Here are 100 books that The Three Mothers fans have personally recommended if you like
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I am the product of biracial parents, and the idea of passing or not has always fascinated me as well as disgusted me. The reasons one would want to pass in this era are much different than the survival aspect my ancestors who passed had to consider in the 19th century. In writing my YA historical novels, being biracial always enters in, no matter the topic, because it is who I am and, in the end, always rears its head for consideration.
I’ve read this book several times and saw the 2021 film. This is the quintessential novel on how skin color can affect one's choices in life as well as the life one is relegated to.
It made me really contemplate how someone can move from one world to another with either no concern (as in the case of Clare) or major angst, as in the case of Irene.
I loved this book because the struggles were real, and the end was unexpected.
A classic, brilliant and layered novel that has been at the heart of racial identity discourse in America for almost a century.
Clare Kendry leads a dangerous life. Fair, elegant, and ambitious, she is married to a white man unaware of her African American heritage and has severed all ties to her past. Clare's childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, but refuses to acknowledge the racism that continues to constrict her family's happiness. A chance encounter forces both women to confront the lies they have told others - and the…
As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.
This list could be full of Toni Morrison novels and be no worse for it.
I’d argue that the late writer is the finest we’ve ever had on the topics of grief, loss, and ancestry—especially from the Black American perspective. One of my favorite examples is Song of Solomon, a mesmerizing journey through what it takes to craft an identity in the midst of racism and the ruptures it creates in our lives.
Morrison's singular prose is pure magic as it weaves a tale of the enduring power of love. A literary masterpiece.
'Song of Solomon...profoundly changed my life' Marlon James
Macon 'Milkman' Dead was born shortly after a neighbourhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly.
In 1930s America Macon learns about the tyranny of white society from his friend Guitar, though he is more concerned with escaping the familial tyranny of his own father. So while Guitar joins a terrorist group Macon goes home to the South, lured by tales of buried family treasure. But his odyssey back home and a deadly confrontation…
I’m Kai Storm, author of reality-based urban fiction and erotica, erotica blogger, YouTuber, and Podcaster. I love reading books that feel real, that make you feel, and that teach you something as they entertain you.
This book scared the hell out of me when I was a teenager because its vivid descriptions stayed in my dreams yet it never stopped me from reading and loving the entire book.
It taught me a lot about following your intuition and/or gut feelings. Although it has been a long time since I read it, the main thing I remember is that your intuition is your protector, and listening to that inner voice helps a lot along the way.
Cover design by Harlem renaissance artist Lois Mailou Jones
When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ...
'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece…
I’m from North Carolina, and Inside the Wolf is the first book I’ve written about the American South. For a long time, I resisted writing about my home state. I moved to New York and tried to write elegant New York stories. But writing is thinking for me, and I had to think through some of the stories and memories and hauntings of my youth. The books on this list have made me want to keep doing it
Salvage the Bones was the first Jesmyn Ward book I read, and I fell for 14-year-old Esch, who loves Greek myths and a boy named Manny. Set in the days before Hurricane Katrina, Esch and her beloved brothers live young lives full of – well, full lives, that’s the point.
Ward told the Paris Review about living through Hurricane Katrina, “I saw an entire town demolished, people fighting over water, breaking open caskets searching for something that could help them survive. I realized that if I was going to assume the responsibility of writing about my home, I needed narrative ruthlessness. I couldn’t dull the edges and fall in love with my characters and spare them. Life does not spare us.”
Ward is an electrifying writer, and Salvage the Bones is an American classic.
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'A brilliantly pacy adventure story ... Ward writes like a dream' - The Times
'Fresh and urgent' - New York Times
'There's something of Faulkner to Ward's grand diction' - Guardian
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WINNER OF THE NATIONAL BOOK AWARD
Hurricane Katrina is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family.
Esch and her three brothers are stockpiling food, but there isn't much to save. Lately, Esch can't keep down what food she gets;…
I am a lawyer, law professor, and author of legal history books. Mostly, though, I have much to learn. Importantly, then, I believe in the possibilities of learning. But how? Teaching, in the transitive sense of cramming something into another person's head, is impossible; yet learning is infinitely possible. Ideas are what excite us to learn. In widely varied ways, I have found engaging ideas in—and have learned importantly from—each of these books.
A key work in the last part of Baldwin's life, as he was reassessing everything after the murders of Malcolm X, Martin Luther King, Jr., Robert Kennedy, and others in 1965-68. The reader can sense the aching effort Baldwin makes to retain hope and his sense of the worth of engagement with a world that so often rejected the essential him. Letting us, as his readers, into that doubt and pain and torment was an act of great honesty and, at bottom, love. Very few people could use the English language as powerfully as Baldwin (and he could do it in both spoken and written word, which puts him in a smaller group still). This book is a reminder of that power, too.
An extraordinary history of the turbulent sixties and early seventies that displays James Baldwin's fury and despair more deeply than any of his other works, and powerfully speaks to contemporary conversations around racism.
"It contains truth that cannot be denied.” — The Atlantic Monthly
In this stunningly personal document, James Baldwin remembers in vivid details the Harlem childhood that shaped his early conciousness and the later events that scored his heart with pain—the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his retum to the American South to confront a violent America…
I am the author of many acclaimed books for children. Connection, compassion, and family are common themes in my work. My books include Marvel’s Moon Girl and Devil Dinosaur: One Girl Can Make a Difference, Flying High: The Story of Gymnastics Champion Simone Biles, and Brave Ballerina: The Story of Janet Collins. I also contributed research and writing to Black Ballerinas: My Journey to Our Legacy by Misty Copeland. I studied journalism and literature at Syracuse University.
Capturing the spirit of Maya Angelou’s work, Renee Watson expertly chronicles Maya’s life with evocative poems. This book is a rhythmic tribute to the first Black person and the first woman to recite a poem at a presidential inauguration. Bryan Collier’s collage art perfectly complements each poem.
I especially love the poem called “Brother Jimmy, Brother Martin,” which highlights Maya’s deep love for James Baldwin and Martin Luther King Jr.
My favorite lines: “Jimmy was light in the darkest of rooms. Martin was water in a parched desert.”
From bestselling, award-winning creators Renee Watson and Bryan Collier comes a stunningly crafted picture book chronicling the life of poet and activist Maya Angelou.
This unforgettable picture book introduces young readers to the life and work of Maya Angelou, whose words have uplifted and inspired generations of readers. The author of the celebrated autobiography I Know Why the Caged Bird Sings, Maya was the first Black person and first woman to recite a poem at a presidential inauguration, and her influence echoes through culture and history. She was also the first Black woman to appear on the United States quarter.…
I have been an activist working on issues relating to human rights and youth protection for over fifteen years and during that time I worked as a lawyer and was lucky enough to make films and write two novels. Eventually, I would concentrate solely on activism and my reading would become very specific and as the focus of my activism changed and I directed my energies to corporate accountability my reading changed course again. The list I offer is from talented writers on important subjects, all write extremely well about things that matter to a human rights activist.
Baldwin writes both fiction and non-fiction beautifully and intimately and if you don’t know his non-fiction work then this is a very good place to start. Across a number of essays, he elegantly sets out the deep struggle faced by Black Americans and articulates how a different humanity, in America and beyond, and a different future can be realized.
#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in America
In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.
Written during the 1940s and early 1950s, when Baldwin was…
Born and raised in Poland during the Cold War, I learned that writers and intellectuals could be jailed, exiled, or even killed for their ideas. I came to James Baldwin over two decades ago in search of literature that told of freedom and humanism beyond national borders and simplistic binaries. As a Black queer man driven away from his homeland, Baldwin linked his personal pain, heartbreak, and torment to his public life, authorship, and activism. His art and life story have both inspired my labors as a bilingual and bicultural literary critic and biographer and provided a template for my own journey as an immigrant, mother of a Black child, teacher, writer, and scholar.
This book grew out of the labor of love both scholarly and personal. It brings together three generations of scholars and diverse, interdisciplinary approaches to this complex and still largely misunderstood and underappreciated Black queer writer and theorist of 20th-century US identity. Michele Elam’s introduction deftly reevaluates and situates Baldwin as a 20th-century master for contemporary readers here and now, while the essays collected here provide cutting-edge scholarship and much nuance and fresh insight. Theoretically rich and with several exquisitely written essays, it touches upon all of the major aspects of the writer’s fascinating life and works.
This Companion offers fresh insight into the art and politics of James Baldwin, one of the most important writers and provocative cultural critics of the twentieth century. Black, gay, and gifted, he was hailed as a 'spokesman for the race', although he personally, and controversially, eschewed titles and classifications of all kinds. Individual essays examine his classic novels and nonfiction as well as his work across lesser-examined domains: poetry, music, theatre, sermon, photo-text, children's literature, public media, comedy, and artistic collaboration. In doing so, The Cambridge Companion to James Baldwin captures the power and influence of his work during the…
Born and raised in Poland during the Cold War, I learned that writers and intellectuals could be jailed, exiled, or even killed for their ideas. I came to James Baldwin over two decades ago in search of literature that told of freedom and humanism beyond national borders and simplistic binaries. As a Black queer man driven away from his homeland, Baldwin linked his personal pain, heartbreak, and torment to his public life, authorship, and activism. His art and life story have both inspired my labors as a bilingual and bicultural literary critic and biographer and provided a template for my own journey as an immigrant, mother of a Black child, teacher, writer, and scholar.
This book should be much better known outside of academic circles! It grows out of a friendship between the famous photographer, Richard Avedon, and James Baldwin, who both attended the famous DeWitt Clinton high school in the Bronx. Avedon’s gorgeous photographs are accompanied by Baldwin's experimental, impressionistic prose, combining into what some scholars have characterized as a “photo - text.” Decades before we began drowning in the onslaught of Internet-provided visual media, it bound the pleasures of reading and seeing great art in one elegantly edited volume; I recommend reading it out loud. For those of us endowed with sight it is a veritable feast!
Richard Avedon and James Baldwin's landmark 1964 book finally back in print
This meticulous reprint of Richard Avedon and James Baldwin's Nothing Personal explores the complexities and contradictions still at the center of the American experience - especially timely in the age of Donald Trump. Deploying both image and text, Avedon and Baldwin examine the formation of identity, and the bonds that both underlie and undermine human connection. An accompanying 72-page booklet features a fresh essay by Pulitzer Prize-winning critic Hilton Als, and many of Avedon's unpublished outtakes, correspondence, preliminary layouts and ephemera.
Born and raised in Poland during the Cold War, I learned that writers and intellectuals could be jailed, exiled, or even killed for their ideas. I came to James Baldwin over two decades ago in search of literature that told of freedom and humanism beyond national borders and simplistic binaries. As a Black queer man driven away from his homeland, Baldwin linked his personal pain, heartbreak, and torment to his public life, authorship, and activism. His art and life story have both inspired my labors as a bilingual and bicultural literary critic and biographer and provided a template for my own journey as an immigrant, mother of a Black child, teacher, writer, and scholar.
This is still the most comprehensive and detailed account of the writer’s life and works. Leeming worked closely with Baldwin as an assistant and secretary after first meeting him in Istanbul.
I love this book, for it was my introduction to Baldwin and his life as an exile and one of the most powerful social and cultural critics of twentieth-century America. It’s written accessibly—the life-story narrative flows easily and one feels the author’s compassion for and understanding of the writer’s evolution, process, as well as his specific works.
It has taught me that the best biographies both reveal and conceal their authors’ personal investment in their subject and their own life stories. And that the best biographers must skillfully and passionately play with both.
Years ago when I first read it, it was helpful in overcoming my initial terror as an immigrant from the Other Europe, the terror that I…
"The most revealing and subjectively penetrating assessment of Baldwin's life yet published." -The New York Times Book Review. "The first Baldwin biography in which one can recognize the human features of this brilliant, troubled, principled, supremely courageous man." -Boston Globe
James Baldwin was one of the great writers of the last century. In works that have become part of the American canon-Go Tell It on a Mountain, Giovanni's Room, Another Country, The Fire Next Time, and The Evidence of Things Not Seen-he explored issues of race and racism in America, class distinction, and sexual difference.
