Here are 99 books that The Land that Time Forgot fans have personally recommended if you like
The Land that Time Forgot.
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I have been interested in time travel since childhood, although I personally do not think human beings will ever move forward or backward in time. But the notion and its paradoxes make a great subject for the imagination, which is the meat of speculative fiction. In writing about time travel, I had to deal with the “grandfather paradox,” where something the character does in the past changes his own future—the core of Ray Bradbury’s short story “The Sound of Thunder.” My excuse, used in The Children of Possibility, is that great upheavals like war and civilizational collapse erase small changes like stepping on a butterfly. But, you know, it’s all speculative.
Tim Powers is one of my favorite science fiction authors, and The Anubis Gates is probably his best book. As always with Powers, it follows a couple of themes besides time travel, including an Egyptian curse and a malicious puppeteer. The travel mechanism takes into account changes in the landscape since the target time. I particularly enjoyed the use of The Beatles’ "Yesterday" as an out-of-time signaling device.
Brendan Doyle is a twentieth-century English professor who travels back to 1810 London to attend a lecture given by English romantic poet Samuel Taylor Coleridge. This is a London filled with deformed clowns, organised beggar societies, insane homunculi and magic.
When he is kidnapped by gypsies and consequently misses his return trip to 1983, the mild-mannered Doyle is forced to become a street-smart con man, escape artist, and swordsman in order to survive in the dark and treacherous London underworld. He defies bullets, black magic, murderous beggars, freezing waters, imprisonment in mutant-infested dungeons, poisoning, and even a plunge back to…
The stars aligned to ignite my passion for magic-realism romance after a few things had happened. 1) I got heavily into the idea of the multiverse and alternate realities in high school, having been inspired by my physics teacher. 2) I read and fell in love with The Time Traveler’s Wife (see list!). 3) I binge-watched the incredible sci-fi show Fringe, which deals with parallel universes and time jumps. 4) I decided to write my first multiverse romance, inspired by all the above factors and more besides. Since then, I’ve focused most of my reading on romantic novels, with those that share a magic realism twist being auto-reads—of course!
While not perhaps a “romance” novel in the established-formula sense, this book is achingly romantic. This epic story truly focuses on the gradual development of the two protagonists’ relationship and how time travel both created and challenged their love. This book ignited my passion for magic-realism romantic novels and remains one of my top books of all time.
I adore the contrast of romantic love between two seemingly destined souls and the brutality of some events caused by Henry’s uncontrolled time travel. There’s also the tricky angle of the age gap (only sometimes, depending on where Henry and Clare are in their lives, but it is occasionally extreme), which the author doesn’t shy away from. And I confess this is probably the book that made me sob the most!
Now a series on HBO starring Rose Leslie and Theo James!
The iconic time travel love story and mega-bestselling first novel from Audrey Niffenegger is "a soaring celebration of the victory of love over time" (Chicago Tribune).
Henry DeTamble is a dashing, adventurous librarian who is at the mercy of his random time time-traveling abilities. Clare Abshire is an artist whose life moves through a natural sequential course. This is the celebrated and timeless tale of their love. Henry and Clare's passionate affair is built and endures across a sea of time and captures them in an impossibly romantic trap…
I have been interested in time travel since childhood, although I personally do not think human beings will ever move forward or backward in time. But the notion and its paradoxes make a great subject for the imagination, which is the meat of speculative fiction. In writing about time travel, I had to deal with the “grandfather paradox,” where something the character does in the past changes his own future—the core of Ray Bradbury’s short story “The Sound of Thunder.” My excuse, used in The Children of Possibility, is that great upheavals like war and civilizational collapse erase small changes like stepping on a butterfly. But, you know, it’s all speculative.
Heinlein is a master of science fiction. This book is only incidentally—but also irrevocably—about time travel. The life of Lazarus Long, who appears in other works by Heinlein, inspired me to write about longevity in my two-volume novel. Heinlein’s story of adorable Dora will bring tears to your eyes, and it shows how immortality can be a curse if you dare to love someone. Heinlein shares a lot of common sense, too, in the incorporated Notebooks of Lazarus Long.
The capstone and crowning achievement of the Future History series, from the New York Times bestselling Grand Master of Science Fiction...
Time Enough for Love follows Lazarus Long through a vast and magnificent timescape of centuries and worlds. Heinlein's longest and most ambitious work, it is the story of a man so in love with Life that he refused to stop living it; and so in love with Time that he became his own ancestor.
I have been interested in time travel since childhood, although I personally do not think human beings will ever move forward or backward in time. But the notion and its paradoxes make a great subject for the imagination, which is the meat of speculative fiction. In writing about time travel, I had to deal with the “grandfather paradox,” where something the character does in the past changes his own future—the core of Ray Bradbury’s short story “The Sound of Thunder.” My excuse, used in The Children of Possibility, is that great upheavals like war and civilizational collapse erase small changes like stepping on a butterfly. But, you know, it’s all speculative.
Matheson is another master, whose works are almost forgotten now. This novel employs another unique means of travel—putting yourself in a period setting and just wishing hard enough, or through auto-hypnosis. That is not terribly credible, but then neither is time travel itself. And like several of the other books I value here, this is a love story with the characters making some hard choices. And once again, something from the present plays an important role.
Matheson's classic novel tells the moving, romantic story of a modern man whose love for a woman he has never met draws him back in time to a luxury hotel in San Diego in 1896, where he finds his soul mate in the form of a celebrated actress of the previous century. "Somewhere in Time" won the World Fantasy Award for Best Novel, and the 1979 movie version, starring Christopher Reeve and Jane Seymour, remains a cult classic whose fans continue to hold yearly conventions to this day.
I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
I love time travel stories. Stories where protagonists swap lives with other people are so much about acculturation and “passing.” Dislocation, confusion, etc. aside, the main issue is to not be found out. In the story, Charlotte is not always herself. Sometimes she’s in a boarding school in the fifties and sometimes she’s back in time at the same boarding school in the First World War. So we’re dealing with a borrowed life here. The life that Charlotte sometimes borrows belongs to Clare. Charlotte has very little in common with Clare. And even less knowledge of how establishments like this worked back in the day. Some quick learning and imitative skills are needed if she is not to be caught. For instance, she has to deduce what others expect and require of her. But she also has to not lose herself in all this pretense.
It is Charlotte's first night at boarding school, and as she's settling down to sleep, she sees the corner of the new building from her window.
But when she wakes up, instead of the building there is a huge, dark cedar tree, and the girl in the next bed is not the girl who slept there last night.
Somehow, Charlotte has slipped back forty years to 1918 and has swapped places with a girl called Clare.
Charlotte and Clare swap places ever night until one day Charlotte becomes trapped in 1918 and must find a way to return to her…
I have read SF, starting with the classic Jules Verne, since I was a young teenager. Soon I discovered Bradbury, Asimov, Clarke, Ellison, Zelazny, Dick, all of whom lit up my mind with wondrous and sometimes dangerous visions of possible futures. During the COVID shutdown period, when our university went to online instruction, my wife convinced me to try my hand at writing in my favorite genre. Previously I had written a textbook, How Films Tell Stories (listed here at Shepherd), but never any fiction, so I wrote Temporal Gambit, a time-travel adventure combined with themes of first contact, artificial intelligence, and alternate history. I then followed it with a sequel. I hope you enjoy.
This clever novel takes the old premise, “What would happen if you went into the past and met yourself?” and magnifies it by multiple degrees.
Returning to the time of the great Chicago fire, the hero ends up meeting several past and/or future versions of himself, each time making his situation more complicated. A quick, enjoyable read.
History is nearly always relegated to heavy tomes and stuffy museum rooms. Learning about our past seems no longer important, and we keep promoting it in such uncool and unsexy ways. I feel any of our histories, with either a capital or lower case ‘h’, whether focused on big world events or local life, deserve to be told in a special kind of way, with that sprinkle of “magic realism” only fiction authors can deliver. Alternative history, historical fiction, magic fabulism, they are the sides of the same dice creating new, different stories inspired by our collective memory of things that have happened. These books touch this topic so dear to me.
Here we enter the topic of time travel, a concept very dear to me from both a fictional, moral, and scientific point of view. Many novels have attempted to show how one change in the past could change our future. Elton’s novel struck me for its originality in picking a notorious historical event largely ignored by fiction when it comes to time travel and alternate history. The assassination of the Franz Ferdinand of Austria is used not just as the spark of World War I but as the start of the ideological and warmongering terror that would spread through Europe. The novel is an example of man’s fixation with trying to find one cause for all problems when maybe there are multiple causes going back years and years. The search is as vain as the main character’s attempts to change history.
It's the 1st of June 1914 and Hugh Stanton, ex-soldier and celebrated adventurer is quite literally the loneliest man on earth. No one he has ever known or loved has been born yet. Perhaps now they never will be.
Stanton knows that a great and terrible war is coming. A collective suicidal madness that will destroy European civilization and bring misery to millions in the century to come. He knows this because, for him, that century is already history.
Somehow he must change that history. He must prevent the war. A war that will begin with a single bullet. But…
I’ve always had a fascination with the past and how it interacts with the present. I grew up playing in the house and grounds of a spooky old house that was a convalescent home for World War One soldiers and had stood there for centuries before that. At university my essays always strayed into the supernatural. I studied time slips and gothic fiction in English Literature and my history dissertation was about people who believed their children were fairy changelings. When I’m not combining my passion for historical mysteries and ghostly goings on in my writing, I collect old postcards and explore crumbling cemeteries for inspiration.
This is Taylor’s debut novel and like my book, the time slip element takes us back to World War 1 in 1916. Louisa is admitted to Coldbrook Hall Psychiatric hospital after an accident in which she is believed to have tried to commit suicide. Whilst there she slips back to her days at a hospital treating wounded soldiers and falls in love with Robert Lovett. Not only must she find a way to remain with him, but she must find him when he is taken prisoner on the Western Front. The detailed descriptions of life in the trenches really brought the horrors of WW1 to life. Taylor has researched this area thoroughly and her vivid writing style allows the reader to experience the cold, muddy, and rat-infested conditions for themselves.
The author’s observations on everyday life during the war add interest and are sometimes surprising, for instance, the fact that…
*Shortlisted for the Eharmony/Orion Love Story Prize
*Longlisted for the Exeter Novel Prize
A strange twist of fate connects a British soldier fighting in the First World War in 1916 and a young woman living in modern-day England a century later, in this haunting, literary time travel novel.
Two people, two battles: one against the invading Germans on the battlefields of 1916 France, the other against a substandard, uncaring mental health facility in modern-day England. Part war story, part timeslip, part love story – and at the same time a meditation on the themes of war, mental illness, identity and…
The Multiverse had been my deepest passion of interest for a long time. Experiencing crossover stories in various mediums, both official and fan-made, especially fan-made. To see how two different worlds would meet. I spent hours reading fanfictions involving crossovers, as well as conjuring up my own. I considered the multiverse as a grand bedrock to create any story, hence why I wrote The Mariverse, followed by The Mariverse: Guardians, to create my own bedrock for my writing career.
Though it never mentions the word ‘multiverse’, it has many aspects of a story about travelling through worlds beyond worlds, going somewhere from nowhere, taking things that don’t exist in another place.
I found this book interesting because it includes a mystery, as the protagonist goes through her journey, she uncovers mysteries and hidden truths about her abilities.
A different concept of multiverse travelling, as well as worlds that are aware of each other, it was still an interesting read that leaves a satisfying conclusion.
A mind-bending multiverse adventure about theft, family, and finding your home.
Twelve-year-old Elsbeth has an extraordinary power: she can travel to parallel worlds and bring objects back with her. But as freak weather events become more frequent and a strange boy, Idris, starts to turn up everywhere she travels, she has to ask herself: does her gift come with a price?
Fans of Christopher Edge, Ross Welford and Jessica Townsend will love this fast-paced story and mind-blowing plot! Perfect for readers aged 9 and up.
I am a Professor of modern European history at the University of San Francisco. I have written or co-edited three major books and many articles and reviews, as well as serving as a correspondent for a German newspaper. My areas of expertise are intellectual, political, military, and cultural history. I also work on the history of espionage and served as a consultant to the CIA on my last book about student radicals in Germany.
I was riveted by this revisionist history of how America got into World War I and changed American society and politics. He shows how much of American collective memory about why WWI was fought, and the perception of Germany in America was fashioned, to a large extent, by British propaganda. He also shows why Germany had no choice but to engage in unrestricted submarine warfare, which eventually brought the United States into the war.
Had the British modified the naval blockade on Germany, which starved the German population in a horrific manner, the United States might never have become involved. But Great Britain was determined to make sure Germany would never again pose a threat to its colonial overseas empire. President Wilson at first understood that American neutrality was the means by which he could have brokered peace, but British and French recalcitrance, and eventually the deaths of relatively few…
A bracing, indispensable account of America’s epoch-defining involvement in the Great War, rich with fresh insights into the key issues, events, and personalities of the period
After years of bitter debate, the United States declared war on Imperial Germany on April 6, 1917, plunging the country into the savage European conflict that would redraw the map of the continent—and the globe. The World Remade is an engrossing chronicle of America’s pivotal, still controversial intervention into World War I, encompassing the tumultuous politics and towering historical figures that defined the era and forged the future. When it declared war, the United…
