100 books like Daemon

For me speculative fiction is about twisting one aspect of the real world, and then playing with the consequences. I love the way that Philip K Dick does this.

Some of his ideas seem absurd, but as a reader you quickly buy into them. This is not a traditional crime novel in any sense, but is about a bounty hunter tracking down escaped androids. As he confronts questions about his own humanity, it raises ethical issues for the reader as to what it is to be human.

Like all Dick’s works it is clever, entertaining, and thought-provoking.

As one of the founding fathers of Nanopunk, Neal Stephenson’s writings form a straightforward bridge between Postcyberpunk and Neon Science-Fiction. His novel is a collection of exotic technologies like matter compilers, smart paper, immunity-enhancing particles, and foldable transportable mech-horses. Eventually, I found myself inspired to create exotic tech of my own (e.g. foods, arts, weapons, and technologies fully based on “Dark”, an unconstructed area of “empty space” featured somewhat heavily in my neon sci-fi novel). Stephenson’s novel also depicts an extremely globalized future, founded on molecular nanotech, rapidly assembled usable goods, and socio-cultural division. The title’s allusion to a “Diamond Age” fully based on nanotechnology (diamonds can be assembled from individual carbon atoms) is a complex commentary on economics and how an object loses its value through mass production.

I love stories where the hero is a normal guy that we can all identify with in some way or another and where there is an arc to the story that transforms that normal guy into something extraordinary. 

With just wits and creativity, our hero, Wade Watts, finds a way to survive against all odds. And no matter how bad things get, he never quits. He embodies the best of the human spirit—and by the end of the book, you’re cheering for him. Because he is you (or who you want to be), the "everyman" who stands up to injustice, unfairness, and those powers that are wrecking humanity (which in this case happens to be a trillion-dollar Mega Corporation).

One of my favorite things in the world is listening to a good audiobook, start to finish, on a long road trip. Having moved back and forth across the country more times than I care to count, I’ve done this a fair number of times, and my favorite memory by far is the experience I had when listening to this book for the first time.

I’ve enjoyed most of Blake Crouch’s books for their tight pacing and titillating, mind-candy premises (in Dark Matter, it’s a neat mechanic for hopping alternate realities), but what really hit me with this one in particular was how monumentally hard this book drove home this feeling of losing (like literally losing) the one you love the most, and what you might do, what life you might choose, to find them again. It’s hardly ground that no one’s covered before, but without spoiling anything, I’ll just… show more.

I Have No Mouth and I Must Scream is the first title on my list that is merely a short story. That said, what Harlan Ellison’s Hugo Award-winning sci-fi tale lacks in length, it makes up in complexity. Set in a post-apocalyptic future, the story follows the horrific ordeal of five humans artificially kept alive by AM (Allied Master computer), a programme responsible for the near-extinction of humanity. AM derives its pleasure and purpose from endlessly torturing the last living humans, rendering them immortal and unable to commit suicide. This unique supervillain became my inspiration for the Neon God – a corrupt, mind games-obsessed A.I. announced in my Neon Science-Fiction novel. Ellison’s story, however, conjures up images of desolation and despair I’ve yet to encounter in a work of science fiction.

The oldest book on the list, Lucifer’s Hammer seems to be an end-of-the-world tale. And it is to a degree: the world is forever altered after a comet enters the earth’s atmosphere and breaks apart, the huge pieces slamming into the West Coast.

It’s the aftermath, though, where things get interesting. How do people survive? How much of their humanity survives with them? This is the story Niven and Pournelle tell, with a level of realism that echoes people’s attitudes and actions witnessed during the COVID pandemic.

With a clash between rival forces leading to a showdown that dictates the survivors’ future, Lucifer’s Hammer has continued to resonate with me years after reading it.

Peper’s novel is about how the technology available in the near future, which seems like a gift, can be used against you. (Sound familiar?)

In this instance, it is being used to potentially change humanity’s fate, and the main character has to decide what to do about it, if anything. The book stuck with me as it involves power, corruption, and the risks of relying too much on technology.

It’s a complex story, trying to encapsulate the threats our future holds, not only in terms of technology but the damage to our environment and how both could impact our survival.

There are elements of my novel in terms of having neural feeds, though the story explores how life would be experienced if you could capture every moment (not that I personally want to capture everything that happens in my own life).

To me, Crichton’s strength was taking scientific knowledge/achievements and crafting stories that showed how they could impact us.

Yes, he took those to extremes (DNA sequencing to create dinosaurs, robots that revolt against their human masters, and so), but that’s the job of a writer. Prey is not his best-known work but is mesmerizing in terms of the type of future that could exist. His story uses a mix of swarm technology, biology, and AI to craft a cautionary tale, with a main character who has to fight to save his loved one.

Crichton uses biology as part of his support for how his future could take place, with implications that I think few consider as we develop more sophisticated technology. A scary future indeed.

This book changed my entire perspective on writing the UI and UX of great software. Even the revised edition is a bit old but still has many valuable lessons to teach. Platt established many of the fundamental principles of writing usable and transparent software, and his book should be read not only by designers, but perhaps especially by programmers.

Here we are in the world of the metaverse. So many public relations books are about what the practice looks like now. This one is different. It’s inviting us to look at what the world will look like when just about everything is infused with AI and total sensory immersion is commonplace. It invites us to look at how public relations can harness these technologies and the power they will give us to develop incredible knowledge about people, build deep relationships and emotional connections. If so inclined, we could manipulate people without them even knowing it. For me this was a wake-up call to the profession. We can’t just be seduced by the shiny tools of technology, but need to step back and reflect on their ethical implications.