Fans pick 100 books like Black Tickets

I often ask what the nature of laws and authority is. In the "Old West," when there was no overarching central authority, the survival of the fittest was the law. I’m curious how the clash of the old world with the new becomes a never-ending cycle and where it may lead.

I loved how none of the characters were all good or all bad, they were just survivors. This book is not meant to be liked or disliked. It’s meant to be experienced and "danced with."

So what if his worldview never makes sense to anyone but himself? I see Holden Caulfield as the quintessential benchmark for a bad boy, shucking off the last few days at the boarding school that expelled him to wander around Manhattan in a daze. Some readers don’t like him so much that they are personally invested in attacking him and what he represents. 

But what is it that he represents, exactly? When I look beyond the surface of his false bravado, he’s a character deeply affected by the death of his brother and is setting out on a quest to understand how to be a real person in a world of phonies. Many of us, as teenagers, also have moments of feeling misunderstood and alone. I know I did, and so did Holden. 

Craig Nova’s beautifully sad novel Trombone was much overlooked when it was first published. As melancholy as the trombone solos that ne’er-do-well father and arsonist Dean Golancz plays every time one of his many affairs ends, this book is about dangerous criminals, love, familial loyalty, and big moral questions. Mostly it’s a father-son story and love triangle in the guise of a crime novel, with beautiful, lush, gritty use of language throughout.  

Mickelson’s Ghosts was the final book of famous novelist and equally famous writing teacher John Gardner, published a few months before his death in a motorcycle accident at the too-young age of 49. It tells the story of Peter Mickelson, a once-famous philosopher nearing the end of his career, and finding himself buying a run-down house he can't afford with his ex-wife and the I.R.S. breathing down his neck. Soon the rationalist philosopher finds himself living in a world of bad decisions, sex, hauntings and ghosts, and religious cults—a world where rationalism can’t save him from his own creeping madness and mortality. 

Max and Lina have a complicated history, to say the least. He’s the brother of her ex-fiancé, the former best man at Lina’s wedding, and he’s also the reason her intended groom left her standing at the altar. As she makes a bid for a prominent hotel’s business, she’s paired with Max on a marketing project that forces her to deal with the man that ruined her life. Determined to keep him from ruining everything again while indulging in a bit of petty revenge, Lina seeks to get Max to drop out of the marketing campaign. But as they spend more time together, she realizes that Max, who was the worst best man ever, might be the greatest love of her life.

I love this book because it’s rich with humor, heart, and culture. Mia Sosa does a terrific job of making us laugh, while still making us aware of… show more.

This book grabbed my heart and is still holding on. I have never read a hero more committed to what is right and willing to pursue it at all costs, in spite of his imperfections. His compassion and level of sacrifice are unmatched. Both he and the heroine are wounded, yet in different ways. Her journey to trust is one that touched me deeply. Bischof knows how to write the heart and paint the power of redemption. 

I was utterly awed by Kase Johnstun’s boundless love for the characters in this novel, which I learned later was informed by memories of and letters by his grandparents.

It overflows with some of my favorite things about the literature that most often resonates with me: When an author of great skill can mine memory and history, spend time with it, apply the transformative agent of imagination, and emerge into the world with work laden with genuineness.

I find Johnstun’s work to be imbued with love, which he marries to considerable storytelling chops. He’s a writer more people should know about, so it’s become a bit of a mission of mine to shout his name.

In 1950s Sewanee, Chang and Katherine slowly fall in love and find that the Souths of Korea and Tennessee are not that different after all, both subject to lingering issues of class, family, race, and civil war. I love the poetic language in this novel, as well as its ambitious story and the complexity invested in every relation.

Frances lives in the Victorian Era in London, but in her hometown of New York, it’s the Gilded Age. This is her background in all its glittering and horrifying glory. 

Crime novels fit quite naturally in this era. I love a loathsome villain and Rosemary Simpson serves up some of the worst in her Gilded Age series. She uses actual events, like the great blizzard of 1888, as catalysts for some heinous crimes. If you needed to dispose of a body, what better place than a snowdrift? 

Prudence MacKenzie, the dead man’s fiancé and our sleuth, doesn’t seem to realize the danger she’s in. I spent the entire read on the edge of my seat wondering if she’d make it to the end of the book alive. This is historical noir in elegant Gilded Age style.

I had a great deal of respect for this author from reading her Psychology Today columns. Sophia Dembling is an introvert and from her research and personal experience knows that relationships between different personality types can be challenging to say the least. 

She takes us through all aspects of the dating process and doesn’t slam extroverts. What she does is show us, through her great wit and transparency, how we are not perfect but that we can balance each other. 

Dembling teaches introverts “how to let someone into their hearts while honoring the solitude we need..” I found myself laughing many times, even while reading the table of contents. “Whee! Fun With Extroverts” and “I Love you But Please Don’t Call Me.” And she helps extroverted readers understand and empathize with introverts who don’t find joy in too much socializing.