100 books like Houdini on Magic

This is another important resource from my teenage years.

Henry Hay was the closest thing I had to a mentor. He had very good advice, a sense of humor, an encouraging attitude, patience, and an understanding of how to relate to an audience.

This is where I learned the basic repertoire of magic effects that were the features of my magic shows for many years. Some tricks may seem outdated, but the advice is golden.   

My first love in magic is card magic. 

With nothing more than 52 rectangular pieces of cardboard you can delight, amaze, astound, puzzle, and thoroughly enchant folks of all ages. This book is high on my list because it requires no sleight-of-hand skills (which take dedicated practice), which means the eager student can start performing serious mysteries from the get-go.

The very first trick in the book is a gem that will perplex any intelligent observer.  

For anyone wishing to learn sleight of hand, this is the place to begin.

What makes the book so good are the more than 1500 illustrations combined with carefully written text. The book is loaded with more performance material than you’ll ever use, but so what?

The variety of magic taught is astonishing.  Bill—a noted sculptor as well as a magician—became a dear friend long after he had written this book. 

My wife and I once went to a magic convention with Bill and his wife Yvonne. The moment we walked into the main hall, he was surrounded by adoring fans who recognized him from his goatee and turtleneck and had grown up with his book by their bedside.    

The first of five volumes, Card College Vol. 1, introduces the serious student to the essentials of artistic card magic utilizing sleight of hand. Much of the material requires diligent practice, often for years, but what a payoff when you master it! 

All the latest techniques of card magic are here, accompanied by clear illustrations, a superb selection of tricks, and insightful essays on the psychology and presentation of magic. 

Giobbi is an excellent teacher and I return to these books often. It will be a long while before anything replaces this series. 

I simply had to include one of Daniel Stashower’s brilliant mysteries, as this all-too-brief series features one of the greatest and most famous illusionists of them all: Harry Houdini.

The story is narrated by Houdini’s brother, Dash, who serves as a kind of “Watson” to Houdini’s boisterous “Holmes,” and the two find themselves embroiled in numerous mysteries peppered with old-fashioned derring-do.

What I love about this book is the meticulous research that has clearly gone into it – but Stashower wears his learning lightly; this is a brisk adventure where the pace never sags.

The only novel on my list, this is simply fun.

It’s a box of delights set in the early days of the pulps, in which two of the greatest pulp writers of their era – Lester Dent and Walter Gibson, authors of Doc Savage and The Shadow – team up with L. Ron Hubbard to solve the murder of H.P. Lovecraft. While Malmont’s follow-up – The Astounding, The Amazing and the Unknown – deals more directly with the Golden Age (it features both Asimov and Heinlein), my heart belongs to this marvellous pulp adventure, if only for Hubbard’s glorious appearance.

We tend to think of Hubbard as the controversial figure he later became, forgetting that in his heart he was always that cocky young pulp writer, and it was this notion that inspired, in large parts, my own book.

I’m not going to lie. I find the life of Houdini fascinating. It would be easy to focus on the magician/escape artist parts of his persona. However, the book details his drive and intentions from a young age to absorb information and develop his craft are inspiring. Before he was even a teenager, Houdini was walking 20+ miles (one way) to the neighboring town to find work and develop his craft.

As he became the worldwide phenomenon he is known for today, Houdini used his talents and never abused his notoriety. Houdini was very intentional in how he wanted to entertain the masses. But when other groups (alleged psychics and spiritual mediums) started to abuse the power of (dis)belief, Houdini took it upon himself to discredit the practice of these scam artists based on his sense of social awareness.

Like Spirit Slate Writing and Kindred Phenomena, this 1897 book exposes the various ways that Spiritualist mediums manifest ghosts. Henry Ridgely Evans was a magician and historian who took on the Spiritualist movement, much like Harry Houdini would in the decades that followed. Filled with wondrous stories, secrets, and illustrations, this book is a must for any fan of Spiritualism and/or magic.

While many turn to Lovecraft’s Cthulu writings as his best work, it was this short story of Houdini’s fictional encounter with an unspeakable beast beneath the Great Sphinx of Giza that had the most impact on me. Told from the perspective of Harry Houdini, the tale masterfully captures the mounting dread and claustrophobia of the famous escape artist as he unwittingly delves further underground, to say nothing of the fantastical horrors that await him. Forced to witness strange mummified creatures, under the direction of the malevolent Nitokris, give offerings to one of Lovecraft’s trademark many-tentacled monstrosities, Houdini may dismiss his encounter as a mere flight of fancy but the implication that some gruesome Old One was responsible for the creation of some of the world’s most awe-inspiring structures hits just a little differently.

I love history—not just historical fiction but actual history books—and this book skillfully weaves together an abundance of intriguing facts and true stories from that city’s history.

Why 1912? Because in that year, Winnipeg was one of the most important cities in North America, largely because it was (and is) located in the very center of the continent, which led to it developing the biggest rail yard in the world.

As we learn from this book, luminaries such as Charlie Chaplin, W.C. Fields, Charles Dickens, Harry Houdini, and many more passed through this thriving city. But that changed in 1914 when the Panama Canal opened, and suddenly, goods were shipped from one ocean to another through that waterway instead of through Winnipeg. In terms of commerce, Winnipeg never fully recovered.