100 books like Acts of Desperation

The story of a marriage told as though Greek mythology, Fates and Furies is a masterful look at what it takes to make some of the most sacred relationships work, and what we are willing to do to save them, even at the cost of our own pride.

Charting the marriage between Mathilde and Lotto (Lancelot), we see at first the Lotto’s perspective, which paints for us a picture of a happy marriage, plagued with life’s traditional issues, but still a good marriage. Then in the second half of the book we see Mathilde’s perspective, what happened in the moments Lotto was consumed with himself and which of them really worked hardest to keep their marriage together until the very end.

I was utterly gripped by this book, which felt like a refreshing and brutally honest take on keeping a marriage alive.

This book explores the themes of loss, grief, and fidelity to one’s marriage, even once that relationship is unraveling. The prose is precise, and the narrator’s inner life is seemingly transparent. At the same time, it’s a mystery: why did the narrator’s husband disappear while doing research for a book on mourning rituals in southern Greece? And why does she hide the secret of their marital separation—and her new life with a new man—from her mother-in-law, who insists she track down her son, Christopher?

The narrator seeks out her soon-to-be ex at her mother-in-law's command, only to discover a tragic event. The ties to a failing love and a distant family are strengthened and the reader’s expectations upended. I loved how Kitamura took existential issues and boiled them down into a deceptively quiet story.

I love this book, and it caused a big splash on publication.

The novel takes a highly individual look at one woman’s twin obsessions–a man she is having an affair with and his sometime lover, a woman whom the narrator obsessively follows via social media. On the one hand, it’s a story of infatuation and obsession, about how you can lose sight of yourself in the desire for another. On the other, it’s about how social media and capitalism can combine to diminish us all.

I thoroughly enjoyed it–it’s dark, racy and thought-provoking.

I rarely read books more than once, but this is one of the few that gets an exception based on its sharpness and ability to show its reader the highs and lows of a new, intoxicating, and hidden relationship.

The protagonist, as far as she knows, is straight, that is until she meets Finn. What happens then is what happens when you know that something is bad for you from the very beginning, but you pursue it anyway. So beautifully and painfully written but impossible to put down.

The Yellow Wallpaper inspired my book and brand. Gilman not only defined the madwoman of Gothic literature by writing one of the most haunting and empowering stories of the 19th century, but she also lived it. Her experience inspired her story and exposed the horror of hysteria treatments. This story inspired me because I could relate to Gilman and her main character. Though hysteria is no longer a recognized condition and women have gained many more rights, ideologies left over from the hysteria panic still creep in our culture and generational memory. Women are still called crazy. The assumption that women are emotionally unstable is still used to discredit, invalidate and control women. In an era where women couldn’t fight for their rights as we do, Gilman found her power by embracing madness, and so do I.

This well-researched and lucidly written book, by art historian Catherine McCormack, traces the representation of women throughout the history of Western art.

McCormack examines a wide range of images featuring female figures—from paintings by Old Masters to contemporary advertising—and pays close attention to the way in which these images betray deep-seated stereotypes about women and contribute to the objectification of female bodies.

This book was indispensable to my research for my book, especially the sections on the aestheticizing of sexual violence in paintings and sculptures. 

A RITA Award winner, this sweet, character-driven Regency comes alive with playful Hepburn/Tracy style banter in a May/December romance. An impertinent younger sister, who takes in strays and the wounded, wins the attention of a scarred, slightly singed diplomat. She decides he must be reunited with his family for the holidays. With her rascal brother’s dubious assistance, the three embark on a surprisingly dangerous quest to fulfill heartfelt Christmas wishes.

I cannot resist beautiful, elegant writing, and Hoffman achieves this every time. Set in the Old Testament on the refuge of Masada in Judea, you come to know the lives of four women intimately.

I love substantial, complicated narratives that bring you directly into people’s lives. Each woman is strong and steadfast in what they will do to survive and save their children in lives full of danger. It is a stunningly truthful story and one of my all-time favorite books.

A nonfiction book that tells the story of three unrelated women and their unique but universal struggles; I loved it because of the author’s incredible talent for articulating the everyday lived experience of being female, the subtle and overt judgments, and the fact that women are held to different standards, even by other women.

"‘Even when women fight back, they must do it correctly. They must cry the right amount and look pretty but not hot." Many times while reading, I recognised myself, my sister, my mother, and my friends.

All three stories are highly engaging, but the truly compelling story is Maggie’s, a troubled girl from a difficult family who is preyed upon by her teacher, a married man with a family. The subsequent effect on her life is just devastating (remember, folks: this is nonfiction.)

Pearl Buck is an author whom I admire for her genuine love and respect of the Chinese culture and people. This sentiment shines through her novels. Pavilion of Women is unique in that it highlights a pronounced social change in China in the early 20th century, when Western values began to nudge younger Chinese to unyoke themselves of old traditions and customs. The fastidious, all-wise, and freedom-seeking protagonist attempts to dictate other people’s lives to keep her household in order, but fails miserably. She finally learns from a renegade missionary that her rigid attitudes and lack of empathy are in fact the real shackles that hobble her.

I love this novel because character development is superbly handled.