Here are 100 books that Charlotte Sometimes fans have personally recommended if you like
Charlotte Sometimes.
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I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
This is a fairy tale. I’ll state this upfront because at first glance, it’s a bit of a hard read. And why is it a hard read? Because—to me, anyway—it feels like wish-fulfillment fantasy on steroids. It’s like the rantings of a terribly abused boy. Of course, much fiction—especially fairytales which is this book’s genre—is wish fulfillment. But the story feels very uncomfortable. Mio is so over-the-top happy about having been transported into the kingdom of his father the king that one feels as if one is listening to a pitiful delusion. I found myself reading the book with two minds. One mind kept saying, “Dive into the reverie and joy of a boy who has found his dead father in a faraway land and who discovers that he’s important to the world.” And simultaneously, my other mind was thinking, “Oh my heavens! This little boy…
I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
This book had me cracking up. I would recommend this book for kids aged seven to ten but I also think adults would love reading it. Oliver is the child of adventurers who now want to settle down. Well, the itch to adventure is still pretty powerful. So, of course, off they go again. Oliver has to find them so he too goes off to search for them. On his journey, he meets some other creatures, including a mermaid, an albatross, a depressed island, and some very obnoxious weeds. I’m being super non-spoilery and vague here because I want you to happen upon the silly puns and wordplay by yourself. I will also resist the urge to tell you what sea wigs are.
What I like about this story is that Oliver is a normal kid. His sense of adventure came about second-hand, and he had no great urge to go…
A lively, gorgeously illustrated story from Dynamic Duo, Reeve and McIntyre!
Along with his new friends, a grumpy old albatross, a short-sighted mermaid, and a friendly island called Cliff, Oliver goes off in search of his missing parents. But before he can put his rescue plan into action there's the evil Stacey de Lacey and an army of greasy, green sea monkeys to contend with . . .
I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
As a kid, I accidentally memorized the first three or four paragraphs of Edgar Allen Poe’s "The Tell-Tale Heart". My memory is not as great as it used to be but my love for odd, tragic figures still remains. I love this book. It’s rhapsodic, mesmerizing, and spellbinding. It’s also bitter and obsessive. Give me a bitter character and I am hooked. The protagonist Colin is crippled and very cynical about humanity. He finds a seal on the shore and identifies with it. Perhaps because it’s clumsy on land but so graceful in water. His obsession with the seal made me somewhat uncomfortable but maybe that’s just my mind working overtime. After a while, his obsession leads him to become obsessed with living underwater. This is where the seal lives, this is where his true family lives. Now, not all disabled characters—mercifully—are vaguely psychotic. And imagination is a…
Part Jules Verne, Part Jacques Cousteau; Part Rachel Carson: "Imprisoned in a mutilated, almost useless body, the victim of a chemical plant explosion, Colin sought to return to Inner Space - the vast unknown realm of exquisite splendor and monstrous terror that lies beneath the ocean's face. Building himself a sea-house, he journeyed to the depths of the waters, back to the source of life. Drawn by the Siren he went farther, deeper, till the final barrier was transcended - and he and the sea were one...."
I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
The Hen Who Dreamed She Could Fly is a fable, and as with all good fables, you’re going to find yourself commiserating with an animal. Sprout is a hen who is past her childbearing years. There is no rooster around. Well, there’s one. But he’s got a partner. Childlessness is an unplanned journey for some, and the book shows the grief that many people in this situation might deal with. Just as we’re feeling there is absolutely no hope for our infertile, partner-less, hen, she ends up becoming a mother. But now another unplanned journey pops up. Well, decisions and sacrifices have to be made.
There are so many reasons why I like this book. After my son was born, I was suddenly on an unplanned journey. I didn’t expect my son to be sickly and developmentally delayed and even now I still pray for a miracle for him. The…
A TOP TEN INDIE PUBLISHERS' FICTION BESTSELLER FOR 2014
AN INDEPENDENT BOOK OF THE YEAR 2014 PICK
A WATERSTONES BEST BOOKS OF THE YEAR 2014 PICK
A BOOKSELLER BOOK OF THE YEAR 2014 PICK
This is the story of a hen named Sprout. No longer content to lay eggs on command only to have them carted off to the market, she glimpses her future every morning through the barn doors, where the other animals roam free, and comes up with a plan to escape into the wild-and to hatch an egg of her own. An anthem for individuality and motherhood,…
I'm an archaeologist and addicted to reading and writing historical fictions. My first big love is history and I prefer Victorian Era. I’m interested in women’s lives and their habits and relationships in the old times. I was born and raised in Hungary, I’m often stay in London. I was working for years in museums in different cities while I was writing historical short stories and my first novel. School of Ladies – The Debutantes is a historical romance which has won an Audience Award in my country.
Anne is one of the most lovable female characters in the whole literature. When I read about her I feel like I’m her good friend and I’m excited about her along with the story. Anne is now 16 years old and she begins her job as the new schoolteacher in this book. It was a great continuation of her story and I love seeing Anne starts to become an adult while still keeping her positive personality. And I really appreciate the very special romantic storyline too. Anne always stays Anne, a great girl.
From books to television, one of my favorite qualities of good writing is a rich, inter-generational cast of characters, especially ones that feature significant roles for characters young and old. These stories do not span multiple generations; instead, they showcase characters of all ages interacting at one time, which makes for dynamic plots and relationships.
What’s so neat about this book is that it doesn’t just capture a light-hearted and moving glimpse into English academia; it provides glimpses into a man’s—an institution in himself—relationships with his wife, coworkers, and students.
I enjoyed the progression of time. Several generations of students interact with the aging, albeit the same, “Mr. Chips.” There’s something neat about that.
I’ve never belonged to a secret society, but I’ve always been drawn to the idea. When I wrote Stone Cove Island, I was thinking about secrets passed down between generations of the islanders, and I liked the idea that even within, but I liked the idea that even within this tiny community, there was an inner circle of people invisibly controlling things. I’d heard a story from a friend—and it might just be a story, but I’m not the only one who’s heard it—about a rich, private island where if you did something to displease the residents, they sent you a black sweater. No note. Just the sweater. The message was clear: time for you to go.
This is an obscure book you’ve probably never heard of from the 80s, but trust me here. (And yes, it’s set at a boarding school.) In this story, the kids assigned to group 6 are part of a secret society not of their own choosing. Their parents have sent them there to get rid of them. Permanently. With the help of their teacher, they escape to the wilderness to figure out how to survive
Arriving at what they believe is an exclusive boarding school, five sixteen-year-olds are unaware that they have been sent there to be exterminated and that their teacher is a murderer for hire.
I’ve always been a bit of a daydreamer and drawn to books that look through a window into the "other world." These novels, often dubbed dystopian, are reflections or exaggerations of our own world, and this always appealed to me. Like the question, "What if?”. The premise of “What if we lived in a world where you had to pay for words?” inspired my first novel, The Qwerty Man. Although I love fiction, I’m more of a nonfiction reader these days and interested in Buddhism (as an education, not religion), geography, and history. I’ve also written travel guidebooks for Lonely Planet and a children’s travel poetry book called Rhyme Travels.
This is actually a children’s novel that I first read at school, and it had a big impact on me. It’s not so well known, and there are other books called "The Guardians", so don’t get confused. This novel was written in 1970 and is set in the not-so-distant 2050.
The world that John Christopher created for this novel really captured my imagination, the difference between the overpopulated "Conurbs" (from conurbation) and the privileged "County" (a land of rolling hills and manor houses).
It’s not too far-fetched, and I think that’s why it spoke to me, as I could easily envisage the world of 13-year-old Rob Randall, who dreamed of escaping the state boarding school in the Conurbs to go to the County. Rob doesn’t fit in and digs a hole under the Barrier that separates the two worlds.
The moral of this story, set in the 21st century, is that freedom has to be won and kept by the young. It won the "Guardian" Prize for Children's Literature.
I have read SF, starting with the classic Jules Verne, since I was a young teenager. Soon I discovered Bradbury, Asimov, Clarke, Ellison, Zelazny, Dick, all of whom lit up my mind with wondrous and sometimes dangerous visions of possible futures. During the COVID shutdown period, when our university went to online instruction, my wife convinced me to try my hand at writing in my favorite genre. Previously I had written a textbook, How Films Tell Stories (listed here at Shepherd), but never any fiction, so I wrote Temporal Gambit, a time-travel adventure combined with themes of first contact, artificial intelligence, and alternate history. I then followed it with a sequel. I hope you enjoy.
This clever novel takes the old premise, “What would happen if you went into the past and met yourself?” and magnifies it by multiple degrees.
Returning to the time of the great Chicago fire, the hero ends up meeting several past and/or future versions of himself, each time making his situation more complicated. A quick, enjoyable read.
History is nearly always relegated to heavy tomes and stuffy museum rooms. Learning about our past seems no longer important, and we keep promoting it in such uncool and unsexy ways. I feel any of our histories, with either a capital or lower case ‘h’, whether focused on big world events or local life, deserve to be told in a special kind of way, with that sprinkle of “magic realism” only fiction authors can deliver. Alternative history, historical fiction, magic fabulism, they are the sides of the same dice creating new, different stories inspired by our collective memory of things that have happened. These books touch this topic so dear to me.
Here we enter the topic of time travel, a concept very dear to me from both a fictional, moral, and scientific point of view. Many novels have attempted to show how one change in the past could change our future. Elton’s novel struck me for its originality in picking a notorious historical event largely ignored by fiction when it comes to time travel and alternate history. The assassination of the Franz Ferdinand of Austria is used not just as the spark of World War I but as the start of the ideological and warmongering terror that would spread through Europe. The novel is an example of man’s fixation with trying to find one cause for all problems when maybe there are multiple causes going back years and years. The search is as vain as the main character’s attempts to change history.
It's the 1st of June 1914 and Hugh Stanton, ex-soldier and celebrated adventurer is quite literally the loneliest man on earth. No one he has ever known or loved has been born yet. Perhaps now they never will be.
Stanton knows that a great and terrible war is coming. A collective suicidal madness that will destroy European civilization and bring misery to millions in the century to come. He knows this because, for him, that century is already history.
Somehow he must change that history. He must prevent the war. A war that will begin with a single bullet. But…
