Here are 100 books that Prisna fans have personally recommended if you like
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I first saw Angkor, capital of the Khmer Empire, in 1969 as a teenager and was bowled over by the place. I kept coming back as a journalist and author. They say you should write about things that truly crank your engine, and I found mine—imperial conquest, Hindu and Buddhist spirituality, astounding architecture, and the lives of the millions of people who inhabited and built the place. I’ve now written three non-fiction books and two historical novels set in the civilization’s twelfth-century peak. The novels are an effort to recreate life in the old days. They draw heavily on my years in Southeast Asia, experiencing what life is like in the present day.
I love how this novel veers between the comic (the preening self-importance of a British family that runs a trading company) and the tragic (death and mayhem as Japanese troops set Singapore on fire in 1942). Father cynically manipulates markets; daughter carries on with unsuitable men; approved suitor arrives from Europe to reveal himself as an idealist who spouts praise for the League of Nations. You’ll learn a thing or two about how colonial companies of the time built enormous wealth by squeezing it from impoverished plantation workers, and how the war turned everything upside down.
NOW A MAJOR ITV DRAMA, THE SINGAPORE GRIP IS A MODERN CLASSIC FROM THE BOOKER-PRIZE WINNING J.G. FARRELL
'Brilliant, richly absurd, melancholy' Observer
'Enjoyable on many different levels' Sunday Times
'One of the most outstanding novelists of his generation' Spectator
Singapore, 1939: Walter Blackett, ruthless rubber merchant, is head of British Singapore's oldest and most powerful firm. And his family's prosperous world of tennis parties, cocktails and deferential servants seems unchanging. No one suspects it - but this world is poised on the edge of the abyss. This is the eve of the Fall of Singapore.
I first saw Angkor, capital of the Khmer Empire, in 1969 as a teenager and was bowled over by the place. I kept coming back as a journalist and author. They say you should write about things that truly crank your engine, and I found mine—imperial conquest, Hindu and Buddhist spirituality, astounding architecture, and the lives of the millions of people who inhabited and built the place. I’ve now written three non-fiction books and two historical novels set in the civilization’s twelfth-century peak. The novels are an effort to recreate life in the old days. They draw heavily on my years in Southeast Asia, experiencing what life is like in the present day.
Ryman is known mainly as a science fiction and fantasy writer, and there’s a hint of that here, as the story moves back and forth between the twelfth century, the heyday of the Khmer Empire, and present-day, post-Khmer Rouge Cambodia. My own writing has tried to depict life in the ancient days, so I of course wanted to see how someone else would do it. The answer is superbly. Ryman gives us an epic-scale life story of the great king Jayavarman VII, about whom next to nothing is known on a personal level. But now there’s plenty, or so it can seem, because it’s impossible not to buy into this portrait: the king’s inner motivations, his empathy for ordinary people in his realm, his accomplishments that are both military and spiritual. And Ryman’s depiction of a modern society recovering from genocide rings horribly true, peopled by an aging French archaeologist,…
"[Ryman] has not so much created as revealed a world in which the promise of redemption takes seed even in horror."-The Boston Globe "Sweeping and beautiful...The complex story tears the veil from a hidden world."-The Sunday Times "Inordinately readable ...extraordinary in its detail, color and brutality."-The Independent "Ryman has crafted a solid historical novel with an authentic feel for both ancient and modern Cambodia." -Washington DC City Paper "Another masterpiece by one of the greatest fiction writers of our time."-Kim Stanley Robinson "Ryman's knack for depicting characters; his ability to tell multiple, interrelated stories; and his knowledge of Cambodian history…
Abi Oliver is a pen name as my real name is Annie Murray—I write under both names. My first book, A New Map of Love, set in the 1960s, featured an older woman who had been born in India. She developed into such a character—a bit of an old trout to be truthful—that I wanted to tell her story. It also tapped into my family’s many connections with India and the fact that I have travelled a lot there. I finally got to travel, with my oldest daughter, and stay in one of the tea gardens in Assam—a wonderful experience.
This first volume—with the other three—is, I think, the best book ever written about the British in India and their leaving of it. The whole story is rooted in a rape that happens to a young Englishwoman, whose lover is accused of the crime. I first read this when it came out in 1980, before the amazingly good TV series. There are so many unforgettable characters in it—the women, trying to survive with husbands and fathers away in the army, the missionaries and nuns, as well as the men. Scott does not in any way idealize the British—rather the opposite—and it is a feast of detail of the time and moving human stories. I have re-read it and will no doubt do so again.
This first volume opens in 1942 as the British fear both Japanese invasion and Indian demands for self-rule. Daphne Manners, daughter of the province governor, is running at night through the Mayapore gardens, away from her Indian lover, who will soon be arrested for her alleged rape.
I first saw Angkor, capital of the Khmer Empire, in 1969 as a teenager and was bowled over by the place. I kept coming back as a journalist and author. They say you should write about things that truly crank your engine, and I found mine—imperial conquest, Hindu and Buddhist spirituality, astounding architecture, and the lives of the millions of people who inhabited and built the place. I’ve now written three non-fiction books and two historical novels set in the civilization’s twelfth-century peak. The novels are an effort to recreate life in the old days. They draw heavily on my years in Southeast Asia, experiencing what life is like in the present day.
I lived in Bangkok for six years. This is the rare novel that captures the sounds, the smells, the spirit, and spirituality of the place. Bangkok in fact is the main character, with supporting roles by humans who make their lives there, from the nineteenth century to the present and into the not-so-distant future, when water lays permanent claim to a city built more or less at sea level. You can expect lyrical writing and engaging characters, whether human or urban.
"Recreates the experience of living in Thailand's aqueous climate so viscerally that you can feel the water rising around your ankles." —Ron Charles, Washington Post
"Important, ambitious, and accomplished." —Mohsin Hamid, New York Times bestselling author of Exit West
A missionary doctor pines for his native New England even as he succumbs to the vibrant chaos of nineteenth-century Siam. A post-World War II society woman marries, mothers, and holds court, little suspecting her solitary fate. A jazz pianist in the age of rock, haunted by his own ghosts, is summoned to appease the house's resident spirits. In the present, a…
My fascination with the relationship between Rome and America grows out of the work I have done on early American culture, contemporary political thought, and ancient Rome. My most recent work, Rome and America: Communities of Strangers, Spectacles of Belonging, took shape through a lot of conversations over the years with friends and colleagues about the different tensions I saw in Roman politics and culture around questions of national identity, tensions that I saw being played out in the United States. I don’t like tidy histories. I am drawn to explorations of politics and culture that reveal the anxieties and dissonance that derive from our own attempt to resolve our incompleteness.
I first encountered this book in my senior seminar in college. Little did I know how much Hannah Arendt’s works would figure into my own thinking and writing. In On Revolution, Arendt provides a provocative interpretation of how the American founders looked to Rome, specifically Virgil, for their own understanding of founding. My current book begins with Arendt’s insight but departs substantially from her conclusion.
Tracing the gradual evolution of revolutions, Arendt predicts the changing relationship between war and revolution and the crucial role such combustive movements will play in the future of international relations.
She looks at the principles which underlie all revolutions, starting with the first great examples in America and France, and showing how both the theory and practice of revolution have since developed. Finally, she foresees the changing relationship between war and revolution and the crucial changes in international relations, with revolution becoming the key tactic.
During 30 years living in Chiang Mai, Thailand, I have developed a deep appreciation of Northern Thai culture and a fascination with its 700-year history. Though the region escaped being colonised as were nearby Laos (by the French) and Burma (by the Brits), a teak boom in the late 19th century came close to pulling it under the colonial yoke as Western trading companies muscled in. Teak Lord explores the frequently fragile relationships between circumspect Asians and adventurous Westerners, against a background of shifting borders and impenetrable jungle.
This memoir of a teak inspector working in the forests of North Siam offers a fascinating glimpse into the life of an Englishman coming to terms with an alien culture and environment in the 1920s. Campbell’s sharp observations and dry wit carry the reader through the steps involved in teak logging, from girdling the trees to felling, dragging, and floating them downstream, and offer the chance to share encounters with man-eating tigers and rogue elephants along the way.
Here is a bold and entertaining account of the life of a European teak inspector working in the heart of the Thai countryside in the 1920s. Beginning with a description of his voyage, Campbell conveys the adventure and the loneliness, the beauty and the terror, that was the White Man's lot and sprinkles his narrative with pithy anecdotes about his various encounters. Teak-Wallah is an evocative tale of a world that still exists, but in which the European no longer has a role.
Having been born in Fiji and lived in Cyprus, Austria, and Nigeria, I have always had a strong sense of wanderlust and a keen eye for my surroundings – both natural and man-made. I’ve always been open to "what might happen next," which makes sense as to why I became a professional storyteller – an actor, writer, and director. I am thrilled by not knowing what lies ahead, and I’ve always felt there is possible adventure at every turn in life, which is why I am so fond of the evocative and thrilling books I have listed.
I read this sultry and disturbing Thailand adventure story in one sitting. It transported me away from my out-of-work actor troubles that rainy day in London and took me to a beautiful and terrifying dreamscape, diving ever deeper into the backpacker protagonist’s murky quest. I can still picture the cut-glass water, the huts… the shark. I still feel the heat, the sting of mosquitoes, and the tang of blood.
I found it extraordinarily gripping, moody, and menacing. The speed at which the unexpected twists unfolded was mind-blowing.
On Richard's first night in Bangkok, a fellow traveller slits his wrists, leaving Richard a map to "the Beach", where white sands circle a lagoon hidden from the sea, coral gardens and freshwater falls are surrounded by jungle. Richard was looking for adventure, and now he has found it.
During 30 years living in Chiang Mai, Thailand, I have developed a deep appreciation of Northern Thai culture and a fascination with its 700-year history. Though the region escaped being colonised as were nearby Laos (by the French) and Burma (by the Brits), a teak boom in the late 19th century came close to pulling it under the colonial yoke as Western trading companies muscled in. Teak Lord explores the frequently fragile relationships between circumspect Asians and adventurous Westerners, against a background of shifting borders and impenetrable jungle.
Norman Lewis is best known for his non-fiction works such as The Golden Land (about Burma) and A Dragon Apparent (about Vietnam). Yet he also wrote a dozen novels that show a great flair for characterisation, dialogue and plot pacing, in addition to his incisive descriptions. A Single Pilgrimtells the story of John Crane, manager of a teak logging company in North Thailand, who revels in “the voluptuousness of routine and civilized triviality”. However, his company’s leases are about to expire and the thought of an end to his Oriental idyll is more than Crane can bear.
I love knowing about things. Science is both a knowledge base and a way to discover new knowledge. I’ve been looking through microscopes and telescopes (that my dad built) from my earliest toddling. Though I have never been to university I have picked the brains of my scientific siblings (one of whom is a biology professor) and I read widely. Gathering crumbs from many sources gives a wider knowledge base than one university child afford. Scientists begin with speculation. I love inventing systems and worlds where we break one or a few of our known laws of nature or physics. Marrying science with fantasy births marvelous offspring!
Lost, confused, and feeling the victim, Ethan visits Thailand. He falls down a sinkhole into an alternate reality. Even more lost among really weird people, feeling even more confused and victimized, he learns the true meaning of life. But can he get back to live his real life?
Who hasn’t tumbled into Ethan’s emotions? We go along thinking we’re doing good and suddenly the worst happens. We didn’t deserve any of it yet we’re stuck alone and destitute in it.
Ethan meets an archaeologist who introduces him to indigenous people and their ghost stories. I love cultural studies, sociology, archaeology, anthropology, and linguistics, all sciences represented in this story. Reality gets smudged and blurred, but love, loyalty, and forgiveness remain true and unshaken in this beautiful story of redemption.
In this debut novel from Connie Mae Inglis, readers travel with Ethan Adam on his quest to find answers to questions he has barely articulated.
All his life, Ethan's felt betrayed by the ones he's loved.
Feeling homeless, and without hope, Ethan travels from the Canadian prairies to Southeast Asia, searching for he knows not what.
When his path crosses with an archaeologist heading to an unexplored area of northern Myanmar, Ethan goes on a journey into an Edenesque world of welcoming telepathic humans, strange voices, and a cunning enemy. For what purpose? He doesn't know.
I’m a writer and journalist with an eye on South and Southeast Asia. I first worked in Thailand in 1999, researching the Thailand chapter for the first edition of the Rough Guides Southeast Asia Guide. Since 2001, I’ve been a Thailand correspondent for German publisher Reise Know How. For the past decade, I have worked as Thailand Destination Expert for The Daily Telegraph. I co-wrote the bestselling Sacred Skin – Thailand’s Spirit Tattoos with photographer Aroon Thaewchatturat, and have written countless articles about Thai culture, politics and tourism. It took 20 years to write a novel set in Thailand – The Monsoon Ghost Image – a testament to the complexities of Thai society.
I felt I needed to include one title about Thailand’s endlessly discussed, sordid sex industry. Houellebecq’s acidic 2004 novel takes the country’s massive sleaze trade head-on, crammed with self-loathing observations of its male protagonist, his world eventually smashed to pieces by a terrorist attack and a heart-breaking ending in the country’s Gomorra-by-the-sea beach resort Pattaya. Audacious, cynical, yet nonetheless filled with humanity, and there’s plenty of sex, Viagra, fun, and despair as well. Platform puts all other fiction covering the country’s exploitative underbelly to shame.
Houellebecq's new novel tells the story of an attempt to create a package-holiday company for sex-tourists. Less philosophical and grandly ambitious than Atomised, it is, if anything, even more outrageously funny and bitingly satirical of the ways we live now than the earlier novel. Added to which, there is a genuinely moving love affair, real characters and a real plot!
