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Since childhood, I’ve been fascinated by the early modern era–and I was always drawn to the big personalities and events: Henry VIII and his wives, Elizabeth I and Mary Queen of Scots. But, having made a career out of studying the era and its literature, I found that the drama didn’t end with Elizabeth in 1603 (and certainly not with Mary either when she fled Scotland or when she was executed in 1587). In fact, things became even more colorful under the riotous reign of King James. This led me to want to reassess his life and reign with a focus on the things that had historically been brushed over.
Caroline Bingham is one of the forgotten titans of Scottish popular nonfiction. From the 1970s to the 1980s (she sadly died young in 1998), she produced a multitude of books covering the lives of various Scottish monarchs.
Her books (although research has moved on quite a bit) are beautifully and sensitively written and her two books on James (she wrote one on his life in Scotland and then one on his life in England) are sparkling.
Since childhood, I’ve been fascinated by the early modern era–and I was always drawn to the big personalities and events: Henry VIII and his wives, Elizabeth I and Mary Queen of Scots. But, having made a career out of studying the era and its literature, I found that the drama didn’t end with Elizabeth in 1603 (and certainly not with Mary either when she fled Scotland or when she was executed in 1587). In fact, things became even more colorful under the riotous reign of King James. This led me to want to reassess his life and reign with a focus on the things that had historically been brushed over.
One of the things most people know about King James VI and I is that he was obsessed with witchcraft.
Not only has Tracy Borman studied his relationship with English witchcraft in depth in an excellent nonfiction study–she’s brought the king and his obsession to life in this romantic thriller, in which Frances Gorges faces off against the king (at his most fanatical). I was captivated by the terror of the age.
'An accomplished novel with a vivid historical setting' The Times
'Tracy Borman's debut historical novel has it all: conspiracy, betrayal, dark intrigues, bloody deeds, a poignant love story - and the most famous plot in English history.' Alison Weir, author of the Six Tudor Queens series
Already a great historian, Tracy Borman proves with this thrilling debut novel that she is also a born storyteller.
As she helps to nurse the dying Queen Elizabeth, Frances Gorges longs for the fields and ancient woods of her parents' Hampshire estate, where she has learned to use the flowers and herbs to become…
Since childhood, I’ve been fascinated by the early modern era–and I was always drawn to the big personalities and events: Henry VIII and his wives, Elizabeth I and Mary Queen of Scots. But, having made a career out of studying the era and its literature, I found that the drama didn’t end with Elizabeth in 1603 (and certainly not with Mary either when she fled Scotland or when she was executed in 1587). In fact, things became even more colorful under the riotous reign of King James. This led me to want to reassess his life and reign with a focus on the things that had historically been brushed over.
Steven J. Reid’s comprehensive study of James’s youth and rise to real power is as well-researched as it is readable. Most people are only familiar with the older James when he was king of England—the tired stereotype of the doddering, prematurely-aged old king.
But his early life and reign in Scotland were fraught with drama and high politics–all of which helped make James James.
Shortlisted for the Saltire Society Scottish History Book of the Year Award
James VI and I was arguably the most successful ruler of the Stewart Dynasty in Scotland, and the first king of a united Great Britain. His ableness as a monarch, it has been argued, stemmed largely from his Scottish upbringing. This book is the first in-depth scholarly study of those formative years.
It tries to understand exactly when in James' 'long apprenticeship' he seized political power and retraces the incremental steps he took along the way. It also poses new answers to key questions about this process. What…
Since childhood, I’ve been fascinated by the early modern era–and I was always drawn to the big personalities and events: Henry VIII and his wives, Elizabeth I and Mary Queen of Scots. But, having made a career out of studying the era and its literature, I found that the drama didn’t end with Elizabeth in 1603 (and certainly not with Mary either when she fled Scotland or when she was executed in 1587). In fact, things became even more colorful under the riotous reign of King James. This led me to want to reassess his life and reign with a focus on the things that had historically been brushed over.
This mammoth book leaves no stone unturned in investigating how and why claims arose regarding the alleged murder of King James VI and I in 1625. It reads as part dossier or evidence and part detective story–and thus, it is never boring.
The authors are canny enough to make no definitive claims about James’s death–but their methodical investigation into why people at the time and afterward suspected foul play will leave readers in little doubt about what probably happened…
A year after the death of James I in 1625, a sensational pamphlet accused the Duke of Buckingham of murdering the king. It was an allegation that would haunt English politics for nearly forty years. In this exhaustively researched new book, two leading scholars of the era, Alastair Bellany and Thomas Cogswell, uncover the untold story of how a secret history of courtly poisoning shaped and reflected the political conflicts that would eventually plunge the British Isles into civil war and revolution. Illuminating many hitherto obscure aspects of early modern political culture, this eagerly anticipated work is both a fascinating…
I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.
This beautifully written novel tells the story of Kelly, as she makes her way home to Galloway from Glasgow.
Homeless and with addiction problems, Kelly experiences some of the problems that Glasgow is sadly well-known for, but what I really love about Paper Cup is that we see these issues from a middle-aged woman’s perspective so there is no glorifying of violence and excess.
Instead we are drawn into the precarious world of a vulnerable and damaged woman, and made to consider just how easy it would be for any one of us to slip through the cracks and tread the same path as Kelly. A truly thought-provoking read.
Rocked by a terrible accident, homeless Kelly needs to escape the city streets of Glasgow. Maybe she doesn't believe in serendipity, but a rare moment of kindness and a lost ring conspire to call her home. As Kelly vows to reunite the lost ring with its owner, she must return to the small town she fled so many years ago.
On her journey from Glasgow to the south-west tip of Scotland, Kelly encounters ancient pilgrim routes, hostile humans, hippies, book lovers and a friendly dog, as memories stir and the people…
Scotland’s greatest poet since Burns, Hugh MacDiarmid, said that there were no traditions in writing, only precedents. He was thinking that, were traditions followed, adhered to, applauded, and praised, and prized too highly, then the danger of slavish repetition rather than creative divergence was too high. We need the mad moments, when all bets are off and something truly unpredictable will happen. I write with Scots modernist, postmodernist, and experimental precedents in mind. I want there to be Scots literature that reflects a divergent, creative nation, willing to experiment with words and life, and, in Alasdair Gray’s formulation, “work as though in the early days of a better nation.”
The most “please don’t do it” I have felt in response to a story is as Gray’s protagonist Thaw empties his pockets and throws his life documents and identifying possessions from a moving train on his way to his moment of madness. This will transpose or transform or, I suppose we must, translate Thaw into Lanark.
Critics have noted the many madcap imaginative moments in Gray’s large (in every sense) debut novel. The sequencing of the parts alone (Part 3, Part 1, Part 2, and Part 4) is enough to signal we are in no realist story of a boy and man’s life in Glasgow – more, think surrealist – and yet the book is also just that, and Glasgow is a hell called Unthank in the imagination of an artist who lived all his life in Glasgow.
'Probably the greatest novel of the century' Observer 'Remarkable' William Boyd
Lanark, a modern vision of hell, is set in the disintegrating cities of Unthank and Glasgow, and tells the interwoven stories of Lanark and Duncan Thaw. A work of extraordinary imagination and wide range, its playful narrative techniques convey a profound message, both personal and political, about humankind's inability to love, and yet our compulsion to go on trying.
First published in 1981, Lanark immediately established Gray as one of Britain's leading writers.
Like many others, I had an early fascination for pop music, which moved on to rock music as I grew older. I would love to know more about the artists or music figures who made such emotional and stunning music that made the world better and more exciting. British rock and roll music has made a massive impact on the Western life that we all know and love. These five books are the best ones for me, and while all are unique, they have humor and interesting details and let me gain knowledge about these iconic figures.
I loved this book because I was able to find out more about this lynchpin of the indie music World of the 80s and 90s that I grew up in. Primal Scream was responsible for some iconic tunes, and learning more about Bobby was insightful and entertaining. I discovered so much that I didn’t know about the band’s musical journey and Bobby's influences.
'Gillespie is rock and roll's Oliver Twist. A punk rock fairytale, razor sharp on class struggle, music, style, and a singular view of the world resulting in one of the world's great bands. Couldn't put down' Courtney Love
Born into a working-class Glaswegian family in the summer of 1961, TENEMENT KID begins in the district of Springburn, soon to be evacuated in Edward Heath's brutal slum clearances. Leaving school at 16 and going to work as a printers' apprentice, Bobby's rock n roll epiphany arrives like a bolt of lightning shining from Phil Lynott's…
Scotland’s greatest poet since Burns, Hugh MacDiarmid, said that there were no traditions in writing, only precedents. He was thinking that, were traditions followed, adhered to, applauded, and praised, and prized too highly, then the danger of slavish repetition rather than creative divergence was too high. We need the mad moments, when all bets are off and something truly unpredictable will happen. I write with Scots modernist, postmodernist, and experimental precedents in mind. I want there to be Scots literature that reflects a divergent, creative nation, willing to experiment with words and life, and, in Alasdair Gray’s formulation, “work as though in the early days of a better nation.”
A Trocchi renaissance, including a film of Young Adam starring A-Listers Ewan McGregor, Tilda Swinton, and Emily Mortimer, added to a growing reappraisal of Trocchi as a great Scottish writer, his reputation having been tarnished, fairly or unfairly, with drug use, indolence, and writer’s block.
Young Adam is a Scots crime novel the way James Hogg’s The Private Memoirs and Confessions of a Justified Sinner is a high-jinx picaresque, which is to say only technically, and on the understanding that Hogg and Trocchi sit head, shoulders and in fact a full body length above these genres. But moment of madness there is, and arrest, trial, judgment, and condemnation. But the twist is that Trocchi’s own judgment and condemnation of society is what matters.
Set on a canal linking Glasgow and Edinburgh, Young Adam is the masterly literary debut by one of the most important British post-war novelists. Trocchi's narrator is an outsider, a drifter working for the skipper of a barge. Together they discover a young woman's corpse floating in the canal, and tensions increase further in cramped confines with the narrator's highly charged seduction of the skipper's wife. Conventional morality and the objective meaning of events are stripped away in a work that proves compulsively readable.
I’ve always been a keen reader of crime fiction. A huge fan of both Agatha Christie and PD James in the Golden age of English crime fiction. I love American mystery writers too and have attended Bouchercon in New Orleans. Just after Driftnet was published and the Dr. Rhona MacLeod series launched, I was visiting a Crime Writers’ Association conference in Lincoln with my friend and fellow crime writer Alex Gray. That’s where the idea for a weekend promoting Scottish Crime writing began. When we launched it ten years ago, Ian Rankin said, "Scandinavia doesn’t have better crime writers than Scotland, it has better PR." That’s what we set out to change.
The Long Drop is a Scottish crime book like no other.
It features an imagined night featuring two key figures in the terrible world of one of Scotland’s most notorious murderers Peter Manuel.
In this long night of the soul Peter Manuel and William Watt wander through Glasgow and its underbelly as Manuel leads Watt on a journey of lies, drink, and trickery.
It is Tartan Noir at its most terrifying. A Jekyll and Hyde story of a night based on true events.
'A masterpiece by the woman who may be Britain's finest living crime novelist' Daily Telegraph
'Absorbing... this is a bravura performance, a true original' Ian Rankin
Glasgow, 1957. It is a December night and William Watt is desperate. His family has been murdered and he needs to find out who killed them.
He arrives at a bar to meet Peter Manuel, who claims he can get hold of the gun that was used. But Watt soon realises that this infamous criminal will not give up information easily.
Inspired by true events, The Long Drop follows Watt and Manuel along back…
These books aren't just the best in their field–they're the best at pinpointing the place I am from. Tartan Noir is a rich world, and I'm just about to join it. These books give a sense of place and people and sometimes bring a little laughter in the dark. To me, that's Scotland, in its magnificence, grandeur, and polar opposite of these things. Scotland is a country with two faces, as everyone from James Hogg onwards knew well... Let's see which side you prefer!
Rilke, the auctioneer, finds a collection of photographs that show the death of a young woman. He journeys into the dark heart of Glasgow–and his own desires–to find out who she is.
An amazing debut, looking at the subcultures and twisted alleyways that stitch together every big city. I was compelled by how far Welsh was prepared to go, depicting a city I thought I knew.
'Unputdownable' Sunday Times 'I was hooked from page one' Guardian
When Rilke, a dissolute auctioneer, comes upon a hidden collection of violent and highly disturbing photographs, he feels compelled to discover more about the deceased owner who coveted them. Soon he finds himself sucked into an underworld of crime, depravity and secret desire, fighting for his life.
