Here are 100 books that The Odd Woman and the City fans have personally recommended if you like
The Odd Woman and the City.
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I’ve always been sensitive to my material environment, discerning the spiritual and emotional effects of light, color, and sound in everyday life, like our clothes and homes and also in nature. However, for years, I lived in my head. I’d relegated my body and intuition to the sidelines. For two decades, I built a career in visual art, but it took the mid-life collapse of everything I’d wanted to find my way back to the authenticity of those early sensibilities, charting an artist’s way home. The creative life is not just for artists. It sustains our humanity in times of darkness and is the source of our brightest future.
I got lost in the detailed universe of young people growing by a bread-crumb trail, one small creative act at a time, into the famous artists they are known as today. Whether it’s hopping on a bus to New York City, setting up a studio practice in a shabby apartment, to honing a voice in particular media, be it photography or music, this chronicles idiosyncratic choices, creative exploration, and the coalescing of kindred communities.
In a unique time and place, a certain status quo was traded for a microcosm that allowed kids who trusted each other and their own curiosities to pave the way forward. It is a portrait of artists being born, teased out, from the fabric of everyday life.
“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence…
My passion from a young age has always been cities, the most fascinating of human creations. This has led me to work on them as an urban designer to help shape and guide them. I have been privileged to work on amazing projects in cities as diverse as s diverse as Toronto, Hartford, Amsterdam, New York, Boston, Montréal, Ottawa, Edmonton, Calgary, St. Louis, Washington DC, Paris, Detroit, Saint Paul and San Juan Puerto Rico. On the way, I met remarkable people, learned valuable lessons, and had the opportunity to collaborate with great colleagues. I have written about these experiences in three books and had the opportunity to share my passion through teaching. I have chosen some of the books that have most inspired me on my journey.
This eye-opening book was a revelation to me as a young student of architecture. It provided the keys to how cities really work. Its observations are as relevant and fresh today as they were when it was published in 1961. For me and many in my generation, it helped us to see and appreciate the organic, human-centered dynamics of neighborhoods, introducing the powerful concept of “organized complexity,” which made sense of things we saw but failed to understand.
I met Jane in Toronto in 1968 where she became a lifelong friend and mentor until her death in 2006. It remains a foundational text for me in understanding urban life and my life’s work.
In this classic text, Jane Jacobs set out to produce an attack on current city planning and rebuilding and to introduce new principles by which these should be governed. The result is one of the most stimulating books on cities ever written.
Throughout the post-war period, planners temperamentally unsympathetic to cities have been let loose on our urban environment. Inspired by the ideals of the Garden City or Le Corbusier's Radiant City, they have dreamt up ambitious projects based on self-contained neighbourhoods, super-blocks, rigid 'scientific' plans and endless acres of grass. Yet they seldom stop to look at what actually…
I moved to New York City right after college, hungry to escape from the homogeneity of a small New England town. I wanted nothing more than to be surrounded by people of all races and nations, languages, and walks of life, and to have easy access to some of the greatest cultural institutions of the world. New York can be hard and unforgiving, but there is no place like it. I love living here.
Another classic—albeit of a far different type—Lucy Sante uncovers the underbelly of 19th- and early 20th-century New York, a world filled with pimps, madams, gamblers, con men, and crooked cops. But this book is more than just a collection of stories about colorful characters. It’s also a meditation on the city’s secrets and the allure of danger and darkness. I dealt with some of the same themes in my own book and had no better model to emulate than this groundbreaking work.
Lucy Sante's Low Life is a portrait of America's greatest city, the riotous and anarchic breeding ground of modernity.
This is not the familiar saga of mansions, avenues, and robber barons, but the messy, turbulent, often murderous story of the city's slums; the teeming streets--scene of innumerable cons and crimes whose cramped and overcrowded housing is still a prominent feature of the cityscape.
Low Life voyages through Manhattan from four different directions. Part One examines the actual topography of Manhattan from 1840 to 1919; Part Two, the era's opportunities for vice and entertainment--theaters and saloons, opium and cocaine dens, gambling…
The Pianist's Only Daughter
by
Kathryn Betts Adams,
ThePianist's Only Daughter is a frank, humorous, and heartbreaking exploration of aging in an aging expert's own family.
Social worker and gerontologist Kathryn Betts Adams spent decades negotiating evolving family dynamics with her colorful and talented parents: her mother, an English scholar and poet, and her father, a pianist…
I moved to New York City right after college, hungry to escape from the homogeneity of a small New England town. I wanted nothing more than to be surrounded by people of all races and nations, languages, and walks of life, and to have easy access to some of the greatest cultural institutions of the world. New York can be hard and unforgiving, but there is no place like it. I love living here.
For an unusual and completely different take on New York, pick up this delightful, funny, and moving book filled with drawings of cityscapes past and present. I wasn’t aware of Wertz’s book until after I’d written my book (full disclosure: Wertz wrote a blurb for my book), but I feel it captures in illustrations what the best of other New York writers capture in words. Reading it is like walking along the streets of the city itself, with a bit of poetry here, a bit of squalor there, a bit of history everywhere.
Here is New York as you've never seen it before; the New York behind the New York that you think you know so well. With drawings and comics in her signature style, Julia Wertz regales us with dozens of street scenes that show exactly what the city looked like "then" versus "now"; cartoons that detail the quirky, quintessentially New York histories that took place there, and several series of detail drawings including the clocks, mailboxes, lampposts and other ephemera that have evolved over the years. Tenements, Towers & Trash takes on a wild ride in a time-machine taxi, from the…
I’m fascinated by long stories where things aren’t exactly as they seem. Most crime fiction is secrets and lies and their eventual uncovering but most ‘literary’ fiction is too. For what it’s worth, I was a book reviewer for all the posh UK papers for about 15 years, including crime fiction critic for The Observer for twelve (so I’ve read far more crime novels than is healthy for anyone!). I’m a voracious reader and writer and I love making things more complicated for myself (and the reader) by coming up with stuff that I’ve then somehow got to fit together.
This is post-modern crime fiction thematically linked and all with increasingly unreliable characters—because they’re each going insane.
In City of Glass private investigator, Daniel Quinn, goes mad sinking deeper into an investigation about identity. Who is telling his story and can they be relied on? Is it any of these characters who appear: ‘the author,’ ‘Paul Auster the writer,’ ‘Paul Auster the detective’? Whoosh.
I love this stuff but understand it’s an acquired taste!
Paul Auster's signature work, "The New York Trilogy," consists of three interlocking novels: "City of Glass," "Ghosts," and "The Locked Room" - haunting and mysterious tales that move at the breathless pace of a thriller."City of Glass" - As a result of a strange phone call in the middle of the night, Quinn, a writer of detective stories, becomes enmeshed in a case more puzzling than any he might hace written"Ghosts"Blue, a student of Brown, has been hired to spy on Black. From a window of a rented house on Orange street, Blue stalks his subject, who is staring out…
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
It takes courage to name your book that. Especially in the 90s before self-publishing became a thing. Which did not stop its renegade author from selling xeroxed copies of it in the streets.
Its titular protagonist, who is jobless and homeless after his girlfriend kicks him out, is based on the author himself. He struggles with feelings of inadequacy and a sense of purposelessness. He works odd jobs, writes an occasional poem, meets eccentric strangers, engages in substance abuse, and gets into sticky situations on account of his bad decisions.
While I don’t know about you, I can strongly relate to the character. The book's dark humor is also enough to make it one of my favorites.
Arthur Nersesian's underground literary treasure is an unforgettable slice of gritty New York City life...and the darkly hilarious odyssey of an anonymous slacker. He's a perennial couch-surfer, an aspiring writer searching for himself, and he's just trying to survive. But life has other things in store for the fuck-up. From being dumped by his girlfriend to getting fired for asking for a raise, from falling into a robbery to posing as a gay man to keep his job at a porn theatre, the fuck-up's tragi-comedy is perfectly realised by Arthur Nersesian, who manages to create humour and suspense out of…
Lerner's memoir of approaching adulthood in the mid-sixties is deliciously readable, but deceptively breezy. His family is affluent, his school engaging, his friends smart and fun. He has his first car, and drives with abandon. The American moment promises unlimited possibility. But political and cultural upheavals are emerging, and irresistible.…
Aged twelve, I stood just a few feet from President John F. Kennedy as he passed slowly by in June 1963. Waving and smiling from an open-top car, he was going to meet Ireland’s president in Dublin. His visit was a triumph for Irish-America. I have long enjoyed the variety of Irish-America. As an Irish student, I was one of the first foreigners to benefit from the J-1 visa program. I went to New Hampshire for the summers of 1970 and ’72 to work in an old resort hotel. On a visit to Boston then, I met a distant relative who, for decades, had worked as a domestic servant there.
I am related by ancestry to Fr John O’Sullivan, the parish priest of Kenmare, Co. Kerry, who worked hard during the Great Irish Famine to save the lives of his parishioners. Many of his flock died or felt obliged to flee to America on flimsy vessels, so-called “coffin-ships”. That is why I find this book so interesting.
Its gripping factual account of the multicultural nature of immigration in nineteenth-century New York makes it clearer to me what happened to those who fled famine in Ireland. Anbinder points out that Five Points in Manhattan was a principal destination for migrants from around Kenmare.
All but forgotten today, the Five Points neighborhood in Lower Manhattan was once renowned the world over. From Jacob Riis to Abraham Lincoln, Davy Crockett to Charles Dickens, Five Points both horrified and inspired everyone who saw it. While it comprised only a handful of streets, many of America’s most impoverished African Americans and Irish, Jewish, German, and Italian immigrants sweated out their existence there. Located in today’s Chinatown, Five Points witnessed more riots, scams, prostitution, and drunkenness than any other neighborhood in America. But at the same time it was a font of creative energy, crammed full of cheap…
I'm a “storyseeker” as much as a storyteller. I love hearing people’s ordinary and extraordinary stories; they inspire and motivate me and make me feel hopeful. I think our stories are the most precious things we have, and our greatest legacy. They help us understand each other better and connect us to people we may otherwise never get to meet. That’s why I wrote a book of personal stories called 30 Days: Stories of Gratitude, Traditions, and Wisdom and a 30 Days Journal that helps people record their own stories, by answering a prompt each day for a month. For a nonprofit I help lead called KindWorks, my title is CIO—Chief Inspiration Officer!
I have been hooked on reading the fascinating stories of ordinary people that Brandon Stanton captures in his Humans of New York social media posts since he started over a decade ago.
His posts reveal that every single person we pass on a daily basis has a story to tell, a challenge they’re facing or have overcome that we will never know; Brandon actually stops to ask them. It amazes me how in a few minutes he’s able to gain the trust of people so they feel comfortable to reveal the most vulnerable and intimate sides of themselves.
Brandon writes each story with honesty and respect and without judgment. And we all feel a little more connected and a little less alone.
With over 500 vibrant, full-color photos, Humans of New York: Stories is an insightful and inspiring collection of portraits of the lives of New Yorkers.
Humans of New York: Stories is the culmination of five years of innovative storytelling on the streets of New York City. During this time, photographer Brandon Stanton stopped, photographed, and interviewed more than ten thousand strangers, eventually sharing their stories on his blog, Humans of New York.
In Humans of New York: Stories, the interviews accompanying the photographs go deeper, exhibiting the intimate storytelling that the blog has become…
My first book was Quiver, a collection of erotic short stories. I wrote it to immortalize the hedonism of Sydney in the 1990s, wanting to show a nonjudgmental, joyful side. The fact that it touched a lot of people compelled me to write two more collections Tremble and Yearn – each exploring different themes: Tremble is an erotic re-imagining of various root myths, whilst Yearn has more historical and fantastical elements. I interweave all the characters in the stories throughout the whole collections. Humor is also important to me when it comes to the ironies and emotions around sex, the other aspect is gender power play and all the sublime reversals that can encapsulate.
This collection of short stories is really about how sexual desire and social ambition can lead to all sorts of compromising and bizarre situations. I originally was drawn to it because I’d loved the filmSecretarybased on one of the short stories in the collection. I related to it because it is nearly all from a young female P.O.V – a kind of potpourri of trying to make it in NY in the 1980s. It's the perfect illustration of how powerful short story as a form can be in terms encapsulate an event, mood, and era – It also showed me how fictionalized memoir can be a good source of material and that if the book is really well-observed it never dates.
Mary Gaitskill's tales of desire and dislocation in 1980s New York caused a sensation with their frank, caustic portrayals of men and women's inner lives. As her characters have sex, try and fail to connect, play power games and inflict myriad cruelties on each other, she skewers urban life with precision and candour.
'Stubbornly original, with a sort of rhythm and fine moments that flatten you out when you don't expect it, these stories are a pleasure to read' Alice Munro
'An air of Pinteresque menace hangs over these people's social exchanges like black funereal bunting ... Gaitskill writes with…
My father used to take me to watch the Twins play at Metropolitan Stadium in Bloomington, a twenty-minute drive from our house in suburban Minneapolis. As soon as the Twins announced their schedule each year, he would buy tickets for the doubleheaders. Our favorites were the twilight doubleheaders, when we watched one game by daylight, and the other under the night sky. Baseball was pure to me then: played outdoors on real grass. Seated beside my dad during those twin bills, I felt his love for the game seep into me and take root. All these years later, almost two decades after his death, that love remains strong.
I came of age in the seventies, and this book took me through that time, specifically 1977 again, able to view events through the lens of a particularly insightful adult.
This book encompasses more than baseball. There’s the battle to be mayor between Ed Koch and Mario Cuomo, Rupert Murdoch buying the New York Post, disco and dancing at Studio 54, the dawn of punk rock, but at its heart is the story of the Yankees and that crazy love triangle of Reggie Jackson, Billy Martin, and George Steinbrenner. I was delighted to relive all of that craziness.
“Masterful . . . In Mahler’s expert hands, the city’s outsized citizens are flawed, fierce, bickersome, and as indomitable as the metropolis itself.” —Mike Sokolove, author of The Ticket Out
A passionate and dramatic account of a year in the life of a city, when baseball and crime reigned supreme, and when several remarkable figures emerged to steer New York clear of one of its most harrowing periods.
By early 1977, the metropolis was in the grip of hysteria caused by a murderer dubbed “Son of Sam.” And on a sweltering night in July, a citywide power outage touched off…
