Here are 100 books that Palestine fans have personally recommended if you like
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I am the Chief Legal Officer at a US publicly traded company. Although I was born in Iran, I immigrated to the US from Iran at age ten. When I was three years old, my father’s side of the family tried to take my brother and me away from my mother after my father passed away. She fought a custody battle and lawsuit and eventually was forced to flee Iran with us during the revolution. I am passionate about the Iranian Revolution, my relationship with my very strong and remarkable mother who has been a mentor to me, as well as family relationships within Iranian families.
I love “Persepolis” because the author very accurately and with a great amount of humor describes, and through graphics, portrays the very heavy topic of the 1979 Iranian Revolution.
She makes it easy for people who weren’t there at the time and are not a part of the culture or history to imagine what happened. I like how she describes family relationships, especially with her parents, in a tribal culture. In a very transparent way, she accurately describes the differences between private family life and the one that is portrayed publicly.
Wise, often funny, sometimes heart-breaking, Persepolis tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, growing up during the Iranian Revolution.
The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life.
Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary,…
Documentary Comics are this genre of comics in which you can make a community visible, denounce a crime or expose yourself to the world. Being able to dialogue with the world while dialoguing with the reader is amazing. The elements you have to take into account the things you can hide in the silence of a drawing, compelling the reader to read again, to find the easter egg about that thing you really want to talk about. The ways of telling the truth in drawings. All those things are the things that I love about documentary comics.
I am not recommending a particular volume or compilation. In general I love the work of Harvey Pekar. He has brought me closer to Documentary Comics than any other author. He worked with reflections and anecdotes and was one of those authors that from the writing was able to defy the common places in comics making. Yes, he was a scriptwriter, but he pulled out so many amazing comics from the graphic formula and made them work. I remember seeing gigantic balloons with blocks of text. Pages and pages of close-ups, and they weren’t boring. A comic about him reflecting on his masculinity by unclogging the toilet. Amazing.
Meet Harvey Pekar, a true American original. For over 25 years he's been writing comic books about his life, chronicling the ordinary and mundane in stories both funny and touching. Working as a hospital file clerk in Cleveland, his dead-on eye for the frustrations and minutiae of the workaday world mix in a delicate balance with his insight into personal relationships. Illustrating his stories are the cream of the underground comics world, including the legendary Robert Crumb. Pekar has been called 'the blue collar Mark Twain', and compared to Dreiser, Dostoevsky and Lenny Bruce. With American Splendor now an award-winning…
Documentary Comics are this genre of comics in which you can make a community visible, denounce a crime or expose yourself to the world. Being able to dialogue with the world while dialoguing with the reader is amazing. The elements you have to take into account the things you can hide in the silence of a drawing, compelling the reader to read again, to find the easter egg about that thing you really want to talk about. The ways of telling the truth in drawings. All those things are the things that I love about documentary comics.
This is not a best-seller graphic novel, you don’t see this book on every bookstore shelf. I discovered it because of Nina Mickwitz’s Documentary Comics. I ordered it from the library network that we had at my grad school. My degeneration is a Jewel of a book in many senses, it is a sincere book, a dialogue that goes through many channels: the images drawn, the text typed, and the way the book was made. The shifting in the line makes you think about the process and the author not just as a character but as a person experiencing the world from certain conditions and telling you about that experience.
How does one deal with a diagnosis of Parkinson's disease at the age of forty-three? My Degeneration, by former Anchorage Daily News staff cartoonist Peter Dunlap-Shohl, answers the question with humor and passion, recounting the author's attempt to come to grips with the "malicious whimsy" of this chronic, progressive, and disabling disease. This graphic novel tracks Dunlap-Shohl's journey through depression, the worsening symptoms of the disease, the juggling of medications and their side effects, the impact on relations with family and community, and the raft of mental and physical changes wrought by the malady.
An enthralling portrait of the Bloomsbury Group’s key figures told through a rich collection of intimate photographs. Photography framed the world of the Bloomsbury Group. The thousands of photographs surviving in albums kept by Virginia Woolf, Vanessa Bell, Dora Carrington, and Lytton Strachey, among others, today offer us a private…
Documentary Comics are this genre of comics in which you can make a community visible, denounce a crime or expose yourself to the world. Being able to dialogue with the world while dialoguing with the reader is amazing. The elements you have to take into account the things you can hide in the silence of a drawing, compelling the reader to read again, to find the easter egg about that thing you really want to talk about. The ways of telling the truth in drawings. All those things are the things that I love about documentary comics.
Virus Tropical is a Latin American Book, a Colombian book, an Argentinian Book, an Ecuadorian Book. Virus tropical talks about the nineties, if you are from Colombia you recognize the towns, the T-shirts, the music, the buses. So many peripheries mixed up and telling you about the coming of age of the main character. So many important things touched while touching on the most vapid-everyday things. The accents, the way the characters interact, I was able to identify with all of this while reading this graphic novel. Virus Tropical is a great book, I’m glad it was translated into English.
Vírus Tropical é uma saga familiar divertida e descolada, repleta de personagens cômicas e alopradas: um pai sacerdote que dá missas clandestinas em casa, uma mãe que lê o futuro nos dominós, uma irmã mais velha depravada, outra totalmente beata…
No meio dessa trupe, a caçula Paola tenta encontrar seu espaço e sua identidade. Com um traço fino, expressivo e cheio de detalhes, Power Paola nos mergulha no âmago dessa singular família colombiana.
Dividido em capítulos curtos e temáticos, e escrito num estilo ritmado e com muitos diálogos, Vírus Tropical consegue emocionar e entreter associando o melodrama ao humor.
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
In researching my graphic novel, I read many comics on slavery.
This atmospheric account of enslaved Virginians in 1831 is a hard read, but it made a great impression on me.
Powerfully, Baker uses the verbatim testimony from the confession of Nat Turner as he awaited execution in jail. The narrative does not pull its punches; in one scene, Turner recounts the murder of a plantation owner's baby. It is shocking, but Baker skillfully puts this in the context of the brutality of the lived experience of the enslaved, their own children being routinely abducted and sold by their masters.
The comic is a powerful slave narrative in this sparse and mostly wordless retelling of America’s most famous slave revolt.
The story of Nat Turner and his slave rebellion-which began on August 21, 1831, in Southampton County, Virginia-is known among school children and adults. To some he is a hero, a symbol of Black resistance and a precursor to the civil rights movement; to others he is monster-a murderer whose name is never uttered. In Nat Turner, acclaimed author and illustrator Kyle Baker depicts the evils of slavery in this moving and historically accurate story of Nat Turner's slave rebellion. Told nearly wordlessly, every image resonates with the reader as the brutal story unfolds. Find teaching guides for Nat Turner…
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
Another book that I highly recommend is Vanni. It has a brilliant mix of deft cartoon imagery and meticulously researched verbatim materials.
Dix and Pollock recount the story of one Tamil family’s journey from war-torn Sri Lanka to a place of troubled refuge in the UK.
Vanni’s depiction of Tamil communities, caught in the crossfire of the brutal conflict between the Sri Lankan state and the Tamil Tigers, the devastating tsunami that hits the region, and then the refugee crisis that follows is an important and necessary reportage on one of the world’s most under-reported conflicts.
In the tradition of Maus, Persepolis, Palestine, and The Breadwinner, Vanni is a graphic novel documenting the human side of the conflict between the Sri Lankan government and the "Tamil Tigers." Told from the perspective of a single family, it takes readers through the otherwise unimaginable struggles, horrors, and life-changing decisions families and individuals are forced to make when caught up in someone else's war.
Set in Vanni, the northern region of Sri Lanka that was devastated by the civil war, this graphic novel follows the Ramachandran family as they flee their home after the 2004 tsunami and move from…
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
I grew up in a politically active family but had never read The Communist Manifesto. Martin Rowson's adaption blew me away.
The book opens with an amazing series of spreads; in bold black and white and blood-splatted red, he charts the development of human history from the serfdom of early civilisations through the Middle Ages, up to the slave trade, the age of revolutions and the Industrial Revolution that ripped workers away from life in the fields and into factory labour and then on.
From this, Marx and Engels begin their walk through the rest of the book, announcing, "A spectre is haunting Europe, the spectre of Communism."
Rowson’s dense and beautiful artwork makes demands on the reader; in its multi-layered depths of meaning, it’s a phenomenal achievement.
Published in 1848, at a time of political upheaval in Europe, Karl Marx and Friedrich Engels's Manifesto for the Communist Party was at once a powerful critique of capitalism and a radical call to arms.
It remains the most incisive introduction to the ideas of Communism and the most lucid explanation of its aims. Much of what it proposed continues to be at the heart of political debate into the 21st century. It is no surprise, perhaps, that The Communist Manifesto (as it was later renamed) is the second bestselling book of all time, surpassed only by the Bible.
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
I had read the original book many years ago, but I was interested in this book, as what the Rickard sisters were doing, an adaption, was similar to my project.
The graphic novel is a brilliant distillation of Robert Tressell's very long prose book, never simplifying the core political messages.
The lead, Owen, is berated, hated, and admired for his determined belief in the idea of a better world. His explanation and the Rickard sisters' visual depiction of that world are indeed inspirational.
The original book is said to have inspired many political thinkers on the left, with George Orwell describing it as "a book that everyone should read."
The original was described by its publisher as "Damnably subversive but extraordinarily real." Sophie and Scarlett Rickard's gorgeously designed and illustrated adaption certainly lives up to that description.
The Ragged Trousered Philanthropists tells the story of a group of working men in the fictional town of Mugsborough, and socialist journeyman-prophet Frank Owen who attempts to convince his fellow workers that capitalism is the real source of the poverty all around them.
Owen's spirited attacks on the greed and dishonesty of the capitalist system, and support for a socialist society in which work is performed to satisfy the needs of all, rather than to generate profit for a few, eventually rouses his fellow men from their political passivity.
Described by George Orwell as a piece of social history and…
Conflict resolution and intergroup relations are my passions. Perhaps because I’m a child of the Holocaust. My parents and I arrived in the U.S. as stateless refugees. The Holocaust primed me to explore why religion inspires so much hate. My career as a criminologist got me interested in the link between religion and violence. My refugee roots led me to an International Rescue Committee report on the Syrian crisis. That report hit me hard and felt very personal because it echoed my own family’s suffering in the Holocaust. I saw an opportunity to build bridges between enemies—Israel and Syria, Jews and Muslims—while also saving lives.
I was blown away by this narrative of the Israeli-Palestinian conflict from the Palestinian perspective. Sari Nusseibeh is the scion of one of the oldest and most distinguished Palestinian families. So important are they that the Nusseibehs hold the keys to the Church of the Holy Sepulcher and are charged with opening the Church each day. Despite the fact that Sari and his family lost so much when Israel declared statehood in 1948, I was moved by the absence of malice in what I found to be a balanced account of “the Nakbah.” After reading the book, I was eager to meet Sari, who was at the time president of Al Quds University. My husband and I did get to spend a day with him on campus, where we learned even more about the Palestinian side of the conflict.
These extraordinary memoirs give us a rare view into what the Arab-Israeli conflict has meant for one Palestinian family over the generations. Nusseibeh also interweaves his own story with that of the Palestinians as a people, always speaking his mind, and apportioning blame where he feels it due. Hated by extremists on both sides, his is a rare voice.
"This autobiography? carries the passion that might embolden ordinary Israelis and Palestinians to bypass the politicians and establish the peace that all but the armoured men desperately want." The Independent
"Nusseibeh's formidable achievement? leaves a drop of despair, because of how…
In books, essays and reportage, I've been writing about Israel and the conflict since moving from the U.S. to Israel in 1982. Even as I write from within my Israeli consciousness, I have tried to understand and convey other perspectives. For Israelis and Palestinians, there is nothing abstract about this conflict; it is, instead, a matter of life and death. My writing is an attempt to simultaneously convey the passions of this conflict and offer an empathic voice for all those caught in this seemingly hopeless situation.
In this extraordinary memoir, Yousef Bashir describes growing up in Gaza during the Second Intifada of the early 2000s. At age 15, an Israeli soldier shot him in the back. Paralyzed, Yousef was sent to an Israeli hospital, where he gradually recovered, making Israeli friends in the process. That experience of “love and pain” helped transform him into a peace activist. Yousef is one of the Palestinians who wrote a response to my book, Letters to My Palestinian Neighbor. (His letter appears in the epilogue.) I know of no better window into the Palestinian experience than this beautiful, wrenching book.
A Palestinian-American activist recalls his adolescence in Gaza during the Second Intifada, and how he made a strong commitment to peace in the face of devastating brutality in this moving, candid, and transformative memoir that reminds us of the importance of looking beyond prejudice, anger, and fear.
