Here are 82 books that Low Life fans have personally recommended if you like
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Hi! I'm John Glynn, and I'm excited to share some book recommendations inspired by one of my favorite Taylor Swift songs, "Cruel Summer." To me, this song perfectly encapsulates the heightened emotions of summer love—a theme at the heart of my memoir Out East. I chose books that capture the "fever dream highs" of the season. But at the same time, as Taylor sings, "Summer's a knife," filled with longing and heartache, primed for nostalgia. All of these books carry the kind of moonlit shimmer I crave in a smart beach read. As a Swiftie, a beach lover, an avid reader, and a hopeless romantic, I hope you enjoy.
This might be my all-time favorite memoir. Every time I sit down to write, I tend to read a few pages of it to absorb the rhythm of Patti Smith’s unadorned, lyrical writing.
Like Taylor Swift, Patti Smith is a music icon, a poet, and a genius wordsmith. For me, this book totally captured the radiant nostalgia of a bygone era and a romantic love that evolves into something more permanent and transcendent.
“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence…
I grew up in St. Paul, Minnesota, in a neighborhood that was stable, safe, and stimulating. After my freshman year in college, I signed up for an “urban experience” in Detroit. It turned out to be the summer of the Detroit riots. I woke up to U.S. Army vehicles rumbling into the park across from my apartment. Over the next month, I witnessed the looting and burning of whole neighborhoods. I remember thinking: what a waste! Why are we throwing away neighborhoods like Kleenex? I have been trying to answer that question ever since.
The book that propelled the fight against modernist city planning–think urban renewal or interstate highways–is still a thrill to read 62 years after its publication.
Generating most of her insights by walking the city streets and living in Greenwich Village, Jacobs shows how dense neighborhoods with diverse land uses generate valuable "weak ties" while avoiding the suffocating conformity of small towns.
Jacobs did not just talk the talk; she walked the walk–getting arrested for protesting Robert Moses’ plan to slice a highway through lower Manhattan. Embraced by both libertarians and progressive new urbanists, Jacobs still generates controversy, but you can feel her love for urban neighborhoods on every page.
In this classic text, Jane Jacobs set out to produce an attack on current city planning and rebuilding and to introduce new principles by which these should be governed. The result is one of the most stimulating books on cities ever written.
Throughout the post-war period, planners temperamentally unsympathetic to cities have been let loose on our urban environment. Inspired by the ideals of the Garden City or Le Corbusier's Radiant City, they have dreamt up ambitious projects based on self-contained neighbourhoods, super-blocks, rigid 'scientific' plans and endless acres of grass. Yet they seldom stop to look at what actually…
I moved to New York City right after college, hungry to escape from the homogeneity of a small New England town. I wanted nothing more than to be surrounded by people of all races and nations, languages, and walks of life, and to have easy access to some of the greatest cultural institutions of the world. New York can be hard and unforgiving, but there is no place like it. I love living here.
As much about ideas and the nature of friendship as it is about the city, this slim volume captures, better than any other I know, the visceral feel of living in New York. Fiercely independent, Gornick wanders the city’s streets in the “habit of loneliness,” ever watching, listening, and thinking. A child of working-class Jewish immigrants, she grew up in the Bronx in the 1940s and 1950s, and writes in a funny, smart, rueful, and tell-it-like-it-is voice that is unmistakably New York.
A contentious, deeply moving ode to friendship, love, and urban life in the spirit of Fierce Attachments
A memoir of self-discovery and the dilemma of connection in our time, The Odd Woman and the City explores the rhythms, chance encounters, and ever-changing friendships of urban life that forge the sensibility of a fiercely independent woman who has lived out her conflicts, not her fantasies, in a city (New York) that has done the same. Running steadily through the book is Vivian Gornick's exchange of more than twenty years with Leonard, a gay man who is sophisticated about his own unhappiness,…
I moved to New York City right after college, hungry to escape from the homogeneity of a small New England town. I wanted nothing more than to be surrounded by people of all races and nations, languages, and walks of life, and to have easy access to some of the greatest cultural institutions of the world. New York can be hard and unforgiving, but there is no place like it. I love living here.
For an unusual and completely different take on New York, pick up this delightful, funny, and moving book filled with drawings of cityscapes past and present. I wasn’t aware of Wertz’s book until after I’d written my book (full disclosure: Wertz wrote a blurb for my book), but I feel it captures in illustrations what the best of other New York writers capture in words. Reading it is like walking along the streets of the city itself, with a bit of poetry here, a bit of squalor there, a bit of history everywhere.
Here is New York as you've never seen it before; the New York behind the New York that you think you know so well. With drawings and comics in her signature style, Julia Wertz regales us with dozens of street scenes that show exactly what the city looked like "then" versus "now"; cartoons that detail the quirky, quintessentially New York histories that took place there, and several series of detail drawings including the clocks, mailboxes, lampposts and other ephemera that have evolved over the years. Tenements, Towers & Trash takes on a wild ride in a time-machine taxi, from the…
I’m an award-winning author of two novels, the most recent of which, The Nine, is set on a fictional New England boarding school campus. Although a secret society’s antics and a scandal on campus keeps readers turning the page, at the heart of the novel is the evolution of a mother-son relationship. Even before my three children began considering boarding schools, I was a fan of the campus novel. Think classics like A Separate Peace or Catcher in the Rye. My fascination surrounding these little microcosms—their ideals, how they self-govern, who holds power—only increased after experiencing their weird and wily ways as a mother.
A painful examination of all that’s at stake when kids make bad decisions, This Beautiful Life made me reflect on the pressure contemporary kids feel to be beyond reproach while growing up amid the instant connectivity and permanent consequences of the internet age. Like Testimony, Schulman’s novel begins with a video, this time one whose ramifications are amplified and complicated as it goes viral in a matter of hours.
A gripping early scene dramatizes the split second when fifteen-year-old Jake Bergamot makes the fateful choice to forward a video he’s received to a friend. The scandal that ensues threatens not only Jake, but his entire family’s “beautiful life.” Rather than a boarding school, this novel is set at an elite Manhattan private school where the social strata among parents are even more painfully felt. As the story unfolds, this book takes readers even deeper into the mom’s head—a delightful place…
"ThisBeautiful Life is a gripping, potent and blisteringly well-written story offamily, dilemma, and consequence. . . . I read this book with white-knuckledurgency, and I finished it in tears. Helen Schulman is an absolutely brilliantnovelist." —Elizabeth Gilbert, author of Eat, Pray, Love
Theevents of a single night shatter one family’s sense of security and identity inthis provocative and deeply affecting domestic drama from Helen Schulman, theacclaimed author of A Day at the Beach and Out of Time. In thetradition of Lionel Shriver, Sue Miller, and Laura Moriarty, Schulman crafts abrilliantly observed portrait of parenting and modern life, cunningly exploringour most…
It took eight years to write New York, New York, New York, and reading hundreds and hundreds of books about all different aspects of New York past and present. There were lots of brilliant ones along the way, but these five changed how I think about New York, flipped assumptions, created entirely new maps and narratives.
This is the primer for everything Downtown during arguably Downtown’s greatest era. The contributions are first-rate, by people who were on the scene, and it’s a handsome book to hold. If you’re interested in anything from Punk and Patti Smith to Haring, Basquiat, and Afrika Bambaataa, this is the place to start, without nostalgia, agenda, or hype.
Downtown is more than just a location, it's an attitude--and in the 1970s and '80s, that attitude forever changed the face of America. This book charts the intricate web of influences that shaped the generation of experimental and outsider artists working in Downtown New York during the crucial decade from 1974 to 1984. Published in conjunction with the first major exhibition of downtown art (organized by New York University's Grey Art Gallery and Fales Library), The Downtown Book brings the Downtown art scene to life, exploring everything from Punk rock to performance art. The book probes trends that arose in…
I am the author of two novels, and I currently teach fiction writing in the MFA program at the University of Missouri – St. Louis. I’ve long been fascinated with journeys both real and literary. In the early 1990’s I lived in Taiwan and traveled across China—from Guangzhou to the far northwestern desert province of Xinjiang, an extraordinary journey that informed my first novel.
It’s 1764 on Manhattan Island, and a stranger from London arrives at a small town called New York. He expects to receive a thousand pounds. A cast of dynamic characters appear. There are intrigues and adventures. All writers try to be vibrant on the page—to write smart, vivid, witty descriptions and dialogue. And then you come upon a writer like Francis Spufford, who is able, somehow, do it a degree or two better than everyone else.
'Best book of the century' Richard Osman 'Just wonderful' Jan Morris 'Dazzlingly written' Sunday Times 'Every bit as superb as everyone says' Sarah Perry
Winner of the Costa First Novel Award 2016 Winner of the RSL Ondaatje Prize 2017 Winner of the Desmond Elliott Prize 2017 Shortlisted for the Walter Scott Prize for Historical Fiction 2017 Shortlisted for the Rathbones Folio Prize 2017 Shortlisted for the Authors' Club Best First Novel Award 2017 Shortlisted for the British Book Awards Debut Novel of the Year 2017
A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
I embody the “American Dream” mythology: I came to the United States as a child who did not speak English and had few means. And now I am the Chair of the English Department at Harvard. But I am the exception, not the rule. So many migrants die on perilous journeys or survive only to live marginal lives under surveillance. Yet we don’t always ask why people risk their lives and those of their children to migrate. And when we do, we don’t often go beyond the first layer of answers. The list of books I recommend allows us to think deeply about the roots of forced migration.
By most accounts, immigrant literature deals primarily with how immigrants struggle to adapt to their adopted countries.
Its readers have come to expect stories of identity formation, of how immigrants create ethnic communities and maintain ties to countries of origin. Yet such narratives can center exceptional stories of individual success or obscure the political forces that uproot millions of people the world over.
This novel simulates the intimacy of immigrant memoir by seemingly giving readers access to his narrator’s interiority; it seems to cater to readerly expectation. And yet this is ultimately a ruse to obtain readerly investment, which Cole then redirects to the global history of forced migration and dispossession.
I love the combination of erudition and subtlety in a novel that, while ranging across three continents, allows readers to think simultaneously about dislocation across history and in our contemporary world.
The bestselling debut novel from a writer heralded as the twenty-first-century W. G. Sebald.
A haunting novel about national identity, race, liberty, loss and surrender, Open City follows a young Nigerian doctor as he wanders aimlessly along the streets of Manhattan. For Julius the walks are a release from the tight regulations of work, from the emotional fallout of a failed relationship, from lives past and present on either side of the Atlantic.
Isolated amid crowds of bustling strangers, Julius criss-crosses not just physical landscapes but social boundaries too, encountering people whose otherness sheds light on his own remarkable journey…
As a lifelong New Yorker and author of two books about drinking in the city—New York Cocktails and Drink Like a Local New York—these are the books about bygone days of city living that I would tell you to read if we met in a bar. You already know the ones by E.B. White, Patti Smith, Lou Reed, or possibly Pete Hamill or Walt Winchell. Those books are fantastic, but these are some “deep cuts” New York City appreciation books that you should also get to know.
The book is an engaging memoir about what it was like in the 1950s for a single woman just out of college to balance life and relationships while starting a career in magazine publishing in the Big Apple and follows her career and family relationships through to the 1970s.
Though things like finding an apartment in a trendy neighborhood back then were significantly easier than they are in modern day, the hilarious accounts about the challenges of adapting to small living conditions still ring true.
It’s an entertaining glimpse into the golden age of the print magazine industry, but it’s also a brutally honest account of women’s mental health issues, and what it’s like to seemingly have it all but still feel the constraints imposed by choosing to live in NYC. Any aspiring writer should read this book.
Mary Cantwell arrived in Manhattan one summer in the early 1950s with $80, a portable typewriter, a wardrobe of unsuitable clothes, a copy of The Poems of Gerard Manley Hopkins, a boyfriend she was worried might be involved with the Communists and no idea how to live on her own. She moved to the Village because she had heard of it and worked at Mademoiselle because that was where the employment agency sent her.
In this evocative unflinching book Cantwell recalls the city she knew then by revisiting five apartments in which she lived. Her memoir vividly recreates both a…
I'm a memoir writer whose latest book, Drunk-ish, chronicles my experience getting sober. Before quitting drinking and after, I devoured all the "quit lit" books I could get my hands on despite not being entirely convinced I had an issue. I read to bond and identify with the authors, and the books I'm recommending are a few of my very favorites on the topic of addiction. On my podcast, "For Crying Out Loud," I often share about quitting drinking and addiction in general, and when I do, I find those are some of the most popular episodes. If you're sober, thinking about quitting, or even just like reading books about messed-up boozers, these books are for you.
This is one of my all-time favorite books about alcoholism because it’s hilarious. The title has a double meaning because the book is about the author’s attempt to stop drinking but also because Augusten’s humor is incredibly dry.
I found this book before I ever even entertained the notion that I, too, might have an issue with alcohol, and yet, I loved it. I’ve probably read this book at least 10 times, and it still makes me laugh despite the fact that it’s become all too real for me.
From the New York Times Bestselling author of Running With Scissors comes the story of one man trying to out-drink his memories, outlast his demons, and outrun his past.
“I was addicted to “Bewitched” as a kid. I worshipped Darren Stevens the First. When he’d come home from work and Samantha would say, ‘Darren, would you like me to fix you a drink?’ He’d always rest his briefcase on the table below the mirror in the foyer, wipe his forehead with a monogrammed handkerchief and say, ‘Better make it a double.’” (from Chapter Two)
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