Here are 100 books that Houdini on Magic fans have personally recommended if you like
Houdini on Magic.
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Magic hooked me at the age of eight and never let go. I began with a Mysto Magic Set, graduated to books and more books, joined magic societies, and studied with a true master, Tony Slydini, and finally began writing books about magic and magic lore (The Secrets of Alkazar,The Sorcerer’s Companion—A Guide to the Magical World of Harry Potter). What keeps my interest alive is the astonishing flow of invention that daily bubbles out of the magic community. And lucky me, I perform weekly at a fabulous little venue in the town where I live. This is a great time to learn and perform magic.
This is another important resource from my teenage years.
Henry Hay was the closest thing I had to a mentor. He had very good advice, a sense of humor, an encouraging attitude, patience, and an understanding of how to relate to an audience.
This is where I learned the basic repertoire of magic effects that were the features of my magic shows for many years. Some tricks may seem outdated, but the advice is golden.
Magic hooked me at the age of eight and never let go. I began with a Mysto Magic Set, graduated to books and more books, joined magic societies, and studied with a true master, Tony Slydini, and finally began writing books about magic and magic lore (The Secrets of Alkazar,The Sorcerer’s Companion—A Guide to the Magical World of Harry Potter). What keeps my interest alive is the astonishing flow of invention that daily bubbles out of the magic community. And lucky me, I perform weekly at a fabulous little venue in the town where I live. This is a great time to learn and perform magic.
With nothing more than 52 rectangular pieces of cardboard you can delight, amaze, astound, puzzle, and thoroughly enchant folks of all ages. This book is high on my list because it requires no sleight-of-hand skills (which take dedicated practice), which means the eager student can start performing serious mysteries from the get-go.
The very first trick in the book is a gem that will perplex any intelligent observer.
Card magic has captivated man for many centuries. Today, it remains the most popular area of legerdemain, accounting for half of all tricks performed by magicians. Now Karl Fulves, noted writer in the field of magic, has compiled a new treasury of foolproof card tricks, the definitive sequel to his popular Self-Working Card Tricks. This book contains a wealth of new material — captivating and baffling card wizardry that will amaze your audience and astonish even accomplished magicians. Fulves shows you how to perform such classic card maneuvers as Miraskil, The Open Prediction, Flip Top and The Jaks Two-Deck Trick.…
Magic hooked me at the age of eight and never let go. I began with a Mysto Magic Set, graduated to books and more books, joined magic societies, and studied with a true master, Tony Slydini, and finally began writing books about magic and magic lore (The Secrets of Alkazar,The Sorcerer’s Companion—A Guide to the Magical World of Harry Potter). What keeps my interest alive is the astonishing flow of invention that daily bubbles out of the magic community. And lucky me, I perform weekly at a fabulous little venue in the town where I live. This is a great time to learn and perform magic.
For anyone wishing to learn sleight of hand, this is the place to begin.
What makes the book so good are the more than 1500 illustrations combined with carefully written text. The book is loaded with more performance material than you’ll ever use, but so what?
The variety of magic taught is astonishing. Bill—a noted sculptor as well as a magician—became a dear friend long after he had written this book.
My wife and I once went to a magic convention with Bill and his wife Yvonne. The moment we walked into the main hall, he was surrounded by adoring fans who recognized him from his goatee and turtleneck and had grown up with his book by their bedside.
A new and simple learn-by-picture method that makes it easy for anyone aged twelve and up to perform all the classic sleights just as they are done by the world's greatest professional magicians. Long-time magician Bill Tarr has teamed up with Barry Ross, an illustrator famous for his instructional sports diagrams, for easy-to-follow, step-by-step instructions, so that with the help of more than 1,500 line drawings that capture each eye-fooling movement, you'll learn everything from simple sleights you can master in minutes to the great classics of magic. With ordinary objects -- a regular deck of cards, a coin from…
Magic hooked me at the age of eight and never let go. I began with a Mysto Magic Set, graduated to books and more books, joined magic societies, and studied with a true master, Tony Slydini, and finally began writing books about magic and magic lore (The Secrets of Alkazar,The Sorcerer’s Companion—A Guide to the Magical World of Harry Potter). What keeps my interest alive is the astonishing flow of invention that daily bubbles out of the magic community. And lucky me, I perform weekly at a fabulous little venue in the town where I live. This is a great time to learn and perform magic.
The first of five volumes, Card College Vol. 1, introduces the serious student to the essentials of artistic card magic utilizing sleight of hand. Much of the material requires diligent practice, often for years, but what a payoff when you master it!
All the latest techniques of card magic are here, accompanied by clear illustrations, a superb selection of tricks, and insightful essays on the psychology and presentation of magic.
Giobbi is an excellent teacher and I return to these books often. It will be a long while before anything replaces this series.
My passion for old-school genre fiction began as that of a writer learning to write. What started out as self-education soon turned into a love of all things thrilling and fantastic. I was able to truly enjoy reading, something I felt discouraged from in school (beyond the classics and a few exceptions). I discovered a great many works and writers in my studies who I look up to now, for they taught me some key ingredients, from creating intelligent, dynamic heroes to captivating world-building to, above all else, well-paced prose, whether in action, dialogue, or exposition. These five are not only great teachers; they are simply great fun.
To read an adventure of The Shadow is to white-knuckle a trip through the underworld, upon whose end there is only justice for the guilty. Much like the dark avenger’s dual identities, “Maxwell Grant” is, in reality, Walter B. Gibson, reporter, magician, and author of hundreds of Shadow magazines across 18 years.
Gibson is a role model of mine for both his productivity and craft, of which this is a stellar example of both. From the tightly-paced action to the dastardly eponymous villain to The Shadow’s ingenious thwarting, its a quintessential pulp thriller from top to bottom, the kind of clever crime-fighting that always leaves readers (myself included) with smile on their face, and proves to all that “crime does NOT pay!”
I’m a devourer of Golden Age Detective Fiction, and a writer of locked-room mysteries inspired by the classics. When it comes to old-school mystery writers, my favourites are John Dickson Carr, Ellery Queen, and of course Agatha Christie. What I love about that era is the brilliance of the puzzles, and the way those writers really engaged with the reader and (in some cases) addressed them directly, challenging them to solve the crime along with the detective. Additionally, I’m fascinated by stage illusions (though I’m terrible at performing them myself), and this has also had a major influence on my writing.
I simply had to include one of Daniel Stashower’s brilliant mysteries, as this all-too-brief series features one of the greatest and most famous illusionists of them all: Harry Houdini.
The story is narrated by Houdini’s brother, Dash, who serves as a kind of “Watson” to Houdini’s boisterous “Holmes,” and the two find themselves embroiled in numerous mysteries peppered with old-fashioned derring-do.
What I love about this book is the meticulous research that has clearly gone into it – but Stashower wears his learning lightly; this is a brisk adventure where the pace never sags.
Harry Houdini and his brother, Dash, are called to solve the murder of a toy tycoon in this first locked room mystery starring the legendary real-life magicians
New York City, 1897: Young escapologist Harry Houdini is struggling to get the recognition he craves from the ruthless entertainment industry. But when toy tycoon Branford Wintour is found murdered in his Fifth Avenue mansion, detectives call upon Houdini to help solve this mysterious crime, ushering in a new era of Houdini’s career: amateur sleuth.
When Harry and his brother Dash reach the scene of the murder, they discover Wintour was found dead…
As a career journalist/communications specialist and historical suspense novelist, the intersection of fact and fiction has always been a fascination and an inspiration. In journalism and nonfiction reportage, the best we can hope to ascertain are likely facts. But in fiction—particularly fiction melded with history—I believe we can come closest to depicting something at least in the neighborhood of truth. My own novels have consistently employed real people and events, and as a reader, I’m particularly drawn to books that feature a factual/fictional mix, something which all five of my recommended novels excel in delivering with bracing bravado.
Pulp magazines were the forerunners of comic books, and two of the greatest pulp characters, Doc Savage and the Shadow, inspired Superman and Batman, essentially kickstarting the superhero industry. I grew up and cut my future fiction writer’s teeth on paperback Doc Savage and Shadow pulp reprints—the primary authors behind these respective pulpheroes.
Lester Dent and Walter B. Gibson clash and eventually join forces to combat a Depression-era menace that could only spring from classic pulps in Malmont’s brilliant meta novel. L. Ron Hubbard and H.P. Lovecraft also make the scene creepily in this intoxicating brew tailor-made for pulp fiction and 20th-century noir-fiction lovers.
Take a journey back to the desperate days of America post the Great Depression, when the country turned to the pulp novels for relief, for hope and for heroes. Meet Walter Gibson, the mind behind The Shadow, and Lester Dent, creator of Doc Savage, as they challenge one another to discover what is real and what is pulp.
From the palaces and battlefields of warlord-plagued China to the seedy waterfronts of Rhode Island; from frozen seas and cursed islands to the labyrinthine tunnels and secret temples of New York's Chinatown,…
My passion for developing entrepreneurial and business instinct is simple. It is all based on confidence. Over time, my experiences have shown me that many leaders (myself included) can end up in “decision paralysis” and default to taking no action at all. Leaders can have all of the information and indicators that a decision is the right thing to do, but they default to doing nothing. By developing a better understanding of my own instincts, I have been able to build confidence in the decisions I have made over the past 20 years, thus eliminating any deterrents from making sound decisions.
I’m not going to lie. I find the life of Houdini fascinating. It would be easy to focus on the magician/escape artist parts of his persona. However, the book details his drive and intentions from a young age to absorb information and develop his craft are inspiring. Before he was even a teenager, Houdini was walking 20+ miles (one way) to the neighboring town to find work and develop his craft.
As he became the worldwide phenomenon he is known for today, Houdini used his talents and never abused his notoriety. Houdini was very intentional in how he wanted to entertain the masses. But when other groups (alleged psychics and spiritual mediums) started to abuse the power of (dis)belief, Houdini took it upon himself to discredit the practice of these scam artists based on his sense of social awareness.
Though I’ve always found the idea of survival after death fascinating, it was my interest in Modern Spiritualism that really sparked the desire to write Chasing Ghosts. That era (mid-1800s to the early 1900s) was a time when millions confidently believed they could communicate with the dead. Of course, this was only the tip of the paranormal iceberg. So I continued the journey into the lore of haunted places, ancient cultural beliefs, and scientific endeavors to find evidence for paranormal experiences or to debunk it. As a historian of the weirder pages of the past, this topic endlessly fascinates me. I hope it will for you as well.
Like Spirit Slate Writing and Kindred Phenomena, this 1897 book exposes the various ways that Spiritualist mediums manifest ghosts. Henry Ridgely Evans was a magician and historian who took on the Spiritualist movement, much like Harry Houdini would in the decades that followed. Filled with wondrous stories, secrets, and illustrations, this book is a must for any fan of Spiritualism and/or magic.
Spirit World Unmasked is an unchanged, high-quality reprint of the original edition of 1897. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
As a writer and lover of horror and science-fiction, I’ve always been influenced by films and media and these are just some of the texts that impacted not just my writing, but my life. Each does so much with its genre; regardless of their length, the stories are full of great characters and concepts and dabble with the perception of their genre in interesting and memorable ways. My many years of academic study were always bolstered when we were given texts such as these to dive into, and I’ve even based some of my writing style and published works on the themes, messages, and presentation of these texts.
While many turn to Lovecraft’s Cthuluwritings as his best work, it was this short story of Houdini’s fictional encounter with an unspeakable beast beneath the Great Sphinx of Giza that had the most impact on me. Told from the perspective of Harry Houdini, the tale masterfully captures the mounting dread and claustrophobia of the famous escape artist as he unwittingly delves further underground, to say nothing of the fantastical horrors that await him. Forced to witness strange mummified creatures, under the direction of the malevolent Nitokris, give offerings to one of Lovecraft’s trademark many-tentacled monstrosities, Houdini may dismiss his encounter as a mere flight of fancy but the implication that some gruesome Old One was responsible for the creation of some of the world’s most awe-inspiring structures hits just a little differently.
H. P. Lovecraft was one of the greatest horror writers of all time. His seminal work appeared in the pages of legendary Weird Tales and has influenced countless writer of the macabre. This is one of those stories.
