Here are 100 books that One of Us fans have personally recommended if you like
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I've been writing for 20 years, and the more I learn about the craft, the less interested I am in big, bombastic thrillers about the end of the world. Now I'm more impressed by books that do a lot with a little. Some talented writers can spin a gripping story out of nothing more than two people in a room (Stephen King's Misery is one of my all-time faves). The domestic noir genre lends itself to this kind of minimalism. Sure, serial killers are scary, but not as scary as the thought that your spouse might not be who they seem.
Christine has a brain injury, which causes her memories to degrade every time she sleeps. She wakes up every morning as a blank slate, and her devoted husband explains who she is and then helps her get through the day. Unbeknownst to him, she starts keeping a journal—and soon realizes that his story about how she was injured is a little different each time.
I'm never in the mood for a thriller with a big twist in the penultimate chapter. I always want one with a big twist at the end of every chapter, and this book absolutely delivers. Is the husband a good guy or a bad guy? I changed my mind a dozen times over the course of this book, expertly manipulated by the author. I read the whole thing aloud to my wife on a long drive, and the time went by in a blink.
Two instincts drive this list, one “writerly” and one about being human: 1) all good fiction maximizes various kinds of tension, particularly between people, and unusual or unexpected character pairings offer rich tensions; 2) I think we live in times when we are in desperate need of human kindness and must recognize that people from very different backgrounds can come together in their humanity. I love novels with complex characters and in books, as in life, I like to see people grow and change, and a big part of change is letting other people into your life.
I am fascinated with “made families,” those connections of strangers who pass into such intimate friendships that they become de facto, chosen families.
While the core premise of The Housekeeper and the Professor will seize your imagination—the “professor” has suffered a traumatic brain injury that leaves him with only 8 minutes of short-term memory—it is the beauty of the friendship that emerges between him, the “housekeeper” hired to care for him, and her ten-year-old son that will stay with you.
In the present-tense living of having to reintroduce themselves anew to this math genius every morning, all the characters learn the value of a moment, and together they experience the “curious equations that can create a family.”
This thin, lovely, uplifting novel helped me re-learn the potency of fleeting moments and the enduring lessons of unexpected love.
This is one of those books written in such lucid, unpretentious language that reading it is like looking into a deep pool of clear water...Dive into Yoko Ogawa's world and you find yourself tugged by forces more felt than seen' New York Times
Each morning, the Professor and the Housekeeper are introduced to one another. The Professor may not remember what he had for breakfast, but his mind is still alive with elegant mathematical equations from the past. He devises clever maths riddles - based on her shoe size or her birthday - and the numbers reveal a sheltering and…
I have always been fascinated by the idea of memory. What sticks in your mind, what is lost, what can be manipulated, how you see things in different ways to others, and how sometimes you can’t trust even your own memories. I studied psychology at A-level and that sparked an interest in me, especially in terms of repression and learned behaviours. I studied creative writing to MA level at university, where I wrote my first thriller, which also focuses on memory. I’m always searching for reads that make me look at human nature differently, or break me out of routine and can offer a surprise. Surprises keep things interesting!
This one is a bit of a cheat as It doesn’t fall into the category of memory and forgetting as easily but I think it is definitely about past trauma, trying to reinvent yourself, ignoring parts of your true nature, which for me, is a form of forgetting. In this tense novel, three women must uncover the truth about a tragic incident, one of whom is a probation officer trying to decide if a prisoner should be released on parole. It’s told from dual perspectives and it keeps twisting throughout. The last twist really threw me and I wanted to go back and read it again.
Emma has everything Rose lacks: a faithful husband, beauty, and a healthy baby boy. Rose meets her in the hospital after her own baby dies from premature birth, and when Emma’s child dies in a suspicious house fire shortly after, the obsessive and unstable Rose is the primary suspect.
Now, after almost five years in prison, Rose is up for parole, but probation officer Cate Austin must first decide whether this accused murderer can be released or if she really is a threat to society. The answer seems obvious at first, but as Cate delves deeper into Rose’s disturbing past—a…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan. The US government has agreed to provide Taiwan with a weapons system so advanced, it can disrupt the balance of power in the region. But what pilot would be crazy enough to run the…
I was a teacher and a professor who showed generations of students how to find x, how to prove figure 1 was similar to figure 2, how to make a machine search through millions of bits of data for an answer. An inspiration for a story struck me one day early in retirement as I was daydreaming. I began to write and have never stopped. It turns out that “if-then” is not so different from “what if.” The first is more like destiny, the second like free will. One is science, the other is fiction. “What if” has led me into strange lands.
I loved this book because it has mathematics to the nth degree! Some of it in the form of inside jokes like “easy to use partial differential equations” that made me laugh out loud. Some of it, such as “equations that had sadness as a constant,” are in a “techno-poetic” style that I strive to achieve in my own writing. But this “meta-science fiction” novel is also filled with musings on writing and creativity. The self-referential recursion of a book within a book within a book makes the paradoxes of time travel even more interesting. The “reality portions” in which the main character pursues his quest to “find his father” are as deep and well done a theme as any I have read in sci-fi.
With only TAMMY - a slightly tearful computer with self-esteem issues - a software boss called Phil - Microsoft Middle Manager 3.0 - and an imaginary dog called Ed for company, fixing time machines is a lonely business and Charles Yu is stuck in a rut.
He's spent the better part of a decade navel-gazing, spying on 39 different versions of himself in alternate universes (and discovered that 35 of them are total jerks).…
I'm a novelist and screenwriter best known for my fourth novel, Under Color of Law, which features Black detective Trevor "Finn" Finnegan of the LAPD. I'm a lover of crime fiction, preferably noir, that works to entertain and enlighten readers by exploring the topical issues of today. I hold an MFA in Writing from Otis College and I’ve taught college-level English and creative writing courses for over ten years.
A solid police procedural that influenced my own book, the novel explores race relations in Los Angeles amid the 1992 Uprising spurred by the beating of motorist Rodney King. Detective Charlotte Justice not only is tasked with solving the murder of a man responsible for killing her family but also contends with the misogynistic, racist, and overall toxic good old boy culture of the LAPD. The novel delivers a twisty mystery and deconstructs an event that should have served as the tipping point for police reform in America.
Meet Detective Charlotte Justice, a black woman in the very white, very male, and sometimes very racist Los Angeles Police Department. The time is 48 hours into the epochal L.A. riots and she and her fellow officers are exhausted. She saves the curfew-breaking black doctor Lance Mitchell from a potentially lethal beating from some white officers - only to discover nearby the body of one-time radical Cinque Lewis, a thug who years before had murdered her husband and young daughter. Was it a random shooting or was Mitchell responsible? And what had brought Lewis back to a city he'd long…
I retired from the Metropolitan Police Department in Washington, DC, as a detective assigned to the Major Crimes Unit, but I’ve always been a writer at heart and an avid reader. I graduated from California State University in Long Beach, CA, with a major in Film. I am the author of six crime fiction books, three of which involve retired detective turned PI Frank Marr. This trilogy was critically acclaimed.
This pick is a classic from an author who played a huge part in growing the police procedural genre. Wambaugh was also a detective sergeant but with the LAPD. He paved the way for other cops, like me, who want to write books.
All of Wambaugh’s books are wonderful reads, but this is one I remember most because I read it as a teenager, and it blew me away. It delves into some of the tougher aspects of being a cop, though, and the negative side of police culture.
Meet the Los Angeles blues—a new breed of cop. From the baby-faced rookies to hashmark heroes, they are besieged men, dealing daily with a world coming apart. Hunting killers, quelling gang wars, fighting corruption, they risk death every day . . . every night.
Joseph Wambaugh was a damn good cop and LAPD detective. For fifteen years he prowled the streets, solved murders, took his lumps. Now he’s the hard-hitting, tough-talking bestselling writer who tells the brutal, true stories of the men who risk their lives every time a siren screams.
A fast-paced literary thriller with a strong sci-fi element and loaded with existential questions. Beyond the entertainment value, this book takes a hard look at the perilous world of publishing, which is on a crash course to meet the nascent, no-holds-barred world of AI. Could these worlds co-exist, or will…
Ever since taking a college course in film noir, I've been in love with the cigarette-smoking, fedora-wearing, wisecracking tough guys (and gals) who inhabit the darkest corners of the modern world’s back alleys. The protagonist of Tears for the Dead, Bonnie Parker – named for the distaff half of Bonnie and Clyde – is my modest way of paying homage to this tradition, and incidentally having a lot of fun in the process.
Gerald Petievich must have used a crystal ball when writingEarth Angels in 1989, because only nine years later, all the basic elements of the story would hit the headlines, as rogue elements within the LAPD were exposed in a wide-ranging criminal conspiracy known as the Rampart scandal. The book’s eerie prescience is only one reason it’s a modern classic. Its depiction of police procedure is almost unmatched in accuracy and detail, and it perfectly captures the dark, gritty side of Los Angeles, far away from the bright lights of movie premieres. If I ever need to remind myself why I left L.A. after twelve years, I only need to revisit Petievich’s open-eyed exposé of official corruption, casual lawlessness, and random violence.
Detective Sergeant Jose Stepanovich and his elite tactical team were the toughest cops in the Los Angeles police force, handed the toughest jobs, like going up against the city's most vicious criminal element - the street gangs of East L.A. But somewhere along the lines the cops broke a few rules, turning a job into a personal vendetta, and suddenly it wasn't only the gangs they were fighting. It was the community, the media, and their own brass, who decided they were expendable. Hard-boiled Detective Stepanovich - returning to the barrio where he grew up to battle the criminals he…
My illiterate grandparents taught me to love learning. A librarian who shared books and food with a ragged, hungry kid cemented my love of books. My fifth-grade teacher in a ghetto school took unpaid time to encourage my writing. My mother taught me to never give up my dreams. Dogs taught me the meaning of unconditional affection and loyalty. And nowadays, when I lose faith in myself, it is my wife’s love and belief in me that keeps me going. Love, in its many forms, has shaped my life.
I liked the protagonist, Kate Delafield, immediately for her straightforward manner. Within very few pages, Katherine painted a picture of the neighborhood and the bar where a murder occurred in its back parking lot, yet she never caused the story to drag. Katherine pulled me in with her succinct description of the murder scene. It was as if I stood beside Kate Delafield.
As the detectives entered the bar, I felt lesbian history reverberating down through the years. As a lesbian, I identified with Kate Delafield and with the milieu within which she had to live and do her job as a police detective. I also understood the hostility of the bar patrons—all lesbians—toward the police. Without preaching, Katherine described the larger conflict inherent in the situation.
This book was so well-written that I “felt” the emotions of the characters; the sadness that a young life had been destroyed way…
Dory Quillin, nineteen-years old, her white-blonde hair ruffled by the gentle breezes of a June evening, lies dead in the parking lot of a lesbian bar. Her bewildered silver-blue eyes stare beseechingly into the mind and soul of the woman who kneels beside her: LAPD homicide detective Kate Delafield.
The investigation is far from a simple matter. Kate uncovers shocking facts about the brief life of the murdered young lesbian. She finds her road to the killer obstructed by Dory’s uncooperative, judgmental parents, the waning interest of her own partner, and most frustrating of all, the open hostility of women…
I have SB degrees in physics and electrical engineering from M.I.T. and a JD degree from the Georgetown University Law Center. I’m interested in how things work and how people think. I’ve written four novels, published countless articles, as well as many children’s stories. A few of them may be found on my author’s website.
Michael Connelly continues to hit it out of the park when it comes to police procedurals. The Dark Hours is the fourth of his five novels about a young LAPD detective, Renee Ballard, who works “the late show” (the nighttime hours) and catches a midnight murder. She seeks assistance from a friend—the semi-retired detective, Harry Bosch—in working the case. I’ve read every one of Connelly’s Bosch Series books and have loved them all. Once you become involved and engrossed—usually by the third page—you cannot stop reading! Connelly’s novels are that good.
A Wall Street Journal and South Florida Sun-Sentinel Best Book of the Year
“A masterpiece”—LAPD detective Renée Ballard must join forces with Harry Bosch to find justice in a city scarred by fear and social unrest after a methodical killer strikes on New Year’s Eve (Publishers Weekly).
There’s chaos in Hollywood at the end of the New Year’s Eve countdown. Working her graveyard shift, LAPD detective Renée Ballard waits out the traditional rain of lead as hundreds of revelers shoot their guns into the air. Only minutes after midnight, Ballard is called to a scene where a hardworking auto shop…
I love history and I love to laugh. That’s why I brand myself as a writer of Victorian Whodunits with a touch of humor. I’ve spent decades learning about 1800s America. I began sharing that knowledge by performing in costume as real women of history. But I couldn’t be on stage all the time so I began writing the books I want to read, books that entertain while sticking to the basic facts of history and giving the flavor of an earlier time. I seek that great marriage of words that brings readers to a new understanding. As Albert Einstein said, “Not everything that can be counted counts, and not everything that counts can be counted.”
This book is laugh-out-loud funny. The rich socialite heroine is quite
intelligent in some things and ridiculously stupid in others. The whole
book is absolutely unbelievable, but utterly delightful – and way beyond
society's terms of approval for women in 1907 Los Angeles. Sometimes a
book doesn’t have to be anything but a joy to read. This one delivers.
It's 1907 Los Angeles. Mischievous socialite Anna Blanc is the kind of young woman who devours purloined crime novels—but must disguise them behind covers of more domestically-appropriate reading. She could match wits with Sherlock Holmes, but in her world women are not allowed to hunt criminals.
Determined to break free of the era's rigid social roles, Anna buys off the chaperone assigned by her domineering father and, using an alias, takes a job as a police matron with the Los Angeles Police Department. There she discovers a string of brothel murders, which the cops are unwilling to investigate. Seizing her…
