100 books like Rewriting Adam

Gripping character introductions, organic magic systems, extraordinary world-building, and superb writing. I felt the fire burn Selah and the yearning in William’s heart to do good despite loyalty to faulty leadership. Fighting galore!

I love weaving on a loom. I almost always write a weaver into my novels and Walker-Henderson’s series has a weaver too!

The Legendaries’ abilities - speed, strength, magnetic attraction, lung capacity, and resistance to fire are measurable and augmented in this story. Through the whole series geography is explored. Each Legendary comes from a different environment and climate. Selah comes from the desert. William comes from the mountains with mixed forest. They travel to the plains and the icy regions in their quest for the ancient relic that gives the possessor power over their destiny.

The power of unrequited love that seeks no alternative. A knight loves his queen. He gives his life to protect her and is banished from her presence, yet he cannot resist the magic that arranges the world to draw them together.

Evil tries to convince us that it gives the greatest benefit. Sometimes that is temporarily true. I love stories where characters resist and suffer so that they receive the higher benefit of good. I am a musician and the magic of our knight rings true in my soul.

Highly philosophical, spiritual, fantastical, and deeply scientific, this book satisfies on every level.

“Thermodynamics, signal theory, Bayesian inference, inversion, quantum tunneling, and materials science are all elements of the internally consistent system of dynamics.” Lee Hunt

The older, wiser, and less magical Tamborel must protect Caidy. Her family and village suffer from, and do all they can to stop her from growing into her powers. Through hard work and sacrifice, Tamborel lifts Caidy out of darkness and defeats depression.

The science of music and sound play on my emotions throughout the story.

People with ADHD and Autism are similarly misunderstood. They can be hindered by neuro-typical people to “limit the damage” they may “inflict” on “normal” society. Caidy stirred my sympathy for these people. Knowledge and seeking are the basis of science, not the having of right answers. Tamborel uses his love to seek the knowledge that will set Caidy free.

Seems to be out of print. Any good second-hand store will have it.

I admit this one is a stretch, but the writing and premise are superb and worthy of recommendation. Many experiments have been done trying to prove or disprove telepathy and telekinesis, which are the magic in Rossano’s Talented. Quantum physics is moving in this direction. All our speculations may predict the future!

I am impressed with the family system in these books. The seventh son is special. The seventh son of a seventh son (Sept Son) is a ruler. Suddenly a daughter is born and blows everyone’s expectations and ambitions to smithereens. She has powers like a seventh son. Her love for the Sept Son threatens the kingdom.

This memoir of a teak inspector working in the forests of North Siam offers a fascinating glimpse into the life of an Englishman coming to terms with an alien culture and environment in the 1920s. Campbell’s sharp observations and dry wit carry the reader through the steps involved in teak logging, from girdling the trees to felling, dragging, and floating them downstream, and offer the chance to share encounters with man-eating tigers and rogue elephants along the way.

Norman Lewis is best known for his non-fiction works such as The Golden Land (about Burma) and A Dragon Apparent (about Vietnam). Yet he also wrote a dozen novels that show a great flair for characterisation, dialogue and plot pacing, in addition to his incisive descriptions. A Single Pilgrim tells the story of John Crane, manager of a teak logging company in North Thailand, who revels in “the voluptuousness of routine and civilized triviality”. However, his company’s leases are about to expire and the thought of an end to his Oriental idyll is more than Crane can bear.

I read this sultry and disturbing Thailand adventure story in one sitting. It transported me away from my out-of-work actor troubles that rainy day in London and took me to a beautiful and terrifying dreamscape, diving ever deeper into the backpacker protagonist’s murky quest. I can still picture the cut-glass water, the huts… the shark. I still feel the heat, the sting of mosquitoes, and the tang of blood.

I found it extraordinarily gripping, moody, and menacing. The speed at which the unexpected twists unfolded was mind-blowing.

When I read this gripping biography of Samuel White from Bath in England, who rose from being an interloper in the trade of Southeast Asia to become ruler of a huge tract of land on the Andaman Coast of Siam/Burma, I was smiling and shaking my head at the improbability of it all. White’s outlandish and piratical adventures are comparable to the wild exploits of Pirates of the Caribbean, and at times left me gasping in disbelief. Maurice Collis is little known these days, yet his two decades (1912–1934) as an administrator in Burma made him the ideal candidate to recount this remarkable tale.

A lifelong hero of mine, George Orwell is best known for his political allegories Animal Farm and 1984, but his first published novel, written after a five-year stint as a policeman in Burma, gave an indication of his direction as a writer, with a vicious swipe at colonial attitudes and manners. The main character, John Flory, is a jaded teak merchant who detests the colonial “lie that we’re here to uplift our Black brothers instead of to rob them”. He has no friends at the local colonial club, is unlucky in love and meets a tragic end—all part of Orwell’s drive to “tell it like it is.”

I lived in Bangkok for six years. This is the rare novel that captures the sounds, the smells, the spirit, and spirituality of the place. Bangkok in fact is the main character, with supporting roles by humans who make their lives there, from the nineteenth century to the present and into the not-so-distant future, when water lays permanent claim to a city built more or less at sea level. You can expect lyrical writing and engaging characters, whether human or urban.