Here are 100 books that Women fans have personally recommended if you like
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I’m genuinely fascinated by human nature and why we behave the way we do, the things that make us act within or out of character, and at what point they become a part of who we are rather than just a lapse in judgment or an isolated incident. Relationships in particular fascinate me because of the way they force us to reckon with our behavior towards ourselves and other people. I love seeing how writers explore and examine those relationships, whether before, after, or during them, and how they allow their characters to move through those moments. Often, despite how far-fetched some of the scenarios may feel, I find myself within their pages.
The story of a marriage told as though Greek mythology, Fates and Furies is a masterful look at what it takes to make some of the most sacred relationships work, and what we are willing to do to save them, even at the cost of our own pride.
Charting the marriage between Mathilde and Lotto (Lancelot), we see at first the Lotto’s perspective, which paints for us a picture of a happy marriage, plagued with life’s traditional issues, but still a good marriage. Then in the second half of the book we see Mathilde’s perspective, what happened in the moments Lotto was consumed with himself and which of them really worked hardest to keep their marriage together until the very end.
I was utterly gripped by this book, which felt like a refreshing and brutally honest take on keeping a marriage alive.
NAMED A BEST BOOK OF THE YEAR BY: THE WASHINGTON POST, NPR, TIME, THE SEATTLE TIMES, MINNEAPOLIS STAR-TRIBUNE, SLATE, LIBRARY JOURNAL, KIRKUS, AND MANY MORE
“Lauren Groff is a writer of rare gifts, and Fates and Furies is an unabashedly ambitious novel that delivers – with comedy, tragedy, well-deployed erudition and unmistakable glimmers of brilliance throughout.” —The New York Times Book Review (cover review)
From the award-winning, New York Times-bestselling author of Florida, Matrix, and the highly-anticipated The Vaster Wilds: an exhilarating novel about marriage, creativity, art, and perception.…
I’m a novelist with a PhD in Literature from NYU. My background is Modern British, and I’ve always been drawn to literary stylists. But, over the years, I’ve developed a passion for reading and writing novels that deal with themes of betrayal either within families or between close friends. I’m drawn to domestic suspense in which the characters’ psychological growth isn’t secondary to the plot.
This book explores the themes of loss, grief, and fidelity to one’s marriage, even once that relationship is unraveling. The prose is precise, and the narrator’s inner life is seemingly transparent. At the same time, it’s a mystery: why did the narrator’s husband disappear while doing research for a book on mourning rituals in southern Greece? And why does she hide the secret of their marital separation—and her new life with a new man—from her mother-in-law, who insists she track down her son, Christopher?
The narrator seeks out her soon-to-be ex at her mother-in-law's command, only to discover a tragic event. The ties to a failing love and a distant family are strengthened and the reader’s expectations upended. I loved how Kitamura took existential issues and boiled them down into a deceptively quiet story.
A young woman has agreed with her faithless husband: it's time for them to separate. For the moment it's a private matter, a secret between the two of them. As she begins her new life, alone, she gets word that her ex-husband has gone missing in a remote region in the rugged southern Peloponnese. Reluctantly she agrees to go and search for him, still keeping their split to herself. In her heart, she's not even sure if she wants to find him. Adrift in the wild and barren landscape, she traces the failure of their relationship, and finds that she…
I’m the author of two novels, both of which explore the impact of the digital age on my characters’ lives. I’m old enough to have experienced being a teenager before the Internet but young enough to have used it all my adult life. I can’t forget the before-times! While I’ve benefitted a lot from what the tech industry calls Web 2.0, I’m also really alive to the losses: social, economic, personal, and existential. From our work lives to our communities to our health and sex lives–nowhere is free from technology’s influence. We are living in fascinating and dangerous times.
I love this book, and it caused a big splash on publication.
The novel takes a highly individual look at one woman’s twin obsessions–a man she is having an affair with and his sometime lover, a woman whom the narrator obsessively follows via social media. On the one hand, it’s a story of infatuation and obsession, about how you can lose sight of yourself in the desire for another. On the other, it’s about how social media and capitalism can combine to diminish us all.
I thoroughly enjoyed it–it’s dark, racy and thought-provoking.
“A fast, fizzing cherry bomb of a debut” (The Observer [UK]) about power, intimacy, and the internet
I stalk a woman on the internet who is sleeping with the same man as I am.
Sheena Patel’s incandescent first novel begins with the unnamed narrator describing her involvement in a seemingly unequal romantic relationship. With a clear and unforgiving eye, she dissects the behavior of all involved, herself included, and makes startling connections between the power struggles at the heart of human relationships and those of the wider world. I’m a Fan offers a devastating critique of class, social media, patriarchy’s…
I’m genuinely fascinated by human nature and why we behave the way we do, the things that make us act within or out of character, and at what point they become a part of who we are rather than just a lapse in judgment or an isolated incident. Relationships in particular fascinate me because of the way they force us to reckon with our behavior towards ourselves and other people. I love seeing how writers explore and examine those relationships, whether before, after, or during them, and how they allow their characters to move through those moments. Often, despite how far-fetched some of the scenarios may feel, I find myself within their pages.
I loved this book – and read it in one or two sittings – because of how skillfully the author, Megan Nolan, is able to explore the pits of a broken relationship and the attempts and failures of trying to heal.
It pulls no punches in its depiction of what we are willing to do when we believe we are in love and that that love is good, and also in its depiction of what happens to us when the bad reveals itself in all its naked ugliness. Once you’ve read this, you’ll want to read anything else Nolan writes next.
*A NEW STATESMAN, OBSERVER, IRISH TIMES, i, SPECTATOR AND STYLIST BOOK OF 2021*
'Please believe the hype ... a seriously exciting writer' Sunday Times
'Such brilliant writing about female desire... honest and visceral' Marian Keyes
Discover this bitingly honest, darkly funny debut novel about a toxic relationship and secret female desire, from an emerging star of Irish literature.
Love was the final consolation, would set ablaze the fields of my life in one go, leaving nothing behind. I thought of it as a force which would clean me and by its presence make me worthy of it. There was no…
My first memories are of my brother’s death. Maybe that’s why I’ve always wanted to understand the connection between memory and identity. At 17, when I was writing the very first draft of Traces, I was also bandaging my friends’ suicide attempts. I’ve volunteered as a writing tutor for refugees and autistic students, visitor on the closed ward of a psychiatric hospital, advocate for the LGBTQIA+ community (of which I am a member), and celebrant for bereavement ceremonies. As an educator, YA/NA novelist, and poet, I know that nobody can heal unless they feel safe and seen, which is why I believe so strongly in trauma-informed communication and radical acceptance.
Andrea Gibson’s spoken word poems are gut-wrenching testaments to the power of vulnerability and tenderness, weaving anecdotes into fervent pleas for empathy, connection, and social justice. The magic of their pieces lies in the both/and of beauty and pain, unflinchingly facing trauma while clinging to hope. This collection’s strongest poems include “Ashes” (about a gay soldier burned to death) and “Somewhere, a Carpenter” (about the artist’s love for their grandmother). If you want to be truly spellbound, look for the recorded versions of these poems—I’ve attended two of Gibson’s live performances and had goosebumps all over and/or tears streaming down my face from start to finish.
These poems’ topics range from hate crimes to playgrounds, from international conflict to hometowns, from falling in love to the desperation of loneliness. Gibson’s work seizes us by the collar and hauls us inside some of her darkest moments, then releases us out the other side.
The ghostly/magical and Taiwan are two of my major interests—I have written about both in my fiction. After living in Taiwan for a few years and getting to know my mother’s side of the family, I gained an appreciation for its complicated history, riveting politics, and the energy of daily life there. Its confluence of people and histories has made it a unique cultural amalgam and these books capture the way folk religion and the spiritual/magical are wedded into the bustling contemporary urban life of Taiwan. I hope you find yourself as enchanted and intrigued by these stories as I have been!
This affecting and disturbing novel about a group of queer friends in late-80s Taiwan was ahead of its time in content, form, and vision. Premised on the idea of a collection of notebooks, the text incorporates multiple literary forms, and the “otherworldly” element is in Qiu’s use of the crocodile as a literalized metaphor for queer identity. A sobering and captivating read.
Winner of the Lucien Stryk Asian Translation Prize
Longlisted for the PEN Translation Prize
A New York Times Editors' Choice The English-language premiere of Qiu Miaojin's coming-of-age novel about queer teenagers in Taiwan, a cult classic in China and winner of the 1995 China Times Literature Award.
An NYRB Classics Original
Set in the post-martial-law era of late-1980s Taipei, Notes of a Crocodile is a coming-of-age story of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, this cult classic is a…
I was born in Birmingham, Alabama, and raised in Virginia, so I am very familiar with America’s southern lands and culture. The South—also known as the Deep South—is a unique part of America’s tapestry of identities, and I love books set in this locale. Southern literature tends to focus on themes such as racial politics, one’s personal identity, and rebellion. When I wrote my book, I knew the story would have to take place in the southern states.
You may have watched the movie, but have you read the novel? Fannie Flagg gave us a beautiful novel about friendship, family, second chances, and good old-fashioned southern food in the form of Fried Green Tomatoes at the Whistle Stop Café.
Using a mix of narrative voices, Flagg’s charming novel goes deeper than the movie, exploring the internal lives of the various interesting characters. I thought it was fascinating and compelling in equal measure.
Folksy and fresh, endearing and affecting, Fried Green Tomatoes at the Whistle Stop Cafe is a now-classic novel about two women: Evelyn, who’s in the sad slump of middle age, and gray-headed Mrs. Threadgoode, who’s telling her life story. Her tale includes two more women—the irrepressibly daredevilish tomboy Idgie and her friend Ruth—who back in the thirties ran a little place in Whistle Stop, Alabama, offering good coffee, southern barbecue, and all kinds of love and laughter—even an occasional murder. And as the past unfolds, the present will never be quite the same again.
As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
I can’t name what so destroyed me about this book; it speaks to a level of pain for which there’s no language.
I believe a book’s hidden subject will chase a writer down: a fear, a state of mind. Barnes had to write it in order to survive her experience.
A loose group of outcasts appears in Nightwood: a gay doctor, logorrheic, poetic, desperate, witty, alone. A woman obsessed with another woman whom has left her and whom she’ll never reach, never understand.
Dancers and circus performers all in the baroque shimmer of a prose so fascinating it becomes clear almost by virtue of its density. What comes through is the tragedy of what it is to be alive.
Nightwood, Djuna Barnes' strange and sinuous tour de force, "belongs to that small class of books that somehow reflect a time or an epoch" (Times Literary Supplement). That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna-a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous.
The outsized characters who inhabit this world are some of the most memorable in all of fiction-there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the…
I started in publishing at the Advocate magazine, twenty years ago in its heyday, then moved to Alyson Books, who first published Emma Donoghue among many others, offering a place for queer writers showcasing queer stories to find their audience. Afterwards, I became involved with Gertrude literary journal, a beloved, 25-year-old non-profit, LGBTQA journal that has now evolved to The Gertrude Conference. All the while, I read, wrote, and supported queer stories, like these gems!
This one was made into a long-short documentary (38 minutes) called Jeanne Cordova: Butches, Lies & Feminism that won the Grand Jury Prize at Outfest 2017 for Best Documentary Short, now I’d love to see this as a biopic feature!
Let’s watch Jeanne Cordova come to life—her old school get-er-done butch energy out there in the 1970s fighting for lesbian rights, starting the West Coast Lesbian Conference in 1971 and the first National Lesbian Conference in 1973. Imagine the drama bringing people together and setting the platform for lesbian rights when many were fired if outed.
Maybe Fortune Feimster could play a role!? Oh yes, yes she could.
A sweeping memoir, a raw and intimate chronicle of a young activist torn between conflicting personal longings and political goals. When We Were Outlaws offers a rare view of the life of a radical lesbian during the early cultural struggle for gay rights, Women’s Liberation, and the New Left of the 1970s.
Brash and ambitious, activist Jeanne Córdova is living with one woman and falling in love with another, but her passionate beliefs tell her that her first duty is to the revolution” to change the world and end discrimination against gays and lesbians. Trying to compartmentalize her sexual life,…
As the author of several sapphic sports romances, I find sports world rife with passion, complexities, and inherent conflict. I’ve had the privilege of working with several professional athletes and Olympians, and I’m always drawn to their drive. Sports, especially high-level sports, function as a pressure cooker to reveal our real personalities for better or for worse. There’s something appealing about studying people who push their minds and bodies to the brink in pursuit of something bigger than themselves. I think in some small way that connects with who as I am a writer and my own drive to always improve.
Melissa Brayden is one of the gold standards for sapphic romance authors. I have never once been disappointed when I’ve picked up one of her books, and this one is no exception. I love sports books that focus on lesser-known sports, and surfing definitely falls into that category, but Brayden gets bonus points for also picking a sport with the sexiness built right in. Swimsuits, beaches, wet women, it’s not hard to find the appeal, and of course you also get the trademark Melissa Brayden snappy dialog and relatable characters.
Gia Malone wants one thing and one thing only: to be the best surfer in the world. Her biggest obstacle is the annoyingly perky Elle Britton. Not only is Elle number one in the rankings, she’s also a fan favorite. But there’s a lot about Elle that Gia never noticed, like her surprising sense of humor and picture-perfect mouth.
Elle Britton is tired. After tournaments, fan meet-ups, and nonstop media requests, all she wants in the world is a little peace and quiet. But with Gia Malone closing in on her ranking, she has to surf her best. When the…
