Here are 93 books that Dark is the Wood fans have personally recommended if you like
Dark is the Wood.
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Nature has been a source of play, exploration, community, and solace for me since I was very young – as an adult, I find myself fascinated and alarmed by our species’ relations with the living world. Nature writing gives me a way of bringing my attention to this relationship and exploring it in a very close way. I often think of that well-worn phrase: We cannot protect what we do not love; we cannot love what we do not know. Literature, it seems to me, offers one route to better knowing and loving the world.
This book charts a series of journeys along ancient tracks, holloways, and drove-roads. I found it a hugely immersive, surprisingly exhilarating read – I loved how Macfarlane brought a very detailed, lucid, and embodied mode of narration to travels that were often unexpected and strange.
As he walks, we hear stories of ghosts, pilgrims, songs, and their singers – it’s a book about people as much as places, and as I read, I gained a powerful sense of how, as humans, we’re shaped, made, and remade, by the landscapes we move through.
The acclaimed author of The Wild Places and Underland examines the subtle ways we are shaped by the landscapes through which we move
Chosen by Slate as one of the 50 best nonfiction books of the past 25 years
In this exquisitely written book, which folds together natural history, cartography, geology, and literature, Robert Macfarlane sets off to follow the ancient routes that crisscross both the landscape of the British Isles and its waters and territories beyond. The result is an immersive, enthralling exploration of the voices that haunt old paths and the stories our tracks tell. Macfarlane's journeys take…
I've spent a good part of my life exploring the outdoor world for the national parks service, for books, newspapers, and magazines. Each trip down a river, across a lake, up a mountain, or through a desert or swampland reminds me, as Wallace Stegner once suggested, that wilderness is as much a state of mind as it is a complex set of ecosystems. Wilderness is the geography of hope. Without the hope that comes with the wilderness experience, we would be lost. In my explorations, I've come to appreciate how much we still do not know about the natural world and how much hope there is that we can get through the challenges that climate change brings.
This is a book about language and how we have lost so many words that clarify our understanding of the natural world.For my book Swamplands, I borrowed from MacFarlane’s glossary of words describing peat. Yarpha, for example, is an Orkney word for peat that is full of fibers and roots, Water-sick is a Cumbrian word for peatlands that are saturated with water. The book reminds us that we need to be more explicit in describing nature in all of its manifestations. It is also addictive. You can start from the middle and read to the beginning or to the end, It never fails
From the bestselling author of UNDERLAND, THE OLD WAYS and THE LOST WORDS
'Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent
Words are grained into our landscapes, and landscapes are grained into our words. Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land,…
I write well-researched literary fiction with an ecological focus. Before becoming a biomedical editor, I did clinical research for a leading academic medical center in Cleveland, OH. However, it was only by working at a research institution – and becoming a patient there – that I realized how much science overlooks; it’s only one way of knowing about something. Another way is by building relationships – including with non-human beings. It’s not just people who are complex. Every living thing exists within an intricate, nuanced ecosystem. This sort of knowing, built over long periods, is what facilitates understanding, compassion, and respect for other beings. These are the qualities I hope to share through my writing.
Islands of Abandonment shares extraordinary examples of nature’s ability to reclaim – and restore – land abused by humans.
In startling vignettes, the author visits numerous abandoned sites, uninhabited by humans for different reasons: from Chernobyl to a no man's land on the island of Cyprus, to factories simply rendered obsolete leaving the surrounding neighborhoods blighted, dangerous and often empty.
I found this book to be, if not hopeful, then cautiously optimistic in its affirmation of nature’s resilience, even in the wake of massive destruction. Cal Flyn’s writing is enviably good: keenly observant, capturing intimate details about these landscapes and the non-human beings who inhabit them in vivid detail.
Unforgettable and illuminating. This is nature writing and investigative journalism at its best.
A beautiful, lyrical exploration of the places where nature is flourishing in our absence
"[Flyn] captures the dread, sadness, and wonder of beholding the results of humanity's destructive impulse, and she arrives at a new appreciation of life, 'all the stranger and more valuable for its resilence.'" --The New Yorker
Some of the only truly feral cattle in the world wander a long-abandoned island off the northernmost tip of Scotland. A variety of wildlife not seen in many lifetimes has rebounded on the irradiated grounds of Chernobyl. A lush forest supports thousands of species that are extinct or endangered everywhere…
When I first started reading about wilderness, I accepted it as an obvious thing—a place without people. That lasted a short time before I realized the enormous historical complexity of such places. Rather than places without people, without history, without politics, “wilderness” became a laboratory of American society. I tried to capture that vibrancy in my book An Open Pit Visible from the Moon where I showed all the claims various people made on one wilderness area in the North Cascades. I'm a writer, historian, and former college professor who now calls the Skagit Valley of Washington home. As much as I enjoy studying wilderness, I prefer walking through it and noticing what it teaches.
To read Trace is to go on a mesmerizing journey with the wisest of guides. Savoy searches for American identities, and her own multifaceted ones, in the history and memory of landscapes across the continent. Every turn reveals tragic histories and surprising connections and omissions with the most beautiful language. Savoy excavates the palimpsest of stories embedded in landscapes’ histories in a helpful reminder that “nature” is always entangled with the richness and complexity of human life. With each careful word, Savoy deepened my appreciation for how landscape absorbs and reflects its history—and my admiration for her unbelievable gifts as a writer. Trace is one of those books you can read each year and your respect for it grows and the insights from it enlarge your life every time.
Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land.
Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life-defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her―paths of free and enslaved Africans, colonists from Europe, and peoples…
I’ve lived in San Francisco since I was 20 in 1978. I helped launch Processed World in 1981, Critical Mass in 1992, and Shaping San Francisco in 1998. I’ve been co-directing and co-curating the archive at foundsf.org since 2009, and have been fully immersed for years in gathering and presenting local history online, on bike and walking tours, during Public Talks, and most recently on Bay Cruises. I have published three books of my own and edited or co-edited seven additional volumes, much of which covers local history. The more I’ve learned the more I’ve realized how little I know!
Philip Dreyfus has written a fantastic one-stop ecological history of San Francisco that properly puts the city’s evolution into the natural systems on which it was built. Too many histories overlook the basic questions of water, topography, and climate and how human activity, that is work, has altered those over time. Dreyfus starts with an eloquent description of pre-contact life on the windy, foggy, sand-dune-covered peninsula, and methodically takes us through the sequences of urbanization, including the struggle over green spaces and parklands, water provision, and ultimately the surrounding bay itself. Few cities have benefited as much as San Francisco from the activism of previous generations that in our case, saved the bay, blocked freeway construction, and halted nuclear power.
Few cities are so dramatically identified with their environment as San Francisco - the landscape of hills, the expansive bay, the engulfing fog, and even the deadly fault line shifting below. Yet most residents think of the city itself as separate from the natural environment on which it depends. In Our Better Nature, Philip J. Dreyfus recounts the history of San Francisco from Indian village to world-class metropolis, focusing on the interactions between the city and the land and on the generations of people who have transformed them both. Dreyfus examines the ways that San Franciscans remade the landscape to…
History is my passion as well as my profession. I love a good story! When I was teaching courses in environmental history and women’s history, I kept noticing the intriguing intersections, which inspired me to write Beyond Nature’s Housekeepers. Most of my work focuses on the Gilded Age and Progressive Era (1877-1920) and includes two award-winning biographies, Fighting Bob La Follette and Belle La Follette Progressive Era Reformer. I’m also the co-editor of A Companion to the Gilded Age and Progressive Era and have written dozens of op-eds and give public talks (some of which can be found in the C-SPAN online library and on YouTube).
There are many general introductions to American environmental history. This one, by a pioneering leader in the field, is excellent. The comprehensive narrative provides a good mix of facts and interpretation, and Merchant provides as well a list of agencies, concepts, laws, and people, in addition to resource guides to print, film, video, archival, and electronic sources, plus bibliographies and essays on a variety of topics
By studying the many ways diverse peoples have changed, shaped, and conserved the natural world over time, environmental historians provide insight into humanity's unique relationship with nature and, more importantly, are better able to understand the origins of our current environmental crisis. Beginning with the precolonial land-use practice of Native Americans and concluding with our twenty-first century concerns over our global ecological crisis, American Environmental History addresses contentious issues such as the preservation of the wilderness, the expulsion of native peoples from national parks, and population growth, and considers the formative forces of gender, race, and class. Entries address a…
By lucky lottery of birth, Missoula, Montana, nestled between forested mountains and sliced through by trout-filled rivers, is where I was born and raised. Public land conservation came into my consciousness naturally as clean, pine-scented air. But when I moved to overcrowded New York City in 2001 to try a career in journalism, homesickness made me begin researching conservation. Why are there public lands in the West? What forces prompted their creation? Who wants public lands, and who opposes them? Can their history teach us about our present and our future? These books began answering my questions.
This is an engrossing tour of public lands from Terry Tempest Williams, a poet and essayist who is an American treasure. From this beautiful and vivid book, I realized spiritual connections between human beings and nature, between past and future, between the soul and the earth.
America’s national parks are breathing spaces in a world in which such spaces are steadily disappearing, which is why more than 300 million people visit the parks each year. Now Terry Tempest Williams, the author of the environmental classic Refuge and the beloved memoir When Women Were Birds, returns with The Hour of Land, a literary celebration of our national parks, an exploration of what they mean to us and what we mean to them.
From the Grand Tetons in Wyoming to Acadia in Maine to Big Bend in Texas and more, Williams creates a series of lyrical portraits that…
I am a writer and researcher from North Yorkshire, England. Although I’ve written extensively on pre-cinema history (for example, I co-wrote the BAFTA long-listed documentary, The First Film) I have also researched little-known stories connected with the natural world, particularly the beautiful Yorkshire Moors, where I live. My upcoming travelogue The Witches’ Waywill combine nature-writing with original historical research, and will be published by Open Space Books in the Autumn. I have long been an admirer of the poetryof Edward Thomas – bringing his long-forgotten fictionto a new audience has been a real passion project of mine.
This is similar toWild Isles – a vast celebration of nature incorporating fiction, non-fiction, and poetry – but this time with its focus on the beautiful wild North of Britain.
It’s exciting to see so many different aspects of the area brought out and the inclusion of lesser-known contemporary writers such as Katie Hale, Loren Cafferty, and Graham Mort alongside greats such as William Wordsworth and Charlotte Brontë.
So often neglected, so often stereotyped, the North is viewed here by those that know it, through clear eyes but with understandable adoration. I particularly enjoyed the descriptions of the moors, the dark green and grey wilds inhabited by curlew, kite, and hare.
This is the place where the Brontës created their epic romances and where contemporary writers sought solace during lockdown. The land continues to be a source of inspiration and it is gratifying to see it celebrated in this…
"Curlews give their liquid, burbling call, a call of pure happiness, the music of the fells." Ella Pontefract, 1936, Wensleydale
The North of England abounds with beauty, from unspoiled beaches in Northumberland to the dramatic Lakeland Fells, for so long celebrated by writers and artists. Wide estuaries, winding rivers, sheer cliffs, rushing waterfalls, ancient woodland, limestone pavements, and miles of hedgerows and drystone walls sustainably built and rebuilt over centuries - all form part of its rich heritage.
But these are, too, contested and depleted landscapes. Today the curlew's call is isolated, and many other species are in decline. Industry,…
I’ve loved the countryside ever since I was a child. Every year we used to stay for a week or two on a beautiful farm hidden away in a hollow of the Leicestershire wolds. I was fascinated by the wildlife and history – the old cottages and churches, local traditions and place names. It’s no accident I became a rural historian! I’m captivated by the strange power of landscape to affect us, subtly weaving itself into our sense of being, and have devoted much of my adult life to trying to understand this. I hope you find the books on the list as rewarding as I have!
I’ve been lucky enough to hear Paul speak on many occasions. He has a bright engaged manner and restless energy, ideas and examples pouring out almost too quickly to absorb. It’s the intellectual equivalent of standing under a waterfall.
Storied Ground reflects that energy and originality, prompting us to rethink many longstanding assumptions about the relationship between landscape and national identity. Was the English love of landscape a backwards-looking, conservative force, or a reassuring source of continuity that eased our passage into the modern age? Was it true, as Stanley Baldwin once claimed, that ‘England is the country, and the country is England’, or did the civic pride of prospering towns contribute to national identity too?
To these and many other questions, Paul gives surprising, sometimes challenging and always thought-provoking answers.
People have always attached meaning to the landscape that surrounds them. In Storied Ground Paul Readman uncovers why landscape matters so much to the English people, exploring its particular importance in shaping English national identity amid the transformations of modernity. The book takes us from the fells of the Lake District to the uplands of Northumberland; from the streetscapes of industrial Manchester to the heart of London. This panoramic journey reveals the significance, not only of the physical characteristics of landscapes, but also of the sense of the past, collective memories and cultural traditions that give these places their meaning.…
Simo Laakkonen is director of Degree Program in Digital Culture, Landscape and Cultural Heritage, University of Turku, Finland. He is an environmental historian who has specialized among other things on the global environmental history of warfare during Industrial Age. He has coedited on this theme two special issues and three books, the latest one is The Resilient City in World War II: Urban Environmental Histories. He has selected five books that cover some main phases of the long environmental history of wars and mass violence.
Numerous books have been written about the slaughter of millions of young men in mud and blood during the First World War.
This is the first book that focuses on the other main actor and victim of this conflict, that is, landscapes.
This coherent and transnational studyoffers interesting perspectives on how landscapes of war were idealized, mobilized, destroyed, and then remembered around the world.
This comparative and transnational study of landscapes in the First World War offers new perspectives on the ways in which landscapes were idealised, mobilised, interpreted, exploited, transformed and destroyed by the conflict. The collection focuses on four themes: environment and climate, industrial and urban landscapes, cross-cultural encounters, and legacies of the war. The chapters cover Europe, Russia, the Middle East, Africa and the US, drawing on a range of approaches including battlefield archaeology, military history, medical humanities, architecture, literary analysis and environmental history.
This volume explores the environmental impact of the war on diverse landscapes and how landscapes shaped soldiers'…
