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I chose to study creative nonfiction during my MFA program so I could learn what makes great memoirs work, but I first fell in love with the genre as a teenager, when I picked up Angela’s Ashes off my mom’s bedside table. I’m grateful for the way memoir gives me a window into the lives of people of other races, religions, abilities, experiences, and even other centuries.While my book The Place We Make isn’t only a memoir—it’s a blend of memoir and historical biography—it was my desire to both understand the view through my research subject’s eyes, and analyze how I was seeing the world myself, that drove me to write it.
Persepolis is the book that made me fall in love with graphic memoirs.
I’ve typically been more of a word person than a picture person, but Satrapi’s stark black-and-white images make such creative use of the space on the page that I was converted. I learned so much about the history of Iranian conflict from this book—through the young girl eyes of its narrator—but my favorite part is the way Satrapi visually depicts her conversations with God.
After I read this book, I started drawing images of my conversations with God into my own prayer journal.
Wise, often funny, sometimes heart-breaking, Persepolis tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, growing up during the Iranian Revolution.
The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life.
Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary,…
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
Joe Saccos’ work has had such an impression on me.
In 1991-1992, Sacco spent two months in the occupied territories, collecting stories for this masterpiece of journalism and comics. He was breaking new ground; Comics Journalism as a form did not really exist before this book.
On the ground, Sacco found that as a cartoonist, he could delve deeper into the experiences of the Palestinians he interviewed; all knew their identities were safe as the book would be drawn, with no identifying photos, no names. Their stories and pain pour forth.
Looking back on this publication thirty years later, the situation has become far, far worse for Palestinians. This book is an excellent primer to understand the atrocities of the present and the context of their past.
In late l991 and early 1992, at the time of the first Intifada, Joe Sacco spent two months with the Palestinians in the West Bank and Gaza Strip, travelling and taking notes. Upon returning to the United States he started writing and drawing Palestine, which combines the techniques of eyewitness reportage with the medium of comic-book storytelling to explore this complex, emotionally weighty situation. He captures the heart of the Palestinian experience in image after unforgettable image, with great insight and remarkable humour.
The nine-issue comics series won a l996 American Book Award. It is now published for the first…
Documentary Comics are this genre of comics in which you can make a community visible, denounce a crime or expose yourself to the world. Being able to dialogue with the world while dialoguing with the reader is amazing. The elements you have to take into account the things you can hide in the silence of a drawing, compelling the reader to read again, to find the easter egg about that thing you really want to talk about. The ways of telling the truth in drawings. All those things are the things that I love about documentary comics.
I am not recommending a particular volume or compilation. In general I love the work of Harvey Pekar. He has brought me closer to Documentary Comics than any other author. He worked with reflections and anecdotes and was one of those authors that from the writing was able to defy the common places in comics making. Yes, he was a scriptwriter, but he pulled out so many amazing comics from the graphic formula and made them work. I remember seeing gigantic balloons with blocks of text. Pages and pages of close-ups, and they weren’t boring. A comic about him reflecting on his masculinity by unclogging the toilet. Amazing.
Meet Harvey Pekar, a true American original. For over 25 years he's been writing comic books about his life, chronicling the ordinary and mundane in stories both funny and touching. Working as a hospital file clerk in Cleveland, his dead-on eye for the frustrations and minutiae of the workaday world mix in a delicate balance with his insight into personal relationships. Illustrating his stories are the cream of the underground comics world, including the legendary Robert Crumb. Pekar has been called 'the blue collar Mark Twain', and compared to Dreiser, Dostoevsky and Lenny Bruce. With American Splendor now an award-winning…
Documentary Comics are this genre of comics in which you can make a community visible, denounce a crime or expose yourself to the world. Being able to dialogue with the world while dialoguing with the reader is amazing. The elements you have to take into account the things you can hide in the silence of a drawing, compelling the reader to read again, to find the easter egg about that thing you really want to talk about. The ways of telling the truth in drawings. All those things are the things that I love about documentary comics.
This is not a best-seller graphic novel, you don’t see this book on every bookstore shelf. I discovered it because of Nina Mickwitz’s Documentary Comics. I ordered it from the library network that we had at my grad school. My degeneration is a Jewel of a book in many senses, it is a sincere book, a dialogue that goes through many channels: the images drawn, the text typed, and the way the book was made. The shifting in the line makes you think about the process and the author not just as a character but as a person experiencing the world from certain conditions and telling you about that experience.
How does one deal with a diagnosis of Parkinson's disease at the age of forty-three? My Degeneration, by former Anchorage Daily News staff cartoonist Peter Dunlap-Shohl, answers the question with humor and passion, recounting the author's attempt to come to grips with the "malicious whimsy" of this chronic, progressive, and disabling disease. This graphic novel tracks Dunlap-Shohl's journey through depression, the worsening symptoms of the disease, the juggling of medications and their side effects, the impact on relations with family and community, and the raft of mental and physical changes wrought by the malady.
I wear many aprons. I am a writer; a professor of creative writing and literature; a mother to five children – daughters and sons; the wife of a criminal defense attorney; and the daughter of therapists. I read and write at the intersection of these influences: crime, motherhood, and psychology. When I teach children’s literature, I lean toward the Brothers Grimm. Childhood is grittier – more suspenseful – when we darken the stories. The same is true of motherhood. Nobody wants to read about a perfect mother, especially when mothers spend so much of our psychic energy worried about our children in the forms of violence, illness, and death. I prefer to seek out books that complicate the otherwise pristine stories of our lives we pretend to tell.
So much of this book is filled with folklore and magic, but the provocative and devastating ending, which raises important questions about motherhood and the fine line between animal and human consciousness, guts the reader as any honest book should. I’ve always been fascinated by the wide range of strong opinions people feel in response to a simple question: Are pets equal to children in the hierarchy of living things? I was fully transported into this surprising exploration of violence and motherhood.
*Finalist for the US National Book Award for Translated Literature 2020*
In Colombia's brutal jungle, childless Damaris develops an intense and ultimately doomed relationship with an orphaned puppy.
Colombia's Pacific coast, where everyday life entails warding off the brutal forces of nature. In this constant struggle, nothing is taken for granted.
Damaris lives with her fisherman husband in a shack on a bluff overlooking the sea. Childless and at that age 'when women dry up,' as her uncle puts it, she is eager to adopt an orphaned puppy. But this act may bring more than just affection into her home.…
I’m a window-seat person. If I’m on a trip, I want to see much
more than the device propelling me forward. In crime books, the vehicle is
always the crime, but I want that felonious little engine to also propel me
through realms where I become more explorer than passenger, where I’ve entered marvelous
and unexpected worlds that become characters in themselves. It almost doesn’t
matter what that world is, whether it’s 19th-century Chicago
architecture, bitcoin cartels or octopus linguistics. As long as it’s well-researched and rendered with depth, precision, and passion, your ticket to a
crime gets you at least two books, or even genres, for one!
My favorite true crime books—and most of my favorite non-fiction books—tend to be character-driven, read like novels, and tell a larger story through the protagonist’s lens. I found myself getting lost in George Jung’s journey as a drug smuggler and loving that sometimes it felt almost incidental that he was at the criminal nexus of a massive cultural phenomenon taking place.
I also love it when books and protagonists create conflicting emotional reactions. Jung’s likeability, coupled with the destructiveness of the business he helped pioneer, rings true to life; I found myself rooting for him at times, then despising him, and always wondering where the chips would fall in this improbable journey.
BLOW is the unlikely story of George Jung's roller coaster ride from middle-class high school football hero to the heart of Pable Escobar's Medellin cartel-- the largest importer of the United States cocaine supply in the 1980s. Jung's early business of flying marijuana into the United States from the mountains of Mexico took a dramatic turn when he met Carlos Lehder, a young Colombian car thief with connections to the then newly born cocaine operation in his native land. Together they created a new model for selling cocaine, turning a drug used primarily by the entertainment elite into a massive…
Over my two decades as a scholar of American foreign policy and international politics, I had multiple opportunities to serve as a Latin America foreign policy aide. Given that Latin America plays a central role in the U.S.-hatched modern war on drugs, much of my policymaking was directly or indirectly tied to drug policy. I thus wrote Drugs and Thugs above all to make sure that I had a good sense of the history of this seemingly eternal conflict, one that is “fought” as much at home as abroad.
Decades before Netflix’s hit series Narcos, Gugliotta and Leen turned their prize-winning series of articles in The Miami Heraldinto a highly original book, Kings of Cocaine. What astounds me is how well the author’s uncovering the psychopathic violence, unimaginable profits, and political and social corruption of the Colombian cocaine trade. And this rot and bloodshed were not just occurring in the less developed Colombia but right inside Ronald Reagan’s America.
This is the story of the most successful cocaine dealers in the world: Pablo Escobar Gaviria, Jorge Luis Ochoa Vasquez, Carlos Lehder Rivas and Jose Gonzalo Rodriguez Gacha. In the 1980s they controlled more than fifty percent of the cocaine flowing into the United States. The cocaine trade is capitalism on overdrive -- supply meeting demand on exponential levels. Here you'll find the story of how the modern cocaine business started and how it turned a rag tag group of hippies and sociopaths into regal kings as they stumbled from small-time suitcase smuggling to levels of unimaginable sophistication and daring.…
When I was at school, reading was a chore. We were given books that held no interest and told to dissect the author’s words to find a deeper meaning. It put me off reading for years. It wasn’t until I came across a thriller that I discovered my love of books, and I’ve been hooked ever since. There’s nothing like mounting tension to get you flipping the pages, and I try to do that in my books.
What I loved most about this was the story within the story. A famous author is travelling back from a convention in Brazil when his plane goes down. The only other survivor is a young boy, not quite in his teens. In order to reach safety, they must battle not only Colombian drug runners and other nefarious characters, but the jungle itself.
"This is one of the best stories I've had the pleasure of reading in a long time. I highly recommend it."—Vigilant Reader Book Reviews
A plane crashes in South America, leaving only two survivors.
Reclusive author Jonas Drake stumbles from the fiery wreckage of the crashed 747 and meets Jeremy, a young boy struggling to come to grips with the loss of his mother. Hunted by F.A.R.C. insurgents chasing them for ransom, the pair flee into the rainforest with no plan and almost no hope.
Desperate to distract Jeremy from the nightmares surrounding them, Jonas tells him stories from his…
Emotional novels are my forte. I love to read them, and I especially love to write them. Most folks say they want a book they can’t put down – but I search for ones that I have to put down and walk away from long enough to pull myself together. I want stories that linger with me, that infiltrate my dreams – books that inspire me to create works in their honor. While my life is great, sometimes I just want to get away to a world where right prevails, long conquers all, and holding out for a hero is not an impossible dream. Trust me, these picks will not disappoint.
My God, this book ripped my heart out and put it back together again. I love stories that make me cry and I’ve made that a goal in my own writing. I want to make the reader laugh, weep, and swoon – then I know I’ve done my job. This book fulfills those requirements in spades. I adored this story. I’ve reread this book a dozen times or more. The characters, Nathan & Bella, will be with me forever.
It was supposed to be simple. All Navy SEAL Nathan Malone had to do was rescue three young girls from a Columbia drug cartel, then allow himself to be captured long enough to draw out a government spy. That was before his mission went disastrously wrong...and before his wife, Bella, was told that Nathan was never coming home.Bella's mourned her husband's death for three long years. But she has no idea he's still alive. Forced to assume a new identity, the man Nathan is now dead. If he can get back to his wife, can he keep the secret of…
I’ve turned lessons from a 30-year career with the Central Intelligence Agency into crime fiction loaded with intrigue and deception. My Detective Emilia Cruz mystery series pits the first female police detective in Acapulco against Mexico's drug cartels, government corruption, and social inequality. Readers will love Detective Cruz’s complex plots, fast action, and exotic location. I’m originally from upstate New York, the setting for the upcoming Galliano Club thriller series. My family tree includes a mayor, a Mensa genius, and the first homicide in the state of Connecticut with an automatic weapon. After killing two people, including his wife, my great-grandfather eluded a state-wide manhunt. He was never brought to justice.
The tropical atmosphere of contemporary Medellin,
Colombia is the setting for the first book in the Nikki Garcia corporate
espionage thriller series. Still reeling from her young son’s tragic death,
savvy international auditor Nikki Garcia accepts an assignment to investigate
fraud allegations at the Colombian affiliate of a multinational corporation. I
loved Nikki’s sharp-edged inner voice and canny observations.
The impeccable cultural details really caught my attention.
For example, right in the first scene, Nikki watches a wealthy businessman
light a cigar. From the Churchill brand to the way he lights it with a strip of
cedarwood to the way he makes her wait, not only could I see the scene in my
mind’s eye, but I could smell the tang of burning wood and tobacco and resent
his snobby attitude. So. Well. Done.
Infamous drug kingpin Pablo Escobar is long gone from
Medellin, but his dangerous legacy is not…
Named Best Fiction Book of the Year, 2017, by Killer Nashville!
Handsome Colombian men and life-threatening danger were not normally a part of Nikki's auditing job, but this assignment was anything but normal. Despite her emotional wounds, she accepts the challenge as a way to overcome the loss of her young son in a tragic event.
In the midst of the male-dominated business world in Colombia, she investigates mismanagement allegations and uncovers a sinister plot involving fraud . . . and possibly murder. She also discovers an attractive man who seems to have feelings for her. As her relationship with…
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