Here are 65 books that The Dragonbards Trilogy fans have personally recommended if you like
The Dragonbards Trilogy.
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I’ve known I was “special” since I was a child. I saw, felt, and heard things that others did not. Eventually I embraced my clairaudient mediumship gifts and turned it into a thriving business, allowing me to live a life of purpose: helping others find their passions and live their most joyful lives. But the journey never ends; I am always on a mission to transform. Consistently, literature has been where I turn when I am seeking wisdom on becoming the best version of myself. I also pursued certification as a Book Therapist - the first thing I’ll recommend to friends, family, or clients is the best book for their dilemma!
J.R.R. Tolkien's masterful storytelling is unmatched, and The Lord of the Rings weaves together moral dilemmas and profound philosophical ideas seamlessly, encouraging me to contemplate the nature of power, the importance of preserving the natural world, and the significance of individual choices.
The book's themes of heroism, friendship, sacrifice, and the struggle between good and evil resonate deeply. In addition, each of his characters feels like an aspect of oneself; the introspection it inspires is brilliant!
The Lord of the Rings instills a sense of wonder, ignites the imagination, and imparts timeless wisdom, which heavily transformed my perspective on life, my values, and my understanding of the human condition.
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this series of three short novels enough to have read it more times than I can count. The language of the novel is simple and evocative. I love the main character, a young wizard who starts out as proud, angry and arrogant, but becomes deeply compassionate when his hubris leads him to make a tragic and evil use of magic.
I could feel myself grabbed by the world of the novel, a world of men and dragons, of islands dotted in an endless sea, of powerful mages who interfere at their peril with the precarious balance of the world between good and evil.
The first book of Earthsea in a beautiful hardback edition. Complete the collection with The Tombs of Atuan, The Furthest Shore and Tehanu
With illustrations from Charles Vess
'[This] trilogy made me look at the world in a new way, imbued everything with a magic that was so much deeper than the magic I'd encountered before then. This was a magic of words, a magic of true speaking' Neil Gaiman
'Drink this magic up. Drown in it. Dream it' David Mitchell
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth.
I’ve always been interested in worlds other than ours, primarily extraterrestrial worlds because I believe expansion into space is vital to the future survival of humankind, but also fantasy worlds that illuminate ideas and feelings that are universal. I’ve written the Newbery Honor book Enchantress from the Stars and ten other science fiction novels, a classification that limits their discovery because they're often liked better by people who read little if any science fiction than by avid fans of that genre. Because they’re set in imaginary worlds distant from Earth—and are not fantasy because they contain no mythical creatures or magic—there is nothing else to call them. I wish books didn’t have to be labeled with categories!
All of Robert Heinlein's YA novels are good (better, in my opinion, than his adult novels), but this one has special meaning for me because it was the first book I ever read about colonizing an uninhabited world. At the time it was published in 1950 I was sixteen and had been enthusiastic about the possibility of space travel for four years, since long before the general public was familiar with it; but all the space fiction I knew of was about mere adventure, usually adventure focused on fighting. The idea that families could someday settle a new planet--and, despite danger and hardship, accomplish something of immense importance to the future of humankind--made a strong impression on me and became one of my deepest convictions.
I’ve always been interested in worlds other than ours, primarily extraterrestrial worlds because I believe expansion into space is vital to the future survival of humankind, but also fantasy worlds that illuminate ideas and feelings that are universal. I’ve written the Newbery Honor book Enchantress from the Stars and ten other science fiction novels, a classification that limits their discovery because they're often liked better by people who read little if any science fiction than by avid fans of that genre. Because they’re set in imaginary worlds distant from Earth—and are not fantasy because they contain no mythical creatures or magic—there is nothing else to call them. I wish books didn’t have to be labeled with categories!
This is the first book in a series for adults that can also be enjoyed by teens. Unlike most space fiction, it's not about heroic exploits but about an ordinary young man coming of age while doing an ordinary job aboard a merchant starship. I like its portrayal of the human-settled part of the universe in the era of travel between stars. No aliens, no space battles–just a culture much like our own offering freedom and opportunity for personal achievement. The specific lifestyle described is anachronistic because cultures change over time; yet it's no further from realism than wildly-imagined changes would be. I believe fiction that shows significant future developments should let readers identify with its characters' experiences rather than depict differences merely for the sake of difference.
What if we sent freighters instead of frigates?In a universe run by corporations, where profit matters more than life, how can an orphan with no skills, no money, and no prospects survive?When Ishmael Wang's mother dies in a senseless accident, he's given a choice. Leave the planet on his own or the company will remove him. To avoid deportation, Ishmael finds work as a mess deck attendant on an intersteller freighter. Find out what Ishmael must do to earn his Quarter Share.
I’ve been a Pratchett fan since I first read The Colour of Magic in 1986. I was nine and suddenly obsessed. When he died, I cried; when I found out he left me – us – one last gift, I cried again. The best satire doesn’t just make you laugh through the tears and cry with laughter; it makes you think. Over the decades, Pratchett perfected this art. Nobody can replace him, although many authors, including myself, try to follow. Searching for them between the rock and the trying-too-hard place, sometimes I find diamonds. May they shine as brightly in your eyes as they do in mine.
Only a real genius of a bard could give justice to the heroes who saved the village city of Skendrick from Dragonia the Dragon. Due to a sudden shortage of geniuses Heloise the Bard, who’s never met a run-on sentence she didn’t like, tells you (mostly) all about herself the battles, the riddles, Heloise, the magic, pooping in swamps, Heloise, the flatulent minotaur… oh yes, the dragon! Almost forgot. And if there’s one thing she knows, it’s that facts will ruin the truth every. Single. Time.
Black’s ‘Friday’ is a song so infinitely horrible it creates a space-inverting portal that makes it an eternal classic. So is this book. Read it with your eyes closed. In hiding. With mushroom powder at hand.
The #1 humorous fantasy bestseller! Sure, you think you know the story of the fearsome red dragon, Dragonia. How it terrorized the village of Skendrick until a brave band of heroes answered the noble villagers' call for aid. How nothing could stop those courageous souls from facing down the dragon. How they emerged victorious and laden with treasure.
But, even in a world filled with epic adventures and tales of derring-do, where dragons, goblins, and unlicensed prestidigitators run amok, legendary heroes don't always know what they're doing. Sometimes they're clueless. Sometimes beleaguered townsfolk are more hapless than helpless. And orcs?…
Ever since childhood, I have been enthralled by dragons. The stories of these mythical creatures can be told in so many ways, from dragons as pets to bonding with them or even shapeshifting into them. I chose these books because they are memorable, they have stuck with me, and they have fascinated and inspired me for years. All of these writers have influenced my own work, and they are sure to resonate with you, too.
This is a four-book series, and once I read the first one, I had to read the rest! Robin Hobb’s version of dragons is unique and imaginative, unlike the dragons in any other book I’ve read.
I immersed myself in her detailed, creative world. This series offered me an escape unlike any other.
Return to the world of the Liveships Traders and journey along the Rain Wild River in this standalone adventure from the author of the internationally acclaimed Farseer trilogy.
Guided by the great blue dragon Tintaglia, they came from the sea: a tangle of serpents fighting their way up the Rain Wilds River, the first to make the perilous journey to the cocooning grounds in generations. Many have died along the way. With its acid waters and impenetrable forest, it is a hard place for any to survive.
People are changed by the Rain Wilds, subtly or otherwise. One such is…
Epic fantasy is the genre that I probably enjoy the most. There’s just something special about starting out on an adventure, off along an unknown path, where you meet friends, companions, rivals, and enemies alike. The narrative often surrounds something world-changing, like evil trying to destroy the good in the world or some foul plot afoot that would see the ‘good guys’ lose. Despite the good vs evil appearance, there are always shades of gray that the heroes confront and need to navigate, and then the question always remains: did they make the right choice?
What captivates me about this series is its embrace of classic fantasy tropes. It encompasses every archetype: quests, battles, betrayal, and the eternal conflict between good and evil. Most compellingly, you forge a deep connection with the characters—you share their laughter and tears and are reluctant to see their journey end.
The series excels in character development, turning the characters into beloved heroes and companions. The thrilling and fast-paced adventures ensure there's never a dull moment. I recommend this series to fantasy fans of all ages. Its accessible narrative style also makes it an ideal entry point for newcomers to the genre.
This Dungeons & Dragons-inspired fantasy adventure is the first installment in the beloved Dragonlance Chronicles, set in the magical world of Krynn
Once merely creatures of legend, the dragons have returned to Krynn. But with their arrival comes the departure of the old gods—and all healing magic. As war threatens to engulf the land, lifelong friends reunite for an adventure that will change their lives and shape their world forever . . .
When Tanis, Sturm, Caramon, Raistlin, Flint, and Tasslehoff see a woman use a blue crystal staff to heal a villager, they wonder if it's a sign the…
I’ve been working professionally as a writer for twenty-five years. I’m nothing close to a household name, but a number of my articles have gone viral throughout the years. I’ve had educators reach out to mention they’ve taught my work at both the high school and college levels. Writing is an occupation of passion, and the authors I’ve mentioned are all talented and passionate about their craft. It’s rare to find people who speak the truth anywhere in our society. These writers don’t just speak the truth, they make it sing.
Barczak’s work belongs to that realm of poetic fiction that is occupied by Robert E. Howard and Janet Morris. Veil of the Dragon plays out like a vivid nightmare. This is the kind of fantasy novel that makes you want to pause in the middle of the paragraph you’re reading, go back to the beginning, and read out loud just to see how the words sound. Poetic fantasy takes you to another level.
Chaelus, Roan Lord of the House of Malius is raised from the dead by the hand of a child. His kingdom stolen by the evil dragon, Gorond, Chaelus’ only hope to reclaim his throne rests with the child knight who saved him, the heretical order to which the child belongs, and the truth about Chaelus which they alone protect.
I love to cheer for underdogs, and young women who are in this category have my special devotion. As a child of the 1960s, I remember a time when women didn’t have the same rights and opportunities as men, and we still seem to be fighting it today. Coming from a trauma-based childhood myself, I find myself comparing and contrasting coping mechanisms. Luckily, I haven’t found it necessary to kill anyone with dragon stone or jacked-up hornets so far. It delights me when these girls win, whether they game the system or fight their way with guns and knives.
Game of Thrones, right? This author has created so many characters that fit this category, and they all handle their situations in a different manner. I love the three major ones, Arya Stark, Sansa Stark, and Daenerys Targaryen, who could not be more different from each other. Sansa and Arya have grown up in privilege, but one scheme to be a pampered lady, and the other would be happy sleeping in the kennel with her dire wolf.
Daenerys has been hidden much of her childhood to protect her, and suddenly, she is thrown into the game with her arranged marriage to a wild horse lord, where she grows up very fast in order to survive. Sadly, as women in Westeros, they do not control their own fates, and following how their lives evolve and intertwine is fascinating.
HBO's hit series A GAME OF THRONES is based on George R R Martin's internationally bestselling series A SONG OF ICE AND FIRE, the greatest fantasy epic of the modern age. A GAME OF THRONES is the first volume in the series.
'Completely immersive' Guardian
'When you play the game of thrones, you win or you die. There is no middle ground'
Summers span decades. Winter can last a lifetime. And the struggle for the Iron Throne has begun.
From the fertile south, where heat breeds conspiracy, to the vast and savage eastern lands, all the way to the frozen…
Picture books are so important. They’re for everyone, not just young children, and often the readers are adult. Writing one is similar to writing a poem while watching the story in my imagination like a film. Usually I know the illustrator and can write to their strengths. Sophy Williams has drawn TheWinter Dragon as an awesome creature who's also kind and protective. When I was seven, my teacher sent my stories to Enid Blyton who replied I must not be spoiled (shame!) and wouldn’t write once I was an adult. After making Dragons with children, I watched them bring their creature alive in their play. The Winter Dragon enlarges Rory’s imaginative world.
My children loved The Park in the Dark by Martin Waddell, believing it was set in a park near our house. Now our grandchildren enjoy it too, There might or might not be scary things in the darkness, but 'me, and Loopy and Little Gee' are heroes who look after each other, swing, slide, dance, jump and chase all over the place, until the thing comes! (It’s a train….)
The three race back to bed Where we ought to be, me and Loopy and Little Gee, safe as can be, all three. The gentle rhyming text comes to a happy conclusion and Barbara Firth’s delightful illustrations show us it’s three soft toys, not children, sneaking out of the house in the middle of the night.
A hugely endearing picture book from the makers of the Big Bear and Little Bear series. When the sun goes down and the moon comes up, the toy monkey and his friends, Loopy the elephant and Little Gee the dog, creep softly out of the bedroom, down the stairs and through the dark hall on their way to the deserted park. The park's an exciting place to be after dark, though a little bit scary - especially when the Thing (a night train) hurtles out of the darkness, seeming to chase them. Then the three friends run all the way…
