Here are 100 books that Lost in the City fans have personally recommended if you like
Lost in the City.
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Mid-life for women is many things, including greatly underrepresented in the stories around us. I am forever in awe of the women around me as they continue to rise to each crazy occasion that life presents, managing and coping with wisdom, humor, and strength. This is why I am recommending these books about kickass middle-aged women. I wrote a novel inspired by some of my own challenges in mid-life. It was published by Atria Books, Simon & Schuster. I hope you love the recommendations as much as I do and that you’ll be inspired to check out my book as well.
I love this book because it is not afraid to look at deep sadness and disappointment in an honest and complex way. This novel is a collection of short stories that all take place in a coastal Main town and are connected by the large presence of Olive.
Olive is intelligent, acerbic, and abrasive. She is anything but easy. I appreciate the compassion Strout gives her imperfect characters as they struggle with their messy lives. I grew to care more for Olive as I traveled her rocky path with her, even as she was often the one to throw down the rocks before her.
This is a quiet book, which I read in a quiet way. It brought me comfort in its illumination of uncomfortable things.
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the #1 New York Times bestselling author of the Oprah’s Book Club pick Olive, Again
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her.”—USA Today
NAMED ONE OF THE BEST BOOK OF THE YEAR BY The Washington Post Book World • USA Today • San Francisco Chronicle • Chicago Tribune • Seattle Post-Intelligencer • People • Entertainment Weekly • The Christian Science Monitor • The Plain Dealer • The Atlantic • Rocky Mountain News • Library Journal
For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe we’re each the result of an intersection between personality and history and I’m interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period I’m writing about, the most important thing is always to tell a good story.
I really admire how this book traces two lines of a tumultuous family history through a series of short stories.
Opening in Ghana 250 years ago, the book follows two trajectories: one family branch that is kidnapped into slavery in America, and a second that remains in Africa while collaborating with slave traders.
This is a brave book that is not afraid to pose difficult questions, but in doing so, it opens a clear-eyed perspective on the way that history shapes us.
Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.…
I’m a novelist whose debut, City of a Thousand Gates, follows the lives of over thirty characters as they collide and intersect in modern-day Jerusalem and the West Bank. In order to develop the skills and techniques necessary to make such a large cast of characters feel cohesive—and have their storylines intersect plausibly—I read obsessively from the novel-in-stories form. As I found, many of these books existed in a grey area between the novel and the short story. Personally, I consider grey areas to be the most exciting to explore. By examining how fiction writers created brilliantly interconnected short stories, I was inspired to create an ambitious, sweeping novel with a diverse cast of characters.
Hemingway can be a challenge for me—reading him, I sometimes feel I’m standing in front of a closed-door—so I rolled my eyes a bit when a mentor of mine suggested that this short story collection might help me with my own work. But boy, did I stand corrected. Through short stories and fragmentary vignettes, Hemingway paints a deeply interior portrait of a man trying to return from war. It directly inspired me to include short, emotionally intense interstitial chapters to break up the longer, meatier chapters of my novel.
A Vintage Classics edition of the early collection of short fiction that first established Ernest Hemingway's reputation, including several of his most loved stories
Ernest Hemingway, winner of the Nobel Prize in Literature in 1954, did more to change the style of fiction in English than any other writer of his time with his economical prose and terse, declarative sentences that conceal more than they reveal. In Our Time, published in 1925, was the collection that first drew the world's attention to Hemingway. Besides revealing his versatility as a writer and throwing fascinating light on the themes of his major…
As an immigrant in the United States, I have been fascinated by the dynamics between races and cultures—both in the country and globally. As I travel extensively (63 countries so far), I experience some of the biases firsthand—sometimes in the unlikeliest places. I have come to realize that despite the difference in the color of our skin—and the clothes we wear—we are more alike than different.
I loved the book because it’s an insightful window into the challenges of a troubled community, the native Indians, who are still haunted by the painful past and face an uncertain future. I loved how the writer picks the thread of stories of many characters who have chosen to live outside reservations and then knits them all together in the end.
Unique characters with unique stories and strong evocative writing make There There a remarkable debut.
** Shortlisted for the 2020 International Dublin Literary Award **
One of Barack Obama's best books of 2018, the New York Times bestselling novel about contemporary America from a bold new Native American voice
'A thunderclap' Marlon James 'Astonishing' Margaret Atwood, via Twitter 'Pure soaring beauty' Colm Toibin
Jacquie Red Feather is newly sober and hoping to reconnect with her estranged family. That's why she is there. Dene is there because he has been collecting stories to honour his uncle's death, while Edwin is looking for his true father and Opal came to watch her boy Orvil dance.
I’m a writer fascinated by landscape and history—and the American West is my magnet. I’ve set three books in the West. I can’t get enough of the place. An entire national myth is enshrined “where the deer and the antelope play.” Independence. Freedom from the past. Land we can supposedly call our own. The West is so beautiful and also so scarred. I love to read books that deepen my experience of the deserts, mountains, and rivers. I also love to learn about the people who were here before me, those who have hung on, and those who hope to heal the scars. These books are great stories about a bewitching place.
Annie Proulx is a genius with character, and she’s obsessed with how hard humans work to uphold their myths of identity and achievement even when the odds are stacked against them. Close Range is the best of her three very good story collections about the West. It’s famous, and rightly so, for the trail-blazing tale of cowboy queerness "Brokeback Mountain". But each story is taut with observation and image. “The Mud Below,” “The Half-Skinned Steer”—there’s more than one American classic in this book. Some Westerners aren’t fans of Proulx, but I am. She doesn’t pull her punches about what it’s really like to ranch, rodeo, fantasize about retirement, or care for family in a place with no safety net, extreme weather, and no neighbors around the corner.
From the Pulitzer Prize–winning and bestselling author of The Shipping News and Accordion Crimes comes one of the most celebrated short story collections of our time.
Annie Proulx's masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and wrong kinds of love. In "The Mud Below," a rodeo rider's obsession marks the deepening fissures between his family life and self-imposed isolation. In "The Half-Skinned Steer," an elderly fool drives west to the ranch he grew up on for his brother's funeral, and dies a mile from home. In "Brokeback Mountain," the…
Alongside writing poems and short stories, I am a clinical psychologist focusing on the psychology of men. People echo the vastness of the stellar expanse in which only 1% is matter like the planets and stars, our bodies, days in which we love and hate, moments we embody healthy intimacy or enact violence, the light that gives the face radiance. 19% of the universe is dark energy, and 80% dark matter-- less than 1% is light, and yet light is the foundation of life. "God is light," the ancient text intones, and though the words resound, what that light means in the despair of this world is a beloved mystery.
How do we overcome the most wild and unforgiving shadows of our personal and communal life together? If anyone can help us more closely understand our lack of understanding of one another, it is the Pulitzer Prize winning novelist and short story writer, Richard Ford. The spare beauty of Wildlife(Ford’s homage to the dark force of lost love), is in close attunement with his cult classic of short story lore, Rock Springs. Ford’s subtlety and power as an artist are irrevocably tied to the uncommon life-giving capacity he shapes in us when we give ourselves to the ancient wisdom of this story collection.
Ten “beautifully imagined and crafted stories” of the American West by the Pulitzer Prize–winning author of Independence Day (Joyce Carol Oates).
In these ten exquisite stories, Richard Ford explores the wind-scrubbed landscape of the American West and the guarded hopes and gnawing loneliness of the people who live there: a refugee from justice driving across Wyoming with his daughter and girlfriend in a stolen Mercedes; a boy watching his family dissolve in a night of tragicomic violence; and two men and a woman swapping hard-luck stories in a frontier bar as they try to sweeten their luck.
Alongside writing poems and short stories, I am a clinical psychologist focusing on the psychology of men. People echo the vastness of the stellar expanse in which only 1% is matter like the planets and stars, our bodies, days in which we love and hate, moments we embody healthy intimacy or enact violence, the light that gives the face radiance. 19% of the universe is dark energy, and 80% dark matter-- less than 1% is light, and yet light is the foundation of life. "God is light," the ancient text intones, and though the words resound, what that light means in the despair of this world is a beloved mystery.
The title story of this collection is a miracle of human relations, ecstatic prose cut to perfection, and the multivalent understandings that arise when we give ourselves freely, openly, and yes brokenly to the will to love. There is nothing so sweet as the kind of development and shaping of humanity found in Davis’ short stories. An author whose work has appeared inBest American Short Storiesand won a Pushcart Prize, Davis is an author who has not received the kind of national following she deserves.
Claire Davis's novels have won acclaim from reviewers, readers, and booksellers alike. In "Labors of the Heart", she offers a stunning first collection of stories, some of which have been honoured by the Pushcart and Best American Short Stories anthologies. Adultery presents the quandary of a middle-aged man whose mother is cheating on her husband by keeping company with her ex-husband. In Grounded, a mother follows her teenage son as he attempts to run away along Montana's highways. And in Labors of the Heart, a lonely man - enormous and virginal - is literally struck by love for a woman…
Alongside writing poems and short stories, I am a clinical psychologist focusing on the psychology of men. People echo the vastness of the stellar expanse in which only 1% is matter like the planets and stars, our bodies, days in which we love and hate, moments we embody healthy intimacy or enact violence, the light that gives the face radiance. 19% of the universe is dark energy, and 80% dark matter-- less than 1% is light, and yet light is the foundation of life. "God is light," the ancient text intones, and though the words resound, what that light means in the despair of this world is a beloved mystery.
Master of the novella (Legends of the Fall; Revenge; The Man Who Changed His Name), screenwriter, poet (The Theory and Practice of Rivers), and short story writer, Jim Harrison is unafraid to write with the kind of masculine energy that fills the world with a desire for life, freedom, autonomy, and intimacy. His powerful novella, The Woman Lit by Fireflies, the final movement in this collection, gathers the feminine and the masculine in a form of nonbinary exchange that results in deeper hope, and greater love.
Three novellas by the author of Legends of the Fall. “A brilliant tour de force . . . Jim Harrison at his peak: comic, erotic, and insightful” (San Francisco Chronicle).
Across the odd contours of the American landscape, people are searching for the things that aren’t irretrievably lost, for the incandescent beneath the ordinary. An ex-Bible student with raucously asocial tendencies rescues the preserved body of an Indian chief from the frigid depths of Lake Superior in a caper that nets a wildly unexpected bounty. A band of sixties radicals, now approaching middle age, reunite to free an old comrade…
Reading and writing romance about characters who are beyond the first blush of youth is important to me because these characters represent who I am and the people I know. We live in an unapologetically youth-centric culture. When I wrote my first book, I wrote about a 40-year-old heroine, not realizing that in traditional romance publishing, no one over 30, maybe 35, gets to fall in love. Well, I had news for them. I joined forces with some other like-minded readers and writers and we created a group on Facebook called Seasoned Romance, where we say you’re never too old to fall in love.
Small town romance + coming home + second chance? This book was like catnip to me. Dakota and Dexter felt like real people I would know. I love any story that explores how our needs and ambitions change as we grow older, and this book delivered. Dexter made choices when they were young. Dakota made some career choices that have set her life in a tailspin. I also very much enjoyed the friendship between Dakota and her best friend, Sinclair (Sin). Enduring friendships are another facet of a character’s ability to love that I enjoy seeing in a good romance.
In this heartwarming second-chance romance, a woman returns home and discovers that, when it comes to finding love, there's no place like home.
Since leaving her North Carolina town and the boy who broke her heart, Dakota Jones has focused on making it big as a journalist. But when a mistake in her personal life gets splashed across the tabloids and causes her to lose her job, she has no choice but to return home until she can figure out what to do next.
Dexter Roberts never forgot Dakota, and he's always regretted the way things ended between them. Now…
If five gentlemen from Mexico, a colored/negro woman from Eatonville, Florida, a former President who happened to be white, with historical privilege, from Plains, Georgia, and two Professors of History can use their knowledge, training, God’s gifts to help us to understand history better, why shouldn't I also be passionate and excited to write. Telling stories, writing, contributing, and unearthing lies and truths so that a child who looks like me – or who does not look like me – is provided a better world. Let me hokey about this – maybe the word is dorky – whatever, the privilege is mine.
This work is not a history book but a collection of Zora Neal Hurston’s writings. Hurston wrote fiction and nonfiction and was a trained anthropologist. Her work taught me that history is oft-times found in the strangest places. This reader did this for me – a writer and anthropologist Hurston was. When I read the reader, I wanted to raise my hand and ask questions. Other times, I remained silent, only talking to myself and thinking.
In my former life as a trial lawyer, I remember quoting her writings in a final argument to explain language and culture. As my voice broke, tears flowed – this was the first time I explained the power of this book. They understood, and some of my jurors cried with me.
The foundational, classic anthology that revived interest in the author of Their Eyes Were Watching God—"one of the greatest writers of our time"—and made her work widely available for a new generation of readers (Toni Morrison).
During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston's unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press.
I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston…
