Here are 100 books that The Diamond Age fans have personally recommended if you like
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My first true religion was being a boy alone in the woods and feeling a deep connection to nature in all its aspects. I felt a connection with all life and knew myself to be an animal—and gloried in it. Since then, I've learned how vigorously humans fight our animal nature, estranging us from ourselves and the planet. Each of these books invites us to get over ourselves and connect with all life on Earth.
I knew the film Blade Runner before I read this, the novel upon which it's based, but I was not prepared for the richer complexities of the novel.
My favorite parts of the novel, a bizarre new religion and the extinction of all but human and animal life, barely make it into the film. Even the androids, built to be slaves, are much more nuanced and complex than in the film. I loved the conclusion of the book, which affirms the beauty of life, both natural and mechanical.
As the eagerly-anticipated new film Blade Runner 2049 finally comes to the screen, rediscover the world of Blade Runner . . .
World War Terminus had left the Earth devastated. Through its ruins, bounty hunter Rick Deckard stalked, in search of the renegade replicants who were his prey. When he wasn't 'retiring' them with his laser weapon, he dreamed of owning a live animal - the ultimate status symbol in a world all but bereft of animal life.
Then Rick got his chance: the assignment to kill six Nexus-6 targets, for a huge reward. But in Deckard's world things were…
I love Steampunk because it combines history and imagination. My academic studies were in history, and I love exploring the multitude of ways humans have navigated the big events as well as how they lived their ordinary lives in circumstances very different from our own. The world of the imagination has been my joy ever since I first stepped into Narnia. So bringing history and imagination together is blissful for me, and Steampunk is the epitome of this creative mashup. That said, I also love Steampunk because it lets me dress up in some sensational clothes, including my top hat and the early 20th century tails I bought in a flea market in Paris.
A Transatlantic Tunnel, Hurrah! is an outlier, if you like. I call it ‘proto-Steampunk’ as it was published before the term was coined in the early 1980s. Regardless, it could be a template for Steampunk when it arrived. In some ways, it’s an alternate history, and it has steam-powered contraptions, big engineering projects, a Victorian tone that still incorporates our modern gaze, cameo appearances by real historical figures, and a rip-roaring narrative. Its rollicking diction is uplifting, and it mirrors the gorgeous stiff upper lip tone of much Victorian fiction to heart-warming effect. It plays with the manners, morals, and decorum of the times to create a world that isn’t the nineteenth century as it was, but as it should have been. The edition I have, purchased many years ago, has a foreword by the notoriously curmudgeonly Auberon Waugh where he admits that he ‘cried like a baby at the…
An early classic of steampunk and neo-Victoriana, Harry Harrison’s A Transatlantic Tunnel, Hurrah!
The time is the 1970s―sort of. The place is Earth―in a way. The project: build a tunnel over four thousand miles in length, intended to sustain a pressure of one thousand atmospheres while accommodating cargo and passengers traveling in excess of a thousand miles per hour. The Transatlantic Tunnel will be the greatest engineering feat in the history of the British Empire, a structure worthy of Her Majesty’s Empire in this, the eighth decade of the twentieth century.
I have been interested in time travel since childhood, although I personally do not think human beings will ever move forward or backward in time. But the notion and its paradoxes make a great subject for the imagination, which is the meat of speculative fiction. In writing about time travel, I had to deal with the “grandfather paradox,” where something the character does in the past changes his own future—the core of Ray Bradbury’s short story “The Sound of Thunder.” My excuse, used in The Children of Possibility, is that great upheavals like war and civilizational collapse erase small changes like stepping on a butterfly. But, you know, it’s all speculative.
Tim Powers is one of my favorite science fiction authors, and The Anubis Gates is probably his best book. As always with Powers, it follows a couple of themes besides time travel, including an Egyptian curse and a malicious puppeteer. The travel mechanism takes into account changes in the landscape since the target time. I particularly enjoyed the use of The Beatles’ "Yesterday" as an out-of-time signaling device.
Brendan Doyle is a twentieth-century English professor who travels back to 1810 London to attend a lecture given by English romantic poet Samuel Taylor Coleridge. This is a London filled with deformed clowns, organised beggar societies, insane homunculi and magic.
When he is kidnapped by gypsies and consequently misses his return trip to 1983, the mild-mannered Doyle is forced to become a street-smart con man, escape artist, and swordsman in order to survive in the dark and treacherous London underworld. He defies bullets, black magic, murderous beggars, freezing waters, imprisonment in mutant-infested dungeons, poisoning, and even a plunge back to…
I’m fascinated by the Victorians – and I’ve spent most of my career trying to understand them – because they’re so like us and so unlike us in many ways. They’re familiar and unfamiliar at the same time. I’m a historian of science, and I’m passionate about trying to understand why we think about the world – and about science – the way we do. I think it started with the Victorians, so understanding them really matters and getting it right rather than repeating the same old stories. I hope these books will help you put the Victorians in their place the way they helped me.
OK, yes, I know. It’s fiction, and the first steampunk novel too. But I think that sometimes fiction can tell us (almost) as much as factual history about the past, if the authors have done their research – and Gibson and Sterling absolutely have. I can even tell just what academic papers they’d been reading!
It’s alternative history Victorian, But I think it tells us a lot about the real Victorians too, because it shows just how much technology mattered to their sense of who they were and what made them different from their parents. And, obviously, it’s a great story.
In 1855, London swelters in a poisonous heatwave. The computer age has arrived a century ahead of time and the Industrial Revolution is in full swing. However, there is a conspiracy afoot, linking Britain with the France of Louis Napoleon and the Manhattan commune of Karl Marx.
I’ve been reading fantasy since before I could read (thanks, Mom and Dad!). I certainly never outgrew my love of fairy tales. But over the years, I discovered I also love historical romance. Then, I stumbled across books that combined the two. They were the best of both worlds. The comfort of a well-fitted waistcoat with the whimsy of an enchanted jewel. Naturally, I gravitated to writing what I loved: books full of magic and manners, castles and balls, romance and intrigue.
When encountering a spinster alone at a ball, there is no excuse to forget proper manners, even—or perhaps especially—if one is a vampire. Or werewolf. I adored the voice in this book, which gave that Jane Austen feel, except brimming with humor.
The characters enchanted me as they balanced between high-society manners and the reality of living with (or being) supernatural creatures. The interactions between solidly practical Alexia and exasperated Lord Maccon made it a romance I couldn’t help but root for.
Even if Alexia was soulless, you can’t convince me her werewolf wasn’t her soulmate. A perfect blend of Victorian London and paranormal romance.
Alexia Tarabotti is labouring under a great many social tribulations. First, she has no soul. Second, she's a spinster whose father is both Italian and dead. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette.
Where to go from there? From bad to worse apparently, for Alexia accidentally kills the vampire - and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate.
With unexpected vampires appearing and expected vampires disappearing, everyone seems to believe Alexia responsible. Can she figure out what is actually happening to London's high…
I’m a novelist who draws inspiration from my work experience as both a journalist covering tech platforms and a lawyer advising clients on tech transactions. It fascinates me how the internet has become ubiquitous in our lives, and yet it appears so rarely in popular fiction. My high school English teachers taught me that we don’t read just for escapism but to better understand the full range of human experience. Given how deeply technology shapes today’s moral problems, I believe fiction should address these issues head-on. I’m excited to share this list of books that depict how the internet is affecting us—for better and for worse.
While this book doesn’t depict today’s internet culture directly, it’s easy to imagine a dystopian future where most people spend their lives in a virtual reality world like the Oasis. As the main character navigates the challenges of this massive multiplayer online role-playing game (MMORPG), he encounters dilemmas that resonate with today’s internet users: Can you truly trust someone you’ve only met online? How do you compete when others have far more resources?
Though the book is geared toward a young adult audience, its themes hit home for readers of all ages. I’m glad we have stories showing that tech isn’t always a neutral force in society and that retreating into an online space doesn’t solve the larger systemic problems in the world.
SOON TO BE A MAJOR MOTION PICTURE DIRECTED BY STEVEN SPIELBERG
It's the year 2044, and the real world has become an ugly place. We're out of oil. We've wrecked the climate. Famine, poverty, and disease are widespread.
Like most of humanity, Wade Watts escapes this depressing reality by spending his waking hours jacked into the OASIS, a sprawling virtual utopia where you can be anything you want to be, where you can live and play and fall in love on any of ten thousand planets. And like most of humanity, Wade is obsessed by the ultimate lottery ticket that…
When King Priam's pregnant daughter was fleeing the sack of Troy, Stan was there. When Jesus of Nazareth was beaten and crucified, Stan was there - one crossover. He’s been a Hittite warrior, a Silk Road mercenary, a reluctant rebel in the Peasant’s Revolt of 1381, and an information peddler…
My inspiration is my life experience as a high-tech entrepreneur. Real-life events are the source of my stories. I love to explore how the corporate environment shapes businesspeople and to push the boundaries of traditional mystery. I find exploring the themes of ambition, betrayal, loyalty, and integrity important.
I really like this book because it's a thrilling tech story that gets you thinking about how technology might change our world. The book made me realize how powerful and risky AI can be. I love how fast-paced the story is and how it makes you consider issues of control and freedom.
The way the author talks about technology and its effects on people really got me thinking. The book makes you wonder about how society and technology come together, and it's interesting.
Matthew Sobol is dead, but his final creation survives.
It begins with a bizarre murder, where the only possible perpetrator happens to be dead. As more killings follow, the police are completely out of their depth. It falls to the unlikely partnership of Sebeck, a computer-illiterate cop, and Ross, an enigmatic hacker, to realise the scale of the imminent danger.
The Daemon is seemingly unstoppable, and murder is the least of its capabilities. As it leaves a trail of death and destruction in its wake, Sebeck and Ross must face up to a terrifying possibility. Can they convince a disbelieving…
After experimenting with fictional digitized worlds for the greater part of a decade, my writing journey has led me to discover a new, never-before-tried flavour of science fiction. My name is Louise Blackwick and I am the creator of Neon Science-Fiction – a subgenre of sci-fi that combines stylistic, thematic, and aesthetic elements of Post-Cyberpunk, Cyber noir, and Nanopunk. The reading list I compiled includes five science fiction stories that both influenced and facilitated the birth of this fresh and hopefully thought-provoking new genre. I hope Neon Sci-Fi can be a stimulating new addition for science fiction readers and authors alike.
I Have No Mouth and I Must Scream is the first title on my list that is merely a short story. That said, what Harlan Ellison’s Hugo Award-winning sci-fi tale lacks in length, it makes up in complexity. Set in a post-apocalyptic future, the story follows the horrific ordeal of five humans artificially kept alive by AM (Allied Master computer), a programme responsible for the near-extinction of humanity. AM derives its pleasure and purpose from endlessly torturing the last living humans, rendering them immortal and unable to commit suicide. This unique supervillain became my inspiration for the Neon God – a corrupt, mind games-obsessed A.I. announced in my Neon Science-Fiction novel. Ellison’s story, however, conjures up images of desolation and despair I’ve yet to encounter in a work of science fiction.
"Ellison is a true virtuoso in his genre." PUBLISHERS' WEEKLY By law, one cannot copyright a title. If someone were stupid enough to do it, novels could be written and published with such titles as MOBY DICK, ALICE IN WONDERLAND, or GONE WITH THE WIND. But also, by law, ownership of a title can be guaranteed if it can be proved that the original author has established such a connection with the title that any duplication would infringe that linkage. How famous is this most famous of all Harlan Ellison's books? Well known enough that an English film company was…
I'm the product of a man who married more times than I like to admit to strangers and even family. We moved all the time. Those two elements in my life led me to run out the door immediately upon release from sorting my belongings from their thoroughly packed boxes. I made friends at once with everyone I came across. Who knew how long we’d live there? Over the years, I acquired deep friendships from around the U.S. and often daydreamed of them all being in the same place at once and loving the solidarity. It never happened, but it's a theme that runs through me. It’s what I like to write about.
This book captured me from the first moment with Amaranthe determined to be the best enforcer despite being looked down upon because she was a woman doing a man’s job and not doing what her family expected of her.
When she finds herself the target of an assassin which she must target, she gathers a collection of misfits who (spoiler sort of) become the family she needs to succeed and survive along with bumble, trip, fail, and regroup with.
I loved cheering her on and wincing at her (sometimes hilarious) struggles.
Imperial law enforcer Amaranthe Lokdon is good at her job: she can deter thieves and pacify thugs, if not with a blade, then by toppling an eight-foot pile of coffee canisters onto their heads. But when ravaged bodies show up on the waterfront, an arson covers up human sacrifices, and a powerful business coalition plots to kill the emperor, she feels a tad overwhelmed.
Worse, Sicarius, the empire's most notorious assassin, is in town. He's tied in with the chaos somehow, but Amaranthe would be a fool to cross his path. Unfortunately, her superiors order her to hunt him down.…
PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.
I’ve loved this book since the day I unwrapped it in that bookstore I used to work at in 1992. Over the years I’ve re-read it several times and found it reveals more of itself the older I get. Harrison’s writing is hugely influential for a lot of writers, not only for his exquisite way with prose but also because he uncovers complex truths and epiphanies hiding inside ordinary people who find themselves occasionally touched by the fantastical.
The heart of this novel is a fictional book—the imaginary memoirs of a travel writer traversing Europe in pursuit of a magical realm. Everything revolves around it, and this exquisite book is like a puzzle box that the years have only served to slowly unlock for me.
John M. Harrison delivers an extraordinary, genre-bending novel that weaves together mythology, sexuality, and the troubled past and present of Eastern Europe. It begins on a hot May night, when three Cambridge students carry out a ritualistic act that changes their lives. Years later, none of the participants can remember what exactly transpired; but their clouded memories can't rid them of an overwhelming sense of dread. Pam Stuyvesant is an epileptic haunted by strange sensual visions. Her husband Lucas believes that a dwarfish creature is stalking him. Self-styled Sorcerer Yaxley becomes obsessed with a terrifyingly transcendent reality. The seemingly least…
