88 books like The Anubis Gates

A Transatlantic Tunnel, Hurrah! is an outlier, if you like. I call it ‘proto-Steampunk’ as it was published before the term was coined in the early 1980s. Regardless, it could be a template for Steampunk when it arrived. In some ways, it’s an alternate history, and it has steam-powered contraptions, big engineering projects, a Victorian tone that still incorporates our modern gaze, cameo appearances by real historical figures, and a rip-roaring narrative. Its rollicking diction is uplifting, and it mirrors the gorgeous stiff upper lip tone of much Victorian fiction to heart-warming effect. It plays with the manners, morals, and decorum of the times to create a world that isn’t the nineteenth century as it was, but as it should have been. The edition I have, purchased many years ago, has a foreword by the notoriously curmudgeonly Auberon Waugh where he admits that he ‘cried like a baby at the… show more.

OK, yes, I know. It’s fiction, and the first steampunk novel too. But I think that sometimes fiction can tell us (almost) as much as factual history about the past, if the authors have done their research – and Gibson and Sterling absolutely have. I can even tell just what academic papers they’d been reading!

It’s alternative history Victorian, But I think it tells us a lot about the real Victorians too, because it shows just how much technology mattered to their sense of who they were and what made them different from their parents. And, obviously, it’s a great story.

As one of the founding fathers of Nanopunk, Neal Stephenson’s writings form a straightforward bridge between Postcyberpunk and Neon Science-Fiction. His novel is a collection of exotic technologies like matter compilers, smart paper, immunity-enhancing particles, and foldable transportable mech-horses. Eventually, I found myself inspired to create exotic tech of my own (e.g. foods, arts, weapons, and technologies fully based on “Dark”, an unconstructed area of “empty space” featured somewhat heavily in my neon sci-fi novel). Stephenson’s novel also depicts an extremely globalized future, founded on molecular nanotech, rapidly assembled usable goods, and socio-cultural division. The title’s allusion to a “Diamond Age” fully based on nanotechnology (diamonds can be assembled from individual carbon atoms) is a complex commentary on economics and how an object loses its value through mass production.

The heroine is soulless – the book certainly is not.

An admirably determined and courageous young lady holds her own in a steampunk version of 19th century London where werewolves and vampires play an important part in society – and everyone knows they exist.

They simply belong to the Victorian upper class and try to fit their species typical lifestyles into a world somewhere between Charles Dickens and Arthur Conan Doyle. I thoroughly enjoyed the book. Werewolves and vampires: what’s not to like?

Time travel books aren’t uncommon, but it’s rare to find one that uses time as the hook for an emotional story rather than the more familiar sci-fi/adventure tropes. I love that Niffenegger sidesteps story-sapping technobabble, making this a story about people, not sci-fi hardware.

I’m a sucker for a time travel story that’s intricately but logically constructed, and this book certainly falls into that category, but it’s about much more than plot mechanics. Instead, it focuses firmly on the emotional toll time travel places on Henry, our titular temporal voyager, and his eventual wife, Clare. The book struck a chord with me–and several million other readers–with its strong emotional core and deep philosophical underpinnings.

Heinlein is a master of science fiction. This book is only incidentally—but also irrevocably—about time travel. The life of Lazarus Long, who appears in other works by Heinlein, inspired me to write about longevity in my two-volume novel. Heinlein’s story of adorable Dora will bring tears to your eyes, and it shows how immortality can be a curse if you dare to love someone. Heinlein shares a lot of common sense, too, in the incorporated Notebooks of Lazarus Long.

This three-volume series is not actually about traveling in time. The main characters survive being torpedoed in World War I, are taken aboard the German submarine, and travel to an unknown continent in the South Atlantic where dinosaurs, missing-link humans, and other oddities survive. I mention this book here because I read it as a teenager, long before H.G. Wells’s The Time Machine, and it gave me a taste for putting modern humans into an earlier time frame—and that is the basis of at least half the time-travel stories.

Matheson is another master, whose works are almost forgotten now. This novel employs another unique means of travel—putting yourself in a period setting and just wishing hard enough, or through auto-hypnosis. That is not terribly credible, but then neither is time travel itself. And like several of the other books I value here, this is a love story with the characters making some hard choices. And once again, something from the present plays an important role.

One of the most comedic books I’ve ever read. Actually, I listened to the audiobook, which is expertly read by the author, the late great Douglas Adams.

Between his British accent and speedy and offhanded reading style, Adams whistles listeners through this book. I hit “pause” or “rewind” many times to laugh or to re-listen to his cavalcade of hysterical situations and dialogue. Dirk Gently is truly an original character. Otherworldly and somewhat metaphysical, this is one of my all-time favorite novels. The audacity of Douglas Adams. I love it.

This book is a literary novel set in part on the Moon. That’s not a sentence you’ll read often, which is a big part of why I love this novel—it’s not what I expected, even though there’s a big hint in the title.

Like many readers, my introduction to Emily St. John Mandel was her post-apocalyptic novel Station Eleven. In that story, the most interesting characters aren’t concerned with simple survival…if they are going to fight to live, they want a culture worth fighting for. When I picked this book up, I deliberately chose not to read the story summary and was completely caught off guard by how the novel unfolded. Typically, stories questioning time and our perception of reality do so by sending the protagonist on a dangerous quest looking for answers.

Like all my favorite novels, the scope is intimate and vast in this one. The story… show more.