100 books like Trade and Taboo

I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.  

I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.  

I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.  

I grew up in London and became interested in history from multiple visits to the British Museum and the Museum of London, but it was on an undergraduate trip to Pompeii that I realized that I was capable of explaining archaeological remains. That realization led me back to Pompeii and then Rome, but also to tracking down the archaeology of Roman roads. Writing has become important to me, perhaps, because I’m dyslexic and I’ve had some struggles to write in the past. Yet, as a dyslexic professor, working at Macquarie University (Sydney), I think I can offer students and readers explanations of history that reflect my ongoing passion for studying the past.  

Ever since watching the BBC adaptation of Pride & Prejudice, I’ve been fascinated by the Georgian era. At university I always chose modules that connected with the period, which typically focused on the works of Keats, Byron and Shelley. One module introduced me to the essayist William Hazlitt, and my first novel Infelice drew on his illicit love affair with serving girl Sarah Walker. My début Pandora is vastly different, but both novels required a plethora of research. The books I’ve chosen all helped me bring my writing to life, and I hope aspiring novelists with a passion for the Georgians will find these as useful as I have.

I grew up around a lot of suffering over status. I didn’t want to suffer, so I kept trying to understand why everyone plays a game that they insist they don’t want to play. I found my answer when I studied evolutionary psychology. This answer really hit home when I watched David Attenborough’s wildlife documentaries. I saw the social rivalry among our mammalian ancestors, and it motivated me to research the biology behind it. I took early retirement from a career as a Professor of Management and started writing books about the brain chemistry we share with earlier mammals. I’m so glad I found my power over my inner mammal!

I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.

I grew up in St. Paul, Minnesota, in a neighborhood that was stable, safe, and stimulating. After my freshman year in college, I signed up for an “urban experience” in Detroit. It turned out to be the summer of the Detroit riots. I woke up to U.S. Army vehicles rumbling into the park across from my apartment. Over the next month, I witnessed the looting and burning of whole neighborhoods. I remember thinking:  what a waste! Why are we throwing away neighborhoods like Kleenex? I have been trying to answer that question ever since.   

I never believed the idea that creativity was for a gifted few. Throughout my life, as a teenage fishing guide, an entrepreneur and college professor, novelist, and creativity guide, the folks I’ve met are rich with creative and entrepreneurial qualities. My calling is to help you appreciate your creative genius so that it appreciates in value for you. Growing your creatively entrepreneurial genius is the best way to prepare for a future of unknowable unknowns, the best way to build careers we desire, the best way to fully appreciate life. I offer various perspectiveS on core creative and entrepreneurial concepts so you can construct the best path to your personal renewal and growth.

I’ve always been fascinated by the razor-thin line between innovation and disaster—where progress often conceals a darker potential. As a Gen-Xer who grew up questioning authority, speculative fiction became my outlet for exploring these precarious themes. Now, as an author, I channel that curiosity into stories that push the boundaries of ethical ambition, forcing us to confront the unsettling truths behind our technological dreams. This list reflects my deep love for sci-fi thrillers that don’t just entertain but challenge us to examine the hidden costs of our relentless pursuit of progress.