100 books like Tulip Fever

I am a very realistic person, curious by nature, who loves a good thrill. A good twist—no matter the genre—that has all the above recommendations captures my attention. A feel-good chick flick or book does nothing for my curious side but adds a twist or two and you have me hooked. Love at war is that kind of book. It has a few twists that touch on important topics and leave you with a few thoughts to think about afterward. Life is not only marshmallows and sprinklers. Life is real and I like my books like that, too. Therefore, I call myself a multi-genre author. I don’t want to be bound by one genre.

I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.

As an art historian and painter, I was inevitably drawn to the theme of artists and their muses when I started writing historical fiction. Female, passive, disempowered, and doomed sums up the fate of most muses. History is littered with their corpses - Rossetti’s model Lizzie Siddal committed suicide, Rodin’s model Camille Claudel went mad, Edie Sedgwick, made famous by Warhol, died of an overdose. The title ‘muse’ might offer immortality, but their lives were often hell on earth.  My books set out to understand what drove these women, some of whom were artists in their own right, to make such huge sacrifices. 

As an art historian and painter, I was inevitably drawn to the theme of artists and their muses when I started writing historical fiction. Female, passive, disempowered, and doomed sums up the fate of most muses. History is littered with their corpses - Rossetti’s model Lizzie Siddal committed suicide, Rodin’s model Camille Claudel went mad, Edie Sedgwick, made famous by Warhol, died of an overdose. The title ‘muse’ might offer immortality, but their lives were often hell on earth.  My books set out to understand what drove these women, some of whom were artists in their own right, to make such huge sacrifices. 

I've been going by the handle ‘Dr. Coffee’ online for over a decade now. I really do have a PhD. in coffee! In 2007 I embarked on a doctorate and wrote my thesis on ideas of quality in the coffee industry. The inevitable question is then, ‘what do you do with a PhD in coffee?’ and my answer was to open coffee shops, first in the UK and then in Canada. In recent years, I've switched from owning a coffee shop with books in it to a bookshop with coffee in it, but it still manages to satisfy both passions. I firmly believe there is no better combination than hot coffee and good books.  

I grew up in a small village in a very rural part of Scotland. It was perhaps inevitable, then, that I would have an interest in the urban. Cities, especially big cities, seemed wonderfully exciting when I was growing up, full of mystery and promise, intoxicating, transgressive, with a hint of danger and a whiff of excitement. That fascination has stayed with me throughout my academic career as I have explored different facets of the urban experience. I am aware of the growing inequality but remain optimistic about the progressive possibilities and redemptive power of the urban experience to change lives and attitudes.

I'm an Anglo-Dutch writer living in the Netherlands, and the author of two books. Growing up in England I never thought much about rivers, but in the Netherlands they’re hard to avoid, and I’ve become fascinated by them. These days, when we all work remotely and (when rules allow) usually travel by car, train, or plane rather than boat, it’s easy to think of rivers as just scenic backdrops, rather than anything more important. But the truth is many of our cities wouldn’t exist without the waters which flow through them, and waterways like the Rhine, Thames, and Seine have had a huge influence on the history and culture of the people living alongside them. If you want to understand why somewhere like Rotterdam, London or Paris is the way it is, you could spend the day in a library or museum – but you’d be better off going for a boat ride or swim, poking around under some bridges and talking to the fishermen, boatmen, and kayakers down at the waterline.

I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.

As a child with older sisters, I read their books beyond my age level under the blankets with a flashlight in bed at night. I became a reading addict. Raised in The Netherlands with the Second World War casting its large shadow on our lives, I only became interested, after my parents were gone, in how people survived and had to find their courage under impossible circumstances. They would never talk about those occupation years. My search into history led me to find the answers.