Here are 100 books that Pavilion of Women fans have personally recommended if you like
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Born and raised in Hong Kong, I received a fully bilingual (English and Chinese) education and also learned French in my youth. Since the release of my two historical Chinese novels: The Green Phoenix and Tales of Ming Courtesans, nostalgia for the magical world of wuxia fiction, which I grew up with, has spurred my desire to write wuxia stories following Jin Yong’s style, but with a mythical slant. Overall, my fiction writing has been influenced by Jin Yong, Emile Zola, and the wuxia/xianxia media.
This book has stayed in my memory even though I read it many years ago. Subtle in the telling, this novel is one that drills into your soul. Set in 18th century Macau (then a Portuguese enclave), it is a story of forbidden interracial love, prejudices, and intrigue surrounding a British trader surnamed Mierop and a Chinese orphan named Marta da Silva, based on true events. The author got his inspiration for the novel when he saw a portrait of a Chinese lady, Marta Mierop, in a Macau museum. In the story as well as in real life, Marta rose from her humble and wretched childhood to become a legend and one of the most influential women in Macau.
I love this novel for the impeccable setting, the moving plot, and the larger-than-life protagonist.
This historical novel is based on the true story of the affair between the Chinese orphan Martha Herop and her English lover, son of the founder of Lloyd's, in the 18th century.
Born and raised in China, I grew up on a remote state-run farm where my parents, as condemned intellectuals during Mao’s Cultural Revolution, lived for 20 years. It wasn't until mid-80s they were allowed to return. I have heard many stories and read many books about this tumultuous period in China. I didn’t know much about my parents’ personal experiences until I was in my 30s. Today’s China is very different but I believe that history extends its roots deep into the present. As a writer, what interests me the most is the impact of history on individuals and society. My latest book is a historical wartime novel set in China and Europe.
Rong’s Wolf Totem is not a typical Cultural Revolution book, and its focus is on relationships between humans and the wildlife of the grasslands. The protagonist is an urban youth, who’s a Han (the majority ethnic group in China), sent to inner Mongolia for “reeducation.” While trying to raise a wolf cub captured from the wild, he encounters a cultural clash between the Han Chinese and the locals, learns about the wolf and other wildlife, and reflects on history, nature, and humanity.
Beijing intellectual Chen Zhen volunteers to live in a remote settlement on the border of Inner and Outer Mongolia, where he discovers life of apparent idyllic simplicity amongst the nomads and the wild wolves who roam the plains. But when members of the People's Republic swarm in from the cities to bring modernity and productivity to the grasslands, the peace of Chen's solitary existence is shattered, and the delicate balance between humans and wolves is disrupted. Only time will tell whether the grasslands' environment and culture will ever recover...
Wolf Totem has been a sensation ever since it shot to…
Born and raised in Hong Kong, I received a fully bilingual (English and Chinese) education and also learned French in my youth. Since the release of my two historical Chinese novels: The Green Phoenix and Tales of Ming Courtesans, nostalgia for the magical world of wuxia fiction, which I grew up with, has spurred my desire to write wuxia stories following Jin Yong’s style, but with a mythical slant. Overall, my fiction writing has been influenced by Jin Yong, Emile Zola, and the wuxia/xianxia media.
This is a very unique novel about the life of a nomadic tribe of hunters and reindeer herders called Evenki who reside in the northern part of Inner Mongolia. The story is told through an old woman at the end of the 20th century looking back at the joyful and tragic events of five generations of her clan. Wild nature is at its most beautiful and most cruel. Then the Japanese invasion, the Chinese lumber trade, and modernization gradually force the tribe to give up their carefree lifestyle. Sadness drips from the story, told in a wistful and quiet tone.
I love the novel for the rich imagery of nature and the human interaction humming underneath.
'A long-time confidante of the rain and snow, I am ninety years old. The rain and snow have weathered me, and I too have weathered them'.
At the end of the twentieth-century an old woman sits among the birch trees and thinks back over her life, her loves, and the joys and tragedies that have befallen her family and her people. She is a member of the Evenki tribe who wander the remote forests of north-eastern China with their herds of reindeer, living in close sympathy with nature at its most beautiful and cruel.
Born and raised in Hong Kong, I received a fully bilingual (English and Chinese) education and also learned French in my youth. Since the release of my two historical Chinese novels: The Green Phoenix and Tales of Ming Courtesans, nostalgia for the magical world of wuxia fiction, which I grew up with, has spurred my desire to write wuxia stories following Jin Yong’s style, but with a mythical slant. Overall, my fiction writing has been influenced by Jin Yong, Emile Zola, and the wuxia/xianxia media.
This is a heart-wrenching novel about hunger and starvation in the early 1950s in a Southern China village. The book title implies the joy of harvest, which has a rhetorical effect as it runs counter to the book theme. Its metaphor for hunger is watery gruel that the rural poor eat for every meal as they slowly starve. The story is about the impending great famine after the Communist Party introduces the land reform policies and how villagers suffer in silence atrocious government abuse.
This novel is a must-read if you want to understand what starvation feels like.
The first of Eileen Chang's novels to be written in English, The Rice-Sprout Song portrays the horror and absurdity that the land-reform movement brings to a southern village in China during the early 1950s. Contrary to the hopes of the peasants in this story, the redistribution of land does not mean an end to hunger. Man-made and natural disasters bring about the threat of famine, while China's involvement in the Korean War further deepens the peasants' misery. Chang's chilling depiction of the peasants' desperate attempts to survive both the impending famine and government abuse makes for spellbinding reading. Her critique…
I fell in love with historical novels as a kid after I began reading books by French authors Alexandre Dumas, the father and the son. I was the kind of kid who read for days and even nights to finish a story. Books moved me, inspired me, and gave me the strength and wisdom that I have today. I cannot imagine a world without them.
The dark place Dai depicts in this book during the Chines Cultural Revolution is very similar to the 1980s when I grew up in Iran after the revolution. Through banned novels, the characters in the book, just like me, found a way to escape the grim realities of their lives and found the strength they needed to dream and grow. Their identities, like mine, were shaped by the oppressive environments they lived in and their efforts to reinvent themselves under those conditions.
1971: Mao's cultural Revolution is at its peak. Two sons of doctors, sent to 're-education' camps, forced to carry buckets of excrement up and down mountain paths, have only their sense of humour to keep them going. Although the attractive daughter of the local tailor also helps to distract them from the task at hand.
The boys' true re-education starts, however, when they discover a hidden suitcase packed with the great Western novels of the nineteenth century. Their lives are transformed. And not only their lives: after listening to the stories of Balzac, the little seamstress will never be the…
I’m Mary Sisson, award-winning writer blah-blah-blah, and when I need to pry myself off the feeds before my head explodes, I reach for a particular sort of book: story-driven with a lot of adventure, a dash of humor, another of romance, andset in a well-developed, immersive fictional world. While all of these titles can be read alone (I hate books that were clearly written to sell a sequel—600 pages of filler ending with a cliffhanger? No thank you!)they all also form parts of series, because when my head is about to shoot right off my neck, it helps me to know that I have the remedy at hand. Enjoy!
Lin is well-known among romance aficionados for her groundbreaking Tang Dynasty historical romances. With The Lotus Palace, the first novel in her Pingkang Li Mysteries series,she expands into crime and political intrigue.This is the only non-fantasy or science fiction title on this list, and it’s here because Lin not only crafts an engaging story of murder and romance, she also handles the historical setting like an absolute master. The world of the 9th century Tang capital Changan—from the seedy gambling dens and bars of the Pingkang Li red-light district to the luxurious family compounds of the exclusive northeast quarter—feels familiar and lived-in, rich and complete, fully detailed without reading like a history textbook.
An unlikely pair of heroes find themselves caught in a star-crossed relationship in this rich tale of history, mystery and forbidden love!
At the Lotus Palace, the best of society comes to drink and enjoy the company of beautiful and talented courtesans. Street-smart and practical Yue-ying is not part of this elite class but is content to live in the shadow of her mistress, Mingyu, only serving as her silent attendant at the lavish and exquisite palace.
Running into notorious flirt Bai Huang changes everything.
Bai Huang, an eternal student at the palace, is different from Yue-ying in every way.…
I came to Shanghai largely by accident back in the late twentieth century and found a city of art deco and modernism, of influences form east and west – then far less developed, smaller and more intimate, as if a dust sheet had been thrown over the city in 1949 and the metropolis underneath left to await a new era. The old city, the once international city that was the most modern in Asia – jazz, skyscrapers with elevators, streamline moderne villas, a hundred nationalities living cheek-by-jowl was still, seemingly, just within reach. I’ve never stopped being fascinated by that old world, or writing about it.
Set in wartime Shanghai in a time of espionage, betrayal, and murder. Chang knew of what she wrote – her own husband worked for the pro-Japanese collaborationist Chinese government of Wang Jing-wei and was considered a traitor. It’s a wartime novel where bombs don’t fall and soldiers don’t fight but everyone, including the main character of Wang Chia-chih (based on a real-life Nationalist Chinese spy Zheng Pingru, but with a fair amount of Chang herself thrown in), is faced with issues of resistance, collaboration, fighting back or staying quiet. A novella, but no less a masterpiece for being short.
A major motion picture (2007) from Oscar-winning director Ang Lee (Crouching Tiger, Hidden Dragon; Brokeback Mountain): an intensely passionate story of love and espionage, set in Shanghai during World War II.
In the midst of the Japanese occupation of China and Hong Kong, two lives become intertwined: Wong Chia Chi, a young student active in the resistance, and Mr. Yee, a powerful political figure who works for the Japanese occupational government. As these two move deftly between Shanghai’s tea parties and secret interrogations, they become embroiled in the complicated politics of wartime—and in a mutual attraction that may be more…
I wanted to write my book (below) because I often wonder, “What if?” about many things in my life. What if I’d stayed in-state for college? What if I’d never moved to California? What if I’d stayed together with my high school boyfriend? This book answered those questions for me, and I know that reading any of the books below will not only do that for you but also bring lots of reading joy.
Oh, how I loved Lauren's book. I had the opportunity to be on a panel with Lauren, and she talked about her research for this book. I was so excited to get my hands on it. I savored reading this friends-to-lovers romance.
It was so unique, the characters so vivid, and I absolutely loved hearing about their lives and how they made each other stronger. I can't recommend this enough!
Booklist: The Biggest, Buzziest Romance Books of 2024
In this charming rom-com about two star-crossed lovers, a woman whose life is guided by her belief in the red-string of fate finds her perfect match—but his skepticism about true love puts a knot in their chances.
Just a date . . . or a twist of fate?
When it comes to love and art, Rooney Gao believes in signs. Most of all, she believes in the Chinese legend that everyone is tied to their one true love by the red string of fate. And that belief has inspired her career as…
In Six Memos for the Next Millennium, Italo Calvino writes that “we can distinguish between two types of imaginative processes, one that begins with words and ends with the visual image, and another that begins with the visual image and ends with its verbal expression.” All of my writing projects begin with the visual image. It is difficult for me to verbalize what precisely about art that captivates me. But when I stand in front of certain artworks, I feel a magnetic pull, and something in the piece—the brushstrokes, the colors, the materiality—compels me to write something in response to it.
This well-researched and lucidly written book, by art historian Catherine McCormack, traces the representation of women throughout the history of Western art.
McCormack examines a wide range of images featuring female figures—from paintings by Old Masters to contemporary advertising—and pays close attention to the way in which these images betray deep-seated stereotypes about women and contribute to the objectification of female bodies.
This book was indispensable to my research for my book, especially the sections on the aestheticizing of sexual violence in paintings and sculptures.
Venus, maiden, wife, mother, monster-women have been bound so long by these restrictive roles, codified by patriarchal culture, that we scarcely see them. Catherine McCormack illuminates the assumptions behind these stereotypes whether writ large or subtly hidden. She ranges through Western art-think Titian, Botticelli, and Millais-and the image-saturated world of fashion photographs, advertisements, and social media, and boldly counters these depictions by turning to the work of women artists like Morisot, Ringgold, Lacy, and Walker, who offer alternative images for exploring women's identity, sexuality, race, and power in more complex ways.
I’m genuinely fascinated by human nature and why we behave the way we do, the things that make us act within or out of character, and at what point they become a part of who we are rather than just a lapse in judgment or an isolated incident. Relationships in particular fascinate me because of the way they force us to reckon with our behavior towards ourselves and other people. I love seeing how writers explore and examine those relationships, whether before, after, or during them, and how they allow their characters to move through those moments. Often, despite how far-fetched some of the scenarios may feel, I find myself within their pages.
I loved this book – and read it in one or two sittings – because of how skillfully the author, Megan Nolan, is able to explore the pits of a broken relationship and the attempts and failures of trying to heal.
It pulls no punches in its depiction of what we are willing to do when we believe we are in love and that that love is good, and also in its depiction of what happens to us when the bad reveals itself in all its naked ugliness. Once you’ve read this, you’ll want to read anything else Nolan writes next.
*A NEW STATESMAN, OBSERVER, IRISH TIMES, i, SPECTATOR AND STYLIST BOOK OF 2021*
'Please believe the hype ... a seriously exciting writer' Sunday Times
'Such brilliant writing about female desire... honest and visceral' Marian Keyes
Discover this bitingly honest, darkly funny debut novel about a toxic relationship and secret female desire, from an emerging star of Irish literature.
Love was the final consolation, would set ablaze the fields of my life in one go, leaving nothing behind. I thought of it as a force which would clean me and by its presence make me worthy of it. There was no…
