100 books like People of the Longhouse

Grounded in historical fact, The Orenda (The Magic) tells the story of Jesuit missionaries caught up in the war between the Wendats (Hurons) and the Haudenosaunee (Iroquois) living on the shores of Lake Huron in the mid-1600s. It’s a very dark book, with its depictions of ritual torture not for the squeamish, but it perfectly captures the time and culture of two very different civilizations, grappling to understand one another. Bowden does an excellent job of capturing the thoughts and outlook of the Wendat war chief Bird, and the French missionaries struggling to Christianize his village.

I loved this book because it helped me to understand the Indians’ way of thinking and their outlook on the world.

I remember as a kid enjoying the movie based on the book.

Though fiction, the tale is inspired by the experiences of many whites captured by American Indians and raised among them. In this short, well-paced novel, True Boy, a captive of the Lenape tribe since age four, is forcibly returned to his white family. He soon yearns to return to the freedom he knew with the Lenape.

I was raised on Westerns and developed a fascination with American Indians that this story addresses well. A fine novel about those who are fated to be strangers wherever they go.

Largely forgotten now, this was a huge bestseller when it was published in 1978. Based on stories drawn from the Winter Count of the Lakota Sioux (a record of pictographs depicting notable events of the year), this novel tells the story of two Sioux families living on the Great Plains prior to the arrival of white settlers.

Running 1009 pages, Hanta Yo is surely one of the most singular books in all of literature in that author Hill worked with a Sioux elder to translate her manuscript into the Siouan language and then back into English. I love the book because it offers a deep dive into the thoughts of the Sioux people and their way of life. Only at the end of the book do they encounter the troubles attendant to the white culture.

This fictional account of the life of an English fur trader is a sentimental favorite for me out of my respect for historian Charles Cleland.

Cleland tells the story of Alexander Henry who was captured by the Odawa Indians during the attack on Fort Michillimackinac in 1763. Henry lived among the Indians through the seasons, giving an eye-witness account of their lives as hunter-gatherers. Cleland is better as a historian than a novelist, but this is still a fun read and would also be a good book on any Young Adult list.

The Sunbird was Wilber Smith’s first book. It was one of the first books on Wild African Adventure that I read and has kindled in me a lifelong passion for Africa, African animals, and the love of wildlife. It was a reason that I became a veterinarian and that I wanted to work with African Wildlife. It is a mix of contemporary and historic African Fiction. It is memorable because it is a wonderful story that I would want to share around the fire in a camp somewhere in the heart of the African bush. I would want Wilbur Smith to tell me the story as we sit around the fire. It evokes all that is magical and wonderful about Africa, the continent I love and live on. The book taught me that the story is paramount. Not the skill of the author as a literary giant. I want to… show more.

Ayla’s amazing story of survival in ancient times no doubt influenced me in writing my own book, although I didn’t realize it until I was deep into telling my own story.

Both Ayla and Na’amah were, in a way we find difficult to grasp today, intimately connected to nature. Their very survival turned on that deep understanding. Both women were considered “different,” a feeling that resonated with me.  

I was particularly drawn to the premise that explored how two distinct, but related tribes of humans could have evolved with different innate characteristics and capacities (one relying more on instincts and the other on problem solving).

Not to mention how fascinating that Auel imagined a course of evolution that modern anthropology is only recently vindicating!

I like to think of Patrick Kirch as “Mr. Pacific Archaeology”—no one has written more, or more winningly, about Polynesian prehistory—and On the Road of the Winds is his introduction to the field. First published in 2002 and reissued in an updated edition in 2017, this elegant, eminently readable survey not only covers the history of archaeology in Polynesia, Melanesia, and Micronesia but explains how the archaeological findings of the past half-century relate to discoveries in biology, linguistics, cultural anthropology, botany, and countless other fields.

I love the main character, the strongest woman in literature, who, in late Paleolithic times, literally invents the modern world. She is strong but thinks herself weak. She is beautiful but thinks herself ugly. She circumvents and overcomes every instance of adversity thrown her way. I want to be her, and the book permits me to wear her shoes.

I have been highly influenced by Jean Auel’s storytelling, especially the graphic scenes of Ayla’s loss of innocence, growth into sexuality, and descriptions of lust, love, and completion.

This book is not erotica, yet the love scenes are the best I’ve ever read and are a roadmap to create tension and heat in my writing. With her influence, my audience laughs, cries, and cheers their way through my books.

From her earliest years, Sutcliff knew firsthand what it was to live with and surmount painful disability. She understood what it was to be ‘the other’—to be looking from the outside on those able to live ‘normal’ lives. It is not surprising then that many of her stories include main characters who powerfully prove you do not need to be able-bodied to triumph over life. Set in the British Bronze age, this novel is one of those stories. Dem wants to take his place as a warrior of his tribe but must kill a wolf single-handedly to claim his warrior’s scarlet cloak. How can kill his wolf when he was born with a withered arm? With great sensitivity, skill, and prose often close to poetry, Sutcliff brings the Bronze age and its people alive in this wonderfully told story.  

The new science of DNA reveals a lot about how we think about identity.

Humans are a migratory species and our stories are complicated. Ancient DNA don't always match people's stories about their ancestors. Rather than being in a place for thousands of years, sometimes we replaced those who were there before or only the males of the group.

Sometimes we completely replaced the group that was there before but the original group's culture persisted or even replaced the invading culture. The book complicates our understanding of indigeneity and belonging.