Here are 100 books that Lost in the City fans have personally recommended if you like
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I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.
Outspoken, cantankerous, deep-hearted Olive Kitteridge is a character unlike any other, and I loved how the interconnected stories let us see her, her family, and her community at various points in time and how their decisions and ways of being affect the arcs of their lives.
I loved the complexity and uniqueness of all the characters, as well as the insights that this book offers about the intricacies, nuances, difficulties, and joys of being human.
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the #1 New York Times bestselling author of the Oprah’s Book Club pick Olive, Again
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her.”—USA Today
NAMED ONE OF THE BEST BOOK OF THE YEAR BY The Washington Post Book World • USA Today • San Francisco Chronicle • Chicago Tribune • Seattle Post-Intelligencer • People • Entertainment Weekly • The Christian Science Monitor • The Plain Dealer • The Atlantic • Rocky Mountain News • Library Journal
For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe we’re each the result of an intersection between personality and history and I’m interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period I’m writing about, the most important thing is always to tell a good story.
I really admire how this book traces two lines of a tumultuous family history through a series of short stories.
Opening in Ghana 250 years ago, the book follows two trajectories: one family branch that is kidnapped into slavery in America, and a second that remains in Africa while collaborating with slave traders.
This is a brave book that is not afraid to pose difficult questions, but in doing so, it opens a clear-eyed perspective on the way that history shapes us.
Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.…
I’m a novelist whose debut, City of a Thousand Gates, follows the lives of over thirty characters as they collide and intersect in modern-day Jerusalem and the West Bank. In order to develop the skills and techniques necessary to make such a large cast of characters feel cohesive—and have their storylines intersect plausibly—I read obsessively from the novel-in-stories form. As I found, many of these books existed in a grey area between the novel and the short story. Personally, I consider grey areas to be the most exciting to explore. By examining how fiction writers created brilliantly interconnected short stories, I was inspired to create an ambitious, sweeping novel with a diverse cast of characters.
Hemingway can be a challenge for me—reading him, I sometimes feel I’m standing in front of a closed-door—so I rolled my eyes a bit when a mentor of mine suggested that this short story collection might help me with my own work. But boy, did I stand corrected. Through short stories and fragmentary vignettes, Hemingway paints a deeply interior portrait of a man trying to return from war. It directly inspired me to include short, emotionally intense interstitial chapters to break up the longer, meatier chapters of my novel.
A Vintage Classics edition of the early collection of short fiction that first established Ernest Hemingway's reputation, including several of his most loved stories
Ernest Hemingway, winner of the Nobel Prize in Literature in 1954, did more to change the style of fiction in English than any other writer of his time with his economical prose and terse, declarative sentences that conceal more than they reveal. In Our Time, published in 1925, was the collection that first drew the world's attention to Hemingway. Besides revealing his versatility as a writer and throwing fascinating light on the themes of his major…
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
This book centers around the plight of twelve young, urban Native Americans in Oakland, California, who, having lost connection to the land and their heritage, struggle to make sense of their identity. For various reasons, they all travel to and converge at the Big Oakland Powwow.
It is a gut-wrenching story that grapples with the disenfranchisement of Native Americans, starting with the colonies; the novel opens with a true account of the so-called Indian Wars. An account of history that was rewritten to make us feel good about Thanksgiving. I loved it for the opening scene and the historical references. An impossible to put down novel.
** Shortlisted for the 2020 International Dublin Literary Award **
One of Barack Obama's best books of 2018, the New York Times bestselling novel about contemporary America from a bold new Native American voice
'A thunderclap' Marlon James 'Astonishing' Margaret Atwood, via Twitter 'Pure soaring beauty' Colm Toibin
Jacquie Red Feather is newly sober and hoping to reconnect with her estranged family. That's why she is there. Dene is there because he has been collecting stories to honour his uncle's death, while Edwin is looking for his true father and Opal came to watch her boy Orvil dance.
I’m a writer fascinated by landscape and history—and the American West is my magnet. I’ve set three books in the West. I can’t get enough of the place. An entire national myth is enshrined “where the deer and the antelope play.” Independence. Freedom from the past. Land we can supposedly call our own. The West is so beautiful and also so scarred. I love to read books that deepen my experience of the deserts, mountains, and rivers. I also love to learn about the people who were here before me, those who have hung on, and those who hope to heal the scars. These books are great stories about a bewitching place.
Annie Proulx is a genius with character, and she’s obsessed with how hard humans work to uphold their myths of identity and achievement even when the odds are stacked against them. Close Range is the best of her three very good story collections about the West. It’s famous, and rightly so, for the trail-blazing tale of cowboy queerness "Brokeback Mountain". But each story is taut with observation and image. “The Mud Below,” “The Half-Skinned Steer”—there’s more than one American classic in this book. Some Westerners aren’t fans of Proulx, but I am. She doesn’t pull her punches about what it’s really like to ranch, rodeo, fantasize about retirement, or care for family in a place with no safety net, extreme weather, and no neighbors around the corner.
From the Pulitzer Prize–winning and bestselling author of The Shipping News and Accordion Crimes comes one of the most celebrated short story collections of our time.
Annie Proulx's masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and wrong kinds of love. In "The Mud Below," a rodeo rider's obsession marks the deepening fissures between his family life and self-imposed isolation. In "The Half-Skinned Steer," an elderly fool drives west to the ranch he grew up on for his brother's funeral, and dies a mile from home. In "Brokeback Mountain," the…
Alongside writing poems and short stories, I am a clinical psychologist focusing on the psychology of men. People echo the vastness of the stellar expanse in which only 1% is matter like the planets and stars, our bodies, days in which we love and hate, moments we embody healthy intimacy or enact violence, the light that gives the face radiance. 19% of the universe is dark energy, and 80% dark matter-- less than 1% is light, and yet light is the foundation of life. "God is light," the ancient text intones, and though the words resound, what that light means in the despair of this world is a beloved mystery.
How do we overcome the most wild and unforgiving shadows of our personal and communal life together? If anyone can help us more closely understand our lack of understanding of one another, it is the Pulitzer Prize winning novelist and short story writer, Richard Ford. The spare beauty of Wildlife(Ford’s homage to the dark force of lost love), is in close attunement with his cult classic of short story lore, Rock Springs. Ford’s subtlety and power as an artist are irrevocably tied to the uncommon life-giving capacity he shapes in us when we give ourselves to the ancient wisdom of this story collection.
Ten “beautifully imagined and crafted stories” of the American West by the Pulitzer Prize–winning author of Independence Day (Joyce Carol Oates).
In these ten exquisite stories, Richard Ford explores the wind-scrubbed landscape of the American West and the guarded hopes and gnawing loneliness of the people who live there: a refugee from justice driving across Wyoming with his daughter and girlfriend in a stolen Mercedes; a boy watching his family dissolve in a night of tragicomic violence; and two men and a woman swapping hard-luck stories in a frontier bar as they try to sweeten their luck.
Alongside writing poems and short stories, I am a clinical psychologist focusing on the psychology of men. People echo the vastness of the stellar expanse in which only 1% is matter like the planets and stars, our bodies, days in which we love and hate, moments we embody healthy intimacy or enact violence, the light that gives the face radiance. 19% of the universe is dark energy, and 80% dark matter-- less than 1% is light, and yet light is the foundation of life. "God is light," the ancient text intones, and though the words resound, what that light means in the despair of this world is a beloved mystery.
The title story of this collection is a miracle of human relations, ecstatic prose cut to perfection, and the multivalent understandings that arise when we give ourselves freely, openly, and yes brokenly to the will to love. There is nothing so sweet as the kind of development and shaping of humanity found in Davis’ short stories. An author whose work has appeared inBest American Short Storiesand won a Pushcart Prize, Davis is an author who has not received the kind of national following she deserves.
Claire Davis's novels have won acclaim from reviewers, readers, and booksellers alike. In "Labors of the Heart", she offers a stunning first collection of stories, some of which have been honoured by the Pushcart and Best American Short Stories anthologies. Adultery presents the quandary of a middle-aged man whose mother is cheating on her husband by keeping company with her ex-husband. In Grounded, a mother follows her teenage son as he attempts to run away along Montana's highways. And in Labors of the Heart, a lonely man - enormous and virginal - is literally struck by love for a woman…
Alongside writing poems and short stories, I am a clinical psychologist focusing on the psychology of men. People echo the vastness of the stellar expanse in which only 1% is matter like the planets and stars, our bodies, days in which we love and hate, moments we embody healthy intimacy or enact violence, the light that gives the face radiance. 19% of the universe is dark energy, and 80% dark matter-- less than 1% is light, and yet light is the foundation of life. "God is light," the ancient text intones, and though the words resound, what that light means in the despair of this world is a beloved mystery.
Master of the novella (Legends of the Fall; Revenge; The Man Who Changed His Name), screenwriter, poet (The Theory and Practice of Rivers), and short story writer, Jim Harrison is unafraid to write with the kind of masculine energy that fills the world with a desire for life, freedom, autonomy, and intimacy. His powerful novella, The Woman Lit by Fireflies, the final movement in this collection, gathers the feminine and the masculine in a form of nonbinary exchange that results in deeper hope, and greater love.
Three novellas by the author of Legends of the Fall. “A brilliant tour de force . . . Jim Harrison at his peak: comic, erotic, and insightful” (San Francisco Chronicle).
Across the odd contours of the American landscape, people are searching for the things that aren’t irretrievably lost, for the incandescent beneath the ordinary. An ex-Bible student with raucously asocial tendencies rescues the preserved body of an Indian chief from the frigid depths of Lake Superior in a caper that nets a wildly unexpected bounty. A band of sixties radicals, now approaching middle age, reunite to free an old comrade…
We are two historians who have been writing together for about a decade now, first on project related to race relations after WWI, then on a book about debates over the enlistment age in nineteenth century America. Rebecca teaches at UCSD while Frances works at the University of Sydney in Australia, but we regularly meet online to write together and talk about our favorite new books.
Historians have charted the long, slow process of emancipation in Northern states. But no one has looked before at how children fared during this process. Webster’s ground-breaking work shows that it was virtually impossible for Black children in ostensibly free states to escape politics: as individuals living in a racist society, and as symbols of African Americans’ future, whatever they did or said was invariably surveilled, dissected, and judged. Racist thinking and racialised structures also severely curtailed freedom for the young.
Many Black Northern children were indentured or bound out, often in exploitative labor arrangements that restricted future possibilities. Others were confined to institutions like reformatories or orphanages, usually segregated based on pseudoscientific understandings of race that marked Black children as deviant, violent, or inferior. Circumventing the way Black suffering has been obscured in historical records, Webster manages to piece together archival fragments that show widespread victimization of Black children…
For all that is known about the depth and breadth of African American history, we still understand surprisingly little about the lives of African American children, particularly those affected by northern emancipation. But hidden in institutional records, school primers and penmanship books, biographical sketches, and unpublished documents is a rich archive that reveals the social and affective worlds of northern Black children. Drawing evidence from the urban centers of Boston, New York, and Philadelphia, Crystal Webster's innovative research yields a powerful new history of African American childhood before the Civil War. Webster argues that young African Americans were frequently left…
I have a youthful spirit, but an old soul. Perhaps, that’s why I love African American history and gravitated to Black Studies as my undergraduate degree. My reverence for my ancestors sends me time and again to African-American historical fiction in an effort to connect with our past. Growing up, I was that kid who liked being around my elders and eavesdropping on grown-ups' conversations. Now, I listen to my ancestors as they guide my creativity. I’m an award-winning hybrid author writing contemporary and historical novels, and I value each. Still, it’s those historical characters and tales that snatch me by the hand and passionately urge me to do their bidding.
Part coming-of-age story, part slice of adult drama and misbehavior, this book impressed itself on my memory with its deceptive sweetness and heart-wrenching likability. It touches on teenaged pregnancy while examining infidelity stemming from a faulty marriage between a likable man and a bitter woman. I loved its honest examination of problematic, complex relationships—husband to wife, and child to adult. It is beautifully drawn, complex, and definitely on my "Books I can Re-Read Endlessly” list.
Part coming-of-age story and part slice of life, this is a literary novel about African-Americans in the rural South.
Set in rural Virginia during 1948, Miss Ophelia is a remarkable debut novel that explores the issues of abortion, illegitimacy, adultery, and skin color. Belly Anderson now in the autumn of her life, reminisces about the last summer of her childhood. A strong-willed and free-spirited eleven-year-old, she reluctantly leaves her home in rural Pharaoh and goes to Jamison to help her mean Aunt Rachel recover from surgery. Belly has two reasons for deciding to go to Jamison: She's left alone when…
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