96 books like The Woman Before Me

Christine has a brain injury, which causes her memories to degrade every time she sleeps. She wakes up every morning as a blank slate, and her devoted husband explains who she is and then helps her get through the day. Unbeknownst to him, she starts keeping a journal—and soon realizes that his story about how she was injured is a little different each time.

I'm never in the mood for a thriller with a big twist in the penultimate chapter. I always want one with a big twist at the end of every chapter, and this book absolutely delivers. Is the husband a good guy or a bad guy? I changed my mind a dozen times over the course of this book, expertly manipulated by the author. I read the whole thing aloud to my wife on a long drive, and the time went by in a blink.

I am fascinated with “made families,” those connections of strangers who pass into such intimate friendships that they become de facto, chosen families.

While the core premise of The Housekeeper and the Professor will seize your imagination—the “professor” has suffered a traumatic brain injury that leaves him with only 8 minutes of short-term memory—it is the beauty of the friendship that emerges between him, the “housekeeper” hired to care for him, and her ten-year-old son that will stay with you.

In the present-tense living of having to reintroduce themselves anew to this math genius every morning, all the characters learn the value of a moment, and together they experience the “curious equations that can create a family.”

This thin, lovely, uplifting novel helped me re-learn the potency of fleeting moments and the enduring lessons of unexpected love.

This is a sci-fi thriller with amazing concepts and a page-turning story! Meet Hap Thompson – his job is to take on other people’s memories. He carries bad memories for a few hours and gets paid for the privilege. When he gets landed with a bad memory by someone who won’t take it back, he finds himself on the run. Then, people start disappearing… This is a fab read – refreshing different with some sci-fi elements, but still a thriller by nature. Michael Marshall Smith’s writing is both dark, humorous, and inventive. I wouldn’t say it’s a perfect novel but for the ideas about memory and forgetting, it delivers a lot.

I loved this book because it has mathematics to the nth degree! Some of it in the form of inside jokes like “easy to use partial differential equations” that made me laugh out loud. Some of it, such as “equations that had sadness as a constant,” are in a “techno-poetic” style that I strive to achieve in my own writing. But this “meta-science fiction” novel is also filled with musings on writing and creativity. The self-referential recursion of a book within a book within a book makes the paradoxes of time travel even more interesting. The “reality portions” in which the main character pursues his quest to “find his father” are as deep and well done a theme as any I have read in sci-fi.

Like Colville, Nicolson is not very important in himself (a backbench MP for most of the time) but one who matters because he knows so many greater figures and because he writes with such honesty – particularly interesting when his predictions turn out to be wrong. If you get hooked, you can read the earlier edition, which is in three volumes.

This book has stayed in my memory even though I read it many years ago. Subtle in the telling, this novel is one that drills into your soul. Set in 18th century Macau (then a Portuguese enclave), it is a story of forbidden interracial love, prejudices, and intrigue surrounding a British trader surnamed Mierop and a Chinese orphan named Marta da Silva, based on true events. The author got his inspiration for the novel when he saw a portrait of a Chinese lady, Marta Mierop, in a Macau museum. In the story as well as in real life, Marta rose from her humble and wretched childhood to become a legend and one of the most influential women in Macau.

I love this novel for the impeccable setting, the moving plot, and the larger-than-life protagonist.

This is a ‘going back in time’ novel, not original, but well-written and very engaging. A woman finds a photograph of a woman in an attic. She discovers the woman is an aunt no one talks about. Her crime: to fall in love and flee to Paris with a Nazi prisoner of war.

I am recommending this book because of the emotions it evoked in me, the tension throughout, and the beautiful love story that unraveled in a time of war. It has stuck with me.

Describing a series of journeys on horseback and by foot through south-east England and the Midlands during the 1820s, Rural Rides is one of the great travelogues. Cobbett was a man of many parts – journalist, soldier, farmer, politician, and social reformer. In Rural Rides he blends lyrical description with fist-shaking fury about the injustices he encountered. He writes so well that you feel that you are travelling through the countryside with him.

It’s always strange when another writer tackles the same city you’re mapping, but it’s also a reminder that we see places in fundamentally different ways. I write about Hull as an insider looking out with David taking the opposite approach, arriving in the city as a journalist. In the debut outing for DI Aector McAvoy, it may be his writing background that allows him to look the place in the eye and draw a fantastically vivid city dealing with multiple social issues, but also one in which he finds its heart packed with spirit and hope.

Writing a really good spooky short story is hard. Writing 13 of them is near-impossible. Yet Allen has put together an anthology of sheer terror, with each story hinging on something simple and mundane. Basically, Allen makes you afraid of everything, and does it with a smile.