Before I even started writing my outline, I spent four months researching everything I could on quantum entanglement. I read textbooks, watched seminars and lectures, and even went to Tokyo, Japan to visit the quantum physics exhibition at a museum! I have immersed myself in time travel novel, films, and even music (i.e., Electric Light Orchestra’s Timealbum, where my novel gets its title from—track #2 on the album is “Yours Truly, 2095”) since I was very young. I even gave a presentation to the Library of Congress on the differences between time travel with engineering and time travel with physics.
Jeff Blue made important decisions every day—what to wear, what to eat, and what to teach his high school English class. What he never expected was to make a choice between repairing his failing marriage in 1981 or starting anew with J0—a flawless copy of his wife in 2095.
114 years in the future is nothing like he imagined. While getting back to his time should be at the top of his list, it's hard to resist the new-and-improved version of his wife. However, staring at J0 reminds him of the woman he left back in 1981. Armed with a one-way ticket to the moon, it's a race against the clock to return home to his time—a time without J0. Is that what he really wants?
While I was researching the time travel device for my own novel, I remember how much I enjoyed Michael Crichton’s scientific explanation of how they had cloned the dinosaurs inJurassic Park. I read the book before there was even a movie. Knowing I wanted to keep my time travel method steeped in science and not a whirring machine that my characters step in and out of (i.e., a phonebooth or a DeLorean), I took a chance on Crichton’s time travel novel, Timeline, hoping he had used some of the same approaches to explaining science fiction with real science. While his story sends his characters backward in time and mine sends them forward in time, his book gave me the confidence that I could stay within real science to transport my characters between 1981 and 2095.
In this thriller from the author of Jurassic Park, Sphere, and Congo, a group of young scientists travel back in time to medieval France on a daring rescue mission that becomes a struggle to stay alive.
#1 NEW YORK TIMES BESTSELLER
“Compulsive reading . . . brilliantly imagined.”—Los Angeles Times
In an Arizona desert, a man wanders in a daze, speaking words that make no sense. Within twenty-four hours he is dead, his body swiftly cremated by his only known associates. Halfway around the world, archaeologists make a shocking discovery at a medieval site. Suddenly they are swept off to…
Throughout most of my novel, my main character is being bounced back and forth through the two timelines, and he doesn’t know why. Slaughterhouse-Fivedoes a fantastic job of presenting the reader with a character who is utterly confused why these time jumps are happening to him, who is behind it, and where will he find himself next. This air of mystery for the character and the reader really attracted me to explore having a character who doesn’t know what’s going to happen to him from day to day. And because I wrote my novel in first person, the reader only finds out what’s really going on when the main character does. In Slaughterhouse-Five, he doesn’t need to enter a manmade machine to jaunt through time, and that again spoke to me for my own novel.
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
While it’s hard to dismiss 12 Monkeys on a list of fiction where there are not machines creating the passage for time travel (even though it was never a novel), I have to say Jack London’sThe Jacket does a better job at being subtle. The novel was adapted into a film in 2005 and follows a main character who experiences a time slip at the point of a near-death experience when he is in confined situations (i.e., when they think he’s dead and put him in a casket or when they need to subdue him in a straitjacket.) These tight confines of space initiate his ability to time travel through teetering on the brink of death. The story is slightly more ‘spiritual’ than ‘science based,’ but I felt it stood out as a good example of using the power inside of us to be able to defy the fabric of time.
The Jacket (1915) is a novel by American writer Jack London. A groundbreaking work of science fiction that blends elements of mysticism, The Jacket critiques the harsh reality of the American criminal justice system. The novel was inspired by the experiences of Ed Morrell, a man who spent time at San Quentin State Prison for robbing trains. Horrified by his description of "the jacket," a constricting device used to punish inmates, London wrote the novel to explore the psychological effects of torture. Darrell Standing was a Professor of Agronomics at the University of California, Berkeley when, in a fit of…
Most people will knowBid Time Returnfrom its Christopher Reeve film adaptation,Somewhere in Time. In the novel and movie, the main character is transported back and forth without a physical device, just through self-hypnosis. Some believe there is a touch of science to self-hypnosis. This story has spoken to me since I first saw the film as a young child. The story focuses more on the dynamics of the two characters, who are separated by an era, and less on the adventures of time travel. While this is more of a romance story at heart, I borrowed some atmosphere and tone from the love interest plotline for my own novel. To me, this story is timeless, and I knew my novel would suffer if I did not put a nod to it.
Staying at an old hotel, Richard Collier sees a photograph of Elise McKenna, an actress who performed there in 1896, and as he researches her life he becomes more deeply in love with her, until he finds himself transported back in time
This novel (and film) divides the time travel fan community. I get it. Is it too sappy to be science fiction? Is it too abstract to be a love story? I had never read nor seen the film until a fellow author had read my own novel and said how much parts of it reminded her of Time Traveler’s Wife, just minus the overly sappy romance. This made me check it out, and I did see how the main character can transport through no explanation (and no time machine!). It just … happens. I knew my novel was going to have time travel just “happen” to my main character for the first 2/3 of the novel, then the last third would be where the science fact explanation would poke its head out and reveal itself. I appreciated howTime Traveler’s Wife kept it ambiguous, and I noticed how much my own novel mirrored some of that approach, and I was pleasantly surprised with the book. This book is the oddity, as it’s the only one on my list that I read after I had finished my own novel.
Now a series on HBO starring Rose Leslie and Theo James!
The iconic time travel love story and mega-bestselling first novel from Audrey Niffenegger is "a soaring celebration of the victory of love over time" (Chicago Tribune).
Henry DeTamble is a dashing, adventurous librarian who is at the mercy of his random time time-traveling abilities. Clare Abshire is an artist whose life moves through a natural sequential course. This is the celebrated and timeless tale of their love. Henry and Clare's passionate affair is built and endures across a sea of time and captures them in an impossibly romantic trap…
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Trapped in her enormous, devout Catholic family in 1963, Annie creates a hilarious campaign of lies when the pope dies and their family friend, Cardinal Stefanucci, is unexpectedly on the shortlist to be elected the first American pope.
Driven to elevate her family to the holiest of holy rollers in the parish, Annie is tortured by her own dishonesty. But when “The Hands” visits her in her bed and when her sister finds herself facing a scandal, Annie discovers her parents will do almost anything to uphold their reputation and keep their secrets safe.
Questioning all she has believed and torn between her own gut instinct and years of Catholic guilt, Annie takes courageous risks to wrest salvation from the tragic sequence of events set in motion by her parents’ betrayal.
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