Here are 94 books that First in Violence, Deepest in Dirt fans have personally recommended if you like
First in Violence, Deepest in Dirt.
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Growing up in Indiana and Illinois meant that Chicago has always been, for me, the city—the place where people went to make a name for themselves and took the world by storm. From my local Carnegie Library, I read voraciously across genres—history, science, literature. They transported me out of my small town—across the universe sometimes. I learned that setting in fiction was for me a major feature of my enjoyment, and Chicago was where I set my own mystery series. These books, when I read them, explored that grand metropolis—and brought Chicago to life on and off the page. I hope you enjoy these books as much as I have.
It is a book that deep dives into a historical event, in this case, the 1893 World Columbian Exposition. Check. It is a nonfiction book that reads like a gripping thriller, in this case, the serial killer H.H. Holmes, who built a three-story building featuring secret rooms, torture chambers, and a crematorium. Check. Chicago leaps off the page. By the end of the book, I was able to envision the massive exposition, its hundreds of temporary buildings, all white colored, interlaced with ponds and canals.
Much like that exposition helped raise Chicago up from its Great Fire, so I could see a Chicago of the past, in a glorious triumph of industry and innovation. Oh, and yeah, a serial killer constructing a horrific murder building.
The Chicago World Fair was the greatest fair in American history. This is the story of the men and women whose lives it irrevocably changed and of two men in particular- an architect and a serial killer. The architect is Daniel Burnham, a man of great integrity and depth. It was his vision of the fair that attracted the best minds and talents of the day. The killer is Henry H. Holmes. Intelligent as well as handsome and charming, Holmes opened a boarding house which he advertised as 'The World's Fair Hotel' Here in the neighbourhood where he was once…
The main reason I care about the relationship of war, conscience, and religion is because I believe strongly in the separation of church and state. A country’s methods of pursuing its best interests, include the use of power and warfare. Religions, however, make central: love your neighbor as much as you love yourself. People need to develop a conscience about what principle matters most. In the Civil War, the old tenet, an “eye for an eye,” was used to justify killing others for reasons of advantage or revenge. But I want to be involved instead in creating peace and justice for all.
Death is everywhere in war: on the battlefield, in a disease-ridden hospital, or in childbirth on the home front. Drew Gilpin Faust’s non-fiction book, This Republic of Suffering, brings eye-popping numeric data to the prevalence of death in war. But she never stops at the surface level of how many deaths, or how many unidentified soldiers or improper burials occur during the Civil War. I was caught up entirely as Faust’s words, riveting and respectful of all the pain and loss, showed how death became an ennobling transformation for many people, either in the cause of racial standing or of Union/secessionist preservation.
NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation.
More than 600,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be six million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief…
As a student, the Gilded Age bored me to no end. Since then, I have come to understand that the era’s paradoxes, contingencies, and uncertainties are what has created modern America; they have preoccupied my research and writing since. I undertook Pioneering Death as a meditation on how one of the darkest and most intensely personal events—parricide—is both an expected and unexpected outcome of the interconnectedness between place, region, and nation during the Gilded Age. I hope my very select booklist about death, violence, and brutal killings assists you to recognize how these are central to the human condition and how they are foundational to modern America.
Cothran’s beautifully written chronicle tells a sad and all-too-common story from the 19th century, the effects of which continue to haunt America today. While he focuses on the Modoc people of southern Oregon and Northern California and one of the most famous “Indian Wars” that is largely forgotten today, this tale is relevant to any place in the world where indigenous people have suffered the brutalities of colonization, are blamed for the very brutalities that they have suffered, and then become further victimized in histories that paint the colonizers and their murderous acts as innocent.
On October 3, 1873, the U.S. Army hanged four Modoc headmen at Oregon's Fort Klamath. The condemned had supposedly murdered the only U.S. Army general to die during the Indian wars of the nineteenth century. Their much-anticipated execution marked the end of the Modoc War of 1872-73. But as Boyd Cothran demonstrates, the conflict's close marked the beginning of a new struggle over the memory of the war. Examining representations of the Modoc War in the context of rapidly expanding cultural and commercial marketplaces, Cothran shows how settlers created and sold narratives of the conflict that blamed the Modocs. These…
Author Greil Marcus’ phrase “the old, weird America” gave me exactly the right words for something I’ve always felt: that there is a specific weirdness to the American landscape, an uncontrollable current of strange that runs beneath the carefully cultivated surface of heroes and neighbors and shared, stable dreams. Of course, as William Faulkner observed, the past isn’t past, and America is as weird as it’s ever been. Maybe weirder. Look at the news. Look out your window. No surprise, then, that I’m drawn to such a perspective when I read other people’s stories, and seldom get completely away from it when I write my own.
A stunning assembly of archival photographs and newspaper clippings from Jackson County, Wisconsin, in the last decade and a half of the 19th century, and the definitive explanation of why nobody in old-time photographs is ever smiling—and, I choose to believe, the real reason the parts of The Wizard of Oz set in Kansas were filmed in black and white. Economic privation, unceasing bereavement, disease both physical and mental—in other words, Tuesday. Was there any joy in Jackson County? Somewhere, I’m sure. What’s documented here is a stark, powerful beauty. The most real book I’ve ever encountered, and one of two on face-out display on my bookshelves.
This book is about life in a small turn-of-the-century Wisconsin town. Lesy has collected and arranged photographs taken between 1890 and 1910. Against these are juxtaposed excerpts from the Badger State Banner, from the Mendota State (asylum) Record Book, and occasionally quotations from the writings of Hamlin Garland and Glenway Wescott.
Between humor and pathos, I lean humor. Even the saddest, most shocking events—murder, for instance—can be wrapped in kookiness. Combine this outlook with my love of old things (I’m sitting on a 1920s Chinese wedding bed and drinking from an etched Victorian tumbler at this very moment), and you’ll understand why I’m drawn to vintage screwball detective fiction. Although my mystery novels are cozies, I can’t help but infuse them with some of this screwball wackiness. I want readers to laugh, of course, but also to use my stories as springboards to see the hilarity and wonder in their own lives.
If screwball detective fiction intrigues you, you must read Craig Rice. Why not start withEight Faces of Three, the mystery introducing the wacky, rye-soaked team of Jake Justus, Helene Brand, and John Joseph Malone?
Justus is a good-looking press agent and the book’s moral center; Brand is a gorgeous heiress and non-stop partier; and Malone is a stumpy lawyer-slash-PI with good instincts and better luck. Imagine Philip Marlowe meets the Marx Brothers.
In Eight Faces of Three, a young woman awakes to find her aunt murdered, all the house’s clocks set to 3 am, and herself the prime suspect.
Craig Rice was the first mystery writer to grace the cover of Timemagazine. Her private life was strewn with ex-husbands and empty booze bottles, and she died way too young at 49.
However, her literary legacy—one critic dubbed her the “Dorothy Parker of detective fiction”—will keep her…
Pioneering woman crime writer Craig Rice introduces her series sleuth, gin-soaked Chicago lawyer John J. Malone
John J. Malone, defender of the guilty, is notorious for getting his culpable clients off. It’s the innocent ones who are problems. Like Holly Inglehart, accused of piercing the black heart of her well-heeled and tyrannical aunt Alexandria with a lovely Florentine paper cutter. No one who knew the old battle-ax liked her, but Holly’s prints were found on the murder weapon. Plus, she had a motive: She was about to be disinherited for marrying a common bandleader.
I picked up my first book about Jack the Ripper the summer after college and never looked back. Since then my collection of true crime has grown to overflow my office bookshelves and I’ve written a PhD dissertation and multiple books about true crime, focusing on serial killers. The genre is so much more than Bundy, Gacy, and Dahmer and I love talking with people about the less mainstream cases that interest them, and the newer victim-centered approaches that—fingers crossed—mark a change in how we talk about criminals and victims.
Nathan Leopold and Richard Loeb set out to commit the perfect crime and ended up in newspapers as the perpetrators of “the crime of the century.” They kidnapped and murdered a teenage boy in Chicago in 1924, but both Leopold and Loeb were still considered boys themselves at the time. Clarence Darrow defended them at trial, arguing that they were guilty but that the situation had extenuating circumstances. Baatz’s book explores how two college students from good families ended up in prison for murder. Leopold’s family even came from Michigan’s Upper Peninsula, near where I currently live, so even though the case is almost 100 years old, it’s not as distant as it might seem.
It was a crime that shocked the nation: the brutal murder in Chicago in 1924 of a child by two wealthy college students who killed solely for the thrill of the experience. Nathan Leopold and Richard Loeb were intellectuals—too smart, they believed, for the police to catch them. When they were apprehended, state's attorney Robert Crowe was certain that no defense could save the ruthless killers from the gallows. But the families of the confessed murderers hired Clarence Darrow, entrusting the lives of their sons to the most famous lawyer in America in what would be one of the most…
I've been writing for decades, as one genre evolved into another. Local Colorado history led to the identification of "Boulder Jane Doe," a murder victim. During that journey I learned a lot about criminal investigations and forensics. I devoured old movies (especially film noir), and I focused on social history including mysterious and intriguing women. Midwest Book Review (see author book links) credits In Search of the Blonde Tigress as "rescuing" Eleanor Jarman "from obscurity." So true! Despite Eleanor's notoriety as "the most dangerous woman alive," she actually was a very ordinary woman. I've now found my niche pulling mysterious and intriguing women out of the shadows.
Using photo and newspaper archives from the Chicago Tribune, the authors ofHe Had It Comingtell the stories of four Chicago female murderers from the 1920s.
The documentation (both primary and secondary sources) and, especially, the newspaper's original high-quality historical photographs inspired me to dig deeply into similar archives when researching and writing my book.
Beulah Annan. Belva Gaertner. Kitty Malm. Sabella Nitti. These are the real women of Chicago.
You probably know Roxie and Velma, the good-time gals of the 1926 satirical play Chicago and its wildly successful musical and movie adaptations. You might not know that Roxie, Velma, and the rest of the colorful characters of the play were inspired by real prisoners held in "Murderess Row" in 1920s Chicago-or that the reporter who covered their trials for the Chicago Tribune went on to write the play Chicago.
Now, more than 90 years later, the Chicago Tribune has uncovered photographs and newspaper clippings…
I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
In 1920s Chicago, the theater and the courtroom collided as a pair of men dropped dead in the vicinity of beautiful, duplicitous women. The musical Chicago has always been one of my favorites, and I was delighted to read this book about the real women who inspired Velma Kelly and Roxie Hart. It did not disappoint.
Douglas Perry tells the story of Beulah and Belva with all the flair and drama of the musical. I will never forget reading about how callously Beulah Annan sipped cocktails and listened to music for hours as her lover lay bleeding on the floor. It sent chills down my spine.
With a thrilling, fast-paced narrative, award-winning journalist Douglas Perry vividly captures the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal - and gave Chicago its most famous story. "The Girls of Murder City" recounts two scandalous, sex-fueled murder cases and how an intrepid "girl reporter" named Maurine Watkins turned the beautiful, media-savvy suspects -"Stylish Belva" and "Beautiful Beulah"- into the talk of the town. Fueled by rich period detail and a cast of characters who seemed destined for the stage, "The Girls of Murder City" is a crackling tale that simultaneously presents the freewheeling spirit…
I’ve been researching the Leopold-Loeb case for around a decade, ever since a documentary sparked my interest back in high school. That sent me on a quest for knowledge: devouring all the books I could find on the subject, before turning to archival collections to look at the primary source material. Flash forward to today and I’ve read thousands of newspaper stories, hundreds of scholarly articles and books on the subject and travelled around the country searching in over 50 archives, trying to understand this case as much as I possibly can. Here’s a list of books I found particularly helpful or inspiring on my journey.
Despite being published in 1975, Hal Higdon’s book about the Leopold and Loeb case remains the definitive account, at least to me.
If you’re looking for a factual, in-depth look at the crime, investigation, and sentencing hearing, look no further. Higdon was able to interview and correspond with dozens of people who were close to the case and who personally knew the killers and victim. He weaved those recollections into the narrative along with newspaper reports and quotes from the court documents in addition to the rest of his vast research, which gives his book a wonderful richness and depth.
Among the criminal celebrities of Prohibition-era Chicago, not even Al Capone was more notorious than two well-educated and highly intelligent Jewish boys from wealthy South Side families. In a meticulously planned murder scheme disguised as a kidnapping, Nathan Leopold and Richard Loeb chose fourteen-year-old Bobby Franks at random as their victim, abandoning his crumpled body in a culvert before his parents had a chance to respond to the ransom demand. Revealing secret testimony and raising questions that have gone unanswered for decades, Hal Higdon separates fact from myth as he unravels the crime, the investigation, and the trial, in which…
I inherited a love of puzzles from my mother, and we still share crossword clues, looking for answers. I also shared her love of reading mysteries and trying to solve crimes, from the Hardy Boys and Nancy Drew to Agatha Christie and Sue Grafton. So, when I started writing, it was only natural that I create my own literary puzzles. Add in an ingrained sense of justice–so often missed in society–and I love it when the bad guy (or gal) gets their comeuppance. I also love the mental workout I get when I need focused logic to puzzle out the ending before the final pages.
The perfect murder is not possible, right? Well…this book may have changed my mind! I don’t generally like brooding, self-absorbed characters, but Simon–ah, Simon, odd and way past cute-quirky. But somehow, Ellis makes him a compelling character. And the twists in what at first glance is a typical murder mystery with a spurned lover, a big trust fund, and lots of lies make a sharp 180-degree turn in the final pages.
As puzzles go, this book has it all. Dark history, long-held grudges, cross, double-cross…is triple-cross a thing? If not, it should be after this ending. And beware the Grim Reaper next Halloween!
From the bestselling and award-winning author comes a wickedly clever and fast-paced novel of greed, revenge, obsession—and quite possibly the perfect murder.
Simon and Vicky couldn’t seem more normal: a wealthy Chicago couple, he a respected law professor, she an advocate for domestic violence victims. A stable, if unexciting marriage. But one thing’s for sure: absolutely nothing is what it seems. The pair are far from normal, and one of them just may be a killer.
When the body of a beautiful socialite is found hanging in a mansion in a nearby suburb, Simon…
