Fans pick 99 books like Unintended

I loved this book because it is another time-slip novel, but mostly because of the characters that Gabaldon has created. Claire is a strong woman both in the present time zone–post-war Britain–and the Scottish Highland time zone of the seventeenth century and the uprising. You sense immediately that she is in danger as the story is told from her point of view. 

I loved learning about the lives of the Scottish highlanders, how the story moves from one-time zone to another, and how the characters overlap.

Riordan had me at Norse mythology. Love it! Written in the usual tongue-in-cheek humor I’m used to with the author’s style, I loved the way he rebranded Norse myths to fit into the young adult genre he’s so famous for writing. It begins as homeless Magnus Chase (cousin to Annabeth from The Lightning Thief) is plucked from the real world (he literally dies) and taken to Hotel Valhalla, where he’s put through the gantlet over and over again (and dies many times in the process) until he teams up with an unlikely (and likable) diverse cast of characters who embark on a journey to recover his birthright—the Sword of Summer. However, what Magnus doesn’t count on is finding out the truth about who he really is, and his place in Asgard. 

After reading The Time Keeper, I found Albom truly has a gift for words. He has a unique brand of storytelling, which made this book flow easily. The tale is original and inspirational. At first, I wasn’t quite sure how to read Albom’s prose, but soon I found that I couldn’t put it down. I’d get to the end of one chapter, then was hooked into the next one. Although Albom’s spiritual convictions shine through, he’s not preachy, and leaves room for his readers’ imagination to percolate throughout the story. I loved the way certain myths were introduced into the mix—the Tower of Babel and Father Time—to give the story an air of familiarity. All and all, this book is worth the investment of your time, whether on vacation or cozying up on the couch at home.

Imagine a bet between the Greek gods Hermes and Apollo who both agree to grant human intelligence to a group of dogs staying overnight in a veterinary clinic. The wager? If the dogs end up more unhappy than humans with their newfound consciousness, then Hermes must bow to a year of servitude to Apollo. The catch? When the dogs find they’re more capable of complex thought, the pack is split between the old ‘dog’ ways, and those who embrace the change. Not used to human thoughts and feelings, the dogs become divided while struggling between their old familiar world and a strange new one. Though I found this fantasy novel disturbing at times, Alexis proves that you can indeed teach an old genre new tricks.

Complex, clever, and cunning Gruoch is fighting for her survival and the crown of the ancient kingdom of Scotland–and she isn’t going to let anything or anyone get in her way.

She has no one to look out for her, so she must take on the world herself, and no matter what was thrown at her, she kept on, as single-minded as ever–and I kept cheering her for that, despite her villainy.

What is the dividing line between genius and madness? The question is a pressing one when you face Sir Thomas Urquhart of Cromarty (1611-1660), duelist, soldier, mathematician, genealogist, linguist, poet, historian, metaphysician, cryptographer, and endless self-promoter. It is said that Urquhart invented as many words as Shakespeare. The difference? Shakespeare's neologisms caught on, while "disobstetricate," "enixibility," and "scripturiency" remain firmly outside the dictionaries. If you're feeling brave, though, Urquhart's Discovery of a Most Exquisite Jewel More Precious Than Diamonds Inchased with Gold, The Like Whereof Was Never Seen in Any Age (he means his own writing) is one of the richest, maddest, most compelling narratives of a Scot trying to find himself and his country in the war-torn seventeenth century.

For my money, Shakespeare is the greatest writer who ever lived; anything he has to say will be interesting, profound, and stated as well as anyone can state it. His portrayal of the Macbeths rivals Homer’s portrayal of Achilles in the understanding of trauma. For Macbeth, this is the trauma of military violence. For Lady Macbeth, this is the trauma of the loss of a child.

I have a soft spot for this book. It provides probably the most well-known modern pop culture image of the king–and James does not come off well. Though he’s presented as highly intelligent and calculating, he is also shown to publicly and constantly play the clown: expect to see him drooling, falling about, and squeaking with terror as he cowers behind others on seeing unsheathed swords.

This is absolutely not what the real James was like–and I imagine he’d have had Tranter’s head for suggesting it–but it is a fun, ahistorical read (which gets bonus points for delightfully ludicrous subplots about Shakespeare touring Scotland scouting for locations and Queen Anna engaging in a lesbian romance with the Countess of Huntly).

This book became my ultimate escapism at a low point in my life. It’s a wonderfully written, well-researched epic novel about the eleventh century Scottish king, Macbeth, based on the bold premise that he and Thorfinn the Mighty, Earl of Orkney, were one and the same man. Most of us—especially those who went to school in Scotland!—are familiar with the Macbeth of Shakespeare, but Dorothy Dunnett brings him alive in his own time, no guilt-ridden villain but a complicated warrior of great depth and humanity, true to his beliefs, his people, and his wife who is nothing like Shakespeare’s Lady Macbeth either! This is a rattling good read by any standards—engrossing, exciting, humorous, and moving. Even knowing the tragedy was coming, I cried. Each time.