First a memory from my twelve years as a high school teacher: One day one of my ninth-grade history students remarked, “You are a nice guy Mr. Mayer. You can’t help it if you teach a boring subject.” That comment energized me, pushing me to show my students just how exciting the discipline of history was. I wanted my students to come to know historical actors, to hear their voices, and to feel their humanity. I then took that same project into my twenty-nine years as a teacher educator and finally into my life as a writer of historical non-fiction for young people.
I had the honor of meeting John Lewis and introducing him when he spoke at the college where I taught.
You can have no better guide to the civil rights movement than the saintly John Lewis. And Lewis’ insider’s look is conveyed as a graphic novel. The images enhance the drama introduced through narration and dialogue. (I was excited to see depictions of places I had visited from my travels in the South.)
March Three begins with the bombing of Birmingham’s Sixteenth Street Baptist Church, includes a discussion of the Mississippi movement, and concludes with a powerful telling of the event Lewis is best known for, the Selma voting rights campaign. You can broaden what you learn from March Three by also reading Books One and Two.
2016 National Book Award Winner for Young People's Literature2017 Printz Award Winner2017 Coretta Scott King Author Award Winner2017 Sibert Medal Winner2017 YALSA Award for Excellence in Nonfiction Winner2017 Walter Award Winner "One of the Best Books of 2016" - Publishers Weekly Welcome to the stunning conclusion of the award-winning and best-selling MARCH trilogy. Congressman John Lewis, an American icon and one ofthe key figures of the civil rights movement, joins co-writer Andrew Aydin and artist Nate Powell to bring the lessons of history to vivid life for a new generation, urgently relevant for today's world. By the fall of 1963,…
I have a PhD in history and used to be a college professor. I decided to write historical fiction novels so that I could reach a larger audience than college students and share incredible stories from history with more people. The reason I created this list of books about women is because the farther back in history we look, the more invisible women seem to become. That’s why I wanted to tell Theodora’s story—it’s an amazing tale, first, but it also allowed me to share how different conditions were for women in the past. The other books I’ve recommended do the same.
The setting of the book was a huge draw for me—1960s Mississippi. Celeste is a member of the Student Nonviolent Coordinating Committee, and she goes to rural Mississippi in 1964 to take part in Freedom Summer, a major event of the Civil Rights Movement.
I enjoyed this because, for all its drama, heroism, and moral righteousness, the Civil Rights Movement doesn’t get a lot of attention in historical fiction. I feel like it should.
Readers will be drawn in by the all-encompassing scope of segregation in 1960s Mississippi. Add in some characters with secrets, some people who unexpectedly rise to the occasion, and the overall climate of fear that pervaded Mississippi at the time, and you’ll enjoy this book if you care about civil rights at all.
The critically acclaimed debut novel from pioneering actress and writer Denise Nicholas tells the story of one young woman's coming of age via the political and social upheavals of the civil rights movement. Nineteen-year-old Celeste Tyree leaves Ann Arbor to go to Pineyville, Mississippi, in the summer of 1964 to help found a voter registration project as part of Freedom Summer. As the summer unfolds, she confronts not only the political realities of race and poverty in this tiny town, but also deep truths about her family and herself. Drawing on Nicholas' own involvement in the movement, Freshwater Road was…
I am a theater historian whose research focuses on African American theater of 1940s-50s. While other periods and movements—the Harlem Renaissance (1920s), the Federal Theatre Project (1930s), the Black Arts Movement (1960s), and contemporary theater—have been well studied and documented, I saw a gap of scholarship around the 1940s-50s; I wondered why those years had been largely overlooked. As I dived deeper, I saw how African American performance culture (ie. theater, film, television, music) of the later-20th Century had its roots in the history of those somewhat overlooked decades. I’m still investigating that story, and these books have helped me do it.
I’ve taught Lorraine Hansberry’s landmark 1959 play A Raisin in the Sun many times in my university courses. That play transformed African American theater in the Civil Rights era and marked a phenomenal debut for its 29-year-old writer. In her too-short life (she died a few years later from pancreatic cancer), Hansberry built an extraordinary life as a writer, intellectual, and political activist. This biography tells that rich, remarkable story.
A "loving, lavishly detailed" (New York Times) and captivating portrait of Lorraine Hansberry's life, art, and political activism-one of O Magazine's best books of April 2021
"A devoted and deeply felt account of the development of an artist's mind."-Dave Itzkoff, New York Times Book Review (2021 Summer Reading issue)
In this acclaimed biography of Lorraine Hansberry, Soyica Diggs Colbert narrates a life at the intersection of art and politics, arguing that for Hansberry the theater operated as a rehearsal room for her political and intellectual work. Celebrated for her play A Raisin in the Sun, Hansberry was also the author…
Over the past 50 years, I've been one of those “tenured radicals” the right-wing loved to bash. But before that, during the 1960s, I worked, often full-time, in the social movements that didchange America: civil rights, anti-war, feminism. I was older, so I became a “professor-activist.” As a teacher, I applied what I had learned in the movements to reconstruct ideas about which writers mattered—women as well as men, minorities as well as whites: Zora Neale Hurston, Frederick Douglass, Adrienne Rich as well as Nathaniel Hawthorne, Herman Melville, Ernest Hemingway. Using that principle, I led a team that created a very successful collection, The Heath Anthology of American Literature.
Fifty-five stories of dedication, terror, rage, and faith make up Hands on the Freedom Plow. These narratives by women, black and white, describe their devotion to the activist Civil Rights work of the Student Nonviolent Coordinating Committee, SNCC—“snick.” I found myself powerfully drawn to accounts with which I was familiar—door-to-door organizing, singing meetings in the hot Mississippi summer, police and Klan assaults, jail time, but above all the solidarity of women (and men) fervent about the cause of achieving “freedom now.” Brief historical overviews of legendary 60s campaigns knit these accounts, as do the short bios that trace the enduring work—as singers, lawyers, preachers, organizers—of these women over the past 50 years.
In Hands on the Freedom Plow, fifty-two women--northern and southern, young and old, urban and rural, black, white, and Latina--share their courageous personal stories of working for the Student Nonviolent Coordinating Committee (SNCC) on the front lines of the Civil Rights Movement. The testimonies gathered here present a sweeping personal history of SNCC: early sit-ins, voter registration campaigns, and freedom rides; the 1963 March on Washington, the Mississippi Freedom Summer, and the movements in Alabama and Maryland; and Black Power and antiwar activism. Since the women spent time in the Deep South, many also describe risking their lives through beatings…
