100 books like City of Broken Promises

Pearl Buck is an author whom I admire for her genuine love and respect of the Chinese culture and people. This sentiment shines through her novels. Pavilion of Women is unique in that it highlights a pronounced social change in China in the early 20th century, when Western values began to nudge younger Chinese to unyoke themselves of old traditions and customs. The fastidious, all-wise, and freedom-seeking protagonist attempts to dictate other people’s lives to keep her household in order, but fails miserably. She finally learns from a renegade missionary that her rigid attitudes and lack of empathy are in fact the real shackles that hobble her.

I love this novel because character development is superbly handled.

Rong’s Wolf Totem is not a typical Cultural Revolution book, and its focus is on relationships between humans and the wildlife of the grasslands. The protagonist is an urban youth, who’s a Han (the majority ethnic group in China), sent to inner Mongolia for “reeducation.” While trying to raise a wolf cub captured from the wild, he encounters a cultural clash between the Han Chinese and the locals, learns about the wolf and other wildlife, and reflects on history, nature, and humanity. 

This is a very unique novel about the life of a nomadic tribe of hunters and reindeer herders called Evenki who reside in the northern part of Inner Mongolia. The story is told through an old woman at the end of the 20th century looking back at the joyful and tragic events of five generations of her clan. Wild nature is at its most beautiful and most cruel. Then the Japanese invasion, the Chinese lumber trade, and modernization gradually force the tribe to give up their carefree lifestyle. Sadness drips from the story, told in a wistful and quiet tone.

I love the novel for the rich imagery of nature and the human interaction humming underneath.

This is a heart-wrenching novel about hunger and starvation in the early 1950s in a Southern China village. The book title implies the joy of harvest, which has a rhetorical effect as it runs counter to the book theme. Its metaphor for hunger is watery gruel that the rural poor eat for every meal as they slowly starve. The story is about the impending great famine after the Communist Party introduces the land reform policies and how villagers suffer in silence atrocious government abuse. 

This novel is a must-read if you want to understand what starvation feels like.

Lamas’s work offers a deep dive into the life of the young American woman Harriett Low who lived in Macau from 1829 to 1833. 

Harriett accompanied her aunt and her uncle, who supervised trade of Russell & Company up the Pearl River in Canton. Although the Qing-era regulations forbade foreign (Western) women from traveling beyond Macau, Harriett broke this law. 

In Macao, she wrote about her daily life, of falling in love, and having the British painter George Chinnery render her portrait. Most importantly for readers today, she wrote about her life (and reading) in diary letters that she sent to her sister back in the US. 

Lamas engaging account draws on Arthur W. Hummel and Nan P. Hodges’s masterful publication of Low’s diaries. As Lamas notes, Harriett’s life after her residence in Macao was underwhelming. However, the Low family fortune echoed across the century. 

Harriett’s nephew Seth Low served… show more.

Formerly a professor of History at the University of Macau, Robert Antony has made it his life’s work to study piracy along the China coast. Among his several books on the topic, this one digs deepest into the development of piracy in the early 19th century, citing weather, economic, and political conditions, told in a highly readable narrative style. Among the entertaining details, he tracks the average annual going rates for ransom and stolen goods. He writes in an agreeable, relaxed manner, with a number of incidents told as edge-of-your-seat thrillers. The title itself was a common term of invective to describe Chinese pirates. An essential read for students of piracy.

The original chronicle of the massive pirate outbreak along the China coast in the early 19th century. Written by a Chinese amateur historian, he makes his patriotic agenda clear on every page: to boost the maligned reputation of China’s imperial navy in allegedly quashing the pirates (by twisting the historical truth, to put it mildly). The main characters and incidents are based on fact, while he fills in the gaps with private conversations and meetings that no one could have been privy to. Translated into English by a German missionary in 1835, this mix of fact and speculation is the ur-document on which every western account of these pirates is based. Newer editions include an eyewitness narrative by a British sailor who spent six months as a captive of the pirates. Essential and entertaining reading which should be taken with large pinches of (pilfered) salt.

Elizabeth Taylor—not to be confused with the actress of the same name—has been called ‘the unsung heroine of British twentieth-century fiction.’ I wholeheartedly agree, and Mrs. Palfrey at the Claremont is Taylor at her sublime best. It’s the tale of an elderly woman, wealthy but recently widowed, who’s faced with a choice: "Do I spend my last days in a care home—or check into a grand hotel?" She opts for the latter and finds herself among a group of fascinating characters, each as eccentric as she herself. 

Insightful about the sadness and loneliness of ageing, this book did not make me feel despondent about growing older. On the contrary, it showed me that love, happiness, and a sense of adventure can be ours at any age, if we’re willing to take chances and open our hearts to others.

Jen Sookfong has written a debut novel that held my attention throughout. She describes three generations of a Chinese-Canadian family in Vancouver beginning in 1913 when Chan Seid Quan emigrates to Vancouver at the age of 17. Years later after his death at age 94, his grand-daughter, Samantha, is forced to leave Montreal in order to take care of her mother in Vancouver. She feels resentment until she begins to delve into her family’s past and discovers alienation and hardship. Author Sookfong is an expert on immigration and the fate of many Chinese people. This is a beautiful tale of family conflicts set in Vancouver’s Chinatown.

I cannot think of a more perfect title for Michael Wang’s Further News of Defeat. Imminent loss haunts the edges of each story, ready to pounce on Wang’s indelible characters. In America, we’re often uncomfortable with this kind of storytelling. We prefer our characters to be redeemed, to either prevail over calamity or to fail due to their own weaknesses. Wang’s characters are both at the mercy of outside events and circumstances and participants in their own fates. Most of the stories are set in fictional cities and rural villages in China. War, regime and societal changes, poverty, immigration, and identity are running themes. Several of these stories are so gripping I could imagine them as longer works. Further News of Defeat is a beautifully rendered and well-researched book.