Here are 99 books that How to Live Safely in a Science Fictional Universe fans have personally recommended if you like
How to Live Safely in a Science Fictional Universe.
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As a writer of suspense/thrillers and psychological thrillers, I’ve always loved thrillers and suspense books where I can’t guess the ending. And this list of books is additionally close to my heart because of the way they made me feel when I read them: breathless; restless to know how they were going to end; and most of all, they made me think about and question the psychology of the characters. I hope you will like them as much as I did!
This book kept me on the edge of my seat, biting my nails, and err… made me forget to go to sleep. This book to me is the epitome of books that make you go wait, what??
I want to highlight the menacing ambiance and constant edge in the tone of the story by giving the character such vulnerability that made me squirm. I loved the pacing of this story as the main character is hurled from the one bad situation into another.
Yet again, this book taught me to re-think assumptions, because it proved all of them wrong. I love the uniqueness of this trope especially when it first came out but the originality of it captivated me entirely.
I am a professional artist and musician, and I owe a huge debt to Philip K. Dick. I started to read his works at a very young age (I believe I’ve read most everything he’s written at least twice), and my love of his work has continued throughout my life and he has been the greatest inspiration to my music, writing, and art. I felt so influenced and indebted that a created a comic book to honor him and to tell my stories and ideas that have populated my imagination as a result of his books.
I am a huge fan of dreampunk books and this book helped create the genre. Reading it took me into a dreamworld that lead into another dreamworld and then yet another.
As with all Philip K. Dick books I was left wondering if I ever did return to the reality I believe I live in. I also found the character of Palmer Eldritch himself to be one of my all-time favorites.
In the overcrowded world and cramped space colonies of the late twenty-first century, tedium can be endured through the use of the drug Can-D, which enables the user to inhabit a shared illusory world.
But when industrialist Palmer Eldritch returns from an interstellar trip, he brings with him a new drug, Chew-Z, which is far more potent than Can-D. But could the permanent state of drugged illusion it induces be part of something much more sinister?
Two instincts drive this list, one “writerly” and one about being human: 1) all good fiction maximizes various kinds of tension, particularly between people, and unusual or unexpected character pairings offer rich tensions; 2) I think we live in times when we are in desperate need of human kindness and must recognize that people from very different backgrounds can come together in their humanity. I love novels with complex characters and in books, as in life, I like to see people grow and change, and a big part of change is letting other people into your life.
I am fascinated with “made families,” those connections of strangers who pass into such intimate friendships that they become de facto, chosen families.
While the core premise of The Housekeeper and the Professor will seize your imagination—the “professor” has suffered a traumatic brain injury that leaves him with only 8 minutes of short-term memory—it is the beauty of the friendship that emerges between him, the “housekeeper” hired to care for him, and her ten-year-old son that will stay with you.
In the present-tense living of having to reintroduce themselves anew to this math genius every morning, all the characters learn the value of a moment, and together they experience the “curious equations that can create a family.”
This thin, lovely, uplifting novel helped me re-learn the potency of fleeting moments and the enduring lessons of unexpected love.
This is one of those books written in such lucid, unpretentious language that reading it is like looking into a deep pool of clear water...Dive into Yoko Ogawa's world and you find yourself tugged by forces more felt than seen' New York Times
Each morning, the Professor and the Housekeeper are introduced to one another. The Professor may not remember what he had for breakfast, but his mind is still alive with elegant mathematical equations from the past. He devises clever maths riddles - based on her shoe size or her birthday - and the numbers reveal a sheltering and…
I have always been fascinated by the idea of memory. What sticks in your mind, what is lost, what can be manipulated, how you see things in different ways to others, and how sometimes you can’t trust even your own memories. I studied psychology at A-level and that sparked an interest in me, especially in terms of repression and learned behaviours. I studied creative writing to MA level at university, where I wrote my first thriller, which also focuses on memory. I’m always searching for reads that make me look at human nature differently, or break me out of routine and can offer a surprise. Surprises keep things interesting!
This one is a bit of a cheat as It doesn’t fall into the category of memory and forgetting as easily but I think it is definitely about past trauma, trying to reinvent yourself, ignoring parts of your true nature, which for me, is a form of forgetting. In this tense novel, three women must uncover the truth about a tragic incident, one of whom is a probation officer trying to decide if a prisoner should be released on parole. It’s told from dual perspectives and it keeps twisting throughout. The last twist really threw me and I wanted to go back and read it again.
Emma has everything Rose lacks: a faithful husband, beauty, and a healthy baby boy. Rose meets her in the hospital after her own baby dies from premature birth, and when Emma’s child dies in a suspicious house fire shortly after, the obsessive and unstable Rose is the primary suspect.
Now, after almost five years in prison, Rose is up for parole, but probation officer Cate Austin must first decide whether this accused murderer can be released or if she really is a threat to society. The answer seems obvious at first, but as Cate delves deeper into Rose’s disturbing past—a…
I have always been fascinated by the idea of memory. What sticks in your mind, what is lost, what can be manipulated, how you see things in different ways to others, and how sometimes you can’t trust even your own memories. I studied psychology at A-level and that sparked an interest in me, especially in terms of repression and learned behaviours. I studied creative writing to MA level at university, where I wrote my first thriller, which also focuses on memory. I’m always searching for reads that make me look at human nature differently, or break me out of routine and can offer a surprise. Surprises keep things interesting!
This is a sci-fi thriller with amazing concepts and a page-turning story! Meet Hap Thompson – his job is to take on other people’s memories. He carries bad memories for a few hours and gets paid for the privilege. When he gets landed with a bad memory by someone who won’t take it back, he finds himself on the run. Then, people start disappearing… This is a fab read – refreshing different with some sci-fi elements, but still a thriller by nature. Michael Marshall Smith’s writing is both dark, humorous, and inventive. I wouldn’t say it’s a perfect novel but for the ideas about memory and forgetting, it delivers a lot.
A mesmerising SF thriller from a master of the genre. Hap Thompson is a REMtemp, working the night hours, having people's anxiety dreams for them. For the first time in his life, Hap's making big money - and that should have been enough...
Hap Thompson has finally found something he can do better than anyone else. And it's legal. Almost. Hap's a REMtemp, working the night hours, having people's anxiety dreams for them. For the first time in his life, Hap's making big money - and that should have been enough.
I was a teacher and a professor who showed generations of students how to find x, how to prove figure 1 was similar to figure 2, how to make a machine search through millions of bits of data for an answer. An inspiration for a story struck me one day early in retirement as I was daydreaming. I began to write and have never stopped. It turns out that “if-then” is not so different from “what if.” The first is more like destiny, the second like free will. One is science, the other is fiction. “What if” has led me into strange lands.
What is it? A first contact story. Sort of. They were aliens? Yeah, Russians. What are they like? Don’t know. They’re gone now. Did you find anything good? Lots and lots. What’s that? The God hypothesis. It allows you to have an unparalleled understanding of absolutely everything while knowing absolutely nothing. Can you show me something else? No. You gotta go yourself. Can I really go into the Zone? If you’re old enough. And brave enough. Is it dangerous? People don’t come back. Is it legal? No, but you can sneak in.
Red Schuhart is a stalker, one of those young rebels who are compelled, in spite of extreme danger, to venture illegally into the Zone to collect the mysterious artifacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a “full empty,” something goes wrong. And the news he gets from his girlfriend upon his return makes it inevitable that he’ll keep going back to the Zone, again and again, until he…
As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
Samuel R. Delaney’s masterpiece, Dhalgren, is set in a city in the Midwest that has been emptied by an unnamed catastrophe.
A sense of freedom, violence and disaster hang everywhere as the hero – Kidd, Kid, or the kid, a man with no memory and of ambiguous race (he remembers his mother was Native American) – gains entry into the subcultures that remain behind: parties, high-rise poetry readings with older white people, gun fights, gangs, graphic sex.
Time and perspective seem fluxive, inconstant, and looping.
This is beautiful, destabilized world building. Dhalgrenanswers no questions yet evokes a time, place, and milieu that shifts as you read.
I first found it when I was working as a librarian in a prison out on the plains. I didn’t last in prison.
Nebula Award Finalist: Reality unravels in a Midwestern town in this sci-fi epic by the acclaimed author of Babel-17. Includes a foreword by William Gibson.
A young half–Native American known as the Kid has hitchhiked from Mexico to the midwestern city Bellona—only something is wrong there . . . In Bellona, the shattered city, a nameless cataclysm has left reality unhinged. Into this desperate metropolis steps the Kid, his fist wrapped in razor-sharp knives, to write, to love, to wound.
So begins Dhalgren, Samuel R. Delany’s masterwork, which in 1975 opened a new door for what science fiction could mean.…
Before I even started writing my outline, I spent four months researching everything I could on quantum entanglement. I read textbooks, watched seminars and lectures, and even went to Tokyo, Japan to visit the quantum physics exhibition at a museum! I have immersed myself in time travel novel, films, and even music (i.e., Electric Light Orchestra’s Timealbum, where my novel gets its title from—track #2 on the album is “Yours Truly, 2095”) since I was very young. I even gave a presentation to the Library of Congress on the differences between time travel with engineering and time travel with physics.
While it’s hard to dismiss 12 Monkeys on a list of fiction where there are not machines creating the passage for time travel (even though it was never a novel), I have to say Jack London’sThe Jacket does a better job at being subtle. The novel was adapted into a film in 2005 and follows a main character who experiences a time slip at the point of a near-death experience when he is in confined situations (i.e., when they think he’s dead and put him in a casket or when they need to subdue him in a straitjacket.) These tight confines of space initiate his ability to time travel through teetering on the brink of death. The story is slightly more ‘spiritual’ than ‘science based,’ but I felt it stood out as a good example of using the power inside of us to be able to defy the fabric…
The Jacket (1915) is a novel by American writer Jack London. A groundbreaking work of science fiction that blends elements of mysticism, The Jacket critiques the harsh reality of the American criminal justice system. The novel was inspired by the experiences of Ed Morrell, a man who spent time at San Quentin State Prison for robbing trains. Horrified by his description of "the jacket," a constricting device used to punish inmates, London wrote the novel to explore the psychological effects of torture. Darrell Standing was a Professor of Agronomics at the University of California, Berkeley when, in a fit of…
I’ve always been fascinated by time travel as a framing device in stories. Having spent my childhood hoovering up anything I could get my hands on in both the science fiction and straight-up fiction genres, an unexpected byproduct was that I found myself becoming increasingly fascinated with merging the two, eventually wrapping my head around what it would mean if time itself became more than just a construct of our own creation. Asking myself regularly the question; what if it was terrain? It took me thirty-four years to translate all of those ideas into a solid hook for a book. And a further four years to turn that hook into a fully-fledged series.
I adored this entire series from beginning to end, but I’m recommending Book 1 in the series because…well, it’s the start and also my favourite. This series launched all the way back in 2010 and even though it’s written for a young adult teen audience, it’s so well written and a joy to just kick back with on a Sunday afternoon with a cuppa.
The characterisation is brilliant, has some brilliant set pieces, and it has that Harry Potter kind of vibe with young protagonists forced into growing up a little too fast and getting to wield an altogether different kind of magic. There’s so much to love, as you learn all the rules and quirks of this universe.
Maddy should have died in a plane crash. Liam should have died at sea when the Titanic sank. Sal should have died in a tragic fire. But a mysterious man whisked them away to safety.
Maddy, Liam, and Sal quickly learn that time travel is no longer just a hope for the future; it is a dangerous reality. And they weren't just rescued from their terrible fates…they were recruited for the agency of TimeRiders created to protect the world from those seeking to alter the course of history for personal gain. By reliving the highly documented events in New York…
When I was a kid in the 80s the superhero comics I was obsessed with were beginning to deal with the real world in a new way. And their creators were beginning to push and pull at the boundaries of the medium with a new spirit of play and provocation. I still love comics that seriously deal with real life – its complexities and its profound weirdness – and that push the medium in new directions and reckon with its history. I also want to be absorbed and moved and to identify intently with characters. It’s what I try to do in my own work, and what I look for in that of others.
This is the most profoundly absorbing experimental art-comic the world has ever produced.
It’s a fun book to sit with someone else and page through, backward or forward, or just ambling around, discovering things. The very simple conceit is that it’s a book that spans millions of years in time, but all happens in exactly one single space. It grew out of a six-page short story that blew people’s minds in the 80’s comics anthology Raw.
I remember hearing that the author had decided, two decades later, to expand it to book form, and wondered if that was really necessary. The short version had been such a perfect jewel of a piece. Turns out he had very good reason.
From one of the great comic innovators, the long-awaited fulfillment of a pioneering comic vision. Richard McGuire’s Here is the story of a corner of a room and of the events that have occurred in that space over the course of hundreds of thousands of years.
"In Here McGuire has introduced a third dimension to the flat page. He can poke holes in the space-time continuum simply by imposing frames that act as transtemporal windows into the larger frame that stands for the provisional now. Here is the comic-book equivalent of a scientific breakthrough. It is also a lovely evocation…
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