I’m an Australian author passionate about history. Alas, not Australian history. That would make my life so much easier. As a child, I loved tales of ancient Greece. That love took me in two directions—Ancient Egypt and Ancient Rome—Ancient Rome introduced me to Roman Britain, and the Roman Britain novels of Rosemary Sutcliff. My love of history probably explains why a childhood friend gave me a child’s book of English history for my tenth birthday. One of the book’s chapters told the story of Elizabeth I. As she wont to do in her own times, Elizabeth hooked me, keeping me captured ever since, and enslaved to writing and learning more about Tudors.
This is my all-time favourite novel by Rosemary Sutcliff—an author whose works inspired me to become a writer of historical fiction, and, long in the future, encouraged me to craft my own Tudor young adult novel.
Set in early Britain, it tells the story of Aquila, a young man of British birth. A Viking raiding party destroys Aquila’s home and family. After he is left to die by the original raiders, a leader of another Viking group takes Aquila across the sea to his home as a slave. For years, bitterness and hopelessness also enslave Aquila.
The Lantern Bearers is such a beautiful, richly layered story of healing, redemption, and the victory of the human spirit. It even introduces the reader to the young Arthur Pendragon as he steps towards his destiny. Believe me, I still read this book when the world seems dark, and I need reminding of hope.
The last of the Roman army have set sail and left Britain for ever, abandoning it to civil war and the threat of a Saxon invasion.
Aquila deserts his regiment to return to his family, but his home and all that he loves are destroyed. Years of hardship and fighting follow and in the end there is only one thing left in Aquila's life - his thirst for revenge . . .
Rosemary Sutcliff's books about Roman Britain have won much acclaim and the first in the trilogy, The Eagle of the Ninth, has now sold over a million copies…
This brilliant novel is the first in Sutcliff’s superb Roman Britain trilogy. I was so thrilled when I heard this adored novel was being made into a film about ten years ago—and so disappointed when I watched it. The film focused on the blood and gore of this period and butchered Sutcliff’s first-class storytelling of the human experience until it was unrecognizable. Set in Roman Britain and drawing from the mystery of the missing Ninth legion, the young Marcus Aquila, the main character, assumes leadership of a Roman fort outpost in Britain. Soon, he and his men must fight an uprising. Their hard-fought victory over a local British tribe comes at great personal cost to Marcus, leaving him injured and unable to continue his career as a Roman officer. Like the themes of other Sutcliff’s novels, the story narrates the main character’s personal journey of becoming whole again.
The Everyman edition reprints the classic black and white illustrations of C. Walter Hodges which accompanied the first edition in 1954.
Around the year 117 AD, the Ninth Legion, stationed at Eburacum - modern day York - marched north to suppress a rebellion of the Caledonian tribes, and was never heard of again. During the 1860s, a wingless Roman Eagle was discovered during excavations at the village of Silchester in Hampshire, puzzling archaeologists and scholars alike. Rosemary Sutcliff weaves a compelling story from these two mysteries, dispatching her hero, the young Roman officer Marcus Aquila, on a perilous journey beyond…
This novel reminds the reader that humans have carried certain truths from the dawn of time. It tells the story of Phaedrus, a slave from birth. When he gains his wooden-foil of freedom in the gladiatorial arena, he finds his life suddenly empty, and without purpose. This results in him agreeing to assume another’s identity. Not simply ‘another’s identity’ but to become a ‘king’ of the Dal Riada people of Scotland. Phaedrus, to his surprise, discovers leadership gives his life true purpose, friendship, and love. But the time comes when he must show himself worthy of the Mark of the Horse Lord. Beautifully told, the novel speaks of how sacredness and self-sacrifice intertwine for those who truly rule.
'Take my place, Phaedrus, and with it, take my vengeance . . .'
Phaedrus the gladiator wins his freedom after years of bloody battles in the arena. Soon he finds himself riding north towards the wilds of Caledonia on a strange mission. He is to assume the identity of Midir, Lord of the Horse People, to seek vengeance against the treacherous Liadhan, who has usurped the throne.
Ahead of him lies more adventure and more danger than he had ever known in the arena . . .
From her earliest years, Sutcliff knew firsthand what it was to live with and surmount painful disability. She understood what it was to be ‘the other’—to be looking from the outside on those able to live ‘normal’ lives. It is not surprising then that many of her stories include main characters who powerfully prove you do not need to be able-bodied to triumph over life. Set in the British Bronze age, this novel is one of those stories. Dem wants to take his place as a warrior of his tribe but must kill a wolf single-handedly to claim his warrior’s scarlet cloak. How can kill his wolf when he was born with a withered arm? With great sensitivity, skill, and prose often close to poetry, Sutcliff brings the Bronze age and its people alive in this wonderfully told story.
Drem longs for the day he will win his Warrior Scarlet. But with a withered spear arm, how will he take part in the ritual Wolf Slaying which will prove his worth as a man of the tribe?
With over forty books to her credit, Rosemary Sutcliff is now universally considered one of the finest writers of historical novels for children. Winer of the Carnegie Medal and many other honours, Rosemary was awarded a CBE in 1992 for services to children's literature.
Sutcliff’s characters and stories are always believable—and show her amazing gift to always make her research invisible to the reader. All her works feed from actual history. She weaves a fragment or story from the past into a rich tapestry of the human experience and makes history live again. This tale shows her skills perfectly. Sutcliff uses as her source Y Gododdin, a period poem, to frame the construction of this coming-of-age story. Sutcliff takes the torch of the poem’s attempt to keep alive the memory of men who fought and died in a sixth-century British battle, comparable to that of the Battle of Thermopylae, to relight it through the eyes of Prosper, Sutcliff imagined British shield bearer. A witness to and one of the few to survive this unwinnable battle, Prosper sings a tale of The Shining Company who sacrificed their lives so others could live.
'I saw riders with black eyesockets in glimmering mail where their faces should have been, grey wolfskins catching a bloom of light from the mist and the moon; a shining company indeed, not quite mortal-seeming.' Many years after King Arthur defeated the Saxons, the tribes of Britain are again threatened by invaders. Prosper and his loyal bondsman, Conn, answer the call of King Mynydogg to join a highly skilled army - the Shining Company. Led by the gallant Prince Gorthyrn, the company embark on a perilous but glorious campaign. An epic tale of battles and bravery from the acclaimed historical…
IN THE WINTER OF 1535, young Kate Carey lives with her mother and her new family, far from the royal court. Unhappy with her life and wanting to escape her home, she accepts the invitation of Anne Boleyn, the aunt she idolises, to join her household in London. But the dark, dangerous labyrinth of Henry VIII’s court forces Kate to grow up fast as she witnesses her aunt’s final tragic days — and when she discovers a secret that changes her life forever.
All things must end—all things but love.
The new edition includes two short stories and a poem inspired by Catherine Carey.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
