100 books like The Lotus Palace

While Bujold is famous for her science fiction Vorkosigan Saga, she has taken a welcome turn to fantasy in recent years with her Penric & Desdemona series, starting with Penric’s Demon. The book focuses on the accidental sorcerer Penric and the demon who possesses him and gives him power, Desdemona. Theirs is a complicated relationship, in no small part because Desdemona retains the memories and personalities of the many people—and animals!—she has possessed before. While having magical powers obviously has its advantages for Penric, demonic possession is not without its dangers, and quite a few people in the world of the Five Gods believe that sorcerers and their demons are best drowned at sea. The book features exciting adventures in an exotic world—but also touching mediations on death, fate, and destiny.

Tikaya Komitopis is a linguist on the Kyatt Islands, a small, isolated country that is targeted for conquest by the much larger Turgonian Empire. By breaking Turgonian codes, Tikaya foils the conquest and forces the Turgonians into an unfavorable truce with its rival great power, the Nurian Empire. After the war, the Turgonians kidnap Tikaya, she believes in order to execute her. But while the Turgonians certainly do plan to do that, they first want her to translate something—something extremely strange, which turns out to be connected to something extremely dangerous. Along with being a thrilling read, Encrypted is an excellent entry into Buroker’s sprawling universe of books about the Turgonians, Nurians, and Kyattese.

Katie Chandler has moved to New York City hoping for a life of glamour and excitement, only to find herself lonely, frustrated, and deeply baffled that those jaded New Yorkers keep ignoring all the weird things that keep happening. Then she discovers that the average New Yorker can’t see what she sees—she is the rare true mundane, completely unaffected by all magic, including magical camouflage. Her special abilities lead her to a new job for a magical company, and the book leads the reader into a delightful series of adventures that hilariously combine wizardry and enchantment with corporate intrigue and the tropes of Chick Lit.

Magic has appeared on Earth, and Addie doesn’t know what to make of it. In fact, she’s not quite sure what to make of anything—she has no recollection of who she is. What she does know is alchemy: While some people are magical, alchemists make magic using potions and powders. The magical don’t like the alchemists, and the New Magical don’t like the Old Magical, the creepy, secretive necromancers who run funeral homes and turn people into ghouls and zombies. The Final Formula has excitement, scares, and some mind-blowing twists—just know that, if you continue with the series, you cannot skip the “in-between” books.

Set in wartime Shanghai in a time of espionage, betrayal, and murder. Chang knew of what she wrote – her own husband worked for the pro-Japanese collaborationist Chinese government of Wang Jing-wei and was considered a traitor. It’s a wartime novel where bombs don’t fall and soldiers don’t fight but everyone, including the main character of Wang Chia-chih (based on a real-life Nationalist Chinese spy Zheng Pingru, but with a fair amount of Chang herself thrown in), is faced with issues of resistance, collaboration, fighting back or staying quiet. A novella, but no less a masterpiece for being short.

Pearl Buck is an author whom I admire for her genuine love and respect of the Chinese culture and people. This sentiment shines through her novels. Pavilion of Women is unique in that it highlights a pronounced social change in China in the early 20th century, when Western values began to nudge younger Chinese to unyoke themselves of old traditions and customs. The fastidious, all-wise, and freedom-seeking protagonist attempts to dictate other people’s lives to keep her household in order, but fails miserably. She finally learns from a renegade missionary that her rigid attitudes and lack of empathy are in fact the real shackles that hobble her.

I love this novel because character development is superbly handled.

The dark place Dai depicts in this book during the Chines Cultural Revolution is very similar to the 1980s when I grew up in Iran after the revolution. Through banned novels, the characters in the book, just like me, found a way to escape the grim realities of their lives and found the strength they needed to dream and grow. Their identities, like mine, were shaped by the oppressive environments they lived in and their efforts to reinvent themselves under those conditions.

West Virginia’s Jayne Anne Phillips made a noisy arrival on the literary scene with her triumphant collection of short stories, Black Tickets. One of the first of the “dirty realists,” Phillips paints the backroads and forgotten lives of rural West Virginia during a time when that state, and many like it, were on no one’s radar. As one of her characters says, “This ain’t the South…this is the goddam past.” Phillips captures the loneliness and the disconnected lives of young women and men in a way few books have done.  

Esther Perel's exploration of the intricate dance between intimacy and desire resonates with many couples who are in long-term relationships, want it to work so desperately, and yet find themselves stuck. This book builds on the concepts of differentiation and attachment styles while inviting readers to embrace a new paradigm of eroticism within committed relationships.

What resonates deeply is Perel's grounded yet unflinching approach to addressing taboo topics and dismantling societal norms. Through her eloquent prose and compelling case studies, she illuminates the path to unlocking erotic intelligence and reigniting passion in long-term partnerships.

John Berger was a fantastic cultural observer and art critic, this book is erotic both in its observation of culture and context but also of human fallibility, and psychic and psychological transportation of love itself. It had a big influence on me as an art student and for the brief years when I was a sculptor. What I love about it is its empathy for both the female and male inner erotic life, although it is set in England and Europe at the end of the 19th century, Berger’s razor-sharp, succinct blending of the internal and external world is both moving and sensual.