Here are 100 books that The Difference Engine fans have personally recommended if you like
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I love Steampunk because it combines history and imagination. My academic studies were in history, and I love exploring the multitude of ways humans have navigated the big events as well as how they lived their ordinary lives in circumstances very different from our own. The world of the imagination has been my joy ever since I first stepped into Narnia. So bringing history and imagination together is blissful for me, and Steampunk is the epitome of this creative mashup. That said, I also love Steampunk because it lets me dress up in some sensational clothes, including my top hat and the early 20th century tails I bought in a flea market in Paris.
A Transatlantic Tunnel, Hurrah! is an outlier, if you like. I call it ‘proto-Steampunk’ as it was published before the term was coined in the early 1980s. Regardless, it could be a template for Steampunk when it arrived. In some ways, it’s an alternate history, and it has steam-powered contraptions, big engineering projects, a Victorian tone that still incorporates our modern gaze, cameo appearances by real historical figures, and a rip-roaring narrative. Its rollicking diction is uplifting, and it mirrors the gorgeous stiff upper lip tone of much Victorian fiction to heart-warming effect. It plays with the manners, morals, and decorum of the times to create a world that isn’t the nineteenth century as it was, but as it should have been. The edition I have, purchased many years ago, has a foreword by the notoriously curmudgeonly Auberon Waugh where he admits that he ‘cried like a baby at the…
An early classic of steampunk and neo-Victoriana, Harry Harrison’s A Transatlantic Tunnel, Hurrah!
The time is the 1970s―sort of. The place is Earth―in a way. The project: build a tunnel over four thousand miles in length, intended to sustain a pressure of one thousand atmospheres while accommodating cargo and passengers traveling in excess of a thousand miles per hour. The Transatlantic Tunnel will be the greatest engineering feat in the history of the British Empire, a structure worthy of Her Majesty’s Empire in this, the eighth decade of the twentieth century.
I have been interested in time travel since childhood, although I personally do not think human beings will ever move forward or backward in time. But the notion and its paradoxes make a great subject for the imagination, which is the meat of speculative fiction. In writing about time travel, I had to deal with the “grandfather paradox,” where something the character does in the past changes his own future—the core of Ray Bradbury’s short story “The Sound of Thunder.” My excuse, used in The Children of Possibility, is that great upheavals like war and civilizational collapse erase small changes like stepping on a butterfly. But, you know, it’s all speculative.
Tim Powers is one of my favorite science fiction authors, and The Anubis Gates is probably his best book. As always with Powers, it follows a couple of themes besides time travel, including an Egyptian curse and a malicious puppeteer. The travel mechanism takes into account changes in the landscape since the target time. I particularly enjoyed the use of The Beatles’ "Yesterday" as an out-of-time signaling device.
Brendan Doyle is a twentieth-century English professor who travels back to 1810 London to attend a lecture given by English romantic poet Samuel Taylor Coleridge. This is a London filled with deformed clowns, organised beggar societies, insane homunculi and magic.
When he is kidnapped by gypsies and consequently misses his return trip to 1983, the mild-mannered Doyle is forced to become a street-smart con man, escape artist, and swordsman in order to survive in the dark and treacherous London underworld. He defies bullets, black magic, murderous beggars, freezing waters, imprisonment in mutant-infested dungeons, poisoning, and even a plunge back to…
After experimenting with fictional digitized worlds for the greater part of a decade, my writing journey has led me to discover a new, never-before-tried flavour of science fiction. My name is Louise Blackwick and I am the creator of Neon Science-Fiction – a subgenre of sci-fi that combines stylistic, thematic, and aesthetic elements of Post-Cyberpunk, Cyber noir, and Nanopunk. The reading list I compiled includes five science fiction stories that both influenced and facilitated the birth of this fresh and hopefully thought-provoking new genre. I hope Neon Sci-Fi can be a stimulating new addition for science fiction readers and authors alike.
As one of the founding fathers of Nanopunk, Neal Stephenson’s writings form a straightforward bridge between Postcyberpunk and Neon Science-Fiction. His novel is a collection of exotic technologies like matter compilers, smart paper, immunity-enhancing particles, and foldable transportable mech-horses. Eventually, I found myself inspired to create exotic tech of my own (e.g. foods, arts, weapons, and technologies fully based on “Dark”, an unconstructed area of “empty space” featured somewhat heavily in my neon sci-fi novel). Stephenson’s novel also depicts an extremely globalized future, founded on molecular nanotech, rapidly assembled usable goods, and socio-cultural division. The title’s allusion to a “Diamond Age” fully based on nanotechnology (diamonds can be assembled from individual carbon atoms) is a complex commentary on economics and how an object loses its value through mass production.
And who could be smaller or more insignificant than poor Little Nell - an orphan girl alone and adrift in a world of Confucian Law, Neo-Victorian values and warring nanotechnology?
Well, not quite alone. Because Nell has a friend, of sorts. A guide, a teacher, an armed and unarmed combat instructor, a book and a computer: the Young Lady's Illustrated Primer is all these and much much more. It is illicit, magical, dangerous.
I’ve been reading fantasy since before I could read (thanks, Mom and Dad!). I certainly never outgrew my love of fairy tales. But over the years, I discovered I also love historical romance. Then, I stumbled across books that combined the two. They were the best of both worlds. The comfort of a well-fitted waistcoat with the whimsy of an enchanted jewel. Naturally, I gravitated to writing what I loved: books full of magic and manners, castles and balls, romance and intrigue.
When encountering a spinster alone at a ball, there is no excuse to forget proper manners, even—or perhaps especially—if one is a vampire. Or werewolf. I adored the voice in this book, which gave that Jane Austen feel, except brimming with humor.
The characters enchanted me as they balanced between high-society manners and the reality of living with (or being) supernatural creatures. The interactions between solidly practical Alexia and exasperated Lord Maccon made it a romance I couldn’t help but root for.
Even if Alexia was soulless, you can’t convince me her werewolf wasn’t her soulmate. A perfect blend of Victorian London and paranormal romance.
Alexia Tarabotti is labouring under a great many social tribulations. First, she has no soul. Second, she's a spinster whose father is both Italian and dead. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette.
Where to go from there? From bad to worse apparently, for Alexia accidentally kills the vampire - and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate.
With unexpected vampires appearing and expected vampires disappearing, everyone seems to believe Alexia responsible. Can she figure out what is actually happening to London's high…
I’m fascinated by the Victorians – and I’ve spent most of my career trying to understand them – because they’re so like us and so unlike us in many ways. They’re familiar and unfamiliar at the same time. I’m a historian of science, and I’m passionate about trying to understand why we think about the world – and about science – the way we do. I think it started with the Victorians, so understanding them really matters and getting it right rather than repeating the same old stories. I hope these books will help you put the Victorians in their place the way they helped me.
I think this is just such a fantastic book. It blows away the whole idea that the Victorians were prudes, embarrassed about anything to do with sex. If you really don’t want to know what your great great grandparents got up to in the bedroom, then stay away from this book.
I really like the way Fern Riddell tells her story, too. Each chapter has a different fictional character to take you though the story. I think its really original – and you’ll never think about the Victorians the same way again.
An exciting factual romp through sexual desire, practises and deviance in the Victorian era. The Victorian Guide to Sex will reveal advice and ideas on sexuality from the Victorian period. Drawing on both satirical and real life events from the period, it explores every facet of sexuality that the Victorians encountered. Reproducing original advertisements and letters, with extracts taken from memoirs, legal cases, newspaper advice columns, and collections held in the Museum of London and the British Museum, this book lifts the veil from historical sexual attitudes.
I’m fascinated by the Victorians – and I’ve spent most of my career trying to understand them – because they’re so like us and so unlike us in many ways. They’re familiar and unfamiliar at the same time. I’m a historian of science, and I’m passionate about trying to understand why we think about the world – and about science – the way we do. I think it started with the Victorians, so understanding them really matters and getting it right rather than repeating the same old stories. I hope these books will help you put the Victorians in their place the way they helped me.
What I really admire about this book is the way it brings to life bits of the Victorian past that are easily overlooked, even though lots of them are still there all around us. The Victorians were in love with their engineers and their monumental works: bridges, buildings, railways, steamships. They were their future.
I like the way Rolt takes us on a deep dive into the world the engineers built and draws pen portraits of the men themselves: larger than life, ambitious, brash. Think of that famous photo of Isambard Kingdom Brunel, chomping his cigar and a stovepipe hat on his head. That was them.
L T C Rolt was an engineer and pioneer of industrial history; in this book he combined these two passions to give us a fascinating account of the men who 'made' Britain. From Brunel to Telford, he takes us on a journey from the first railway tracks being laid down to bridges spanning hitherto unimagined lengths, through to the 'invention' and mastery of the gas and electricity, which we take for granted today. The Victorians were at the forefront of modern technology in their time, but often came to see it as a blight on their landscape and struggled to…
I’m fascinated by the Victorians – and I’ve spent most of my career trying to understand them – because they’re so like us and so unlike us in many ways. They’re familiar and unfamiliar at the same time. I’m a historian of science, and I’m passionate about trying to understand why we think about the world – and about science – the way we do. I think it started with the Victorians, so understanding them really matters and getting it right rather than repeating the same old stories. I hope these books will help you put the Victorians in their place the way they helped me.
We’ve all seen them, those big British spectaculars – at royal coronations, funerals, and weddings. What I admire most about Cannadine’s book is the way he doesn’t just remind us that the Victorians invented all this but why it was so important to them too.
The Victorians were in love with spectacle – and making spectacles of themselves (think about those big Victorian dresses!) Cannadine is great at putting spectacle at the centre of their political world, too. Showing off was a way of showing power.
With the return of Hong Kong to the Chinese government in 1997, the empire that had lasted three hundred years and "upon which the sun never set" finally lost its hold on the world and slipped into history. But the question of how we understand the British Empire--its origins, nature, purpose, and effect on the world it ruled--is far from settled. In this incisive work, David Cannadine looks at the British Empire from a new perspective--through the eyes of those who created and ruled it--and offers fresh insight into the driving forces behind the Empire. Arguing against the views of…
I’m fascinated by the Victorians – and I’ve spent most of my career trying to understand them – because they’re so like us and so unlike us in many ways. They’re familiar and unfamiliar at the same time. I’m a historian of science, and I’m passionate about trying to understand why we think about the world – and about science – the way we do. I think it started with the Victorians, so understanding them really matters and getting it right rather than repeating the same old stories. I hope these books will help you put the Victorians in their place the way they helped me.
This is it. The original Victorian expose. I love the way Lytton Strachey takes his parents’ generation and pokes fun at their heroes. This is the first attempt to burst the Victorians’ bubble, and I think it’s brilliant. More than that, I don’t really think you can understand anything that’s been written about them since without starting here.
Strachey picks on four Victorian greats – Florence Nightingale included – and strips them naked. Not so great after all, he concludes. It’s the original tell-all biography.
Eminent Victorians marked an epoch in the art of biography; it also helped to crack the old myths of high Victorianism and to usher in a new spirit by which chauvinism, hypocrisy and the stiff upper lip were debunked. In it Strachey cleverly exposes the self-seeking ambitions of Cardinal Manning and the manipulative, neurotic Florence Nightingale; and in his essays on Dr Arnold and General Gordon his quarries are not only his subjects but also the public-school system and the whole structure of nineteenth-century liberal values.
I was ten. Every Sunday morning, I sat in front of the TV with a notepad to take notes while watching Carl Sagan’s Cosmos. As a teen, I devoured every of Kafka’s books. The wonder of science and the strangeness of our existence have co-habited within me since then. Today, I’m a professional physicist and theoretical chemist. But I’m also a fiction writer. My fiction allows me to spill my science background into topics that wouldn’t be welcome in technical writing. For instance, wondering how life could re-emerge in the far future after all stars burned.
Your older self writes a diary and sends it back in time to you. It reveals that between two pathways, you will take a right. You arrive at that crossroads, and no matter how willing you are to defy your unveiled fate, you can’t avoid choosing right again. I often find this type of super-deterministic scenario in science fiction, invariably raising philosophical questions about free will. Nevertheless, Egan is the only author to offer a satisfactory psychological solution to why the protagonist can’t change their fate. And this is just the first of the short stories in this collection. Axiomatic is hard SciFi stretching scientific concepts into their ethical and human limits.
"Wonderful, mind-expanding stuff, and well written too."-The Guardian
Axiomatic is a wonderful collection of eighteen short stories by Hugo Award-winning author Greg Egan. The stories in this collection have appeared in such science fiction magazines as Interzone and Asimov's between 1989 and 1992.
From junkies who drink at the time-stream to love affairs in time-reversed galaxies; from gene-altered dolphins that converse only in limericks to the program that allows you to design your own child; from the brain implants called axiomatics to the strange attractors that spin off new religions; from bioengineering to the new physics; and from cyberpunk to…
I grew up with books like Dinotopia, Goosebumps choose your own adventures, Harry Potter, and Lord of the Rings, growing me into a lover of intricate world-building. I've always been passionate about magic and science. Interweaving magic into everyday life is part of who I am and I love seeing it in writing. After writing ten fantasy detective novels, buckets of short mysteries, and over a decade of world-building I know a passionate writer when I read it. As an avid audiobook consumer, organizer, and progenitor for the Logan Writers Festival, and twice-a-week professional Dungeon Master, I love the way these books intricately lay down their clues in the places they didn’t think we’d look.
This book by Pip Ballantine and Tee Morris is one that you skip other books in your TBR pile for! It’s impossible to put it down. The story takes place in an alternate Victorian era where the world is powered by steam and magic. The plot is filled with so many threads of clues and mysteries weave you into the world and before you know it you’re as tangled as the characters. The secret agent and medium characters are brilliant, and their chemistry is just amazing. The world-building is superb, the steampunk universe is so rich and fascinating. The balance of mystery, fantasy, and adventure are just perfect. If you love steampunk and mystery, you have to read this book! It's simply fantastic!
There's something rotten in the city of London. Women are disappearing - young and old, rich and poor, from all walks of society. The only thing they have in common is their belief that women also deserve the vote. It's up to the Ministry of Peculiar Occurences to find out why these women are vanishing, but agents Books and Braun have their own challenges. There's a turncoat with nefarious plans within the Ministry itself, and the reappearance of an old flame means their growing friendship is threatened. To say nothing of the queen of the underworld, tassassins-attacking-on-ornithopters, and a conspiracy…
