I’ve always been fascinated by the Golden Age of science fiction, when a group of young dreamers formed the genre as we know it today. I grew up far away from their world, on a small kibbutz in Israel, and the lives of those god-like beings seemed as remote and as impossible as the moon. I grew up to eventually write stories of my own, and even got to meet some of my childhood heroes, and eventually I thought it would be fun to write a book that was partially about them. I read every book I could get my hands on to try and better understand that time when science fiction was born.
The first part of Isaac Asimov’s autobiography provides a fascinating, clear-eyed glimpse into the emerging world of science fiction as the young Asimov grows up in New York, works in his immigrant parents’ candy store, and dreams of writing stories.
There’s a certain innocence in the pre-war world where young kids were dreaming up science fiction, and Asimov is at his best here, relying on extensive diary records to recall his first meetings with Campbell, Heinlein, and L. Ron Hubbard, to name a few. A window into a long-vanished world, it is never less than compelling.
Candidly recounting his lifetime in science and science fiction, Asimov describes his life as a child prodigy, a fifteen-year-old college freshman, and a brilliant teacher whose classes ended with standing ovations
Growing up in New York around the same time as Asimov was Fred Pohl, young, ambitious, argumentative, and occasionally brilliant.
We meet many of the same people – and see the same events – that Asimov describes, in a somewhat different light, as Pohl forges his own path through the emerging world of science fiction, as an agent, editor, and writer in his own right.
It’s beautifully written and again, provides a fascinating insight into that long-ago world, complete with its many petty feuds – that the socialist Pohl was banned from the first Worldcon only to start his own competing event across the street is a marvelously entertaining anecdote recounted both here and by Asimov.
Merrill, a brilliant editor and writer in her own right, was a rare woman to cut through the chauvinistic world of the Golden Age writers.
The book recounts her journey as a writer (she wrote the classic SF story “That Only a Mother”), editor (as in the ground-breaking 60s anthology England Swings SF), her short-lived marriage to Fred Pohl and her fascination with socialism. It certainly gives you a different view of the male-dominated world of science fiction at the time, and an insight into one of SF’s important practitioners.
Judith merril was a pioneer of twentieth-century science fiction, a proflific author, and editor. She was also a passionate social and political activist. In fact, her life was a constant adventure within the alternative and experimental worlds of science fiction, left politics, and Canadian literature.
Anthony Boucher straddles the history of both crime fiction and science fiction.
As the founding editor of The Magazine of Fantasy & Science Fiction he has an oversized role in the history of the genre. As a crime writer, he gave his name to the Anthony Awards, which are handed out every year at the annual Bouchercon.
His SF story “The Quest for Saint Aquin” is a classic. None of this, admittedly, has much to do with Rocket to the Morgue, Boucher’s roman-à-clef mystery set in pre-WW2 California in which the emerging world of science fiction comes to glorious life. A young L. Ron Hubbard makes an appearance, as do Robert A. Heinlein and the rocket scientist and occultist Jack Parsons.
The mystery matters less than the characters, who though moving under different names are all very much true to life.
A Golden Age mystery set in the Golden Age of science fiction
Legendary science fiction author Fowler Faulkes may be dead, but his creation, the iconic Dr. Derringer, lives on in popular culture. Or, at least, the character would live on if not for Faulkes’s predatory and greedy heir Hilary, who, during his time as the inflexible guardian of the estate, has created countless enemies in the relatively small community of writers of the genre. So when he is stabbed nearly to death in a room with only one door, which nobody was seen entering or exiting, Foulkes suspects a…
It’s a box of delights set in the early days of the pulps, in which two of the greatest pulp writers of their era – Lester Dent and Walter Gibson, authors of Doc Savage and The Shadow – team up with L. Ron Hubbard to solve the murder of H.P. Lovecraft. While Malmont’s follow-up – The Astounding, The Amazing and the Unknown – deals more directly with the Golden Age (it features both Asimov and Heinlein), my heart belongs to this marvellous pulp adventure, if only for Hubbard’s glorious appearance.
We tend to think of Hubbard as the controversial figure he later became, forgetting that in his heart he was always that cocky young pulp writer, and it was this notion that inspired, in large parts, my own book.
Take a journey back to the desperate days of America post the Great Depression, when the country turned to the pulp novels for relief, for hope and for heroes. Meet Walter Gibson, the mind behind The Shadow, and Lester Dent, creator of Doc Savage, as they challenge one another to discover what is real and what is pulp.
From the palaces and battlefields of warlord-plagued China to the seedy waterfronts of Rhode Island; from frozen seas and cursed islands to the labyrinthine tunnels and secret temples of New York's Chinatown,…
Two women, a century apart, seek to rebuild their lives after leaving their homelands. Arriving in tropical Singapore, they find romance, but also find they haven’t left behind the dangers that caused them to flee.
Haunted by the specter of terrorism after 9/11, Aislinn Givens leaves her New York career and joins her husband in Southeast Asia when he takes a job there. She acquires several paintings by a colonial-era British artist that she believes are a warning.
The artist, Elizabeth Pennington, tells her own tumultuous story through diary entries that end when World War I reaches the colony with…
"Aislinn Givens leaves a settled life in Manhattan for an unsettled life in Singapore. That painting radiates mystery and longing. So does Clifford Garstang's vivid and simmering novel, The Last Bird of Paradise." –John Dalton, author of Heaven Lake and The Inverted Forest
Two women, nearly a century apart, seek to rebuild their lives when they reluctantly leave their homelands. Arriving in Singapore, they find romance in a tropical paradise, but also find they haven't left behind the dangers that caused them to flee.
In the aftermath of 9/11 and haunted by the specter of terrorism, Aislinn Givens leaves her…
