Here are 83 books that Anne of Avonlea fans have personally recommended if you like
Anne of Avonlea.
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I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
As someone who grew up way too fast (don’t we all!) I was an avid reader of books about out-of-the-ordinary young people, the more eccentric or challenged the better. Every day I saw acts of violence committed in my neighborhood but I also saw how much people can help each other in times of crisis. All the books on my list speak to this contradiction in human nature. If you have already read some of them, I hope you decide to revisit a few of them as I have. Creating this list has brought many memories to life and deepened my understanding of why I became a writer.
I readA Little Princesswhen I was only ten, with no idea that it was a classic. All I knew was that I totally identified with Sarah, the protagonist, as she was buffeted by the vicissitudes of fortune. The issues of class portrayed in this book were already on my young mind, since I grew up in one of the poorest neighborhoods in the Bronx but also spent a lot of time in the wealthy environs of Manhattan and the contrast was immense. I was impressed by Sarah’s resilience and her ability to empathize with others in spite of the awful hand that had been dealt to her.
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'Whatever comes,' she said, 'cannot alter one thing. If I am a princess in rags and tatters, I can be a princess inside.'
'A Little Princess' tells the story of Sara Crewe, beloved daughter of the revered Captain Crewe. Sent to board at Miss Minchin's Select Seminary for Young Ladies, Sara is devastated when her adored father dies. Suddenly penniless, Sara is banished to an attic room where she is starved, abused, and forced to work as a servant. How this exceptionally intelligent girl uses the only resources…
I'm an archaeologist and addicted to reading and writing historical fictions. My first big love is history and I prefer Victorian Era. I’m interested in women’s lives and their habits and relationships in the old times. I was born and raised in Hungary, I’m often stay in London. I was working for years in museums in different cities while I was writing historical short stories and my first novel. School of Ladies – The Debutantes is a historical romance which has won an Audience Award in my country.
Also a YA/Teen historical fantasy story with magic. It reminds me of a little Harry Potter in girl version that I like. It is entertaining and refreshing. The 14-year-old Sarah Smith has a secret. That she's not a member of Guardians the noble magical class that now rules the world. But as one of the non-magical Snipes who possesses magic, her secret must be kept so that she—and her family—can survive. So she has to blend in with the magical class. And attend school for wealthy magical ladies.
“Witty and classic, Changeling had everything I wanted from a coming of age story: friendship, scandal, and a heroine learning to flex her magical muscles. If you liked Harry Potter, you will love CHANGELING!” —Kristen Simmons, critically acclaimed author of the Article 5 series
If 14-year-old Cassandra Reed makes it through her first day at Miss Castwell’s Institute for the Magical Instruction of Young Ladieswithout anyone discovering her secret, maybe, just maybe, she’ll let herself believe that she really does belong at Miss Castwell’s.
Except Cassandra Reed’s real name is Sarah Smith and up until…
I'm an archaeologist and addicted to reading and writing historical fictions. My first big love is history and I prefer Victorian Era. I’m interested in women’s lives and their habits and relationships in the old times. I was born and raised in Hungary, I’m often stay in London. I was working for years in museums in different cities while I was writing historical short stories and my first novel. School of Ladies – The Debutantes is a historical romance which has won an Audience Award in my country.
I can’t forget my very talented compatriot, Magda Szabó’s great writing. I am very proud of her and her success. It was hard work and lasted a lifetime for her to reach as Hungarian her books became popular worldwide. I hope one day I can follow her… This book is set in a religious school in the middle of World War II. The protagonist is young Gina, the daughter of a Hungarian General. The novel analyzes important social problems, teenager problems. At first, Gina is an outcast then we can see how she tries to fit in the class, and she makes friends. Friendship and togetherness are in the spotlight in this novel.
A teenage girl's difficult journey towards adulthood in a time of war.
"A school story for grownups that is also about our inability or refusal to protect children from history" SARAH MOSS
"Of all Szabo's novels, Abigail deserves the widest readership. It's an adventure story, brilliantly written" TIBOR FISCHER
Of all her novels, Magda Szabo's Abigail is indeed the most widely read in her native Hungary. Now, fifty years after it was written, it appears for the first time in English, joining Katalin Street and The Door in a loose trilogy about the impact of war on those who have…
I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
I love time travel stories. Stories where protagonists swap lives with other people are so much about acculturation and “passing.” Dislocation, confusion, etc. aside, the main issue is to not be found out. In the story, Charlotte is not always herself. Sometimes she’s in a boarding school in the fifties and sometimes she’s back in time at the same boarding school in the First World War. So we’re dealing with a borrowed life here. The life that Charlotte sometimes borrows belongs to Clare. Charlotte has very little in common with Clare. And even less knowledge of how establishments like this worked back in the day. Some quick learning and imitative skills are needed if she is not to be caught. For instance, she has to deduce what others expect and require of her. But she also has to not lose herself in all this pretense.
It is Charlotte's first night at boarding school, and as she's settling down to sleep, she sees the corner of the new building from her window.
But when she wakes up, instead of the building there is a huge, dark cedar tree, and the girl in the next bed is not the girl who slept there last night.
Somehow, Charlotte has slipped back forty years to 1918 and has swapped places with a girl called Clare.
Charlotte and Clare swap places ever night until one day Charlotte becomes trapped in 1918 and must find a way to return to her…
From books to television, one of my favorite qualities of good writing is a rich, inter-generational cast of characters, especially ones that feature significant roles for characters young and old. These stories do not span multiple generations; instead, they showcase characters of all ages interacting at one time, which makes for dynamic plots and relationships.
What’s so neat about this book is that it doesn’t just capture a light-hearted and moving glimpse into English academia; it provides glimpses into a man’s—an institution in himself—relationships with his wife, coworkers, and students.
I enjoyed the progression of time. Several generations of students interact with the aging, albeit the same, “Mr. Chips.” There’s something neat about that.
I’ve never belonged to a secret society, but I’ve always been drawn to the idea. When I wrote Stone Cove Island, I was thinking about secrets passed down between generations of the islanders, and I liked the idea that even within, but I liked the idea that even within this tiny community, there was an inner circle of people invisibly controlling things. I’d heard a story from a friend—and it might just be a story, but I’m not the only one who’s heard it—about a rich, private island where if you did something to displease the residents, they sent you a black sweater. No note. Just the sweater. The message was clear: time for you to go.
This is an obscure book you’ve probably never heard of from the 80s, but trust me here. (And yes, it’s set at a boarding school.) In this story, the kids assigned to group 6 are part of a secret society not of their own choosing. Their parents have sent them there to get rid of them. Permanently. With the help of their teacher, they escape to the wilderness to figure out how to survive
Arriving at what they believe is an exclusive boarding school, five sixteen-year-olds are unaware that they have been sent there to be exterminated and that their teacher is a murderer for hire.
I’ve always been a bit of a daydreamer and drawn to books that look through a window into the "other world." These novels, often dubbed dystopian, are reflections or exaggerations of our own world, and this always appealed to me. Like the question, "What if?”. The premise of “What if we lived in a world where you had to pay for words?” inspired my first novel, The Qwerty Man. Although I love fiction, I’m more of a nonfiction reader these days and interested in Buddhism (as an education, not religion), geography, and history. I’ve also written travel guidebooks for Lonely Planet and a children’s travel poetry book called Rhyme Travels.
This is actually a children’s novel that I first read at school, and it had a big impact on me. It’s not so well known, and there are other books called "The Guardians", so don’t get confused. This novel was written in 1970 and is set in the not-so-distant 2050.
The world that John Christopher created for this novel really captured my imagination, the difference between the overpopulated "Conurbs" (from conurbation) and the privileged "County" (a land of rolling hills and manor houses).
It’s not too far-fetched, and I think that’s why it spoke to me, as I could easily envisage the world of 13-year-old Rob Randall, who dreamed of escaping the state boarding school in the Conurbs to go to the County. Rob doesn’t fit in and digs a hole under the Barrier that separates the two worlds.
The moral of this story, set in the 21st century, is that freedom has to be won and kept by the young. It won the "Guardian" Prize for Children's Literature.
I’m an avid reader by day and a passionate writer by night. I found myself writing the stories I couldn’t seem to find. This topic is one I know from first-hand experience. I’ve dealt with drug abuse and domestic abuse in my family from a young age and although painful to speak about it’s helped shape my career and help my readers find healing through my characters. I want my readers to be pulled in by a work of fiction while still having the knowledge that for me, it wasn’t. Abuse comes in all forms, shapes, and sizes, and I’ve realized it’s not forever. Even in the worst storms, the sun will always shine.
I chose this title because it’s the first story that made me fall in love with this genre. There is a deep sense of authenticity stemming from the reality of finding love after abuse. It helps the reader understand the true emotions of someone navigating through life after years of childhood abuse and trauma. Afton’s writing creates a beautiful story from beginning to end, while bringing the reader on an emotional roller coaster at the same time. This story left an impact on my heart and greatly influenced my writing as an author.
The saying "You got handed the short end of the stick" didn't even apply, I'd never even seen the stick, let alone the short end. Ashton Becker has lived her entire life being trapped in a nightmare she can't wake up from. For as long as she can remember her parents have abused her both physically and mentally. She knows there has to be more to life than this and she finds it when she gets accepted to boarding school hundreds of miles away from everything she has ever known. She jumps at the opportunity to finally get out? Charlie…
I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”
It took me months to pick up Carry On after it initially caught my eye on the bookshelf. It was everything I could have wanted.
It is a less problematic Harry Potter, if Harry and Draco ended up getting together. It shows a really authentic representation of unrequited queer love and recognizing one’s own queer identity. It is character-driven, but also full of fun magic adventure. I love a book that knows how to give you exactly what you want.
#1 New York Times best seller! Booklist Editors’ Choice 2015 - Youth! Named a "Best Book of 2015" by Time Magazine, School Library Journal, Barnes & Noble, NPR, PopSugar, The Millions, and The News & Observer!
Simon Snow is the worst Chosen One who's ever been chosen.
That's what his roommate, Baz, says. And Baz might be evil and a vampire and a complete git, but he's probably right.
Half the time, Simon can't even make his wand work, and the other half, he starts something on fire. His mentor's avoiding him, his girlfriend broke up with him, and there's…
