Fans pick 89 books like The Anubis Gates

A Transatlantic Tunnel, Hurrah! is an outlier, if you like. I call it ‘proto-Steampunk’ as it was published before the term was coined in the early 1980s. Regardless, it could be a template for Steampunk when it arrived. In some ways, it’s an alternate history, and it has steam-powered contraptions, big engineering projects, a Victorian tone that still incorporates our modern gaze, cameo appearances by real historical figures, and a rip-roaring narrative. Its rollicking diction is uplifting, and it mirrors the gorgeous stiff upper lip tone of much Victorian fiction to heart-warming effect. It plays with the manners, morals, and decorum of the times to create a world that isn’t the nineteenth century as it was, but as it should have been. The edition I have, purchased many years ago, has a foreword by the notoriously curmudgeonly Auberon Waugh where he admits that he ‘cried like a baby at the… show more.

OK, yes, I know. It’s fiction, and the first steampunk novel too. But I think that sometimes fiction can tell us (almost) as much as factual history about the past, if the authors have done their research – and Gibson and Sterling absolutely have. I can even tell just what academic papers they’d been reading!

It’s alternative history Victorian, But I think it tells us a lot about the real Victorians too, because it shows just how much technology mattered to their sense of who they were and what made them different from their parents. And, obviously, it’s a great story.

As one of the founding fathers of Nanopunk, Neal Stephenson’s writings form a straightforward bridge between Postcyberpunk and Neon Science-Fiction. His novel is a collection of exotic technologies like matter compilers, smart paper, immunity-enhancing particles, and foldable transportable mech-horses. Eventually, I found myself inspired to create exotic tech of my own (e.g. foods, arts, weapons, and technologies fully based on “Dark”, an unconstructed area of “empty space” featured somewhat heavily in my neon sci-fi novel). Stephenson’s novel also depicts an extremely globalized future, founded on molecular nanotech, rapidly assembled usable goods, and socio-cultural division. The title’s allusion to a “Diamond Age” fully based on nanotechnology (diamonds can be assembled from individual carbon atoms) is a complex commentary on economics and how an object loses its value through mass production.

When encountering a spinster alone at a ball, there is no excuse to forget proper manners, even—or perhaps especially—if one is a vampire. Or werewolf. I adored the voice in this book, which gave that Jane Austen feel, except brimming with humor.

The characters enchanted me as they balanced between high-society manners and the reality of living with (or being) supernatural creatures. The interactions between solidly practical Alexia and exasperated Lord Maccon made it a romance I couldn’t help but root for.

Even if Alexia was soulless, you can’t convince me her werewolf wasn’t her soulmate. A perfect blend of Victorian London and paranormal romance.

While not perhaps a “romance” novel in the established-formula sense, this book is achingly romantic. This epic story truly focuses on the gradual development of the two protagonists’ relationship and how time travel both created and challenged their love. This book ignited my passion for magic-realism romantic novels and remains one of my top books of all time.

I adore the contrast of romantic love between two seemingly destined souls and the brutality of some events caused by Henry’s uncontrolled time travel. There’s also the tricky angle of the age gap (only sometimes, depending on where Henry and Clare are in their lives, but it is occasionally extreme), which the author doesn’t shy away from. And I confess this is probably the book that made me sob the most!

This is such a wonderful mash-up of different elements all brought together.

Frankenstein, the werewolf, Dracula, Jack the Ripper, elder gods, and so much more. This book showed me that a writer can take a traditionally bleak subject and turn it around into something fun. One of the most interesting parts of this book comes from the readers rather than the author.

The book is split into thirty-one chapters, one for each day in October. Fans of this novel will read it one chapter per night throughout that month, experiencing each occurrence at the same time as the characters.

Heinlein is a master of science fiction. This book is only incidentally—but also irrevocably—about time travel. The life of Lazarus Long, who appears in other works by Heinlein, inspired me to write about longevity in my two-volume novel. Heinlein’s story of adorable Dora will bring tears to your eyes, and it shows how immortality can be a curse if you dare to love someone. Heinlein shares a lot of common sense, too, in the incorporated Notebooks of Lazarus Long.

This three-volume series is not actually about traveling in time. The main characters survive being torpedoed in World War I, are taken aboard the German submarine, and travel to an unknown continent in the South Atlantic where dinosaurs, missing-link humans, and other oddities survive. I mention this book here because I read it as a teenager, long before H.G. Wells’s The Time Machine, and it gave me a taste for putting modern humans into an earlier time frame—and that is the basis of at least half the time-travel stories.

I read this years ago and recently listened to the audiobook to revisit it. It’s a fascinating character study, listening to the voice of Richard Collier, a man dying of a brain tumor, and his journey embracing the concept of time travel. Sometimes, listening to his struggles felt like a Poe story questioning his sanity in the grips of his obsession, and, at other times, it was like getting a crash course in Esoteric Arts as he did.

This is an amazing book that explores the concepts of soul mates, astral traveling, destiny, and the metaphysical construction of time—the list goes on and on. I couldn’t help but fall in love and root for Richard and Elise, though their fate felt as inevitable as a Greek tragedy.

This trilogy, in the fantasy novels genre, goes into the quest to discover mystical answers in story form.

What is outstanding about these books, and all of McKillip’s writings, is her amazing ability to use words in a poetic and visually expressive fashion. When she describes something, like shapeshifting, for example, you actually see and feel the experience due to her fluency with descriptive imagery.

These books are archetypal to the hero’s journey and the search for the Divine Guide. I have read them over and over. There is something powerful and deep about them.