Here are 100 books that Amsterdam fans have personally recommended if you like
Amsterdam.
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I grew up in a small village in a very rural part of Scotland. It was perhaps inevitable, then, that I would have an interest in the urban. Cities, especially big cities, seemed wonderfully exciting when I was growing up, full of mystery and promise, intoxicating, transgressive, with a hint of danger and a whiff of excitement. That fascination has stayed with me throughout my academic career as I have explored different facets of the urban experience. I am aware of the growing inequality but remain optimistic about the progressive possibilities and redemptive power of the urban experience to change lives and attitudes.
A magisterial review of the role of cities in economic and social change. Superbly written it is packed with information on cities at significant periods in social and economic transformation. The writer’s love of cities and their role in innovative change are crystal clear. He is so optimism about our urban futures that he gives me hope
Ranging over 2,500 years, Cities in Civilization is a tribute to the city as the birthplace of Western civilization. Drawing on the contributions of economists and geographers, of cultural, technological, and social historians, Sir Peter Hall examines twenty-one cities at their greatest moments. Hall describes the achievements of these golden ages and outlines the precise combinations of forces -- both universal and local -- that led to each city's belle epoque.
Hall identifies four distinct expressions of civic innovation: artistic growth, technological progress, the marriage of culture and technology, and solutions to evolving problems. Descriptions of Periclean Athens, Renaissance Florence,…
I grew up in a small village in a very rural part of Scotland. It was perhaps inevitable, then, that I would have an interest in the urban. Cities, especially big cities, seemed wonderfully exciting when I was growing up, full of mystery and promise, intoxicating, transgressive, with a hint of danger and a whiff of excitement. That fascination has stayed with me throughout my academic career as I have explored different facets of the urban experience. I am aware of the growing inequality but remain optimistic about the progressive possibilities and redemptive power of the urban experience to change lives and attitudes.
The boring title masks a great book written by Marx’s collaborator. It has all the anger and verve of an angry young man appalled by the conditions of English cities in the mid-nineteenth century. It is classic that reads as it was written yesterday. It is not only evocatively descriptive it also passionately engaged with moral outrage. A classic of urban writing and social concern.
The history of the proletariat in England begins with the second half of the last century, with the invention of the steam-engine and of machinery for working cotton. These inventions gave rise, as is well known, to an industrial revolution, a revolution which altered the whole civil society; one, the historical importance of which is only now beginning to be recognised. England is the classic soil of this transformation, which was all the mightier, the more silently it proceeded; and England is, therefore, the classic land of its chief product also, the proletariat. Only in England can the proletariat be…
I grew up in a small village in a very rural part of Scotland. It was perhaps inevitable, then, that I would have an interest in the urban. Cities, especially big cities, seemed wonderfully exciting when I was growing up, full of mystery and promise, intoxicating, transgressive, with a hint of danger and a whiff of excitement. That fascination has stayed with me throughout my academic career as I have explored different facets of the urban experience. I am aware of the growing inequality but remain optimistic about the progressive possibilities and redemptive power of the urban experience to change lives and attitudes.
It reads like a great novel but is a great work of non-fiction. The subject is India’s capital as it undergoes massive change and growing polarization. The book gets under the surface of change to reveal some of its costs and consequences. The book is a great blend of reportage, political critique, and sympathetic accounts of the varied citizenry, from the very wealthy to the very poor. A fascinating and empathetic account of rapid change in one of the city's largest cities in one of the world's most populous countries as it both fashions and is impacted by globalization.
**Winner of the 2017 Ryszard Kapuscinski Award for Literary Reportage**
**Short-listed for the Orwell Prize and for the Royal Society of Literature Ondaatje Prize**
An extraordinary portrait of the fastest-growing city in the world-and the rise of a new global elite
Since the opening up of India's economy in 1991, wealth has poured into the country, and especially into Delhi. Capital bears witness to the astonishing metamorphosis of India's capital city, charting its emergence from a rural backwater to the center of India's new elites. No other place on earth better embodies the breakneck, radically disruptive nature of the global…
I am an anthropologist and studied homelessness in Paris and London for the last decade. I was drawn into the world of people on the streets when I moved to London and started observing their parallel world. I spent almost a year with people on the street in London and two years in Paris. I volunteered in day centers, safe injection facilities, and soup kitchens and slept in a homeless shelter. Since I finished my first book on my observations in Paris, I have advised both policymakers on homelessness and written countless journalistic articles. My goal is always to provide a clearer picture of homelessness through the eyes of the people themselves.
I met Matthew Desmond before he became one of the youngest Professors with his own center at Princeton University. He was visiting London, had just published his first book, and was still finishing the research for this book.
Desmond did an enormous amount of field research; he spent months living in a trailer park, on top of thousands of hours in archives and courtrooms where eviction cases are decided. The result is the best book I have ever read about poverty.
What happens when ‘normal people’ get evicted? Desmond’s story is rich and personal, and that is what we need: we need to understand the lives of poor people better in order to finally decide that we must change the systems that put them there.
*WINNER OF THE 2017 PULITZER PRIZE FOR NON-FICTION* 'Beautifully written, thought-provoking, and unforgettable ... If you want a good understanding of how the issues that cause poverty are intertwined, you should read this book' Bill Gates, Best Books of 2017
Arleen spends nearly all her money on rent but is kicked out with her kids in Milwaukee's coldest winter for years. Doreen's home is so filthy her family call it 'the rat hole'. Lamar, a wheelchair-bound ex-soldier, tries to work his way out of debt for his boys. Scott, a nurse turned addict, lives in a gutted-out trailer. This is…
I believe there is a supernatural spirit that guides the universe, and I am passionate about the God who created it. From the many experiences in my life, I have learned that there is a bigger picture. That picture is God. You can believe in his power to change lives or not. You can believe in him and his son or not, but that does not mean they don't exist. I may not believe in life in other galaxies, but that does not mean they are not out there somewhere.
This is undoubtedly the most captivating biography I’ve had the pleasure to read.
This woman, in the prime of her very ‘alive’, but somewhat distorted sexually active life is confused by her childhood, accosted by the Germans during the war, yet brings inspiration and love to those in the Nazi camp she finds herself living as wars escalate. She is hope.
On 8 March 1941, a 27-year-old Jewish Dutch student living in Nazi-occupied Amsterdam made the first entry in a diary that was to become one of the most remarkable documents to emerge from the Nazi Holocaust. Over the course of the next two and a half years, an insecure, chaotic and troubled young woman was transformed into someone who inspired those with whom she shared the suffering of the transit camp at Westerbork and with whom she eventually perished at Auschwitz. Through her diary and letters, she continues to inspire those whose lives she has touched since. She was an…
I've been going by the handle ‘Dr. Coffee’ online for over a decade now. I really do have a PhD. in coffee! In 2007 I embarked on a doctorate and wrote my thesis on ideas of quality in the coffee industry. The inevitable question is then, ‘what do you do with a PhD in coffee?’ and my answer was to open coffee shops, first in the UK and then in Canada. In recent years, I've switched from owning a coffee shop with books in it to a bookshop with coffee in it, but it still manages to satisfy both passions. I firmly believe there is no better combination than hot coffee and good books.
I am a fan of historical fiction anyway, but historical fiction and coffee? Brilliant! Liss’s book is set in 17th Century Amsterdam, which at the time was the centre of commerce in Europe, and in particular, one of the first ports to trade in the newly discovered coffee commodity. The main character, Miguel Lienzo is loosely based on Pasqua Rosé—the historical figure credited with opening the first coffee house in Oxford, England. There are diabolical schemes, adventure, plenty of double-crossing, flawed but likeable characters, and a very satisfying ending. To my knowledge, this is extremely historically accurate as well.
Amsterdam in the 1690s - a boom town with Europe's biggest stock exchange and traders who will stop at nothing to get even richer.
Lienzo, a Portugese Jew, stumbles across a new commodity - coffee - which, if he plays his cards right, will make him the richest man in Holland. But others stand in his way - rival traders who do all in their power to confuse the exchange and scupper his plans, his brother who is jealous of his financial wizardry and even his brother's beautiful wife who both tempts and spurns him in equal measure.
As an art historian and painter, I was inevitably drawn to the theme of artists and their muses when I started writing historical fiction. Female, passive, disempowered, and doomed sums up the fate of most muses. History is littered with their corpses - Rossetti’s model Lizzie Siddal committed suicide, Rodin’s model Camille Claudel went mad, Edie Sedgwick, made famous by Warhol, died of an overdose. The title ‘muse’ might offer immortality, but their lives were often hell on earth. My books set out to understand what drove these women, some of whom were artists in their own right, to make such huge sacrifices.
The muse occupies a slightly different role in Deborah Moggach's novel in that she spends a large part of the book supposedly already dead. Muses often exerted a posthumous influence on their artists, usually reflecting a legacy of guilt on the artist's part for his mistreatment or neglect. (Rossetti is a case in point. He had all his poems buried with his muse Lizzie Siddal, only to request permission to exhume them years later.) The painter, in this case, Jan van Loos, remains true, spending his life painting portraits of his muse Sophia and their love. Perhaps to be a muse, even a dead one, wasn't all bad.
From the bestselling author of The Best Exotic Marigold Hotel comes a thrilling story of power, lust and deception...
Seventeenth-century Amsterdam - a city in the grip of tulip fever.
Sophia's husband Cornelis is one of the lucky ones grown rich from this exotic new flower. To celebrate, he commissions a talented young artist to paint him with his beautiful bride. But as the portrait grows, so does the passion between Sophia and the painter; and ambitions, desires and dreams breed an intricate deception and a reckless gamble.
I'm an Anglo-Dutch writer living in the Netherlands, and the author of two books. Growing up in England I never thought much about rivers, but in the Netherlands they’re hard to avoid, and I’ve become fascinated by them. These days, when we all work remotely and (when rules allow) usually travel by car, train, or plane rather than boat, it’s easy to think of rivers as just scenic backdrops, rather than anything more important. But the truth is many of our cities wouldn’t exist without the waters which flow through them, and waterways like the Rhine, Thames, and Seine have had a huge influence on the history and culture of the people living alongside them. If you want to understand why somewhere like Rotterdam, London or Paris is the way it is, you could spend the day in a library or museum – but you’d be better off going for a boat ride or swim, poking around under some bridges and talking to the fishermen, boatmen, and kayakers down at the waterline.
This book tells the story of how the people of the Netherlands – the country where I’ve lived for more than a decade, and which I wrote my first book about – have not just managed to survive below sea level, in a land riddled with rivers and canals, but managed to turn their boggy environment to their advantage, becoming grandmasters at building dikes, draining land and constructing water-pumping windmills. The book isn’t a heavy read – the emphasis is on photos, maps, and interesting factoids – but it’s full of insights into everything from how Amsterdam was built to why the Dutch aren’t too worried about climate change. Perfect reading when I’m sitting in my garden in the Dutch countryside, with water on both sides.
All over the world, people learn in school that the Netherlands is a country that lies below sea-level. Dikes, polders, windmills and wooden shoes are well-known icons of this unusual nation, while its sturdy dams and storm surge barriers also enjoy world fame. But how does it all work? How can a country exist under such circumstances and even be prosperous? One would expect the Dutch to panic about climate change but they don’t seem to be; how come? This book will tell you all about it, both in words and photos, striking a balance between developments in the past,…
As a child with older sisters, I read their books beyond my age level under the blankets with a flashlight in bed at night. I became a reading addict. Raised in The Netherlands with the Second World War casting its large shadow on our lives, I only became interested, after my parents were gone, in how people survived and had to find their courage under impossible circumstances. They would never talk about those occupation years. My search into history led me to find the answers.
I loved this non-fiction book, and reading it, I often broke down in tears, realizing this personal and innocent true teenage story was all leading up to the tremendous death of millions of innocent people.
This is the only Anne Frank book that I recommend to everybody from a young age. It is THE introduction to the real events of World War 2.
With 30 per cent more material than previous editions, this new contemporary and fully anglicized translation gives the reader a deeper insight into Anne's world. Publication of the unabridged Definitive Edition on Penguin Audiobook, read by Helena Bonham-Carter, coincides.
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
In seventeenth-century Holland, Catrin is an artist who is instrumental in the founding of Delft pottery.
Rembrandt appears as someone who recognizes Catrin’s artistic talent, and Vermeer is also a minor character, though he is usually just referred to as Johannes. It was a lot of fun when I first realized who this Johannes was!
Through Catrin’s challenges, Van der Vlugt also explores the challenges that women faced at the time, including domestic violence and the difficulty of entering the art world.
From Simone Van Der Vlugt comes her European bestselling novel of a young woman's rise as a painter in Holland's Golden Age—perfect for readers of The Miniaturist, Tulip Fever, and Girl with a Pearl Earring.
Amsterdam 1654: against the backdrop of Holland's Golden Age, a dangerous secret threatens to destroy a young widow's new life.
Following the sudden death of her husband, twenty-five-year old Catrin leaves her small village and takes a job as a housekeeper to the successful Van Nulandt merchant family. Amsterdam is a city at the peak of its powers: science and art are flourishing in the…
