Here are 100 books that The Man Who Lived in Inner Space fans have personally recommended if you like
The Man Who Lived in Inner Space.
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I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
This is a fairy tale. I’ll state this upfront because at first glance, it’s a bit of a hard read. And why is it a hard read? Because—to me, anyway—it feels like wish-fulfillment fantasy on steroids. It’s like the rantings of a terribly abused boy. Of course, much fiction—especially fairytales which is this book’s genre—is wish fulfillment. But the story feels very uncomfortable. Mio is so over-the-top happy about having been transported into the kingdom of his father the king that one feels as if one is listening to a pitiful delusion. I found myself reading the book with two minds. One mind kept saying, “Dive into the reverie and joy of a boy who has found his dead father in a faraway land and who discovers that he’s important to the world.” And simultaneously, my other mind was thinking, “Oh my heavens! This little boy…
I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
This book had me cracking up. I would recommend this book for kids aged seven to ten but I also think adults would love reading it. Oliver is the child of adventurers who now want to settle down. Well, the itch to adventure is still pretty powerful. So, of course, off they go again. Oliver has to find them so he too goes off to search for them. On his journey, he meets some other creatures, including a mermaid, an albatross, a depressed island, and some very obnoxious weeds. I’m being super non-spoilery and vague here because I want you to happen upon the silly puns and wordplay by yourself. I will also resist the urge to tell you what sea wigs are.
What I like about this story is that Oliver is a normal kid. His sense of adventure came about second-hand, and he had no great urge to go…
A lively, gorgeously illustrated story from Dynamic Duo, Reeve and McIntyre!
Along with his new friends, a grumpy old albatross, a short-sighted mermaid, and a friendly island called Cliff, Oliver goes off in search of his missing parents. But before he can put his rescue plan into action there's the evil Stacey de Lacey and an army of greasy, green sea monkeys to contend with . . .
I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
I love time travel stories. Stories where protagonists swap lives with other people are so much about acculturation and “passing.” Dislocation, confusion, etc. aside, the main issue is to not be found out. In the story, Charlotte is not always herself. Sometimes she’s in a boarding school in the fifties and sometimes she’s back in time at the same boarding school in the First World War. So we’re dealing with a borrowed life here. The life that Charlotte sometimes borrows belongs to Clare. Charlotte has very little in common with Clare. And even less knowledge of how establishments like this worked back in the day. Some quick learning and imitative skills are needed if she is not to be caught. For instance, she has to deduce what others expect and require of her. But she also has to not lose herself in all this pretense.
It is Charlotte's first night at boarding school, and as she's settling down to sleep, she sees the corner of the new building from her window.
But when she wakes up, instead of the building there is a huge, dark cedar tree, and the girl in the next bed is not the girl who slept there last night.
Somehow, Charlotte has slipped back forty years to 1918 and has swapped places with a girl called Clare.
Charlotte and Clare swap places ever night until one day Charlotte becomes trapped in 1918 and must find a way to return to her…
I'm a wife, mother, writer—and the mother of a disabled non-verbal thirty-three-year-old man. I'm also Black and a Christian, both of which can be problematic to many readers. I write fantasy and mainstream stories, Christian and non-Christian. Some fantasy readers have certain fears, stereotypes, and expectations of fantasy books written by minorities. Others have those same fears, stereotypes, and expectations of books written by Christian writers. I'm very good at accommodating my readers. For the most part, my readers never feel as if they’re being preached at or lectured. Some aren’t even aware that I'm Black or a Christian, even though my concerns—imperialism, injustice, spirituality, ethnicity, disability, and feminism—are throughout my stories.
The Hen Who Dreamed She Could Fly is a fable, and as with all good fables, you’re going to find yourself commiserating with an animal. Sprout is a hen who is past her childbearing years. There is no rooster around. Well, there’s one. But he’s got a partner. Childlessness is an unplanned journey for some, and the book shows the grief that many people in this situation might deal with. Just as we’re feeling there is absolutely no hope for our infertile, partner-less, hen, she ends up becoming a mother. But now another unplanned journey pops up. Well, decisions and sacrifices have to be made.
There are so many reasons why I like this book. After my son was born, I was suddenly on an unplanned journey. I didn’t expect my son to be sickly and developmentally delayed and even now I still pray for a miracle for him. The…
A TOP TEN INDIE PUBLISHERS' FICTION BESTSELLER FOR 2014
AN INDEPENDENT BOOK OF THE YEAR 2014 PICK
A WATERSTONES BEST BOOKS OF THE YEAR 2014 PICK
A BOOKSELLER BOOK OF THE YEAR 2014 PICK
This is the story of a hen named Sprout. No longer content to lay eggs on command only to have them carted off to the market, she glimpses her future every morning through the barn doors, where the other animals roam free, and comes up with a plan to escape into the wild-and to hatch an egg of her own. An anthem for individuality and motherhood,…
I’m an author of Young Adult Fantasy fiction. When my oldest was six, I started reading Harry Potter to him. It was such a bonding experience that we both cherish. We still talk about the stories, even though he's all grown up and lives away from me most of the time. The thing about fantasy is that stories set in worlds or with people that don’t actually exist make it easier for us to swallow deep meanings, storylines with which we can identify, and that crawl deep down into our souls and nest there. It’s not just about escaping into a fantasy world, but about finding human experience in otherworldly situations and characters.
Every once in a while, when I’m under a lot of stress or experiencing emotional turmoil, I struggle to sleep. At one point a few years back. I went more than a week where I was only able to sleep around an hour or two per night. Needless to say, I was not myself. I love how this story explores the importance of sleep, the long-term effects of not getting a solid amount of it, and what it’s like to lose large chunks of time that you can’t account for. Plus, stalking. There’s a lot of fascinating psychology in this story, along with a best friend whose sense of humor brings valuable comic relief to the situation. Yeah. Another must-read!
Instead of sleeping, Parker Chipp spends each night trapped in the dream of the last person he’s made eye contact with. Every night he is crushed by other people’s fear and pain, by their disturbing secrets—and Parker can never have dreams of his own. The severe exhaustion from his brain never truly sleeping is crippling him. If nothing changes, Parker could soon be facing the real life nightmares of psychosis and even death.
Then he meets Mia. Her dreams, calm and beautifully uncomplicated, allow him blissful rest that is utterly addictive. There is no denying how badly Parker needs it.…
My research into the overlap between mysticism and schizophrenia has garnered one academic monograph on James Joyce, with another on Charlie Kaufman’s films and fiction due out in 2025 (both from Routledge). For 15 years, I’ve been a writing professor at New York University, and the two things I want to impart to my students are: 1) the courage to pursue a singular question or unique viewpoint and (2) the compassion to write clearly for the reader! All five books on my list don’t shy away from profound questions of what it is to be a complex spiritual being, but they always remain lucid and engaging for a general audience.
John Suler is a prodigious writer of academic books, but that’s not what impresses me. Instead, what I love is to read prose that can take dense subject matter and make it accessible to the general reader.
When I was trying to reconcile my own research into Eastern mysticism with Western-oriented approaches to psychology, I found Suler’s work to be the Rosetta Stone I urgently needed to make sense of the impasse.
It’s like having a knowledgeable but personable mentor teaching you how to translate from one “language” about consciousness into another.
This book explores the convergence of psychoanalysis and Asian thought. It explores key theoretical issues. What role does paradox play in psychological transformations? How can the oriental emphasis on attaining "no-self" be reconciled with the western emphasis on achieving an integrated self? The book also inquires into pragmatic questions concerning the nature of psychological change and the practice of psychotherapy. The Taoist I Ching is explored as a framework for understanding the therapeutic process. Principles from martial arts philosophy and strategy are applied to clinical work.
Combining theoretical analyses, case studies, empirical data, literary references, and anecdotes, this book is…
My research into the overlap between mysticism and schizophrenia has garnered one academic monograph on James Joyce, with another on Charlie Kaufman’s films and fiction due out in 2025 (both from Routledge). For 15 years, I’ve been a writing professor at New York University, and the two things I want to impart to my students are: 1) the courage to pursue a singular question or unique viewpoint and (2) the compassion to write clearly for the reader! All five books on my list don’t shy away from profound questions of what it is to be a complex spiritual being, but they always remain lucid and engaging for a general audience.
This is the oldest book on my list, and I worry that readers might dismiss Lethaby as some kind of dusty artifact from a bygone era. I stumbled on his work by accident when I was researching architectural ideas as they related to spiritual concepts.
I’d never heard of Lethaby, but once I started reading his work, I read it through in one (albeit long) sitting. Why? His imaginative grasp of the ancient minds that devised the earliest models of the heavens and who designed temples and homes to reflect those beliefs is a joyous and thrilling tour of the human spirit.
It’s a travesty to me that Lethaby isn’t a household name like William Morris.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
Hi, I'm Bev Katz Rosenbaum, a young adult novelist whose fave topic is (surprise, surprise) dysfunctional families! I'm also a longtime fiction editor and writing instructor who loves to dance and hike in her spare time. Am trying to like yoga and meditation but am failing miserably.
Wong's book is a gut-punching yet hilarious memoir about the Chinese immigrant experience and the searing impact of mental illness that left me with an overwhelming it-could-have-been-worse feeling. But seriously, the value in books like these is they make those in truly terrible situations know they aren't alone. That itself—that feeling of being seen—can keep one going. This book also reminded me of the importance of setting boundaries with family members--a lesson I could have used far earlier in my life. Yay for Wong, a beloved Canadian writer and writing instructor, for triumphing (like Lizzie) in the end!
In this jaw-dropping, darkly comedic memoir, a young woman comes of age in a dysfunctional Asian family whose members blamed their woes on ghosts and demons when in fact they should have been on anti-psychotic meds.
Lindsay Wong grew up with a paranoid schizophrenic grandmother and a mother who was deeply afraid of the “woo-woo”—Chinese ghosts who come to visit in times of personal turmoil. From a young age, she witnessed the woo-woo’s sinister effects; at the age of six, she found herself living in the food court of her suburban mall, which her mother saw as a safe haven…
I am a practicing clinical psychologist, often at odds with the mainstream of my mental health profession. I have a strong interest in how society, culture, politics, philosophy, and psychology intersect, and my previous books about depression, activism, and anti-authoritarianism reflect that. The late historian Howard Zinn described me this way: “It is always refreshing to find someone who stands at the edge of his profession and dissects its failures with a critical eye, refusing to be deceived by its pretensions. Bruce Levine condemns the cold, technological approach to mental health and, to our benefit, looks for deeper solutions.”
I found Rethinking Madness to be a highly original book. Clinical psychologist Paris Williams interviewed individuals who had been diagnosed with schizophrenia and other psychoses, and he integrated this research with prominent alternative explanations for madness.In contrast to the gloomy picture painted by establishment psychiatry, Williams describes how full recovery from schizophrenia and other related psychotic disorders is not only possible but is surprisingly common, and that many people who recover from these psychotic disorders do not merely return to their pre-psychotic condition, but often undergo a profound positive transformation with far more lasting benefits than harms.
As the recovery research continues to accumulate, we find that the mainstream understanding of schizophrenia and psychosis has lost nearly all credibility:
* After over 100 years and billions of dollars spent on research looking for schizophrenia and other related psychotic disorders in the brain, we still have not found any substantial evidence that these disorders are actually caused by a brain disease. * We have learned that full recovery from schizophrenia and other related psychotic disorders is not only possible but is surprisingly common. * We've discovered that those diagnosed in the United States and other "developed" nations are…
My research into the overlap between mysticism and schizophrenia has garnered one academic monograph on James Joyce, with another on Charlie Kaufman’s films and fiction due out in 2025 (both from Routledge). For 15 years, I’ve been a writing professor at New York University, and the two things I want to impart to my students are: 1) the courage to pursue a singular question or unique viewpoint and (2) the compassion to write clearly for the reader! All five books on my list don’t shy away from profound questions of what it is to be a complex spiritual being, but they always remain lucid and engaging for a general audience.
MacGregor’s book blew my mind when I first read it. This masterful history reveals the discovery of a secret treasure, one that eventually transformed the art world.
In the 19th and 20th centuries, mental asylums in Europe began experimenting with art therapy, allowing psychotic inmates access to drawing materials. Over seventeen chapters jam-packed with astounding images, MacGregor’s book tracks the evolution of what is now known as Outsider art and the profound effect it had (and continues to have) on avant-garde art.
I love MacGregor’s ability to marry the rigor of a scholar with a humane and sensitive commentary on the lives of these forgotten "schizophrenic masters.” This book inspired my own research into schizophrenic art and is my go-to source for inspiration on this theme.
This pioneering work, the first history of the art of the insane, scrutinizes changes in attitudes toward the art of the mentally ill from a time when it was either ignored or ridiculed, through the era when major figures in the art world discovered the extraordinary power of visual statements by psychotic artists such as Adolf Wlfli and Richard Dadd. John MacGregor draws on his dual training in art history and in psychiatry and psychoanalysis to describe not only this evolution in attitudes but also the significant influence of the art of the mentally ill on the development of modern…
