93 books like Dirt & Deity

I received this as a prize at school when I was fifteen and passages like this spoke to me: “...you wanted the words they'd known and used, forgotten in the far‑off youngness of their lives, Scots words to tell to your heart, how they wrung it and held it.” My Ayrshire community spoke Scots so it was life changing to read this message by an author from a different time and a different place who was  intensely relevant to my own situation. Being discouraged or even punished for speaking Scots in school, led us to learn English pretty quickly and this bi-lingual tension gave us an advantage learning other languages like French and German which I studied at University. But I will always be grateful to Sunset Song for making me aware of how important the Scots language was to our identity as Scots: “And the next minute that passed… show more.

Hedderwick’s whimsical watercolors and text capture the heart of Scotland’s western isles and something essential about Scots, too. Over the course of a year, she travelled over the waters to and between these islands in her VW Camper, capturing with humor what makes these people tick – often just a brood of kittens nestled in a kitchen cupboard. I turn to this book when I am feeling nostalgic about Scotland. Hedderwick captures for me the undertones of Scottish life.

I value this book because, since joining the United Kingdom in 1707, much of Scottish history has been disregarded. Even though I studied history in my Scottish school to a high level, the details of our past were replaced with English history. Well-known radio personality, Billy Kay, brings together a wealth of information about Scotland’s outside influence through the ages. Scotland was one of the first countries to see the benefit of an educated working class, and in the countries to which they emigrated, their learning stood them in good stead. Scottish culture, over hundreds of years before it was incorporated into the United Kingdom, had well-established cultural centers throughout Europe and even as far as Russia.

The beauty of this novel is that it takes sweeping historical change – the Highland Clearances of Scotland – and manages to make history intimate, showing the impact of events on one vulnerable old woman. In the nineteenth century, much of rural Scotland was forcibly "cleared" of people to make room for sheep grazing. Outside of Scotland, this great tragedy of Scottish history is not as well known as it should be, and neither is Smith’s book.

I love its deliberately naïve style, as we see the world through the old woman’s eyes and feel her pain as history crashes down on her. It’s full of the beauty of the natural world, but it’s also chilling, as it demonstrates the indifference of outsiders to a long-established way of life. 

Complex, clever, and cunning Gruoch is fighting for her survival and the crown of the ancient kingdom of Scotland–and she isn’t going to let anything or anyone get in her way.

She has no one to look out for her, so she must take on the world herself, and no matter what was thrown at her, she kept on, as single-minded as ever–and I kept cheering her for that, despite her villainy.

What is the dividing line between genius and madness? The question is a pressing one when you face Sir Thomas Urquhart of Cromarty (1611-1660), duelist, soldier, mathematician, genealogist, linguist, poet, historian, metaphysician, cryptographer, and endless self-promoter. It is said that Urquhart invented as many words as Shakespeare. The difference? Shakespeare's neologisms caught on, while "disobstetricate," "enixibility," and "scripturiency" remain firmly outside the dictionaries. If you're feeling brave, though, Urquhart's Discovery of a Most Exquisite Jewel More Precious Than Diamonds Inchased with Gold, The Like Whereof Was Never Seen in Any Age (he means his own writing) is one of the richest, maddest, most compelling narratives of a Scot trying to find himself and his country in the war-torn seventeenth century.

This hilarious Shakespearean-style romantic romp hooked me from the moment the main character, Kenzie en Shareed marries the wrong guy. Filled with faux pas from the get-go, I found the cast of Unintended trying to right wrongs in the most hysterical and sometimes disturbing ways. I also loved the way the pair of imaginative authors created their fantasy world of Ismera. Sprinkled with the nostalgic feeling of Old World Scotland and Britain, coupled with their use of modern-day language to bridge the gap of the past and present, readers of this type of genre (think Outlander meets a Shakespearean comedy) won’t be disappointed. This tale ends with a few surprises, leaving me feeling satisfied and ready for the next sojourn to Ismera.

For my money, Shakespeare is the greatest writer who ever lived; anything he has to say will be interesting, profound, and stated as well as anyone can state it. His portrayal of the Macbeths rivals Homer’s portrayal of Achilles in the understanding of trauma. For Macbeth, this is the trauma of military violence. For Lady Macbeth, this is the trauma of the loss of a child.

I have a soft spot for this book. It provides probably the most well-known modern pop culture image of the king–and James does not come off well. Though he’s presented as highly intelligent and calculating, he is also shown to publicly and constantly play the clown: expect to see him drooling, falling about, and squeaking with terror as he cowers behind others on seeing unsheathed swords.

This is absolutely not what the real James was like–and I imagine he’d have had Tranter’s head for suggesting it–but it is a fun, ahistorical read (which gets bonus points for delightfully ludicrous subplots about Shakespeare touring Scotland scouting for locations and Queen Anna engaging in a lesbian romance with the Countess of Huntly).

This book became my ultimate escapism at a low point in my life. It’s a wonderfully written, well-researched epic novel about the eleventh century Scottish king, Macbeth, based on the bold premise that he and Thorfinn the Mighty, Earl of Orkney, were one and the same man. Most of us—especially those who went to school in Scotland!—are familiar with the Macbeth of Shakespeare, but Dorothy Dunnett brings him alive in his own time, no guilt-ridden villain but a complicated warrior of great depth and humanity, true to his beliefs, his people, and his wife who is nothing like Shakespeare’s Lady Macbeth either! This is a rattling good read by any standards—engrossing, exciting, humorous, and moving. Even knowing the tragedy was coming, I cried. Each time.