Here are 65 books that Plainsong fans have personally recommended if you like
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I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
When Inman decides he’s had enough of the Civil War, he takes a very long walk home. Along his path, he encounters the detritus of the conflict in shattered land and people. Meanwhile, his love, Ada, tries to cobble together some remnants of her former life.
Maybe a book out of fashion these days because it’s set in the defeated South, and that I understand. However, it remains a masterclass in style, vision, plot, and insight.
In 1997, Charles Frazier’s debut novel Cold Mountain made publishing history when it sailed to the top of The New York Times best-seller list for sixty-one weeks, won numerous literary awards, including the National Book Award, and went on to sell over three million copies. Now, the beloved American epic returns, reissued by Grove Press to coincide with the publication of Frazier’s eagerly-anticipated second novel, Thirteen Moons. Sorely wounded and fatally disillusioned in the fighting at Petersburg, a Confederate soldier named Inman decides to walk back to his home in the Blue Ridge mountains to Ada, the woman he loves.…
I was never a fan of superheroes, not even as a child. My heroes had to be credible, human, acceptably flawed yet redeemable by a personal moral code that ultimately defined their actions. The heroes in my favorite books are of this ilk, determined to pursue the right thing, regardless of how life challenges them. It speaks to how I’ve tried to live my life–and still do.
Not necessarily a fan of Westerns, I loved this original story.
Set in post-Civil War, eastern Texas, an unlikely hero, Jefferson Kyle Kidd is enjoined to return a young white girl, rescued from Indians, to living relatives. Initially reluctant, Kidd commits himself to his mission regardless of challenge.
I love it when I find myself there in a story. I found myself swallowed by the challenges they faced, my attention (and tension) rising with each one. I also love it when I find myself rooting for the characters as I did with this believable story.
Though there is action, I loved that it was Kidd’s quick-witted intelligence (and that of the girl) that set the story apart.
In the aftermath of the Civil War, an aging itinerant news reader agrees to transport a young captive of the Kiowa back to her people in this exquisitely rendered, morally complex, multilayered novel of historical fiction from the author of Enemy Women that explores the boundaries of family, responsibility, honor, and trust. In the wake of the Civil War, Captain Jefferson Kyle Kidd travels through northern Texas, giving live readings from newspapers to paying audiences hungry for news of the world. An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his…
My ultimate read is when the action is fast, but the character's discovery of self is slow. Besides, being engrossed in the challenges of others makes my own pale by comparison. The author needs to get me to empathize with the characters - even if their struggles are nothing like my own - and once they’ve done that, I’ll be in for the long haul! Journeying through life’s mire and finding the rainbow with a character you believe - and believe in - makes for the ultimate in vicarious living. And ‘Heck, YES’ to a satisfying ending!
This book, with its prose as poetry, made me want to read it again the minute I finished. To absorb Mr. Doerr’s majestic words was to be transformed into a little blind girl with the heart of a lion, the wit of a comic, the determination of a world leader. I became Marie-Laure LeBlanc and felt all the while sublimely grateful that I could see. And then I met Werner Flemming and wept for him. I understood him. I was deeply moved by him.
I felt it was profoundly destined that these two should meet and fall in love, but my imagination carried me far into the future. I was surprised to find though I should have been disappointed, I was not. You see, this book made me realize that while many people touch our lives, some can change the course of our trajectory even by a single degree. And…
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic…
I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.
I don’t know of another book that so successfully explodes all our usual myths of rural America. Jesmyn Ward tells a story of community and tragedy as she chronicles the deaths of five young men across five years, including her younger brother, in her hometown of DeLisle, Mississippi, a rural, primarily African American community on the Gulf Coast.
This memoir is deeply sad and troubling, but I found the power of Ward’s language, wisdom, and resilience simply stunning.
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'A brutal, moving memoir ... Anyone who emerges from America's black working-class youth with words as fine as Ward's deserves a hearing' - Guardian
'Raw, beautiful and dangerous' - New York Times Book Review
'Lavishly endowed with literary craft and hard-earned wisdom' - Time
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The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice
'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman
Jesmyn Ward's acclaimed memoir shines…
Genre fiction and Robert Louis Stevenson aside, I can’t imagine loving a novel that has no strong thread, or threads, of love running through it. Fiction is written to entertain, it is true, but fiction’s higher aim is to put us in touch with our own humanity—our capacity to love, and to feel loss. We write to make people feel, and a powerful evocation of love will do that. I wouldn’t write a novel with no romantic love at its center, but I work hard too at love between siblings, friends, children, and parents.
Great characters drive great novels, and the cast of Huck Finn is as rich, varied, idiosyncratic, and vivid as any in literature. Some will make you laugh, some will make you angry, some will touch your heart. This is America’s best book, as Ernest Hemingway famously said, and if you haven’t read it, you’ve deprived yourself.
Chafed by the "sivilized" restrictions of his foster home, and weary of his drunkard father's brutality, Huck Finn fakes his own death and sets off on a raft down the Mississippi River. He is soon joined by Jim, an escaped slave. Together, they experience a series of rollicking adventures that have amused readers, young and old, for over a century. The fugitives become close friends as they weather storms together aboard the raft and spend idyllic days swimming, frying catfish suppers, and enjoying their independence. Their peaceful existence comes to…
As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.
My favorite of Hemingway’s books, this great anti-war novel about a passionate love affair between a young, wounded soldier and the beautiful nurse who cares for him, never loses its power for me despite repeated readings.
I admire not only the book’s lyrical writing, exquisite observations and heartbreaking story, but also how the horror of what men are experiencing on the battlefield is mirrored in the tragedy of Catherine’s death in childbirth.
Ernest Hemingway's classic novel of love during wartime.
Written when Ernest Hemingway was thirty years old and lauded as the best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield, this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep.
Hemingway famously rewrote the ending to A Farewell to Arms thirty-nine times to get the words right. A…
Two instincts drive this list, one “writerly” and one about being human: 1) all good fiction maximizes various kinds of tension, particularly between people, and unusual or unexpected character pairings offer rich tensions; 2) I think we live in times when we are in desperate need of human kindness and must recognize that people from very different backgrounds can come together in their humanity. I love novels with complex characters and in books, as in life, I like to see people grow and change, and a big part of change is letting other people into your life.
I am fascinated with “made families,” those connections of strangers who pass into such intimate friendships that they become de facto, chosen families.
While the core premise of The Housekeeper and the Professor will seize your imagination—the “professor” has suffered a traumatic brain injury that leaves him with only 8 minutes of short-term memory—it is the beauty of the friendship that emerges between him, the “housekeeper” hired to care for him, and her ten-year-old son that will stay with you.
In the present-tense living of having to reintroduce themselves anew to this math genius every morning, all the characters learn the value of a moment, and together they experience the “curious equations that can create a family.”
This thin, lovely, uplifting novel helped me re-learn the potency of fleeting moments and the enduring lessons of unexpected love.
This is one of those books written in such lucid, unpretentious language that reading it is like looking into a deep pool of clear water...Dive into Yoko Ogawa's world and you find yourself tugged by forces more felt than seen' New York Times
Each morning, the Professor and the Housekeeper are introduced to one another. The Professor may not remember what he had for breakfast, but his mind is still alive with elegant mathematical equations from the past. He devises clever maths riddles - based on her shoe size or her birthday - and the numbers reveal a sheltering and…
I moved around non-stop as a kid, attending a dozen schools by age
eleven. As a result, once I stayed put long enough to make real
friends, I stuck to them like glitter glue. As a reader and writer, I
can’t get enough stories about female friendships, whether rock-solid or
fraying. My latest novel involves
childhood friends whose loyalty is stretched like a pair of latex gloves
yanked off at a crime scene. The book grew out of a meme I saw on
Facebook, captioned: “Real friends help you hide the bodies”. My first
thought was: who would I help? Straight off, I thought of my oldest
friends.
I’m a huge sucker for stories involving teen girls and secrets—and no one handles this trope better than Tana French in this wildly atmospheric boarding school mystery.
A year after a boy’s found murdered at a secluded Irish school, a note appears on a bulletin board reading: “I know who killed him.” It’s soon clear that a lot of the girls know something. What though?
I love the dark academia vibe, the claustrophobia, and the girls, so close-knit and determined. This is a gorgeously written tale of friendship, loyalty, lies, and betrayal, just buzzing with witchy teen energy.
"An absolutely mesmerizing read. . . . Tana French is simply this: a truly great writer." -Gillian Flynn
Read the New York Times bestseller by Tana French, author of the forthcoming novel The Searcher and "the most important crime novelist to emerge in the past 10 years" (The Washington Post).
A year ago a boy was found murdered at a girls' boarding school, and the case was never solved. Detective Stephen Moran has been waiting for his chance to join Dublin's Murder Squad when sixteen-year-old Holly Mackey arrives in his office with a photo of the boy with the caption:…
I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.
I’ve read and deeply admired nearly everything Erdrich has written, from Love Medicine to The Roundhouse. Erdrich’s language is always incantatory, and her stories are full of magic, landscape, and history. But this one is my absolute favorite. Even the title is amazing!
The story moves back and forth across the decades, and characters shift and transform before your eyes. Erdrich reminds me of Faulkner or even Homer; though deeply rooted in the lives and experiences of the Ojibwe communities of eastern North Dakota, Erdrich’s novels have a timeless, mythic feel.
A powerfully involving novel from one of America's finest writers, and winner of America's prestigious National Book Award for Fiction 2012
Sister Cecilia lives for music, for those hours when she can play her beloved Chopin on the piano. It isn't that she neglects her other duties, rather it is the playing itself - distilled of longing - that disturbs her sisters. The very air of the convent thickens with the passion of her music, and the young girl is asked to leave. And so it is that Sister Cecilia appears before Berndt Vogel on his farm, destitute, looking for…
I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.
This book takes on class, gender, and addiction, plus a host of other contemporary issues facing rural America and the nation—and Smarsh still manages to craft a compelling, human memoir.
This book might be the antidote to all the easy, anodyne, partisan conclusions the talking heads offer about rural America. As someone who grew up in rural America but now lives in a small city on the West Coast, I felt challenged reading this memoir.
Smarsh is the best kind of rabble-rouser; she’s telling it straight no matter who is listening.
*Finalist for the National Book Award* *Finalist for the Kirkus Prize* *Instant New York Times Bestseller* *Named a Best Book of the Year by NPR, New York Post, BuzzFeed, Shelf Awareness, Bustle, and Publishers Weekly*
An essential read for our times: an eye-opening memoir of working-class poverty in America that will deepen our understanding of the ways in which class shapes our country and “a deeply humane memoir that crackles with clarifying insight”.*
Sarah Smarsh was born a fifth generation Kansas wheat farmer on her paternal side, and the product of generations of teen mothers on her maternal side. Through…
