and talented author more people should know about.

Halley, our main character, ends up house-sitting for a well-to-do scientist. As she’s sitting for him in his fancy house, an earthquake hits and Halley is now face-to-face with an earl definitely not from this time period. The earl is confused to say the least, but Halley and her friends are now responsible for helping him get back to where he belongs. Turns out the scientist has secrets in his fancy house, and he’s not willing to share. When Halley and her friends find themselves involved in the scientist's mess, they are now trying to help the earl and save themselves. This book has danger, intrigue, and sweet… show more.

I hate reading historical fiction when it seems perfectly obvious that the author has no idea where they are. They don’t know the place names, they don’t know the roads, and they haven’t the foggiest sense of how people actually got from one part of the city to another. It is surprisingly common for novels set in London to take the reader on absurdly circuitous routes, simply because the author hasn’t bothered to look at a map.

This is particularly irksome and unforgivable in London’s case because so many of the streets and alleyways are still in existence. For my part, writing Thomas True was an excuse to wander around London with my John Rocque map tucked under my arm, timing various routes and working out precisely how Gabriel and Thomas would have journeyed through the bewilderingly busy city to Mother Clap’s Alsatia Old London Bridge, the Exchange, and Whitechapel.… show more.