100 books like Touch

Melissa Brayden is one of the gold standards for sapphic romance authors. I have never once been disappointed when I’ve picked up one of her books, and this one is no exception. I love sports books that focus on lesser-known sports, and surfing definitely falls into that category, but Brayden gets bonus points for also picking a sport with the sexiness built right in. Swimsuits, beaches, wet women, it’s not hard to find the appeal, and of course you also get the trademark Melissa Brayden snappy dialog and relatable characters. 

I love Yolanda Wallace, and I love tennis, so this one was an easy pick up for me. My son is an avid tennis player, which makes me a tennis mom. I know the ups and downs of tennis players, and I personally find it the most mentally grueling sport of them all since you are out there on your own with no one to help pick you up when you’re down. I think the setting is rife with angst, and Yolanda Wallace is such a beautifully descriptive writer. She never misses an opportunity to paint a real picture with her words. 

I have to admit I am not a fan of soccer. I know this means a lot of folks will vote to remove my sapphic author card for saying so publicly, but I only do so to drive home the point of how rare it is for me to get caught up in a soccer story. I really only agreed to blurb this book because I’ve known Jane for a long time and I wanted to help her with her debut novel, but once I got started, I couldn’t put it down. The characters are rich and dynamic, and the story is so much more than the standard competition narrative. I don’t want to give it away, but this one really got me on a deeper level than I expected. 

This is one of my favorite romances of all time, and while it’s not a novel about a competitive sport, I think it’s important to note sports can provide so much more than “winning” narratives. In this book, a group of women whitewater kayak through Alaska, and they use their outdoor sporting skills for a wonderful adventure wrapped around a sexy romance that still gives me all the heart feels even after having read it at least ten times. I love literally everything about this book, from the beautiful settings to the character development to the action scenes. Ten out of ten for Kim Baldwin.

Just after high school graduation, during the summer in which their adult lives begin, three girls who now require human flesh to survive (thanks, pandemic!) hit a music festival. But don’t worry; the world has found a way to satisfy their dietary requirements without anyone getting hurt…until someone at the festival starts dosing ghouls with an appetite stimulant, that is.

This book is a fun and campy mystery that gives me queer post-Mean Girls meets Scooby vibes and a fair amount of gore. Even though the book is light-hearted with a very sweet romance (hey, even horror fans like me get schmoopy now and then), it speaks to the heart of guilt and the trauma of recovery from substance use disorders (if cannibalism can be a stand-in for drugs and alcohol)—particularly when you’ve done something under the influence that has hurt or killed others, and that’s what made it so… show more.

If you identify anywhere on the LGBTIQ2+ scale and haven’t heard of Sarah Waters, you’ve likely been living under a rock.

Her debut novel, Tipping the Velvet, is probably better known as the three-part BBC series, but the book is what truly makes the characters come to life. From naïve, small town, oyster-girl in Kent to the life of the London Stage, Waters takes you through Victorian-era England via the point of view of beloved heroine Nan Astley.

If you’re looking for a sexy, sensuous, and downright gritty novel about what life was truly like for a ‘tom’ growing up and coming out in the nineteenth century, this is the book.

This one was made into a long-short documentary (38 minutes) called Jeanne Cordova: Butches, Lies & Feminism that won the Grand Jury Prize at Outfest 2017 for Best Documentary Short, now I’d love to see this as a biopic feature! 

Let’s watch Jeanne Cordova come to life—her old school get-er-done butch energy out there in the 1970s fighting for lesbian rights, starting the West Coast Lesbian Conference in 1971 and the first National Lesbian Conference in 1973. Imagine the drama bringing people together and setting the platform for lesbian rights when many were fired if outed.

Maybe Fortune Feimster could play a role!? Oh yes, yes she could.

The first sapphic book I ever read, over 30 years ago, still holds a special place in my heart. The two women stumble into their attraction for each other in a way that is believable and tender, and they take a journey together that is still relevant to our times. While one woman, Lane, had previously thought a same-sex relationship could be a real possibility for her, the other, Diana, had literally no idea until she meets Lane and is swept off her feet by her feelings. Simply a lovely story that I’ve re-read many times.

Whether writing fiction or romance, McMan’s ability to paint a love story between two women is unparalleled. Their love materializes on the page as if watching an artist apply strokes to a painting. By the time the figures emerge from the canvas, my heart is invested. 

In Beowulf for Cretins, what appears to be an anonymous one-night stand for Grace simply isn’t when Abbie turns out to be her new boss. (Side note: look how nicely McMan is stacking up much-loved tropes here.)

This story contains elements that make my sapphic heart swoon every time, like when one character just can’t stay away from the other or when characters share the same interests. Throw in McMan’s signature humor and an entertaining pet, and swoon-worthy gets extra credit bonus points.

With a cover like a Halloween fever dream, I expected a lot of otherworldly gothic creepiness, which this book delivered. What I didn’t expect was Gideon, an unforgettable character whose unapologetic frankness is like a shot of whisky in what could otherwise be an overwrought space opera. It’s a bit of stretch to call this historical fantasy, but I love that the world-building implies a complex backstory both for the characters and their world. Which sets up a wonderfully weird juxtaposition of ancient and modern.  Set in a feudal world, inhabited by undead necromancer lieges and their cavalier servants, I kept thinking, “Did Gideon just say that *&^$ to her master?” Yes, she did. And I was there for every word.