Fans pick 100 books like Prisna

I love how this novel veers between the comic (the preening self-importance of a British family that runs a trading company) and the tragic (death and mayhem as Japanese troops set Singapore on fire in 1942). Father cynically manipulates markets; daughter carries on with unsuitable men; approved suitor arrives from Europe to reveal himself as an idealist who spouts praise for the League of Nations. You’ll learn a thing or two about how colonial companies of the time built enormous wealth by squeezing it from impoverished plantation workers, and how the war turned everything upside down.

Ryman is known mainly as a science fiction and fantasy writer, and there’s a hint of that here, as the story moves back and forth between the twelfth century, the heyday of the Khmer Empire, and present-day, post-Khmer Rouge Cambodia. My own writing has tried to depict life in the ancient days, so I of course wanted to see how someone else would do it. The answer is superbly. Ryman gives us an epic-scale life story of the great king Jayavarman VII, about whom next to nothing is known on a personal level. But now there’s plenty, or so it can seem, because it’s impossible not to buy into this portrait: the king’s inner motivations, his empathy for ordinary people in his realm, his accomplishments that are both military and spiritual. And Ryman’s depiction of a modern society recovering from genocide rings horribly true, peopled by an aging French archaeologist,… show more.

This first volume—with the other three—is, I think, the best book ever written about the British in India and their leaving of it. The whole story is rooted in a rape that happens to a young Englishwoman, whose lover is accused of the crime. I first read this when it came out in 1980, before the amazingly good TV series. There are so many unforgettable characters in it—the women, trying to survive with husbands and fathers away in the army, the missionaries and nuns, as well as the men. Scott does not in any way idealize the British—rather the opposite—and it is a feast of detail of the time and moving human stories. I have re-read it and will no doubt do so again. 

I lived in Bangkok for six years. This is the rare novel that captures the sounds, the smells, the spirit, and spirituality of the place. Bangkok in fact is the main character, with supporting roles by humans who make their lives there, from the nineteenth century to the present and into the not-so-distant future, when water lays permanent claim to a city built more or less at sea level. You can expect lyrical writing and engaging characters, whether human or urban. 

I first encountered this book in my senior seminar in college. Little did I know how much Hannah Arendt’s works would figure into my own thinking and writing. In On Revolution, Arendt provides a provocative interpretation of how the American founders looked to Rome, specifically Virgil, for their own understanding of founding. My current book begins with Arendt’s insight but departs substantially from her conclusion.

This memoir of a teak inspector working in the forests of North Siam offers a fascinating glimpse into the life of an Englishman coming to terms with an alien culture and environment in the 1920s. Campbell’s sharp observations and dry wit carry the reader through the steps involved in teak logging, from girdling the trees to felling, dragging, and floating them downstream, and offer the chance to share encounters with man-eating tigers and rogue elephants along the way.

Norman Lewis is best known for his non-fiction works such as The Golden Land (about Burma) and A Dragon Apparent (about Vietnam). Yet he also wrote a dozen novels that show a great flair for characterisation, dialogue and plot pacing, in addition to his incisive descriptions. A Single Pilgrim tells the story of John Crane, manager of a teak logging company in North Thailand, who revels in “the voluptuousness of routine and civilized triviality”. However, his company’s leases are about to expire and the thought of an end to his Oriental idyll is more than Crane can bear.

I read this sultry and disturbing Thailand adventure story in one sitting. It transported me away from my out-of-work actor troubles that rainy day in London and took me to a beautiful and terrifying dreamscape, diving ever deeper into the backpacker protagonist’s murky quest. I can still picture the cut-glass water, the huts… the shark. I still feel the heat, the sting of mosquitoes, and the tang of blood.

I found it extraordinarily gripping, moody, and menacing. The speed at which the unexpected twists unfolded was mind-blowing.

Lost, confused, and feeling the victim, Ethan visits Thailand. He falls down a sinkhole into an alternate reality. Even more lost among really weird people, feeling even more confused and victimized, he learns the true meaning of life. But can he get back to live his real life?

Who hasn’t tumbled into Ethan’s emotions? We go along thinking we’re doing good and suddenly the worst happens. We didn’t deserve any of it yet we’re stuck alone and destitute in it.

Ethan meets an archaeologist who introduces him to indigenous people and their ghost stories. I love cultural studies, sociology,  archaeology, anthropology, and linguistics, all sciences represented in this story. Reality gets smudged and blurred, but love, loyalty, and forgiveness remain true and unshaken in this beautiful story of redemption.

When I read this gripping biography of Samuel White from Bath in England, who rose from being an interloper in the trade of Southeast Asia to become ruler of a huge tract of land on the Andaman Coast of Siam/Burma, I was smiling and shaking my head at the improbability of it all. White’s outlandish and piratical adventures are comparable to the wild exploits of Pirates of the Caribbean, and at times left me gasping in disbelief. Maurice Collis is little known these days, yet his two decades (1912–1934) as an administrator in Burma made him the ideal candidate to recount this remarkable tale.