Here are 100 books that Our Better Nature fans have personally recommended if you like
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I’ve lived in San Francisco since I was 20 in 1978. I helped launch Processed World in 1981, Critical Mass in 1992, and Shaping San Francisco in 1998. I’ve been co-directing and co-curating the archive at foundsf.org since 2009, and have been fully immersed for years in gathering and presenting local history online, on bike and walking tours, during Public Talks, and most recently on Bay Cruises. I have published three books of my own and edited or co-edited seven additional volumes, much of which covers local history. The more I’ve learned the more I’ve realized how little I know!
Debunking the Horatio Alger promotional blather of self-flattering tech moguls, the real Bay Area comes into view, based on nurses and teachers, drivers and clerks, homeless and the desperate. Real estate bubbles have given way to tech bubbles which have given way to housing bubbles and now have given way to a chimerical prosperity that is as fragile as any of the prior ones. Dick Walker pierces the veils of capitalist self-promotion to reveal the bleak consequences of the “technology booms” that have repeatedly crashed over the San Francisco Bay Area. Whether unpacking the real causes of our ongoing housing crisis or detailing the extensive ecological havoc inflicted on our area, this is a recent, definitive, fact-based analysis of it all.
The San Francisco Bay Area is currently the jewel in the crown of capitalism—the tech capital of the world and a gusher of wealth from the Silicon Gold Rush. It has been generating jobs, spawning new innovation, and spreading ideas that are changing lives everywhere. It boasts of being the Left Coast, the Greenest City, and the best place for workers in the USA. So what could be wrong? It may seem that the Bay Area has the best of it in Trump’s America, but there is a dark side of success: overheated bubbles and spectacular crashes; exploding inequality and…
Injustice has always motivated my research and activism. I have always been fascinated by nature and by the complexity of cities. For 25 years I have pursued these passions through the lens of sustainability. In 1996, I co-founded the not-for-profit Sustainable Calgary Society. My extensive work and travel in Asia, Africa, and Latin America, have given me a healthy skepticism of the West’s dominant cultural myths of superiority and benevolence and a keen awareness of the injustice of the global economic order. My book selections shed light on these myths and suggest alternative stories of where we come from, who we are, and who we might become.
San Francisco the good, an icon of diversity, creativity, and prosperity, is how I imagined the city. This book weaves a compelling, alternative narrative. Brechin tells his story through the rising fortunes of founding fathers–politicians, engineers, and entrepreneurs–many today memorialized in San Francisco’s public spaces and places. People like media tycoon William Randolph Hearst Jr. with all his narcissism, wealth, and political ambition (remind you of anyone?). The book unearths the city’s beginnings in the rapacious extraction of resources in frontier California. It illustrates (through art, newspaper cartoons, and headlines) the city as the spearhead of an emerging empire with all of its racist and white supremacist roots. The book chronicles the trauma inflicted on nature and nations that stood in the way of San Francisco’s ambition. It demands that we reflect on ‘the stuff’ our great cities are made of.
First published in 1999, this celebrated history of San Francisco traces the exploitation of both local and distant regions by prominent families - the Hearsts, de Youngs, Spreckelses, and others - who gained power through mining, ranching, water and energy, transportation, real estate, weapons, and the mass media. The story uncovered by Gray Brechin is one of greed and ambition on an epic scale. Brechin arrives at a new way of understanding urban history as he traces the connections between environment, economy, and technology and discovers links that led, ultimately, to the creation of the atomic bomb and the nuclear…
At some point I decided that if I was going to teach US history, I better have a good sense of what the place looked like. So I drove across the country—and then back again—and then again, and then once more, each time at a different latitude. I drove through North Dakota and South Dakota, Montana and Idaho, Nebraska and Kansas, Arkansas and Oklahoma, Louisiana and Texas, up and down California, Oregon and Washington, and on and on. I got addicted to seeing the landscape in all its amazing variety and vastness, and seeing the landscape made the histories come alive.
I remember driving across a barren southwestern landscape and suddenly, in the distance, miles away, seeing a train snake across the desert. Trains are sort of magical to me. They change the relation of space and time. And they create and destroy fortunes. Richard White lays bare the era of massive railroad building, financial shenanigans, and the players at all levels. With his signature humor, he reveals the absurdity behind the mythology of the railroad barons and how the West got built.
This original, deeply researched history shows the transcontinentals to be pivotal actors in the making of modern America. But the triumphal myths of the golden spike, robber barons larger than life, and an innovative capitalism all die here. Instead we have a new vision of the Gilded Age, often darkly funny, that shows history to be rooted in failure as well as success.
My early memories of San Francisco in the late 1970s are anything but glamorous. We lived in a crummy apartment down the street from the People’s Temple, and my preschool, in the always gray Sunset, served carob, not chocolate. Despite decamping for the greener pastures and white sands of Carmel-By-The-Sea, I was forever hooked by the gritty magic of San Francisco. I eventually returned to the city’s foggy Richmond District, where now I ruminate on past adventures, plot new ones, and write about the place I love. I'm the author of Moon Napa Sonoma, Moon California, and Moon Northern California, and my work has appeared in 7x7, the San Francisco Chronicle, and Alaska Magazine.
Cool Gray City of Love is a portrait, in the most classical sense, of San Francisco, and Kamiya is the journeyman traveling the cityscape to capture his subject’s soul. Each chapter centers on a point on San Francisco’s vast landscape, which blossoms into a tiny universe of place and history at Kamiya’s hand. He begins at the Farallon Islands, then jumps to The Tenderloin, then to Alcatraz, followed by Glen Canyon. While the journey can seem as incongruous as Bullitt’s race through San Francisco, it is as equally compelling, entertaining, and stunning. You’ll find yourself pulled along, promising to put the book down at the end of each chapter but unable to, falling in love with the city as you go.
"A kaleidoscopic homage both personal and historical . . . Kamiya’s symphony of San Francisco is a grand pleasure." ―New York Times Book Review
The bestselling love letter to one of the world's great cities, San Francisco, by a life-long Bay Area resident and co-founder of Salon.
Cool, Gray City of Love brings together an exuberant combination of personal history, deeply researched history, in-depth reporting, and lyrical prose to create an unparalleled portrait of San Francisco. Each of its 49 chapters explores a specific site or intersection in the city, from the mighty Golden Gate Bridge to the raunchy Tenderloin…
History is my passion as well as my profession. I love a good story! When I was teaching courses in environmental history and women’s history, I kept noticing the intriguing intersections, which inspired me to write Beyond Nature’s Housekeepers. Most of my work focuses on the Gilded Age and Progressive Era (1877-1920) and includes two award-winning biographies, Fighting Bob La Follette and Belle La Follette Progressive Era Reformer. I’m also the co-editor of A Companion to the Gilded Age and Progressive Era and have written dozens of op-eds and give public talks (some of which can be found in the C-SPAN online library and on YouTube).
There are many general introductions to American environmental history. This one, by a pioneering leader in the field, is excellent. The comprehensive narrative provides a good mix of facts and interpretation, and Merchant provides as well a list of agencies, concepts, laws, and people, in addition to resource guides to print, film, video, archival, and electronic sources, plus bibliographies and essays on a variety of topics
By studying the many ways diverse peoples have changed, shaped, and conserved the natural world over time, environmental historians provide insight into humanity's unique relationship with nature and, more importantly, are better able to understand the origins of our current environmental crisis. Beginning with the precolonial land-use practice of Native Americans and concluding with our twenty-first century concerns over our global ecological crisis, American Environmental History addresses contentious issues such as the preservation of the wilderness, the expulsion of native peoples from national parks, and population growth, and considers the formative forces of gender, race, and class. Entries address a…
By lucky lottery of birth, Missoula, Montana, nestled between forested mountains and sliced through by trout-filled rivers, is where I was born and raised. Public land conservation came into my consciousness naturally as clean, pine-scented air. But when I moved to overcrowded New York City in 2001 to try a career in journalism, homesickness made me begin researching conservation. Why are there public lands in the West? What forces prompted their creation? Who wants public lands, and who opposes them? Can their history teach us about our present and our future? These books began answering my questions.
This is an engrossing tour of public lands from Terry Tempest Williams, a poet and essayist who is an American treasure. From this beautiful and vivid book, I realized spiritual connections between human beings and nature, between past and future, between the soul and the earth.
America’s national parks are breathing spaces in a world in which such spaces are steadily disappearing, which is why more than 300 million people visit the parks each year. Now Terry Tempest Williams, the author of the environmental classic Refuge and the beloved memoir When Women Were Birds, returns with The Hour of Land, a literary celebration of our national parks, an exploration of what they mean to us and what we mean to them.
From the Grand Tetons in Wyoming to Acadia in Maine to Big Bend in Texas and more, Williams creates a series of lyrical portraits that…
I’ve loved the countryside ever since I was a child. Every year we used to stay for a week or two on a beautiful farm hidden away in a hollow of the Leicestershire wolds. I was fascinated by the wildlife and history – the old cottages and churches, local traditions and place names. It’s no accident I became a rural historian! I’m captivated by the strange power of landscape to affect us, subtly weaving itself into our sense of being, and have devoted much of my adult life to trying to understand this. I hope you find the books on the list as rewarding as I have!
I’ve been lucky enough to hear Paul speak on many occasions. He has a bright engaged manner and restless energy, ideas and examples pouring out almost too quickly to absorb. It’s the intellectual equivalent of standing under a waterfall.
Storied Ground reflects that energy and originality, prompting us to rethink many longstanding assumptions about the relationship between landscape and national identity. Was the English love of landscape a backwards-looking, conservative force, or a reassuring source of continuity that eased our passage into the modern age? Was it true, as Stanley Baldwin once claimed, that ‘England is the country, and the country is England’, or did the civic pride of prospering towns contribute to national identity too?
To these and many other questions, Paul gives surprising, sometimes challenging and always thought-provoking answers.
People have always attached meaning to the landscape that surrounds them. In Storied Ground Paul Readman uncovers why landscape matters so much to the English people, exploring its particular importance in shaping English national identity amid the transformations of modernity. The book takes us from the fells of the Lake District to the uplands of Northumberland; from the streetscapes of industrial Manchester to the heart of London. This panoramic journey reveals the significance, not only of the physical characteristics of landscapes, but also of the sense of the past, collective memories and cultural traditions that give these places their meaning.…
A family visit to Hadrian’s Wall first sparked my interest in Roman Britain, and since then I’ve written eight novels, one novella, and a couple of short stories featuring Roman Army Medic and reluctant sleuth Gaius Petreius Ruso and his British partner, Tilla. I’m the owner of an archaeological trowel and infinite curiosity, both of which I wield as often as possible in search of the “real” Roman Britain.
A modern tour around sites of Roman Britain, and a fascinating look at the stories we later Britons have told ourselves about the Roman era over the ensuing centuries – in ways that perhaps say more about us than they do about the Romans.
What does Roman Britain mean to us now? How were its physical remains rediscovered and made sense of? How has it been reimagined, in story and song and verse? Sometimes on foot, sometimes in a magnificent, if not entirely reliable, VW camper van, Charlotte Higgins sets out to explore the ancient monuments of Roman Britain. She explores the land that was once Rome’s northernmost territory and how it has changed since the years after the empire fell. Under Another Sky invites us to see the British landscape, and British history, in an entirely fresh way: as indelibly marked by how…
When I first started reading about wilderness, I accepted it as an obvious thing—a place without people. That lasted a short time before I realized the enormous historical complexity of such places. Rather than places without people, without history, without politics, “wilderness” became a laboratory of American society. I tried to capture that vibrancy in my book An Open Pit Visible from the Moon where I showed all the claims various people made on one wilderness area in the North Cascades. I'm a writer, historian, and former college professor who now calls the Skagit Valley of Washington home. As much as I enjoy studying wilderness, I prefer walking through it and noticing what it teaches.
To read Trace is to go on a mesmerizing journey with the wisest of guides. Savoy searches for American identities, and her own multifaceted ones, in the history and memory of landscapes across the continent. Every turn reveals tragic histories and surprising connections and omissions with the most beautiful language. Savoy excavates the palimpsest of stories embedded in landscapes’ histories in a helpful reminder that “nature” is always entangled with the richness and complexity of human life. With each careful word, Savoy deepened my appreciation for how landscape absorbs and reflects its history—and my admiration for her unbelievable gifts as a writer. Trace is one of those books you can read each year and your respect for it grows and the insights from it enlarge your life every time.
Through personal journeys and historical inquiry, this PEN Literary Award finalist explores how America’s still unfolding history and ideas of “race” have marked its people and the land.
Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life-defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her―paths of free and enslaved Africans, colonists from Europe, and peoples…
I've spent a good part of my life exploring the outdoor world for the national parks service, for books, newspapers, and magazines. Each trip down a river, across a lake, up a mountain, or through a desert or swampland reminds me, as Wallace Stegner once suggested, that wilderness is as much a state of mind as it is a complex set of ecosystems. Wilderness is the geography of hope. Without the hope that comes with the wilderness experience, we would be lost. In my explorations, I've come to appreciate how much we still do not know about the natural world and how much hope there is that we can get through the challenges that climate change brings.
This is a book about language and how we have lost so many words that clarify our understanding of the natural world.For my book Swamplands, I borrowed from MacFarlane’s glossary of words describing peat. Yarpha, for example, is an Orkney word for peat that is full of fibers and roots, Water-sick is a Cumbrian word for peatlands that are saturated with water. The book reminds us that we need to be more explicit in describing nature in all of its manifestations. It is also addictive. You can start from the middle and read to the beginning or to the end, It never fails
From the bestselling author of UNDERLAND, THE OLD WAYS and THE LOST WORDS
'Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent
Words are grained into our landscapes, and landscapes are grained into our words. Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land,…
