Here are 31 books that Hawksmoor fans have personally recommended if you like
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As a child, I learned that I was able to lucid dream at will, speaking to the beings I met in these places I’d never seen before, and it always gave me a sense of interconnectedness. A thread that goes through all of us and our histories. I believe that the ancients dedicated so much of their energy and resources to preserving their stories in order to maintain this connection because it’s so important. Inside all of us is a darkness that, if left unchecked would lead us to ruin. These books all demonstrate the inner struggle we have to understand and redirect that darkness toward the light and the good.
I often ask what the nature of laws and authority is. In the "Old West," when there was no overarching central authority, the survival of the fittest was the law. I’m curious how the clash of the old world with the new becomes a never-ending cycle and where it may lead.
I loved how none of the characters were all good or all bad, they were just survivors. This book is not meant to be liked or disliked. It’s meant to be experienced and "danced with."
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
I’ve been fascinated by social history since childhood, although I didn’t know that was what it was called, back then. When I did a postgraduate Masters in Folk Life Studies, it helped to confirm my love of books that, in skilfully fictionalising historical events, allow us to see them through the eyes of people most closely affected by them: ordinary people leading their lives throughout difficult and dangerous times or finding themselves in extraordinary relationships. It’s what I try to do in my own work, fiction and non-fiction alike. My book recommendations here are the kind of books I wish I had written.
I’m a huge fan of Dickens but this was a serendipitous Covid discovery.
In 1841, Dickens set his tale at the time of the 1780 Gordon Riots. I hadn’t realised how virulently anti-Catholic they were, nor how violent, the most destructive in the history of London. Barnaby himself, a vulnerable ‘innocent’, is sympathetically drawn. Above all the descriptions of the riots are so real that I found myself wondering if Dickens had spoken to somebody who had witnessed them in his youth – which would have been perfectly possible.
This is as vivid a depiction of what it feels like to be caught up in violent insurrection as you’re likely to find anywhere. You’ll also find out the origin of the ‘Dolly Varden hat’ along the way.
'One of Dickens's most neglected, but most rewarding, novels' Peter Ackroyd
Set against the backdrop of the Gordon Riots of 1780, Barnaby Rudge is a story of mystery and suspense which begins with an unsolved double murder and goes on to involve conspiracy, blackmail, abduction and retribution. Through the course of the novel fathers and sons become opposed, apprentices plot against their masters and anti-Catholic mobs rampage through the streets. With its dramatic descriptions of public violence and private horror, its strange secrets and ghostly doublings, Barnaby Rudge is a powerful, disturbing blend of historical realism and Gothic melodrama.
Most of my novels are historical, and they include ten books set on the railways of the early 20th Century featuring Jim Stringer, a railway policeman. I am romantically drawn to that period: no mobile phones, no fluorescent light or man-made fibres – and plenty of smoke and steam available for atmospheric effects. If you really did travel back in time, you would think you were hallucinating, so I take a visual approach, providing a series of images that I hope are historically accurate whilst also having the force and originality of dream scenes. It seems to me that the writers on my list take a similar approach.
For comfort reading, I like period children’s stories, as written by, say, E.Nesbit, Noel Streatfield, Richmal Crompton. Childhood seems to have been more fun when it came up against the constraints of an adult society more formal than our own. Gillian Avery’s achievement was to write spirited historical children’s stories that have all the social nuance you would find in the above authors. The Greatest Gresham (written in 1962, set in the 1890s) is about the timid children of one family who are brought out of their shells by the bolder kids next door, and it all feels just right. For instance, when the mother of the timid children is out on her ‘calling’ (or visiting) day, they always have tea with the family maids, one of whom habitually reads their fortune in their tea leaves.
A historical thriller set in south London just after World War II, as Britain returns to civilian life and the men return home from the fight, causing the women to leave their wartime roles. The South London Hospital for Women and Children is a hospital, (based on a real place)…
Most of my novels are historical, and they include ten books set on the railways of the early 20th Century featuring Jim Stringer, a railway policeman. I am romantically drawn to that period: no mobile phones, no fluorescent light or man-made fibres – and plenty of smoke and steam available for atmospheric effects. If you really did travel back in time, you would think you were hallucinating, so I take a visual approach, providing a series of images that I hope are historically accurate whilst also having the force and originality of dream scenes. It seems to me that the writers on my list take a similar approach.
The Go-Between is a haunting, doom-laden book about a naïve boy – Leo – out of his depth when staying with a socially smarter friend in a British country house. It’s set in the heatwave summer of 1911 and made such a big impression on me that I wrote a novel of my own set in that summer. The first line of The Go-Between is famous: "The past is a foreign country: they do things differently there." Cue the dissolve into an Edwardian dreamworld that slowly turns nightmarish.
L.P. Hartley's moving exploration of a young boy's loss of innocence The Go-Between is edited with an introduction and notes by Douglas Brooks-Davies in Penguin Modern Classics.
'The past is a foreign country: they do things differently there'
When one long, hot summer, young Leo is staying with a school-friend at Brandham Hall, he begins to act as a messenger between Ted, the farmer, and Marian, the beautiful young woman up at the hall. He becomes drawn deeper and deeper into their dangerous game of deceit and desire, until his role brings him to a shocking and premature revelation. The…
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
Did this book give birth to hardboiled literature? No, but I feel it mothered and fathered it.
Did this book—when filmed in 1941—give rise to film noir? I would say yes or “oui.”
This book lives on in libraries and bookstores, in minds and memories, on screens big and small, as a cultural masterpiece. But please don’t get me wrong about masterpiece. Hammett’s existential story of antiheroic private detective Sam Spade wriggling out of death as he fends off the cagey but crazed pursuers of a worthless “jeweled” bird breathes more deeply, more compellingly every time I re-read it. Through the book, I face the dark—and find the gloom almost charming.
One of the greatest crime novels of the 20th century.
'His name remains one of the most important and recognisable in the crime fiction genre. Hammett set the standard for much of the work that would follow' Independent
Sam Spade is hired by the fragrant Miss Wonderley to track down her sister, who has eloped with a louse called Floyd Thursby. But Miss Wonderley is in fact the beautiful and treacherous Brigid O'Shaughnessy, and when Spade's partner Miles Archer is shot while on Thursby's trail, Spade finds himself both hunter and hunted: can he track down the jewel-encrusted bird, a…
I became fascinated with history when I moved to Gloucester in the nineties. The city is hugely historical from the early Roman settlers through to the industrial age of the nineteenth century. What is more fascinating is that many of the streets and buildings I write about still exist in the city today. I carried out extensive research when writing my first historical fiction novel to immerse myself in the medieval city as it would have been in 1497. When I came to write my second novel, listed below, the first book in the Hebraica Trilogy, I already had a good idea of the layout of the city.
I loved this book because it’s a medieval detective story set in 1327 in Italy. I learned a lot about the intrigue and corruption of religious life in the medieval period and how closed and isolated communities could lose their way with murderous consequences.
It’s a fascinating insight into the world of a monk’s life in 14th-century Italy, packed full of the atmosphere of religious life inside the abbey. It is a dark and gothic tale of corruption, murder, and power-grabbing at all costs.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
Two women, a century apart, seek to rebuild their lives after leaving their homelands. Arriving in tropical Singapore, they find romance, but also find they haven’t left behind the dangers that caused them to flee.
Haunted by the specter of terrorism after 9/11, Aislinn Givens leaves her New York career…
I started reading detective stories in my teens, and I’ve never quit. They’ve become part of my professional identity. I’ve taught detective (and crime) fiction at various universities in the U.S. and the Middle East. I believe the genre is incredibly rich, allowing the writer to explore anything from contemporary social issues to historical events and from psychological phenomena to philosophical problems. Apart from my academic work, I also write and edit detective/crime stories, and I try to keep up with the stream of new works being published every year. The list here contains some of my all-time favorites, and I hope you will enjoy them as much as I have.
I’ve rarely found myself rooting so much for a detective. The novel chronicles one man’s lonely and obsessive hunt for a child murderer in 1950s Switzerland. This is a thrilling, fast-paced read, and some of the scenes affected me deeply.
Beyond the plot, however, what I find most compelling are the story’s explorations of the nature of evil and the role of chance in human life. Reason is put to a severe test in this story about a world full of darkness and chaos.
When I was eighteen, I had an experience I call religious: I was sitting outside of an ivy-covered building at my undergraduate school and reading the opening words of Vergil’s Roman epic, The Aeneid (in Latin, but I didn’t know Latin yet). The sky became clearer; it shone with different light. It became clear to me at that moment that I was supposed to be a poet. So, yeah, I went on to learn lots of stuff, including languages, so that I could read poetry in them. I did all that to serve the greater goal of being a poet.
This book taught me that you can surf the line between realism and the incredible (even the ridiculous). The main character, Oedipa Maas, is my favorite heroine because of her openness to every tantalizing possibility (and the possibilities keep ramifying infinitely).
Everything in this book is both fully a symbol and fully itself.
By far the shortest of Pynchon's great, dazzling novels - and one of the best.
Suffused with rich satire, chaotic brilliance, verbal turbulence and wild humour, The Crying of Lot 49 opens as Oedipa Maas discovers that she has been made executrix of a former lover's estate. The performance of her duties sets her on a strange trail of detection, in which bizarre characters crowd in to help or confuse her. But gradually, death, drugs, madness and marriage combine to leave Oepida in isolation on the threshold of revelation, awaiting The Crying of Lot 49.
I’ve been a fan of amateur sleuths since my first foray into our local library. Reading opened a whole world to me, and I devoured each new story with relish, imagining myself in the role of the hero and how I might deal with the perils that befell them. I raced through each book series in a matter of weeks, from The Famous Five and The Hardy Boysto Alfred Hitchcock’s The Three Investigators. I remember the thrill of moving to the library's adult section and discovering even more books where humble heroes were dragged into murder mysteries, unexpected adventures, and thrilling chases across dangerous landscapes. Woo-Hoo!
I’ve read several of this author’s books, so I am familiar with her talent for telling compelling stories. Like all the best reads, I couldn’t put it down from the very first page.
The heroine is a strong woman whose world falls apart at the death of her son and the prospect of his heart being donated to someone else. I loved how the author handled this intensely sensitive subject while keeping the mystery side of the story at the forefront. I liked that there is a creepiness to a few of the characters, too, so you never know for sure who the good guys are.
When grief spirals into obsession, the outcome can be deadly…Greer Maddox's world shatters when her son, Tom, dies. An unexpected phone call leads her to Nathan Taylor, who received Tom's heart in a transplant. Greer becomes obsessed with Nathan, but her feelings turn to hatred when she discovers he harbours a dark side. Two women are missing, one of whom has now been found murdered. Could Nathan be the killer?
Greer is hiding a few secrets of her own, however. Ones she intends to keep buried. Can those closest to her uncover the truth before someone else dies?
A gripping…
In 2038 a devastating pandemic sweeps across the world. Two decades later, Britain remains the epicenter for the Fornax variant, annexed by a terrified global community.
David Malik is as careful as any man to avoid contact with the virus. But when his sister tests positive as an asymptomatic carrier,…
One of my favourite reviews described my book as ‘a bloodstained version of the world of Barbara Pym.’ Perfect! I write crime novels set in the Church of England. I also read mysteries with churchy connections—lots of them. My shelves hold hundreds, featuring clerical sleuths (and even a few clerical murderers), books set in churches, cathedrals, and monasteries (past and present). I love to explore the questions I am so often asked when talking about the books I love: why is there such a plethora of them, and why does the Church, which represents ‘goodness,’ appear so often in novels which feature unspeakable crimes?
Flavia de Luce is surely one of the most original—and the most delightful—detective characters ever written. The precocious eleven-year-old lives in a crumbling manor house in the English countryside, with her vague father, beastly older sisters, and faithful retainer Dogger. Her interest in chemistry—and death—tend her get her into trouble on a regular basis. In this book, Flavia is on the scene when the body of the church organist turns up in the medieval tomb of St Tancred, the parish church’s patron saint. Predictably, she sets out to solve the murder, tearing about the village on her faithful bicycle Gladys. Alan Bradley evokes a world—rural England in the 1950s—that many of us would love to return to (in spite of the murders!) and has created an unforgettable heroine. If you enjoy mysteries that make you smile, rather than…
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • NEW YORK TIMES BESTSELLER
From award-winning author Alan Bradley comes the next cozy British mystery starring intrepid young sleuth Flavia de Luce, hailed by USA Today as “one of the most remarkable creations in recent literature.”
Eleven-year-old amateur detective and ardent chemist Flavia de Luce is used to digging up clues, whether they’re found among the potions in her laboratory or between the pages of her insufferable sisters’ diaries. What she is not accustomed to is digging up bodies. Upon the five-hundredth anniversary of St. Tancred’s death, the…
