100 books like The Housekeeper and the Professor

I loved this book because it’s a World War II story (my favorite time period), which I can’t get enough of, and its protagonist, Marie-Laure, is a young blind girl. By the time she’s twelve, she has learned to navigate Nazi-occupied Paris from a miniature of the city her father has built for her.

This is a girl with many fears, her blindness being just one, but she pushes through them all in order to help her country overcome its worst nightmare. Her bravery is off the charts!

This book kept me on the edge of my seat, biting my nails, and err… made me forget to go to sleep. This book to me is the epitome of books that make you go wait, what??

I want to highlight the menacing ambiance and constant edge in the tone of the story by giving the character such vulnerability that made me squirm. I loved the pacing of this story as the main character is hurled from the one bad situation into another.

Yet again, this book taught me to re-think assumptions, because it proved all of them wrong. I love the uniqueness of this trope especially when it first came out but the originality of it captivated me entirely.

This one is a bit of a cheat as It doesn’t fall into the category of memory and forgetting as easily but I think it is definitely about past trauma, trying to reinvent yourself, ignoring parts of your true nature, which for me, is a form of forgetting. In this tense novel, three women must uncover the truth about a tragic incident, one of whom is a probation officer trying to decide if a prisoner should be released on parole. It’s told from dual perspectives and it keeps twisting throughout. The last twist really threw me and I wanted to go back and read it again.

This is a sci-fi thriller with amazing concepts and a page-turning story! Meet Hap Thompson – his job is to take on other people’s memories. He carries bad memories for a few hours and gets paid for the privilege. When he gets landed with a bad memory by someone who won’t take it back, he finds himself on the run. Then, people start disappearing… This is a fab read – refreshing different with some sci-fi elements, but still a thriller by nature. Michael Marshall Smith’s writing is both dark, humorous, and inventive. I wouldn’t say it’s a perfect novel but for the ideas about memory and forgetting, it delivers a lot.

I loved this book because it has mathematics to the nth degree! Some of it in the form of inside jokes like “easy to use partial differential equations” that made me laugh out loud. Some of it, such as “equations that had sadness as a constant,” are in a “techno-poetic” style that I strive to achieve in my own writing. But this “meta-science fiction” novel is also filled with musings on writing and creativity. The self-referential recursion of a book within a book within a book makes the paradoxes of time travel even more interesting. The “reality portions” in which the main character pursues his quest to “find his father” are as deep and well done a theme as any I have read in sci-fi.

I’m a huge sucker for stories involving teen girls and secrets—and no one handles this trope better than Tana French in this wildly atmospheric boarding school mystery.

A year after a boy’s found murdered at a secluded Irish school, a note appears on a bulletin board reading: “I know who killed him.” It’s soon clear that a lot of the girls know something. What though?

I love the dark academia vibe, the claustrophobia, and the girls, so close-knit and determined. This is a gorgeously written tale of friendship, loyalty, lies, and betrayal, just buzzing with witchy teen energy.

Told in spare, clean, beautiful prose, Plainsong picks up on similar themes to An Unfinished Life, with Haruf exploring the unlikely and supportive relationships that emerge for several members of a small Colorado town.

Most reminiscent are the McPheron brothers, elderly rancher bachelors who take in Victoria, a pregnant teenage girl. Then there is Tom Guthrie, whose depressed wife leaves him alone to raise their two boys. Told in chapters that focus on these different characters, their lives become entwined and they find paths through crisis with the help of practical strangers.

I fell in love with this book and these characters long before I had the random and amazing chance to have Kent Haruf voluntarily come and spend an hour with young fiction writers, the man as kind and nurturing as his characters.

I am a sucker for stories of redemption, especially those that show even the most entrenched people are capable of change.

Make the agent of change a child, and you’ve got me for sure. Place the story in the hands of a lyrical writer and then locate it in the hard-loved, haunting beauty of my native state—Wyoming—and it’s a hopeless match.

An Unfinished Life tells of the escape from an abusive boyfriend by Jean Gilkyson and her ten-year-old daughter Griff. With nowhere left to go, they take refuge with Jean's estranged father-in-law, Einar, a more-than-reluctant host who blames Jean for the death of his son.

Griff is the transformative agent, falling in love with Einar’s sprawling ranch and quiet way of life, and eventually, with the grandfather she didn’t know she had.

This is the first novel I read by Haruki Murakami and it got me hooked on his writing.

Toru Okada is tasked with finding his lost cat but, as he searches, the past stories of other characters constantly intersect and become inescapable detours, which often foster ambiguity and a sense of becoming lost in a charmed world.

We’re left with an impression of a world slipping into the surreal, where reality becomes blurred like Okada’s memory of what his missing cat looks like, and where “Ten minutes is not ten minutes” because time can stretch and shrink. I was frequently surprised and sometimes confounded by this but, because of Murakami’s skill as a writer, felt pleasantly lulled with the same dreamlike acquiescence as his hero into following Okada’s convoluted journey.

This contemporary, quirky tale centers around the life of Keiko, a young woman who has never done anything in a conventional way and has her mother very worried that her daughter will never find a man and settle down into a conventional life. No, Keiko’s ways of thinking are startling and odd in ways that are both amusing and somewhat horrifying, as she really does fall outside the realm of conventional thinking and socially rewarded behavior. The reader comes to love her as she grows into womanhood (and personhood) as a worker in a fast-paced convenience store, where she memorizes hundreds of products and practices behaving more “normally” by mimicking the actions and words of her co-workers. Then a man named Shiraha enters the picture, for a new twist.