Here are 100 books that The Shining Company fans have personally recommended if you like
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We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
Even though it’s more of a YA book, I struggled with this as a teenager, so I picked it back up a few years ago with no great expectations. We were staying in a static home in Cornwall and the weather was vile, morning and night. Perhaps I would have motored through any book given these circumstances. Or perhaps it’s just a magical novel.
I’m going with the latter because it has since become my number-one comfort read. Comradeship, adventure, tension and drama, authentic historical detail, lyrical descriptions of Iron Age Britain… it has it all and more. As it happens, I have only just finished the sequel – The Silver Branch – and this book is a worthy challenger, too!
The Everyman edition reprints the classic black and white illustrations of C. Walter Hodges which accompanied the first edition in 1954.
Around the year 117 AD, the Ninth Legion, stationed at Eburacum - modern day York - marched north to suppress a rebellion of the Caledonian tribes, and was never heard of again. During the 1860s, a wingless Roman Eagle was discovered during excavations at the village of Silchester in Hampshire, puzzling archaeologists and scholars alike. Rosemary Sutcliff weaves a compelling story from these two mysteries, dispatching her hero, the young Roman officer Marcus Aquila, on a perilous journey beyond…
I’m an Australian author passionate about history. Alas, not Australian history. That would make my life so much easier. As a child, I loved tales of ancient Greece. That love took me in two directions—Ancient Egypt and Ancient Rome—Ancient Rome introduced me to Roman Britain, and the Roman Britain novels of Rosemary Sutcliff. My love of history probably explains why a childhood friend gave me a child’s book of English history for my tenth birthday. One of the book’s chapters told the story of Elizabeth I. As she wont to do in her own times, Elizabeth hooked me, keeping me captured ever since, and enslaved to writing and learning more about Tudors.
This is my all-time favourite novel by Rosemary Sutcliff—an author whose works inspired me to become a writer of historical fiction, and, long in the future, encouraged me to craft my own Tudor young adult novel.
Set in early Britain, it tells the story of Aquila, a young man of British birth. A Viking raiding party destroys Aquila’s home and family. After he is left to die by the original raiders, a leader of another Viking group takes Aquila across the sea to his home as a slave. For years, bitterness and hopelessness also enslave Aquila.
The Lantern Bearers is such a beautiful, richly layered story of healing, redemption, and the victory of the human spirit. It even introduces the reader to the young Arthur Pendragon as he steps towards his destiny. Believe me, I still read this book when the world seems dark, and I need reminding of hope.
The last of the Roman army have set sail and left Britain for ever, abandoning it to civil war and the threat of a Saxon invasion.
Aquila deserts his regiment to return to his family, but his home and all that he loves are destroyed. Years of hardship and fighting follow and in the end there is only one thing left in Aquila's life - his thirst for revenge . . .
Rosemary Sutcliff's books about Roman Britain have won much acclaim and the first in the trilogy, The Eagle of the Ninth, has now sold over a million copies…
I’m an Australian author passionate about history. Alas, not Australian history. That would make my life so much easier. As a child, I loved tales of ancient Greece. That love took me in two directions—Ancient Egypt and Ancient Rome—Ancient Rome introduced me to Roman Britain, and the Roman Britain novels of Rosemary Sutcliff. My love of history probably explains why a childhood friend gave me a child’s book of English history for my tenth birthday. One of the book’s chapters told the story of Elizabeth I. As she wont to do in her own times, Elizabeth hooked me, keeping me captured ever since, and enslaved to writing and learning more about Tudors.
This novel reminds the reader that humans have carried certain truths from the dawn of time. It tells the story of Phaedrus, a slave from birth. When he gains his wooden-foil of freedom in the gladiatorial arena, he finds his life suddenly empty, and without purpose. This results in him agreeing to assume another’s identity. Not simply ‘another’s identity’ but to become a ‘king’ of the Dal Riada people of Scotland. Phaedrus, to his surprise, discovers leadership gives his life true purpose, friendship, and love. But the time comes when he must show himself worthy of the Mark of the Horse Lord. Beautifully told, the novel speaks of how sacredness and self-sacrifice intertwine for those who truly rule.
'Take my place, Phaedrus, and with it, take my vengeance . . .'
Phaedrus the gladiator wins his freedom after years of bloody battles in the arena. Soon he finds himself riding north towards the wilds of Caledonia on a strange mission. He is to assume the identity of Midir, Lord of the Horse People, to seek vengeance against the treacherous Liadhan, who has usurped the throne.
Ahead of him lies more adventure and more danger than he had ever known in the arena . . .
I’m an Australian author passionate about history. Alas, not Australian history. That would make my life so much easier. As a child, I loved tales of ancient Greece. That love took me in two directions—Ancient Egypt and Ancient Rome—Ancient Rome introduced me to Roman Britain, and the Roman Britain novels of Rosemary Sutcliff. My love of history probably explains why a childhood friend gave me a child’s book of English history for my tenth birthday. One of the book’s chapters told the story of Elizabeth I. As she wont to do in her own times, Elizabeth hooked me, keeping me captured ever since, and enslaved to writing and learning more about Tudors.
From her earliest years, Sutcliff knew firsthand what it was to live with and surmount painful disability. She understood what it was to be ‘the other’—to be looking from the outside on those able to live ‘normal’ lives. It is not surprising then that many of her stories include main characters who powerfully prove you do not need to be able-bodied to triumph over life. Set in the British Bronze age, this novel is one of those stories. Dem wants to take his place as a warrior of his tribe but must kill a wolf single-handedly to claim his warrior’s scarlet cloak. How can kill his wolf when he was born with a withered arm? With great sensitivity, skill, and prose often close to poetry, Sutcliff brings the Bronze age and its people alive in this wonderfully told story.
Drem longs for the day he will win his Warrior Scarlet. But with a withered spear arm, how will he take part in the ritual Wolf Slaying which will prove his worth as a man of the tribe?
With over forty books to her credit, Rosemary Sutcliff is now universally considered one of the finest writers of historical novels for children. Winer of the Carnegie Medal and many other honours, Rosemary was awarded a CBE in 1992 for services to children's literature.
Tom Licence is Professor of Medieval History at the University of East Anglia and a former Fellow of Magdalene College, Cambridge. He is a Fellow of the Royal Historical Society and a Fellow of the Society of Antiquaries. He teaches Anglo-Saxon History to undergraduates and postgraduates.
The Anglo-Saxon World is the best introductory survey for students of Anglo-Saxon history. Experts in their field, the authors flesh out the traditional narrative account with insights from archaeology, numismatics, and DNA analysis. The book is splendidly enriched by almost three hundred colour photographs, tables, maps, and diagrams, while box-out sections in each chapter delve into interesting topics or debates. The authors also outline the historiography for readers who want to know how scholarly understanding of the period has developed.
The Anglo-Saxon period, stretching from the fifth to the late eleventh century, begins with the Roman retreat from the Western world and ends with the Norman takeover of England. Between these epochal events, many of the contours and patterns of English life that would endure for the next millennium were shaped. In this authoritative work, N. J. Higham and M. J. Ryan reexamine Anglo-Saxon England in the light of new research in disciplines as wide ranging as historical genetics, paleobotany, archaeology, literary studies, art history, and numismatics. The result is the definitive introduction to the Anglo-Saxon world, enhanced with a…
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.
'Harffy's Dunston is a fantastic creation - old, creaking and misanthropic. The forest is beautifully evoked. A treat of a book' The Times.
AD 838. Deep in the forests of Wessex, Dunston's solitary existence is shattered when he stumbles on a mutilated corpse.
Accused of the murder, Dunston must clear his name and keep the dead man's daughter alive in the face of savage pursuers desperate to prevent a terrible secret from being revealed.
Rushing headlong through Wessex, Dunston will need to use all the skills of survival garnered from a lifetime in the wilderness. And if he has any…
I’ve been a lifelong student of history. Even as a child I would devour history books or watch documentaries on TV telling tales of past wars of heroic battles. This passion eventually turned into a degree in History from the University of Toronto. I have also visited countless museums, castles, ruins, and historic sites throughout Europe and North America. My particular interest in Anglo-Saxon history came during my university years when I took some Old English language courses. Poems like the Battle of Maldon and Beowulf were my gateway to the rich tapestry of lives and events that made up the Anglo-Saxon era.
This book provides a grand tour of 600 years of English history in a light, entertaining way that kept me engrossed throughout.
Although it would be impossible to cover all Anglo-Saxon history in just one book, the author does a fantastic job of introducing the major people and events that defined and shaped this period of English history.
'[A] clever, lively ... splendid new book' DAN JONES, SUNDAY TIMES
'A big gold bar of delight' SPECTATOR
Sixteen hundred years ago Britain left the Roman Empire and swiftly fell into ruin. Into this violent and unstable world came foreign invaders from across the sea, and established themselves as its new masters. In this sweeping and original history, renowned historian Marc Morris separates the truth from the legend and tells the extraordinary story of how the foundations of England were laid.
'Marc Morris is a genius of medieval narrative' IAN MORTIMER, author of The Time Traveller's…
I’m a writer of novels set in Saxon England. I studied the era at both undergraduate and graduate levels and never meant to become a historical fiction writer. But I developed a passion to tell the story of the last century of Early England through the eyes of the earls of Mercia, as opposed to the more well-known, Earl Godwin. I’m still writing that series but venture further back in time as well. I might have a bit of an obsession with the Saxon kingdom of Mercia. I’m fascinated by the whole near-enough six hundred years of Saxon England before the watershed moment of 1066, after which, quite frankly, everything went a bit downhill.
Aethelstan is an engrossing account of king Aethelstan, lauded as the first crowned king of ‘England,’ something his father, and more importantly, his grandfather, King Alfred, was unable to lay claim to. It’s a thorough examination of all that’s known about Aethelstan during his reign. It’s rare to get a book dedicated to any one single king before the reign of Æthelred II, who was Aethelstan’s great, great-nephew, and reigned thirty years later. The work shows just how much can be gleaned about historical figures during this period by experts in the field, who know how to unpick all the complicated details and present them to readers in an engaging format.
"AEthelstan was perhaps the most important king of tenth-century England, but we know very little about him, and he has no modern biography. Sarah Foot triumphantly fills this gap, and adds to the richness of our understanding of the period in a way that few others have managed."-Chris Wickham, author of The Inheritance Of Rome
The powerful and innovative King AEthelstan reigned only briefly (924-939), yet his achievements during those eventful fifteen years changed the course of English history. He won spectacular military victories (most notably at Brunanburh), forged unprecedented political connections across Europe, and succeeded in creating the first…
An avid reader, and a spec-fiction/fantasy reviewer for CM Canada online, I’ve wanted to tell stories for as long as I can remember. I write “pantser-style” and let the characters run loose, looking at their motivation to steer the tale, often starting with little more than an idea and, if lucky, a character or two. My love of history led me to writing mediaeval or historical fantasy, as my first group of published novels attest, but to avoid stagnation added science fiction and a fantasy detective series of novellas. To date have fourteen novels and three anthologies of my novellas published and have appeared on panels at several cons.
A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”
The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.
The Romans have gone. While their libraries smoulder, roads decay and cities crumble, men with swords pick over civilisation's carcass, slaughtering and being slaughtered in turn.
This is the story of just such a man. Like the others, he had a sword. He slew until slain. Unlike the others, we remember him. We remember King Arthur.
This is the story of a land neither green nor pleasant. An eldritch isle of deep forest and dark fell haunted by swaithes, boggarts and tod-lowries, Robin-Goodfellows and Jenny Greenteeths, and predators of rarer appetite yet.
I am Professor of History at Our Lady Seat of Wisdom College in Canada. Previously a journalist and a diplomat serving in the Middle East, since returning to academia I have published several books and a wide variety of academic articles – winning the 2014 Eusebius Essay Prize. My work is focused on source analysis and the use of sources to reconstruct the truth of the past – especially in the early Middle Ages: as a result, I have been able to discover the date of Augustine of Canterbury’s death; the underlying reasons behind the need to appoint Theodore of Tarsus as bishop; and the essential story of how Bede produced his Ecclesiastical History.
To my mind, James Campbell was the greatest commentator on early Anglo-Saxon England of the last sixty years.
He was my tutor at Oxford for a course on early Anglo-Saxon history and archaeology, and he inspired me to recognise just how much of the so-called “Dark Ages” can be brought to light via a combination of rigour in analysis and creativity in reconstruction.
Campbell’s seminal articles on Bede’s Ecclesiastical History, included in this edited collection, transformed Bedan studies and set out the path forward for the next generation of scholars, although much more remains to be done – particularly in connection with identifying Bede’s sources and unpacking the chronology of the composition of his History.
If you want to understand the conversion of Anglo-Saxon England, you need to understand Bede’s Ecclesiastical History; and if you want to understand Bede’s Ecclesiastical History, you have to understand Bede. The quest will…
James Campbell's work on the Anglo-Saxons is recognised as being some of the most original of recent writing on the period; it is brought together in this collection, which is both an important contribution to Anglo-Saxon studies in itself and also a pointer to the direction of future research.
