Fans pick 100 books like Wolf Totem

Even though Adam Smith is often said to be the father of all that is good or bad about capitalism very few people have read his famous Wealth of Nations. Why? Well, 1) they think they already know what’s in it: no government intervention in the economy, thank you. 2) It is two volumes. 3) It must be very dreary because it is about economics, and 4) they are not good at economics or math.  

But read it for yourself, and you will find that it is readable, nuanced, and you can skip the bits that you can’t make out, enjoy the examples, and decide for yourself what he actually argued and whether you agree with it or not.

Oral history as a literary form is relatively new in China. When asked why he wrote the book, Mr. Feng replied that it was because of his guilt as a survivor and as a witness. The Cultural Revolution has devastated and scarred generation after generation in China, yet most people are silent about their personal experiences. Feng conducted numerous interviews with ordinary people who had lived through that period and wrote these intimate stories in the collection. Every voice is different and deeply personal; together, they portray one of the most disturbing and tumultuous times in Chinese history. 

In elegant prose, Nien Cheng, a Shell Oil Company in 1966, recounts her life in Shanghai in 1966, when Chairman Mao launched the Great Proletarian Cultural Revolution.

Mao’s Red Guards ransacked Cheng and her husband’s bourgeois home and then delivered her to No. 1 Detention House in Shanghai where she was held in solitary confinement of 7 years until her rehabilitation and release after several struggle trials.

Her work is prescient as the United States in under attack by a radical woke ideology. Many Americans have been cancelled or have been made to attend struggle sessions.  

Nein Chen is a heroic woman, a brilliant writer, and an example of how one courageous woman can stand up to a totalitarian regime. 

This book has stayed in my memory even though I read it many years ago. Subtle in the telling, this novel is one that drills into your soul. Set in 18th century Macau (then a Portuguese enclave), it is a story of forbidden interracial love, prejudices, and intrigue surrounding a British trader surnamed Mierop and a Chinese orphan named Marta da Silva, based on true events. The author got his inspiration for the novel when he saw a portrait of a Chinese lady, Marta Mierop, in a Macau museum. In the story as well as in real life, Marta rose from her humble and wretched childhood to become a legend and one of the most influential women in Macau.

I love this novel for the impeccable setting, the moving plot, and the larger-than-life protagonist.

Pearl Buck is an author whom I admire for her genuine love and respect of the Chinese culture and people. This sentiment shines through her novels. Pavilion of Women is unique in that it highlights a pronounced social change in China in the early 20th century, when Western values began to nudge younger Chinese to unyoke themselves of old traditions and customs. The fastidious, all-wise, and freedom-seeking protagonist attempts to dictate other people’s lives to keep her household in order, but fails miserably. She finally learns from a renegade missionary that her rigid attitudes and lack of empathy are in fact the real shackles that hobble her.

I love this novel because character development is superbly handled.

This is a very unique novel about the life of a nomadic tribe of hunters and reindeer herders called Evenki who reside in the northern part of Inner Mongolia. The story is told through an old woman at the end of the 20th century looking back at the joyful and tragic events of five generations of her clan. Wild nature is at its most beautiful and most cruel. Then the Japanese invasion, the Chinese lumber trade, and modernization gradually force the tribe to give up their carefree lifestyle. Sadness drips from the story, told in a wistful and quiet tone.

I love the novel for the rich imagery of nature and the human interaction humming underneath.

This is a heart-wrenching novel about hunger and starvation in the early 1950s in a Southern China village. The book title implies the joy of harvest, which has a rhetorical effect as it runs counter to the book theme. Its metaphor for hunger is watery gruel that the rural poor eat for every meal as they slowly starve. The story is about the impending great famine after the Communist Party introduces the land reform policies and how villagers suffer in silence atrocious government abuse. 

This novel is a must-read if you want to understand what starvation feels like.

I couldn’t put it down when I read it, maybe because I am a woman. The most famous 13th century tale about Genghis Khan and his creation of Mongolia doesn’t mention women’s involvement in the creation of Mongolia. Jack Weatherford, a famous writer and historian, noticed a line in the Secret History of the Mongols which might have indicated a censorship in the story. He further explores the censored parts of the Secret History only to find fascinating and active involvement of women in Mongolian history. Anyone who is interested in history, truth, and women’s empowerment will find this book amazing. Jack writes so well and his books are always a fast read.  

Yuri Zhivago, a physician and a poet—strives to adhere to his ideals of integrity throughout his tragic life—though not always successfully. His medical skills allow him to heal others, and his poetry lets him explore truth in the volatile world of the Bolshevik Revolution and the Russian Civil War. 

Although he is in love with Lara, a married woman with whom he has a passionate affair, his sense of duty and honor allow him to remain devoted to his wife, Tonya.

His belief that humans should be true to themselves and maintain independent thoughts ultimately makes him a target for the Bolsheviks. 

As a writer who believes in the importance of truth—and as a flawed human being who makes mistakes and regrets them—I relate to Yuri.

Many people became shamans. Suddenly. Was it related to democracy and freedom and the end of cultural censorship in Mongolia, or was it related to the growing magical energy of some localities? Mandukhai, a Mongolian anthropologist tries to find an answer to such a phenomenon and discovers that shamans are related not just to magic, but to the tragic past of Mongolia’s rural communities. This is a serious read for those interested in history, political influence on indigenous culture, anthropology, magic, gender, and Mongolia’s nomadic lifestyle.